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Lot 1

PAUL GEISSLER (GERMAN). Coloured etching, signed in pencil and inscribed. 8 1/4 x 8 1/2ins.

Lot 1

A Tunbridgeware Picture Frame], rectangular, worked with a continuous band of fruiting oak leaves on a rosewood ground, 33.5 by 26cm (currently containing a small coloured etching of a river landscape with castle)

Lot 1

John Clark after Henry Alken (18th/19th century) "Fox Hunting, Going into Cover"; "Breaking Cover"; "Fox Hunting"; "Digging Out"] Inscribed, published by T.McLean, Jan 1st 1820, also inscribed on a later label verso, a set of four fox hunting prints from the National Sports of Great Britain (50 plates), coloured engravings with some etching, each 25cm by 35.5cm (9 3/4in by 14in) (4)

Lot 1

Charles Frederick Tunnicliffe R.A., R.E., A.R.C.A.(Lond) (1901-1979) "The Thief", a Study of a Bull Tethered to a Tree Stump, a Farmer Looking on in the Distance] Signed artist's proof, limited edition print 27/75, black and white etching, 15cm by 22.5cm (6in by 8 3/4in) (pl)

Lot 1

Charles Frederick Tunnicliffe R.A., R.E., A.R.C.A.(Lond) (1901-1979) "To The Slaughter", a Farmyard Scene with Two Figures Grappling with a Pig, Other Figures Nearby] Signed artist's proof, limited edition print 47/75, black and white etching, 28cm by 21cm (11in by 8 1/4in) *Purchased circa 1940 from the etching club

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Winifred Marie Louise Austen R.I., R.E. (Mrs Frick) (1876-1964) "Widgeon Rising"] Signed artist's proof, also bearing the artist's monogram within the impression, black and white drypoint etching, 13.5cm by 11cm (5 1/4in by 4 1/4in) (pl)

Lot 1

Winifred Marie Louise Austen R.I., R.E. (Mrs Frick) (1876-1964) "The Decoy Pool", Ducks on a Pond] Signed artist's proof, also bearing the artist's monogram within the impression, black and white drypoint etching, 18cm by 25.5cm (7in by 10 1/4in) (pl)

Lot 1

Herbert Thomas Dicksee R.E. (1862-1942) "Peril", a Lioness and her Cubs at the Entrance to a Cave] Signed artist's proof, original drypoint etching, published by Frost & Reed, Printsellers, October 1st 1910, 31.5cm by 56.5cm (12 1/4in by 22 1/4in)

Lot 1

Edward Bawden R.A. (1903-1989) "The Pagoda"] Signed artist's proof, limited edition print 34/40, black and white etching, 16.5cm by 10.5cm (6 1/2in by 4 1/4in) (pl)

Lot 1

Stanley William Hayter (1901-1988) "Famille Japonaise"] Signed artist's proof, limited edition 47/100, also dated "55" (1955), a coloured etching, 39cm by 27cm (15 1/2in by 10 1/2in)

Lot 1

Louis Icart 'EMPTY CAGE' Etching with colours, signed in pencil and numbered 238, published 1922, oval 44 x 32cm to plate mark

Lot 1

Louis Icart 'BLUE MACAW' Etching with colours, signed in pencil, numbered 125, published in 1920 by Estampe Moderne, Paris, oval 47 x 38cm

Lot 1

Louis Icart 'BLINDFOLD' Etching with colours, signed in pencil, numbered 68, published in 1922 by Estampe Moderne, Paris, 36 x 43cm

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Louis Icart 'PLAYFULNESS' Etching with colours, signed in pencil, numbered 273, published in 1922 by Estampe Moderne, Paris, 43 x 30cm

Lot 1

John Fullwood, etching of Ben Lomond with sailing boats, titled and signed in margin, mounted and enclosed in ebonised frame. (14.25in x 8.75in).

Lot 1

A signed etching titled 'In Lochaber' by John G Mathieson, the landscape with tree in foreground, signed in pencil in margin, mounted and enclosed in ebonised frame with gallery label to verso. (9in x 12.5in).

Lot 1

A pair of signed etchings titled A Peep at Braemar and Giullen Castle, signed indistinctly by the artist in margin, titled, mounted and enclosed in ebonised frames; and another etching by W H Beynon of Kirby's market place, signed in margin, mounted and enclosed in ebonised frame. (3).

Lot 1

Mintons View Series printed tile ,portraying Cardinal Beaton's house, Edinburgh, after etching by L.T. Sweatenham, 6in (15.2cm) square

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Wilfred Applebey Edinburgh University ,etching, signed in pencil ,13 3/4in x 11 1/2in (35cm x 28.5cm)

Lot 1

Two coloured lithographic prints of Newcastle by Chas Manning, the Sandhill and Castle Garth, laid-down, mounted and enclosed in ebonised frames; together with a numbered etching of the Golden Hind on the Tyne, signed in pencil, mounted and gilt framed. (3).

Lot 1

Arthur John Trevor Briscoe, R.I. (1873-1943) Trawling etching with drypoint, signed and numbered '69/75' (in the margin), some time staining P.10? x 7 in. (27.4 x 17.8 cm.)

Lot 1

Rowland Langmaid (1897-1956) Britannia , White Heather and Shamrock racing in the Solent off Ryde etching with drypoint, signed and inscribed 'Ryde' (in the margin), in good condition P.3? x 12? in. (8.8 x 32.4 cm.)

Lot 1

William Lionel Wyllie, R.A. (1851-1931) Cherry Gardens, Rotherhithe etching with drypoint, signed, some time staining, unexamined out of frame P.5? x 13? in. (14.7 x 34.9 cm.)

Lot 1

William Lionel Wyllie, R.A. (1851-1931) County Hall, London etching with drypoint, signed, minor time staining, unexamined out of frame P.4? x 11? in. (12.1 x 29.3 cm.)

Lot 1

Rowland Langmaid (1897-1956) Silvery Solent etching with drypoint, signed and inscribed 'Silvery Solent.' (in the margin), in good condition, unexamined out of frame P.5? x 8? in. (14.7 x 21.6 cm.)

Lot 1

English School, 18th Century A ship of war of the third rate with rigging and at anchor and a section of a ship of war of the first rate hand-coloured engraving 13? x 15 in. (33.8 x 38.1 cm.); a reproduction of the Sovereign of the Seas , after Isaac Sailmaker; a reproduction after G. Cruickshank; and an etching of H.M.S. Agamemnon by Seymour Haden (4)

Lot 1

William Lionel Wyllie, R.A. (1851-1931) Villefranche etching with drypoint, signed and numbered 'No LXXX' (in the margin), minor time staining, unexamined out of frame P.6 3/8 x 14? in. (16.3 x 37.5 cm.)

Lot 1

Arthur John Trevor Briscoe, R.I. (1873-1943) The futtock shrouds etching with drypoint, signed and numbered '51/75' (in the margin), some overall time staining, unexamined out of frame P.9? x 6? in. (24.2 x 15.9 cm.)

Lot 1

After Frederick Walker ARA - 'The Plough', engraved and fore edge signed by Robert A. Macbeth. Inscription on verso - 'Signed Artist's Proof etching, 500 proofs only published - plate destroyed'

Lot 1

After L.M. Sehgmann - Bird etching 'Monedula', c.1800

Lot 1

2 framed prints, Douglas DC3 (1937), 57x40cm, and a sepia etching of an Armstrong Whitworth Whitley bombing up (1940), 48x29cm

Lot 1

A 19th Century Woolwork Picture, of a bird, 48 x 45 cm, and an etching after Maude Parsons (2)

Lot 1

Frank H Mason, The Old and New Shields, signed and inscribed, etching, 20x25cm.

Lot 1

George Baxter (publisher) The Gardeners Shed, chromolithograph print, 37x26cm, together with an etching signed Percival Gaskell (2).

Lot 1

The Practical Magazine: An Illustrated Cyclopaedia of Industrial News, Inventions and Improvements. for the use of those concerned in raw materials, machinery, manufactures, building, and decoration, 2 vols, 1873, numerous b & w illusts, free endpapers browned, contemp. scarlet half morocco, sl. rubbed, spine gilt lettered, cloth sides a little stained, large 4to, together with Sparrow (Walter Shaw), A Book of British Etching from Francis Barlow to Francis Seymour Haden, 1st ed, 1926, numerous b & w illusts, book ticket of Christopher Mendez, untrimmed, orig. faun cloth with red lettering, spine sl. darkened and a little rubbed at head and foot, 4to in 8's, plus eighteen other art/architecture/decorative arts related, mostly mod. with d.j's. (20)

Lot 1

William Lionel Wyllie, (1851-1931), 'The Thames with a view of Tower Bridge', etching, signed in pencil, unframed, 8" x 10"

Lot 1

Henry Moore, (1898-1986), 'A ewe and lamb', etching, signed in pencil and numbered 52/80, 6" x 7.5"

Lot 1

William Lionel Wyllie and Edward Slocombe, 'Unloading the freighter', etching, signed by both artists in the plate and in pencil, 11" x 20"

Lot 1

A framed and glazed topographical etching by E Sharland and a pair of etchings of Venetian scenes by A Gaymard (3)

Lot 1

ROWLAND LANGMAID "The Laws of the Navy", etching, signed in pencil in the margin, 13.5" x 9" and three similar plates (4).

Lot 1

WILLIAM LIONEL WYLLIE "London Pride", etching, signed in pencil in the margin, 4.75" x 14".

Lot 1

WILLIAM LIONEL WYLLIE "Blackwall Reach", etching, signed in pencil in the margin, 7.5" x 13".

Lot 1

WALTER SICKERT "Ennui", etching, 17.5" x 11.25" (unframed) and a quantity of other unframed works (a lot)

Lot 1

FRED A. FARRELL "Menton", etching, 12" x 19.5" (unframed) and four similar works (5)

Lot 1

ROWLAND LANGMAID "HMS Victory", etching, signed in pencil titled in the margin, 6.75" x 7.5"

Lot 1

'Japanese notable and female attendant examining cloth', Elyse Ashe Lord: hand-coloured etching, signed in pencil and numbered '3/75' image size 37.5cm x 49.5cm, and 'Figures admiring blossom in a Garden' and 'Two warriors on white horses', by the same hand, coloured etchings signed in pencil and numbered '43/75' and '50/75', and image sizes, 22cm x 23cm and 22.5cm x 26.5cm respectively, all framed and glazed.

Lot 1

Frank Harding. Cleopatra's Needle. Etching. 8 3/4 in. (22.3cm) x 11 3/4 in. (29.8cm). Signed and titled in pencil by artist below the image. Mounted, framed and glazed.

Lot 1

Malcolm Osborne, RA, PRE (1880-1963) The bullock cart Etching Pencil signed 13cm x 35cm Unframed.

Lot 1

Walter Cox after Millais. Girl with cherries, etching, signed in pencil, facscimile artist signature in margin with rose remarque, blind trade guild stamp, plate size 16" x 13", together with a hand coloured etching of a 16thC German nobleman. 121/2" x 8".

Lot 1

M.SNAPE, "A STUDY FROM NATURE", ETCHING, LATE 19th CENTURY, signed lower left, framed. 19cm by 26.5cm

Lot 1

GIOVANNI BATTISTA PIRANESI (1720-1778) CARCERI D'INVENZIONE: THE GOTHIC ARCH (pl.XIV) (Robison 40) Etching with engraving, c.1749-1760, a well-inked impression on laid Plate 41 x 55cm. ++ Apparently in good condition; a little light foxing; unexamined out of frame

Lot 1

WENCESLAUS HOLLAR (1607-1677) AUTUMN (THE SEASONS) Etching, 1643, one plate from the set of four Image 21.7 x 17.3cm. ++ Superficial silverfish damage in background in the top third of the subject; rubbed area in text lower right; old, soft handling creases

Lot 1

REMBRANDT HARMENSZ. VAN RIJN (1606-1669) CHRIST AT EMMAUS: LARGE PLATE (Bartsch 87) Etching, with drypoint and engraving, 1654, third (final) state, with thread margins 21.1 x 16cm. ++ A little scattered foxing; minor wear at extreme sheet edges; rust(?) mark upper right; 3mm disk of possible damage lower centre (not affecting overall image); on support sheet

Lot 1

SIR DAVID YOUNG CAMERON, RA, RSA, RWS (1865-1945) CHINON (Rinder 330) Etching with drypoint, printed with tone, 1902, signed in pencil and inscribed "A souvenir of more spring days in Touraine-1902.-JJW JMC" Plate 16 x 19.25cm. ++ A little pale foxing

Lot 1

SIR DAVID YOUNG CAMERON, RA, RSA, RWS (1865-1945) MAR'S WORK, STIRLING No.2 (R.386) Etching with drypoint, printed with tone, 1907, signed in pencil Plate 25 x 17cm. ++ Slight light-staining

Lot 1

SIR DAVID YOUNG CAMERON, RA, RSA, RWS (1865-1945) CRAIGIEVAR (R.402) Etching with drypoint, printed with tone, 1908, on thin japan, signed in pencil Plate 23.5 x 35cm. ++ Tipped onto wove support sheet; paper discoloration; small paper losses along platemark top edge

Lot 1

SIR DAVID YOUNG CAMERON, RA, RSA, RWS (1865-1945) THE TURKISH FORT (R.409) Etching with drypoint, printed with tone, 1909, signed in pencil and inscribed with title Plate 13.5 x 26cm. ++ Laid down onto card; some cockling; some foxing and stains (glue?) in the margins

Lot 1

SIR DAVID YOUNG CAMERON, RA, RSA, RWS (1865-1945) BEAUVAIS (R.412) Etching with drypoint, printed with tone, 1910, signed in pencil Plate 25.5 x 20.5cm. ++ A very little pale foxing

Lot 1

SIR DAVID YOUNG CAMERON, RA, RSA, RWS (1865-1945) YVON (R.425) Etching with drypoint, printed with tone, 1911, signed in pencil Plate 26.5 x 12.4cm. ++ Very slight light-staining

Lot 1

SIR DAVID YOUNG CAMERON, RA, RSA, RWS (1865-1945) THE ESK (R.440) Etching with drypoint, 1912, signed in pencil Plate 9.5 x 24cm. ++ Good condition

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