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Click here to subscribeI Simes, British, early-mid 20th century- "La Condee, Sark"; etching, signed and titled in pencil, 14.7x20cm: Lilian Reynolds, British exh 1928- Coastal scene; watercolour, signed, 25x36.5cm: Arthur Bassett Waller, British 1882-1975 exh 1911-1928- Coastal landscape, possibly in Sark, Channel Islands; watercolour, signed, 18.5x26cm., (3) (may be subject to Droit de Suite)
Edgar Chahine, French 1874-1947- `Venice: Casin dei Spiriti` 1923; etching, drypoint, signed in pencil below plate, 21.8x31.6cm: European School, late 19th/early 20th- Normandy street scene; etching, drypoint, signed and inscribed in pencil, 33.7x18.5cm: Peter Von Halm, German 1854-1923- Venetian Canal; etching, signed in pencil below plate and numbered 88/100, 29x17cm: After Allart Van Everdingen, German 1621-1657- River Landscape; etching, signed with initials within the plate, 12.5x15.5cm: Auguste Louis Lepere, French 1849-1918- `La Vallée du Petit Morin près de Verdelot`; etching, signed, numbered 2/50, signed within plate, monogrammed, blindstamp `Ed Sagot, editeur, Paris`, 17x21.2cm: After Auguste Louis Lepere, French 1849-1918- `Amiens`; etching, signed within plate, dated 07, and titled, 20x26.5cm., (6) (mounted, unframed), (may be subject to Droit de Suite)
* Sheila Oliner, British b.1934- `Tulips and Dragon Vase`; aquatint in colours, signed and titled, AP viii/xv, 59.2x44.5cm: Nick Phillips, British, 20th century- Untitled; etching with aquatint, signed and numbered II/X: Rosalind Forster, British b.1948- `Acanthus`; linocut in colours, signed and dated 96, titled and numbered 13/20 in pencil, 30x35cm: Anthony Moore, British, 20th century- Untitled; serigraph in colours, signed and dated 1984, numbered 31/50 in pencil, 65.5x58.5cm (4) (unframed) (may be subject to Droit de Suite) Provenance: Paintings in Hospitals
Gustave Leheutre, French 1861-1932- `La Passerelle du Quai Maubec, La Rochelle`; etching, drypoint, signed within the plate and in pencil, blindstamp `Ed Sagot Editeur, Paris`, 22.8x32cm: After Paul Signac, French 1863-1935- `Paris, le pont des arts avec remarquers`; etching & aquatint, signed within the plate, 12.2x18.7cm: After Pieter Dupont, Dutch 1870-1911- Moored row boats; etching, stamped `Atelier P.Dupont` in plate, 19x13.3cm: After Jean-Louis Forain, French 1852-1931- `Le Café de la Nouvell Athènes`; etching, signed within plate, 16x12cm: After Jean-Louis Forain, French 1852-1931- `Le Noeud de Cravate`; etching, 15x9.5cm: After Louis Anquetin, French 1861-1932- Woman with viola; lithograph, signed within plate, 28.5x24cm: After André Dauchez, French 1870-1948- Ship in a dry dock; etching, signed in plate, numbered 66/70 in pencil, signed and inscribed by Philippe Dauchez in pencil, 15.4x28.2cm: After Honore Daumier, French 1808-1879- `Les Amazones` from Histoire Ancienne, publ. by Bauger et Cie & Imp d`Aubert et Cie, Paris; lithograph, 33x24cm, (8) (unframed)
Sheila Horton, British, late 20th/early 21st century- "Market Street"; etching with aquatint and hand colouring, signed, titled and numbered 33/75, 32x45cm: together with seven further etchings with aquatint and hand colouring by the same artist entitled, "Comfortable Cat", "Captain Cat", "Macavity`s not there", "Jennyanydots", "Gorgeous Greed", "Anticipation of a Celebration" and "Twitcher`s Hat", all signed, titled and numbered, 32x45cm and smaller, (8), (unframed), (may be subject to Droit de Suite)
Mansoora Hassan, Indian, late 20th/early 21st century- "Changing Philosophy"; mixed technique etching with hand-colouring, signed, titled and dated `87 in pencil, 60x44.5cm: together with four other mixed technique prints by the same artist entitled, "Beyond Mystical Gate", "Carnival Dancers and Moghul Court", "Inner Circle", "Deeja", all signed, titled and dated, 44.5x60cm., ea: Rosalind Whitman, British late 20th/early 21st century- "Old City Sana`a 1, 2 and 3", three; etchings with aquatint printed in colours; signed, titled and numbered 7/50, 3/50, 12/50, 45x60cm., ea: together with one other etching with aquatint by the same artist entitled "View from Sain City", signed, titled and numbered 1/75, 45.5x62cm, (9) (unframed) (may be subject to Droit de Suite)
* Ruth Greer, British 20th century- `Pig Earth`, together with one other of an eagle; serigraph in colours with gold leaf, two, signed, titled and numbered 3/15 and 3/12 (untitled) in pencil, 43.4x44cm & 44x44cm: Alyson Stoneman, British b.1948- `Lamorna Slade` & `Autumn Evening, Lamorna`; aquatint in colours, two, signed and dated on one print, numbered 121/200 & 107/200 in pencil, 38x45cm & 37x42.5cm: Philip Greenwood, British b.1943 - `Hilltop`, `Shadowfield`, `Mooncooler` & Rural landscape; etching and aquatint in colours, four, signed and dated 80, 80, 78 & 81, all artists` proof bar one numbered 9/200, 43x33cm, 43x32.5cm, 43.5x51.5cm, & 42x50cm (unframed) (8) (may be subject to Droit de Suite) Provenance: Paintings in Hospitals
* Hilary Adair, British b.1943- `Window with Bottles`; etching with aquatint in colours, two, signed and dated `85, titled and numbered 31/60 & 32/60 in pencil, 34x43.5cm: Kenneth Leech, British c.1915-1990- `Still Waters` & `Lark Rise`; serigraph in colours, two, signed, titled and both numbered A/P 2/15, ea. 42x29.7cm: Elizabeth Bessant, British 20th century- `Yuccas`, `Walled Garden`, `The Pink House`; serigraph in colours, three, signed, titled and numbered, 129/200, A/P, 51/175, one dated 84, max. 50.7x41cm: Gerald Mynott, British b.1947- Vila in an avenue of poplars (two) & Venice; lithograph in colours, three, signed, and numbered 97/250, 105/250, A/P XVII/XXV ea. 60x48.5cm & 51x36.5cm (unframed), (10) (may be subject to Droit de Suite) Provenance: Paintings in Hospitals
* Aimee Birnbaum, American 20th century- `Noah`s Ark`; etching and aquatint in colours, signed, titled and numbered 18/75, blindstamp, 41x57cm: Margaret Florence Eyers, British 1908-2002- Abstract Compositions; serigraph in colours, two, one signed and dated 1975, 36x27cm (each): Kate Canning, 20th century- `Nosey Parker`, `Peeping Tom` & `Parrot Tulips I`; serigraph in colours, three, signed, titled and numbered LXIII/C, 61/150, AP, & 13/15 in pencil, one with blindstamp, max. 49x40cm: Covalt, 20th/21st century- `Blue Chairs`; serigraph in colours, signed, titled and numbered 79/150, 40.7x30cm: Hobart, 20th/21st century- `The Gorge`; serigraph in colours, three, signed, titled and numbered 43/100, 59/100, 60/100, ea. 45.5x60.8cm: Sweeney, 20th/21st century- `Fragments of Time II`; etching and aquatint, signed, titled, AP in pencil, 36x45cm (unframed) (10) (may be subject to Droit de Suite) Provenance: Paintings in Hospitals
* Martin Taylor, British b.1954- `Barn`; etching and aquatint in colours, signed, titled and numbered 28/150, blindstamp, 37.5x53cm: Arthur Byrne, British b.1946- `Autumn Garden 2` & `Derwent Valley 2`; lithograph in colours, two, signed, titled and numbered 25/275 & 245/250, max. 74.5x56cm: Rosalind Forster, British b.1948- `Beerwah` & `Wattamolla`; linocuts in colour, two, signed, titled and numbered 2/100 & 9/100, one dated 87 in pencil, max. 53x74cm: Jane Strother, British b.1956- `Mediterranean Plate` & `Summerhouse`; serigraph in colours, two, signed, titled and numbered 1/35 & 73/120, max. 61x57cm: David Lewis, British b.1955- `La Brie de la Balconette`; serigraph in colours, signed, titled and numbered 107/175, 71x52cm, (unframed) (7) (may be subject to Droit de Suite) Provenance: Paintings in Hospitals
Punch’s Pocket-Book, for 1873, 1874, 1875, 1877, 1878 (2 copies) & 1879, together 7 vols., each with hand-coloured folding frontis. and title, and wood eng. plts. by John Tenniel, Charles Keene and Linley Sambourne, a.e.g., orig. wallet-style full morocco, generally rubbed, and with some wear to vols. for 1873, 1878 and 1879 (especially the latter year), small 8vo, together with Leech (John), Follies of the Year, a series of coloured etching from Punch’s Pocket-Books 1844-1864, with some notes by Shirley Brooks, pub. Bradbury, Evans & Co., hand-coloured title, and twenty-one hand-coloured plates, occ. minor spotting, a.e.g., orig. red half morocco, gilt, rubbed and scuffed with a little wear to extrems., oblong 4to, plus Lemon (Mark), Mr. Punch: His Origin and Career. With a facsimile of his original prospectus, in the handwriting of Mark Lemon, printed by Jas. Wade, [1870], folding facsimile frontis., adverts at end, some soiling to frontis. and title, contemp. qtr. calf, rubbed, small 8vo. (9)
Flint (Sir William Russell). Etchings and Dry Points, Catalogue Raisonné by Harold J. L. Wright, pub. Colnaghi, 1957, orig. dry point etching frontis, signed in ink below image by artist, numerous b & w illusts. throughout, t.e.g., contemp. pubs. blue cloth gilt, spine a little faded, 4to. Limited edition, signed in ink by artist, 85/135. (1)
* Etchings. De Jongh (Tinnus), Seven Weeks Point, Ladysmith, Cape, n.d., c.1930, uncoloured etching, signed and titled by artist in pencil below image, 225 x 275 mm, together with, Sweet (W.H.), [Lynmouth], n.d., c.1930, uncoloured etching, signed by artist in pencil below image, slight spotting and mount staining, 205 x 285 mm, plus Hawkins (H.C.), The Sea Gulls, n.d., c.1930, uncoloured etching on Japanese tissue, 90 x 110 mm, with another ten similar, various sizes and condition. (13)
A contemporary watercolour drawing by Keith Lawrence depicting a shop and cottages in Henley and inscribed verso `Backdrop Hart Street`, a late 19th century coloured etching after F. Hunter of Boulter`s Lock and another coloured engraving `Billiards` after E. .F Lambert all glazed in gilt frames
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![* Piranesi (Francesco). Veduta Dell’Anfiteatro Flavio Detto il Colosseo, [1810 or later], uncoloured etching, slight ma](http://lot-images.atgmedia.com/SR/10729/2860743/721-2012331111754_468x382.jpg)
