A fine quality 19th century Victorian 1827 pattern Rifles Officers sword, with fire gilded blade. Gothic steel guard with integral crowned rifles badge and curled quillon. Fish skin grip with copper wire binding. Part chequered backpiece with stepped pommel. Very slightly curved single edged blade, with flat spine and single fuller. Profusely etched blade, with foliage, cartouches, the VR royal monogram and crown, plus the Rifles Regimental badge. Proof mark to the ricasso, plus the remains of another mark to the other side, this was possibly the makers mark. Interestingly, both the guard and blade have gilded, with a good proportion of the original gilt finish remaining to the blade. Approximately 96cm length. Condition: generally very good. Steel guard intact, with darkened patina to the steel, and traces of the gilded finish in places. The fish skin grip is intact, but a couple of the copper wire bindings have become loose. The blade is good, with minor service wear, and clear etching. The gilding to the blade remains approximately 90% intact.
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§ Paula Rego R.A. (British/Portuguese 1935-2022) The Voices III, 1996-98 (Rosenthal 143) signed in pencil (lower right), inscribed Proof (lower left) and dedicated Colette / Christmas 1998 - Happy New Year / love hand-coloured etching with aquatintArtist's Proof aside from the edition of 25Unframed Dimensions:29cm x 19.5cm (11 1/2in x 7 3/4in) [plate]; 50.3cm x 35.6cm (19 3/4in x 14in) [sheet] Provenance:Provenance Gift of the Artist to Colette Morey de Morand and thence by descentLiterature T. G. Rosenthal, Paula Rego - The Complete Graphic Work, Thames & Hudson, London, 2012, p. 274, cat. no 143
§ †Eduardo Chillida (Spanish 1924-2002) Ze II - Que, 1969 (Koelen 69017) signed in pencil (lower right) and numbered 19/22 (lower left) etching on Chiffon de Mandeure paperEdition of 22, plus some Artist's ProofsPrinted by Arte Paris Published by Maeght Éditeur, Paris Dimensions:8.7cm x 8.7cm (3 1/2in x 3 1/2in) [plate]; 38.5cm x 31cm (15 1/4in x 12 1/4in) [sheet] Provenance:Provenance Private Collection, UKLiterature Martin van der Koelen et al., Eduardo Chillida – Opus P1: Catalogue Raisonné of the Graphic works, Chorus Verlag, Mainz, 1999, cat. no. 69017
§ Paula Rego R.A. (British/Portuguese 1935-2022) Untitled signed in pencil (lower right) and inscribed unique print / with love (lower left) etching with hand-colouring on wove paperUnframed Dimensions:49.5cm x 37cm (19 1/2in x 14 1/2 in) [plate]; 75cm x 57cm (29 1/2in x 22 1/2in) [sheet] Provenance:Provenance Gift of the Artist to Colette Morey de Morand and thence by descent to the present owner
§ Paula Rego R.A. (British/Portuguese 1935-2022) Accordion, c.2000s (Rosenthal 279) signed in pencil (lower right), numbered A/P and dedicated Happy Birthday dearest Colette (lower left) etching on Somerset Satin paperArtist's proof aside from the edition of 25Printed by Paul Coldwell at Culford Press, London Published by the Artist with Marlborough Graphics, LondonUnframed Dimensions:20.5cm x 19.5cm (8in x 7 3/4in) [plate]; 40.5cm x 33cm (16in x 13in) [sheet] Provenance:Provenance Gift of the Artist to Colette Morey de Morand and thence by descent to the present ownerLiterature T. G. Rosenthal, Paula Rego - The Complete Graphic Work, Thames & Hudson, London, 2012, cat. no 279
§ †Eduardo Chillida (Spanish 1924-2002) Ze III - Que, 1969 (Koelen 69018) signed in pencil (lower right) and numbered 42/50 (lower left) etching on Chiffon de Mandeure paperEdition of 50, plus approximately 14 Artist's ProofsPrinted by Arte Paris Published by Maeght Éditeur, Paris Dimensions:8.7cm x 8.7cm (3 1/2in x 3 1/2in) [plate]; 38.5cm x 31cm (15 1/4in x 12 1/4in) [sheet] Provenance:Provenance Private Collection, UKLiterature Martin van der Koelen et al., Eduardo Chillida – Opus P1: Catalogue Raisonné of the Graphic Works, Chorus Verlag, Mainz, 1999, cat. no. 69018
§ Paula Rego R.A. (British/Portuguese 1935-2022) Woman and Dog Inscribed in pencil For dear Colette / a very happy New Year from Paula (lower centre) hand-coloured etching on paperArtist's Proof - possibly uneditionedUnframed Dimensions:17cm x 20cm (6 3/4in x 8in) [plate]; 30.5cm x 25.5cm (12in x 10in) [sheet] Provenance:Provenance Gift of the Artist to Colette Morey de Morand and thence by descent to the present owner
§ †Eduardo Chillida (Spanish 1924-2002) Ze I - Que, 1969 (Koelen 69016) signed in pencil (lower right) and numbered 38/50 (lower left) etching on Chiffon de Mandeure paperEdition of 50, plus approximately 14 Artist's ProofsPrinted by Arte Paris Published by Maeght Éditeur, Paris Dimensions:8.8cm x 8.3cm (3 1/2in x 3 1/4 in) [plate]; 38.5cm x 31cm (15 1/4in x 12 1/4in) [sheet] Provenance:Provenance Private Collection, UKLiterature Martin van der Koelen et al., Eduardo Chillida – Opus P1: Catalogue Raisonné of the Graphic Works, Chorus Verlag, Mainz, 1999, cat. no. 69016
Bella Brisel (1929-1982) Bird and Face, limited edition etching, marked Epreuve dArtiste and signed in pencil lower right, numbered 15/20, plate size 14 x 19.5cm.; Together with another, Marie Rooney (20th century), View of a house and garden, etching, signed and dated 1977 lower right. 18 x 22cm (2).
Italy.- Piranesi (Giovanni Battista) Veduta della Basilica di S.ta Maria Maggiore con le due Fabbriche laterali di detta Basilica, etching and engraving, a very good impression of Hind's first state (of four), on laid paper with watermark of fleur-de-lis [Cf. Hind watermarks, no. 1, "found in early states"], platemark 400 x 540 mm (15 3/4 x 21 1/4 in), sheet 525 x 735 mm (20 5/8 x 29 in), central drying crease and faint crease to left quarter, minor spotting and surface dirt, unframed, [Hind 9], 1749
Italy.- Piranesi (Giovanni Battista) Avanzi del Tempio detto di Appollo nella Villa Adriana vicino a Tivoli, etching and engraving, on thick laid paper, a good impression of Hind's first state (of four), platemark 470 x 625 mm (18 1/2 x 24 1/2 in), sheet 500 x 740 mm (19 3/4 x 29 1/8 in), faint drying crease, some surface dirt and browning, hinged into mount, unframed, [Hind 85 i/iv], 1768; together with Avanzi del Tempio del Dio Canopo nella Villa Adriana in Tivoli, etching and engraving, Hind's second state (of four), platemark 460 x 580 mm (18 x 22 3/4 in), wide margins, hinged into mount, minor surface dirt, hinged into mount, unframed, [Hind 90 ii/iv], 1768 (2)
Italy.- Piranesi (Giovanni Battista) Vue des restes du pronaos de l'édifice que l'on peut considérer comme le Collège des Anfictions, plate 5 from "Différentes vues de Paestum", etching and engraving, on thick laid paper with watermark of Strasbourg lily within two concentric circles, platemark 500 x 680 mm (19 3/4 x 26 3/4 in), central vertical fold, faint exposure lines outside the image, minor browning, unframed, [1778].
Italy.- Piranesi (Giovanni Battista) Veduta degli avanzi del sepolcro della famiglia Plauzia sulla via Tiburtina vicino al ponte Lugano due miglia lontano da Tivoli, etching and engraving, a good impression of Hind's first state (of 3), on thick laid paper with indistinct Strasbourg lily watermark, platemark 465 x 625 mm (18 1/4 x 24 1/2 in), sheet 530 x 740 mm (20 7/8 x 29 1/8 in), minor surface dirt and light browning, unframed, [Hind 83 i/iii], 1761; together with Veduta di un Eliocamino per abitarvi l'Inverno, il quale era riscaldato dal Sole che s'introduceva per le Finestre, and with the title page to Piranesi's "Views of Rome", etchings and engravings, both hinged into mounts, unframed, circa 1775-1778 (3)
Italy.- Piranesi (Giovanni Battista) Veduta dell interno del Anfiteatro Flavio detto il Colosseo, etching and engraving, a good impression of Hind's third state (of five), on laid paper with watermark of Strasbourg lily, platemark 460 x 695 mm (18 x 27 1/2 in), sheet 560 x 805 mm (22 x 31 3/4 in), central vertical fold, minor surface dirt and light browning, hinged into mount, unframed, [Hind 78 iii/v], 1766.
Italy.- Piranesi (Giovanni Battista) Veduta del Romano Campidoglio con Scalinata che va dalla Chies d'Aracel, etching and engraving, Hind's second state (of five), on thick laid paper with watermark of Strasbourg lily within two concentric circles, platemark 410 x 550 mm (16 1/8 x 21 5/8 in), sheet 560 x 690 mm (22 x 27 1/8 in), central vertical fold with minor splitting to extreme edges, marginal nicks, some surface dirt, hinged into mount, unframed, [Hind 38 ii/v], [circa 1775].
Italy.- Piranesi (Giovanni Battista) Veduta del Monumento eretto dall'Imperador Tito Vespasiano per aver ristaurati gl' Aquedotti..., etching and engraving, a good impression of Hind's first state (of three) on thick laid paper with watermark not visible, platemark 490 x 705 mm (19 1/4 x 27 3/4 in), sheet 525 x 760 mm (20 3/4 x 29 3/4 in), central vertical fold, some spotting, browning and surface dirt, unframed, [Hind 119 i/iii], [1775]
Europe.- Keller (Heinrich) Aussicht vom Weissenstein auf dem Jura, Cant. Solothurn, panorama, etching and aquatint with hand-colouring, 190 x 1880 mm (7 1/2 x 74 in), two folding flaps, folding concertina-style into contemporary boards, publisher's printed label to upper cover, slightly worn, 8vo, 1818; together with 3 further folding maps, including C. Smith's 'A Physical and Topographical Map of France', 1824, William Gell's 'Rome and its Environs', and a folding map from the Survey of India, centered on the North West provinces including the districts of Almora and Garhwal, various sizes, all folding into boards, 8vo, 19th century (4)
NO RESERVE Italy.- Piranesi (Giovanni Battista) Veduta interna del Sepolcro di S. Costanza..., etching and engraving, Hind's third state (of six) on thick laid paper with double encircled fleur-de-lis, platemark 420 x 550 mm (16 1/2 x 21 3/4 in), sheet 530 x 730 mm (20 7/8 x 28 3/4 in), wide margins, central vertical fold, small split to upper section, numbered in ink '22' in the upper right marginal corner, unframed, [Hind 37], [1774]
ALBUM OF ANTIQUE ENGRAVINGS, ETCHINGS & PRINTS. All loose mounted in the album (some backed with card) and incl. Jaques Callot, De Droeve Ellendigheden van den Oorlogh, oblong. eng. title & 17 plates, n.d. but c.1730; others by Callot; lge. engraving Le Prince, Parte Bell Antica, Via Appia; portrait & character etchings & engravings; 18 etchings of knights & other figures; etching, Weirotter, Paysages; 7 others by Weirotter, various sizes; sepia print by Angelica Kauffman, 1770; portrait by Trautmann; 9 etched portraits, Castiliorus; man with turban, man in high fur hat & others after Rembrandt; 4 engravings, D. Geyn, biblical figures; 8 small port. engravings, J. Spilsbury; lge. engraved landscape/rustic scenes by Ruisdael & Dietrich; etchings of beggars & rustic figures by Van Vliet, & others; 4 port. etchings by Thomas Worlidge; peasant group by Berghem, & many others. Approx. 130 in a lge. quarto album, half morocco, marbled brds. & edges. Pencil ownership inscription "Cowper Rose", poss. the early 19th cent. author and "languid traveller".
Rembrandt Van Rijn (Dutch 1606 - 1669 Manner of) Antique Etching - Self Portrait With Plumed Cap, 5 inches (13cms) x 4 inches (10cms) approx. image size, oval, bears signature and date of 1634; possibly the work of Chevalier Ignace Joseph de Claussin (1766 - 1844); no further provenance, but an interesting item
Arthur Boyd AC, OBE (1920-1999) Landscape with Adam, Eve and angelsigned 'arthur boyd' (lower right); artist's proofetching68 x 55cmFramed dimensions: 88 x 73cm. Not examined out of the frame. Some foxing to upper margins and to the top third of the print, otherwise in nice, clean condition.
§ Walter Hoyle (1922-2000) St Catherine's College with Acanthus, Cambridgesigned and dated 'Walter Hoyle '73' (lower right); numbered 6/200etching and aquatint, unframed81 x 58.5cmThe aquatint has slight rippling to the paper and could have possibly been rolled at one point since its creation. However, the paper remains rather flat. The paper has signs of slight yellowing mainly to the top and bottom margins and outermost edges. There are visible signs of light foxing along the bottom margin- please refer to the photos - The pencil signature, inscription and edition is clear. The colours have retained fairly well. The upper left hand margin with a small tear (approx 1.5cm horizontally) 3cm from the top of the page.
§ Dame Elisabeth Frink CH, RA (1930-1993) Bullsigned 'Frink' (lower right); numbered E/A Ietching and aquatint28 x 26.5cmNot examined out of the frame, margins are obscured by the mount and therefore not available for inspection. One very small and faint area of discolouration to the top left hand edge, but otherwise in very nice, clean condition.
Bob Dylan (b.1941) American, 'Train Tracks' (white), from the 'Drawn Blank Series', 2012 giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 118/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, issued with Certificate, 83 cm x 59.5 cm glazed in a silvered frame, the frame 107 cm x 83 cm.Item is in good overall condition commensurate with age. No obvious signs of damage.
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