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Lot 665
*Julia Farrer b.1950- "Babel I"; hand coloured drypoint etching, together with five further coloured drypoint etchings from the series Babel, each signed, titled and numbered 17/25, 15x29cm each: together with three other hand coloured etchings entitled Theatre I, II, III, each signed, titled and numbered 10/14 in pencil, by the same hand, (9), (may be subject to Droit de Suite)
Lot 681
*Gordon House 1932-2005- "Mumbles, Dylan"; etching with aquatint, signed, titled and numbered 22/30 dated 84 in pencil: together with eight other signed etching with aquatints from the Mumbles Pontardawe Penrhos suite, to include Gwent Man, Benjamin Evans, Cwmdu and others, each bearing gallery label for Waddington Graphics, London attached verso, 29x29cm each, (9) (part unframed)
Lot 741
John Rocque d.1762- "Prospect of Greenwich Hospital from the River"; published 1739, hand-coloured engraving with text, 37x69cm: Robert Martin fl. mid-19th century- "A View of the West Side of London Bridge in the Year 1710..."; publ: 124 High Holborn, hand-coloured lithograph, after Sutton Nicholls 18th century: British school early 19th century- "The New London Bridge..."; publ: by R H Laurie, No 53 Fleet Street, hand-coloured etching with aquatint, (3)
Lot 786
Percy Robertson RPE 1869-1934- "Hindhead"; drypoint etching, signed within the plate and in pencil, together with one other drypoint etching, entitled "Guilford from Saint Catherine's", signed within the plate and in pencil, 21x29cm and 31x22cm respectively: Myles Birket Foster RWS 1825-1899- "Feeding the Ducks", etching, monogrammed within the plate, numbered 5/100: together with two further prints after Baxter/Le blond, (5)
Lot 101
FRANS WIDERBERG-TAROT (b 1949) Figure studies, etching, 10" x 13", together with Gillian Lever, 'Wish', oil on panel, 11" square; a ceramic plate decorated with design after Craigie Aitchison , unframedand a watercolour landscape by Bernard Cecil Gotch together with a catalogue of his works (5).
Lot 142
E * HRBEK AND J HORN - 'The Gothic and Baroque styles in Old Prague', 13 wood engravings from the original set of 20, each approximately 3" x 1 3/4", four framed, the rest loose and in original presentation folder with title page; HALVARD STORM - 'Akershus Castle', pencil signed and title in the margin, etching, 10" x 15", another by the same hand 'Henrik Ibsen's House', pencil signed and dated 28, 9" x 12" and two further etchings by Anton Muriel and Christian Christiensen (4).
Lot 41
A RARE PAIR OF INDO-PERSIAN LEG DEFENCES, 19TH CENTURY of shallow guttered form, each with shaped upper terminal, reinforced with panels of steel at the edges, fitted with a buckle and a hinge top and bottom (each missing one buckle), and etched throughout with foliage inhabited by a meditating figure at the top and a further figure attacked by a bandit at the base (small dents and cracks, etching worn) 36cm; 14 1/8in high (2)
Lot 114
A RARE ETCHED PARTISAN THIRD QUARTER OF THE 17TH CENTURY with broad flat tapering central blade, formed with a pair of broad lugs cut with a series of notches at the base, retaining some etching over its surface including foliate rondels within a stylised architectural framework, the inscription 'Fide sed Cuide' on one side and a further inscriptions on the other, moulded neck, faceted socket, and a pair of short straps, on a later wooden haft 84cm; 33in head This belongs to a group of partisans variously dated 1631 and 1632 and were almost certainly used by a Protestant Army from Saxony. Another, formerly in the collection of Count Dimitri de Nesselrode and William Randolph Hearst is the the Kretzschmar von Kienbusch collection, inv. no. 594. Another was sold in these rooms 26th June 2007, lot 219 (£3600 including premium).
Lot 169
A GERMAN ETCHED STATE HALBERD OF THE GUARD OF THE ARCHDUKE FERDINAND OF AUSTRIA, DATED 1596 with tapering central spike of hollow-diamond section, axe-blade with concave leading edge and an additional spike behind at the top and bottom, down-curved rear spike cut with a series of notches, etched over almost its entire surface with scrolling foliage, ball flowers and pellets on a granular ground, with the date on each side of the spike, the initial 'F E Z O' for Ferdinand Erzherzog zu Österreich on each side, one incorporating the crowned Archducal arms, the other with the flaming fire steels and ragged staves of Burgundy, etched socket, a pair of plain straps, on a later wooden haft fitted with an additional pair of straps (the etching with areas of wear) 109.2cm; 43in head Archduke Ferdinand of Austria and Syria was born at Graz in 1578 and died in Vienna 1637. He became King of Bohemia in 1617, King of Hungary in 1618, and Holy Roman Emperor in 1619. His election to the Imperial throne was delayed as the Bohemians realised that he might threaten their religious, and possibly civil, liberties. Consequently he was renounced as King of Bohemia and the Elector Palatine, Frederick V, was chosen in his place. The ensuing uprising sparked the beginning of the thirty years war.
Lot 172
AN ITALIAN DECORATED HALBERD, THIRD QUARTER OF THE 16TH CENTURY with central spike of diamond section, forward-leaning curved axe-blade with reinforced tip, formed with a rounded lug pierced with a hole at the top and bottom and engraved and chiselled with foliage inhabited by a naive beast, triangular rear fluke engraved with a cityscape, pierced with a three holes and with reinforced tip, tapering socket, a pair of short straps, on a later wooden haft (the etching worn, possibly later) 73.2cm; 28 7/8in head Two further decorated halberds from this group are preserved in the Poldi Pezzoli Museum, Milan, cat. nos. 486 & 487, the catalogue of which ascribes the decoration to a later date.
Lot 184
A RARE PARTISAN, LATE 17TH CENTURY, PROBABLY GERMAN with tapering central blade formed with a pronounced medial ridge, a pair of flat up-turned crescentic basal lugs and retaining traces of etching including a figure in contemporary dress on each side, tapering faceted socket and a pair of straps, on an early wooden haft finely carved with scale pattern within a trellis framework of foliage, and with conventional foliage top and bottom (minor chips) 88.5cm; 34 7/8in head Partisans with carved hafts are notably rare.
Lot 308
TWO GERMAN HUNTING SWORDS, MID-18TH CENTURY the first with straight fullered blade double-edged towards the point and stamped with a mark on one side, brass hilt cast in low relief, including down-turned shell-guard decorated with a woodland scene, knuckle-guard decorated with a hunter and cap-pommel (rubbed, later grip); the second retaining traces of etching on the blade, brass hilt including down-turned shell-guard cast with rococo scrollwork, a hunting horn and a reclining lion, and stained horn grip (quillon missing, worn) the first: 59.2cm; 23 1/4in (2) Inv. nos. E013 & E204
Lot 365
AVERY RARE PAIR OF GERMAN ETCHED AND BLUED GAUNTLETS, EARLY 17TH CENTURY each formed of a strongly flared and pointed cuff made in one piece with a riveted join at the inside of the wrist, its upper edge decorated with a plain inward turn accompanied by a recessed border and retaining its original lining-band, two wrist-plates, five metacarpal-plates, shaped knuckle-plate, scaled finger-defences and laterally-hinged thumb-defence with matching scales, the leathers of the scales in each case original, the cuff, wrist-plates and metacarpal-plates medially ridged, the subsidiary edges of all parts of the gauntlet bevelled, its surfaces blued and in the case of the outside of the cuff etched through the bluing with four framed panels of foliate scrolls (lightly pitted and patinated overall) Given its extreme delicacy, decoration of the kind seen here, produce by etching with a weak acid through a blued surface to bright metal, rarely survives. It can be recorded as early as 1477 on a bard made by Lorenz Helmschmied of Augsburg for the Emperor Frederick III, and now preserved in the Hofjagd-und Rüstkammer, Vienna, Inv. No. A 69 (Thomas & Gamber 1976, pp. 104-5, pls 32-3). A mid-16th century besague, probably of Brunswick make, in the Royal Armouries Museum, Leeds, also shows such decoration, as does an early 17th century couter, possibly of Flemish make, in the Fitzwilliam Museum, Cambridge.
Lot 270
Isaac Cruickshank. The Corporation's Visit To Their Brother in Smithfield or The Hog's Feast On Being Sworn-In. Hand-coloured etching. 9.5in (24.1cm) x 13.75in (34.9cm). Together with another Cruickshank etching 'The Corporation Hogs Journey to Smithfield in Stile'. Both published by S. W. Fores, 1790. Both mounted, framed and glazed. Both with edge tears and repairs. (2).
Lot 1017
Giovanni Battista Piranesi 1720-1778- "Veduta della Basilica di Sta. Maria Maggiore con le due Fabbriche laterali di detta Basilica",(View of the Basilica of S. Maria Maggiore with its two flanking wings), from the suite 'Veduta di Roma', publ c.1760-1775; etching, 40x53cm. P rovenance: The estate of John Hayes, 1929-2005. see lot 1011 for full details.
Lot 1083
Late 20th Century School- Reclining male nude; black and pink chalk on buff paper, 50.5x67.5cm: Mark Clark b.1959- Crouching male nude; etching, signed, numbered 7/75 and dated 2002 in pencil, 57x38.5cm. Provenance: the latter with Jill George Gallery, London according to lab el attached to the reverse of the frame (may be subject to Droit de Suite)
Lot 1099
Sam Kaner, American 1924-1990- Untitled abstract form; aquatint printed in colours, signed and numbered 10/40 in pencil, 21x17cm: together with one other aquatint by the same hand, signed and numbered 5/10 in pen, 13x18cm: Olaf Markussen, Danish 1912-1995- Interior cafe scene with figures; etching with aquatint, signed, titled and dated 39 in pencil, 30.5x24.5cm: William O'Hly, exh 1935-37- Factory workers at a night cafe; lithograph, signed, dedicated and dated 3 Apr 35 in pen, 42x33.5cm., (4)
Lot 1285
*Max Bill, German 1908-1994- "Vier Glieder"; lithograph printed in colours, signed, numbered 27/50 and dated 73 in pencil, 60x50cm. Provenance: with L S Graphics according to label attached to the reverse of the frame: Erika Hegewisch, German b.1937- "Das Buch"; etching,signed , numbered 1/24 and dated 87 in pencil, 56x76cm. Provenance: with Waddington Graphics, London according to label attached to the reverse of the frame: Norman Stevens 1937-1988- "The Fox, Knightshayes"; etching with aquatint in colours, signed, titled, numbered 31/75 and dated 1982 in pencil, 40x56cm. Provenance: with Waddington Graphics, London according to label attached to the reverse of the frame, (3) (may be subject to Droit de Suite)
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