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John Clark after Henry Alken (18th/19th century) "Fox Hunting, Going into Cover"; "Breaking Cover"; "Fox Hunting"; "Digging Out"] Inscribed, published by T.McLean, Jan 1st 1820, also inscribed on a later label verso, a set of four fox hunting prints from the National Sports of Great Britain (50 plates), coloured engravings with some etching, each 25cm by 35.5cm (9 3/4in by 14in) (4)
Charles Frederick Tunnicliffe R.A., R.E., A.R.C.A.(Lond) (1901-1979) "To The Slaughter", a Farmyard Scene with Two Figures Grappling with a Pig, Other Figures Nearby] Signed artist's proof, limited edition print 47/75, black and white etching, 28cm by 21cm (11in by 8 1/4in) *Purchased circa 1940 from the etching club
English School, 18th Century A ship of war of the third rate with rigging and at anchor and a section of a ship of war of the first rate hand-coloured engraving 13? x 15 in. (33.8 x 38.1 cm.); a reproduction of the Sovereign of the Seas , after Isaac Sailmaker; a reproduction after G. Cruickshank; and an etching of H.M.S. Agamemnon by Seymour Haden (4)
The Practical Magazine: An Illustrated Cyclopaedia of Industrial News, Inventions and Improvements. for the use of those concerned in raw materials, machinery, manufactures, building, and decoration, 2 vols, 1873, numerous b & w illusts, free endpapers browned, contemp. scarlet half morocco, sl. rubbed, spine gilt lettered, cloth sides a little stained, large 4to, together with Sparrow (Walter Shaw), A Book of British Etching from Francis Barlow to Francis Seymour Haden, 1st ed, 1926, numerous b & w illusts, book ticket of Christopher Mendez, untrimmed, orig. faun cloth with red lettering, spine sl. darkened and a little rubbed at head and foot, 4to in 8's, plus eighteen other art/architecture/decorative arts related, mostly mod. with d.j's. (20)
'Japanese notable and female attendant examining cloth', Elyse Ashe Lord: hand-coloured etching, signed in pencil and numbered '3/75' image size 37.5cm x 49.5cm, and 'Figures admiring blossom in a Garden' and 'Two warriors on white horses', by the same hand, coloured etchings signed in pencil and numbered '43/75' and '50/75', and image sizes, 22cm x 23cm and 22.5cm x 26.5cm respectively, all framed and glazed.
REMBRANDT HARMENSZ. VAN RIJN (1606-1669) CHRIST AT EMMAUS: LARGE PLATE (Bartsch 87) Etching, with drypoint and engraving, 1654, third (final) state, with thread margins 21.1 x 16cm. ++ A little scattered foxing; minor wear at extreme sheet edges; rust(?) mark upper right; 3mm disk of possible damage lower centre (not affecting overall image); on support sheet

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78388 item(s)/page