We found 71174 price guide item(s) matching your search

After Jacqueline Allen Devereux (British Contemporary) - ‘Boy Meets Girl’. Signed etching and aquatint numbered 11/100. Plate size 6 x 8 ¾ ins (15 x 22.5 cms)(CONDITION REPORT:  Condition good)

Meister der rheinischen oder niederländischen Schule des 15. JahrhundertsAUFERSTEHUNG CHRISTI Öl auf Holz. Parkettiert. 89 x 62,5 cm. Ungerahmt.Die Altartafel zeigt Jesus, der dem Sarkophag entsteigt, während die geharnischten Wächter schlafen. Die Grablege als Steinsarkophag wiedergegeben, auf dessen beiseite geschobenen Deckel ein Engel betet. Im landschaftlichen Hintergrund links ein hochziehender, grün bewachsener Berg mit bekrönender Burg. Rechts hinten ein gotischer Turm mit Fialen, nach damaliger Vorstellung der Tempel von Jerusalem. Dem kräftigen Rot in Schild und Gewändern der Wächter steht ein zartes Rot im Umhang Jesu gegenüber, das Haupt von einer goldenen Nimbusscheibe hinterfangen.Der Bildtypus mit Darstellung von Sarkophag, des bereits heraustretenden rechten Fußes, der Felserhöhung links sowie Kreuzstab mit Fahne findet sich ebenso in einem Kupferstich von Martin Schongauer (1430-1491). So dürfte das vorliegende Gemälde unter dem Einfluss dieser Grafik stehen. (11506016) (11)Rhine or Dutch School, 15th centuryTHE RESURRECTION OF CHRISTOil on panel. Parquetted.89 x 62.5 cm.Unframed.The altar panel shows Jesus stepping out of the sarcophagus while the armour-clad guards are sleeping. An etching by Martin Schongauer (1430-1491) also shows this image type and the painting on offer for sale in this lot may be influenced by it.

A framed and glazed signed etching by British artist Stanley Anderson RA (1884 - 1966), men at work in Paris. H.46 W.55cm

A framed and glazed signed etching by British artist Stanley Anderson RA of St Helen's place. Signed. (1884 - 1966) of H.39 W.46cm

A collection of pictures including T.H.Victor signed watercolour 'Lands End', B.J.M.Donne seascape together with etching of Cornwall & Devon, all framed and glazed (8).

PABLO PICASSO (1881-1973)Le Repos du Sculpteur III, from La Suite Vollard (Bloch 173; Baer 326.Bd) Etching, 1933, on Montval laid paper with Picasso watermark, signed in pencil, from the edition of 260 (there was also the edition of 50 with wider margins), printed by Lacourière, published in 1939 by Ambroise Vollard, Paris, the full sheet, with deckle edges on three sides, with mount and backboard staining, framedPlate 194 x 267mm. (97 5/8 x 10 1/2in.); Sheet 340 x 450mm. (13 3/8 x 17 3/4in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Minotaure mourant, from La Suite Vollard (Bloch 198; Baer 366.Bd) Etching, 1933, on Montval laid paper with Vollard watermark, signed in pencil, from the edition of 260 (there was also the edition of 50 with wider margins), printed by Lacourière, published in 1939 by Ambroise Vollard, Paris, the full sheet, with deckle edges left and right, with mount and backboard staining, framed Plate 195 x 268mm. (7 5/8 x 10 1/2in.); Sheet 340 x 445mm. (13 3/8 x 17 1/2in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Le Repos du Sculpteur II, from La Suite Vollard (Bloch 172; Baer 325Bd) Etching, 1933, on Montval laid paper with Vollard watermark, signed in pencil, from the edition of 260 (there was also the edition of 50 with wider margins), printed by Lacourière, published in 1939 by Ambroise Vollard, Paris, the full sheet, with deckle edges left and right, with mount and backboard staining, framedPlate 194 x 267mm. (97 5/8 x 10 1/2in.); Sheet 340 x 445mm. (13 3/8 x 17 1/2in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Pablo Picasso (1881-1973)El Arrastre, avec Écuyère et Putto, from Series 347 (Bloch 1509; Baer 1525 B.b.2.) Etching, 1968, on BFK Rives wove paper, signed and inscribed Epreuve d'artiste in pencil, one of 17 artist's proofs aside from the edition of 50, printed by Crommelynck, published by galerie Louise Leiris, 1969, Paris, the full sheet, with a deckle edge below, in very good condition Plate 314 x 416mm. (12 3/8 x 16 3/8in.); Sheet 452 x 565mm. (17 3/4 x 22 1/4in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Joan Miró (1893-1983)L'Aigle et la Femme la Nuit (Dupin 22) Etching and drypoint, 1938, on Arches wove paper, signed and numbered 19/30 in pencil (there were also a few artist's proofs and hors commerce impressions), published by P. Loeb, Paris and P. Matisse, New York, the full sheet with a deckle edge below, authenticated by Rosa Maria Malet in pencil verso, Fundació Joan Miró, Barcelona, in good condition, framedPlate 225 x 295mm. (8 3/4 x 11 1/2in.); Sheet 330 x 443mm. (13 x 17 3/8in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Joan Miró (1893-1983)Mobles Juncosa (Dupin 987) Etching and aquatint in colours, 1977, on wove paper, signed and numbered 'H.C 10/11' in pencil, one of some hors commerce impressions reserved for collaborators (there were also seven on Japan paper numbered in Roman numerals and 17 on Arches numbered in Arabic numerals), printed by Atelier Robert Dutrou, Paris and Son Abrines, Palma de Mallorca, authenticated by Rosa Maria Malet in pencil verso, Fundació Joan Miró, Barcelona, the full sheet, with deckled edges at right and below, in good conditionSheet 340 x 270mm. (13 x 10 1/2in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Joan Miró (1893-1983)Le Coq de Bruyère (Dupin 736) Etching and aquatint in colours, 1975, on wove paper, signed and numbered 40/50 in pencil, printed by Morsang, published by Maeght, Paris, the full sheet, in good conditionPlate 432 x 178mm. (17 x 7 in.); Sheet 705 x 457mm. (27 3/4 x 18in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Joan Miró (1893-1983)Le Roi des Ombres (Dupin 975) Etching in colours, 1977, on Rives wove paper, signed and numbered II/XIII in pencil, an hors commerce impression aside from the edition of 50, printed by Arte Adrien Maeght, published by Maeght, Paris, the full sheet, in good conditionPlate 275 x 190mm. (10 3/4 x 7 1/2in.); Sheet 425 x 310mm. (15 x 11in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Joan Miró (1893-1983)Le Puisatier (Dupin 516) Etching, aquatint and carborundum in colours, 1969, on Arches paper, signed and inscribed HC in pencil, an hors commerce impression aside from the edition of 75, printed by Morsang, published by Maeght Editeur, Paris, the full sheet, with a deckle edge above, authenticated by Rosa Maria Malet in pencil verso, Fundació Miró, Barcelona, with creases to the left and right margins, otherwise the image in good conditionPlate 985 x 595mm. (38 3/4 x 23 3/8in.); Sheet 1057 x 675mm. (41 3/4 x 26 5/8in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Joan Miró (1893-1983)Rupestres II, Cave Paintings II (D.1036) Etching in colours, 1979, on Arches wove paper, signed and numbered 'H.C XI/XV', one of 15 hors commerce impressions aside from the edition of 30, printed by Joan Barbara, published by Maeght, Barcelona, printed to the edges of the full sheet, with deckle edges at left and right, in very good conditionSheet 760 x 563mm. (29 7/8 x 22in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Joan Miró (1893-1983)Gaudi XIX (Dupin 1078) Etching and aquatint in colours, 1979, on Arches wove paper, signed and numbered HC XI/XV in pencil, one of 15 hors commerce impressions aside from the edition of 50, printed by Joan Barbara, published by Maeght, Barcelona, printed to the edges of the full sheet, with a deckle edge at right, in very good conditionSheet 676 x 915mm. (26 3/4 x 36in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Joan Miró (1893-1983)La Commedia dell'Arte V (Dupin 1110) Etching in colours, 1979, on Arches wove paper, signed and numbered HC. XIII/XV, one of 15 hors commerce impressions aside from the edition of 30, printed by Joan Barbara, published by Maeght, Barcelona, printed to the edges of the full sheet, with deckle edges above and below, with pale foxing verso, otherwise in good conditionSheet 560 x 758mm. (22 x 29 7/8in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Eduardo Chillida (1924-2002)Bi-Aizatu (Koelen 88011) Etching with aquatint, 1988, on wove paper, signed and inscribed 'P.A.' in pencil, one of three artist's proofs aside from the edition of 50 (there were also 10 artist's proofs numbered in Roman numerals), printed by Taller Hatz, San Sebastián, published by Galerie Lelong, Zurich, printed to the edges of the full sheet, in very good condition, framedSheet 1400 x 970mm. (55 1/8 x 38 1/8in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Richard Diebenkorn (1922-1993)Spreading Spade, from Clubs and Spades Spit-bite aquatint and etching with drypoint in colours, 1981, on wove paper, signed with initials, dated and inscribed 'AP' in pencil, one of 11 artist's proofs aside from the edition of 35, published by Crown Point Press, San Francisco, with their blindstamp, the full sheet, in very good condition, framedImage 458 x 482mm. (18 x 19in.); Sheet 927 x 775mm. (36 1/2 x 30 1/2in.)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Sam Francis (1923-1994)Pioggia d'Oro (Golden Rain) (Lembark I.97; SFE-069 RC) Etching and aquatint in colours, 1988, on Fabriano wove paper, signed and numbered IX/X in pencil, one of 10 artist's proofs aside from the edition of 30, published by 2RC Edizioni d'Arte, Rome, the full sheet, in good conditionImage 984 x 1994mm. (38 3/4 x 78 1/2in.); Sheet 1159 x 2413mm. (45 5/8 x 95in.)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Sean Scully (born 1946)Liliane #3 Sugarlift, spitbite and hard ground etching, 2010, on wove paper, signed and numbered 28/40 in pencil, the full sheet, in very good conditionSheet 860 x 710mm. (34 x 28in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sean Scully (born 1946)Liliane #1 Sugarlift, spitbite and hard ground etching, 2010, on wove paper, signed and numbered 28/40, the full sheet, in very good conditionSheet 860 x 710mm. (34 x 28in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

LUCIAN FREUD (1922-2011)A Couple (Hartley 7) Etching, 1982, on wove paper, signed with initials and numbered 24/25 in pencil (there were also 10 artist's proofs), published by Thames and Hudson, London at the occasion of the publication of Lawrence Gowing's book Lucian Freud (deluxe edition), the full sheet, in very good condition, framedImage 114 x 114mm. (4 1/2 x 4 1/2in.); Sheet 276 x 216mm. (10 7/8 x 8 1/2in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lucian Freud (1922-2011)Head of Bruce Bernard (Hartley 26) Etching, 1985, on cream Arches wove paper, signed with initials and inscribed 'trial proof' in pencil, a proof aside from the edition of fifty (there were also 15 artist's proofs), printed by Palm Tree Studios, co-published by James Kirkman, London, and Brooke Alexander, New York, 1986, the full sheet, in very good condition, framedPlate 295 x 295mm. (11 5/8 x 11 5/8in.); Sheet 506 x 467mm. (19 7/8 x 18 3/8in.)Footnotes:ProvenanceJames Kirkman, London. Desmond Page Limited, London.Timothy Taylor Gallery, London. Rex Irwin, Woollahra, Australia.Purchased from the above by the current owner.ExhibitedLucian Freud: Works on Paper, 1988-89, Arts council/Southbank Centre, LondonTouring Exhibition: Hayward Gallery, London; Ashmolean Museum, Oxford; The Fruitmarket Gallery, Edinburgh; Ferens Art Gallery, Hull; Walker Art Gallery, Liverpool; Royal Albert Memorial Museum, Exeter; and The Fine Arts Museums of San Francisco (illustrated in catalogue)Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)Marguerites (M.C.A. Tokyo 141) Etching, softground etching and aquatint in colours, 1973, on wove paper, signed, dated and numbered 27/100 in pencil, printed by Atelier Crommelynk, Paris, published by Petersburg Press, London and New York, with the artist's copyright blindstamp, the full sheet, in good conditionPlate 235 x 18mm. (9 1/4 x 7 1/8in.); Sheet 415 x 316mm. (16 1/4 x 12 1/2in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

David Hockney (born 1937)A Picture of Two Chairs, from Moving Focus Series (MCA Tokyo 286) Lithograph and etching in colours, 1985-86, on HMP hand-made paper, signed, dated and numbered 28/60 in pencil, published by Tyler Graphics, Los Angeles, with their blindstamp, the full sheet, with pale time staining at sheet edges, otherwise in good conditionSheet 480 x 559mm. (18 3/4 x 22in.) Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

William Kentridge (born 1955)Reeds (Krut pp. 54-55) Etching and aquatint with drypoint printed in black and red with hand-colouring in pastel, 1996, on wove paper, signed, dated and numbered 5/40 in pencil, published by David Krut Fine Art, London, the full sheet, in very good condition, framed Sheet 1186 x 1575mm. (46 3/4 x 62in.)Footnotes:ProvenanceDavid Krut Fine Art, London.Acquired directly from the above by the current owner.Click for an instant shipping quoteThis lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

PIERRE-AUGUSTE RENOIR (1841-1919)Le Chapeau Épinglé, 1ère Planche (Delteil; Stella 6) Drypoint, 1894-95, on laid paper, with watermark MBM, an extremely rare proof before steel-facing, printed with rich burr and subtle plate tone, the full sheet with a deckle edge at right, in good condition; together with a copy of Pierre-Auguste Renoir, L'Oeuvre Gravé et Lithographié, Catalogue raisonné by Loys Delteil (2) Plate 116 x 82mm. (4 1/2 x 3 1/2in.); Sheet 353 x 225mm. (13 7/8 x 8 7/8in.)Footnotes:Le Chapeau Épinglé (The Pinned Hat) was a favourite subject for Renoir and he produced several versions in different media including pastel, oil, etching and lithography, one of which is offered in lot 8. The models were Berthe Morisot's daughter, Julie Manet and her cousin Jeanne Gobillard. Renoir had made a study of the girls whilst on holiday with Morisot's family which formed the basis for this image.This is an extremely rare drypoint of the subject, with rich burr and square corners to the plate, indicating an impression before steel-facing. Neither Delteil nor Stella were aware of any impressions before steel-facing. Stella refers to this image as an etching, presumably as he had only seen impressions printed after the plate was steel-faced for inclusion in various publications, such as Manet and the French Impressionists and Die Impressionisten by Théodore Duret. Prior to this impression appearing at auction, only impressions taken after the plate was steel-faced have come to the market. L'Institut d'histoire de l'art and La Bibliotèque nationale de France in Paris have an impression listed as a drypoint, though the drypoint is not as strong in comparison with this example.It is a wonderful example of the artist's command of the technique, creating the sfumato lines to give a soft, delicate quality to the subject. The composition showing the simple act of fixing a hat is crafted to draw the viewer in. There is a sense of mystery in the fact that Julie's face is obscured from view, focussing our attention on this small act, which highlights the friendship between the two girls and the expertise of the artist.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Giovanni Battista Piranesi1720 Mogliano - 1778 Rom"Veduta di Piazza Navona sopra le rovine del Circo Agonale" - "Veduta del Tempio della Fortuna virile"Zwei Radierungen auf Bütten (Hind 16, II bzw. 46, I). 51,2 x 74 cm. Min. gebräunt. Dabei: "Veue dela Piazza e Tempio di Santa Maria della Rotonda". Radierung auf Bütten (bei R. Alberts, Den Haag). 51,2 x 74 cm. Knickfalten. Min. gebräunt. Giovanni Battista Piranesi1720 Mogliano - 1778 Rome"Veduta di Piazza Navona sopra le rovine del Circo Agonale" - "Veduta del Tempio della Fortuna virile"Two etchings on handmade paper (Hind 16, II and 46, I). 51.2 x 74 cm. Slightly browned. Additional: "Veue dela Piazza e Tempio di Santa Maria della Rotonda". Etching on handmade paper (by R. Alberts, The Hague). 51.2 x 74 cm. Creased. Slightly browned.

•JOHN BYRNE (SCOTTISH B. 1940) FUTURE IMPERFECT Etching, signed, inscribed with title, artist's proof, 10 x 13cm (4 x 5"), 24 x 28cm (9 1/2 x 11") (sheet) Condition Report: On inspection the sheet is naturally wavy, the print is in good condition and no significant issues.

•TRACEY EMIN CBE, RA (BRITISH B. 1963) BUT YEH Etching, signed, inscribed with title, numbered 91/200 and dated (20)08, 20 x 30cm (8 x 11 3/4"), 43 x 33cm (13 x 17") (sheet) Condition Report: On inspection the work is in good condition and no significant issues.

•SEAN SCULLY RA (IRISH B. 1945) FOLD Etching with aquatint, signed, inscribed with title printer's proof 1/3, 9 x 13cm (3 1/2 x 5"), 37 x 28cm (14 1/2 x 11") (sheet) Condition Report: On inspection the etching is in good condition and no significant issues.

•DAME ELIZABETH VIOLET BLACKADDER DBE, RA, RSA, RSW, RGI (SCOTTISH B. 1931) PAPHIOPEDILUM INSIGNE MAUDIAE COLORATUM Etching with aquatint, signed artist's proof, 61 x 45cm (24 x 17 3/4"), 70 x 53cm (27 1/2 x 21") Condition Report: Some light handling creases in the margin area in the bottom left hand corner.

•LAURENCE BIDDLE (BRITISH 1888-1968) GERANIUMS, PRIMROSES, SCILLAS, PRIMULA Oil on board, signed and dated (19)31, 33 x 51cm (13 x 20") Inscribed with title on signed etching by the artist verso Condition Report: On close inspection there is fine cracking in the pigment evident over areas of the left foreground and some of the red petals of the flowers in the bowl.

•LAURENCE BIDDLE (BRITISH 1888-1968) GERANIUMS, PRIMULAS AND FORGET-ME-NOTS Oil on board, signed, 30 x 45cm (11 3/4 x 17 3/4") Inscribed with title on signed etching by Laurence Biddle and W. B. Simpson label verso Condition Report: On close inspection there are three quite small areas of damage with retouching down the right edge, two similar down the left edge, one again similar at bottom edge on the left and a two tiny brown marks at the top edge on the left.

WILLIAM LIONEL WYLLIE RA, RE, RI, RBA, NEA (BRITISH 1851-1931) TIMBER SHIPS IN THE THAMES Drypoint etching, signed, 11 x 33cm (4 1/4 x 13") Condition Report: Some light discolouration around the margins at the edges of the amount.

•PHILIP REEVES RSA, PRSW, ARCA, RE, RGI (BRITISH 1931-2017) BIRHAM Etching with aquatint in colours, signed and inscribed with title Artist's Proof, 20 x 24cm (8 x 9 1/2") Condition Report: The surface of the paper appears naturally uneven, the etching is in good condition.

•DAME ELIZABETH VIOLET BLACKADDER DBE, RA, RSA, RE, RGI (SCOTTISH B. 1931) ORCHIDACEA, BRASSIA, VERRUCOSA (SPIDER ORCHID) Etching with aquatint, signed printers proof, 30 x 35cm (11 3/4 x 13 3/4"), 51 x 53cm (20 x 21") Condition Report: The etching is in good condition and no significant issues.

•DAME ELIZABETH VIOLET BLACKADDER DBE, RA, RSA, RSW, RGI (SCOTTISH B. 1931) ORCHIDACEAE ODONLOGLOSSUM GRANDE Etching with aquatint, signed artist's proof, 35 x 30cm (13 3/4 x 11 3/4"), 63 x 51cm (24 3/4 x 20") (sheet) Condition Report: The etching and paper are found in good condition and no significant issues.

•JOHN BYRNE (SCOTTISH B. 1940) ULTRAMARINE ANGEL Etching, signed and inscribed title and HC, 18 x 14cm (7 x 5 1/2"), 30.5 x 24cm (12 x 9 1/2") (sheet) Condition Report: The work is found in good condition and no significant issues.

•SANDRA BLOW RA (BRITISH 1925-2006) REVOLVE Etching with aquatint, signed, inscribed with title, numbered 65/65 and dated (20)03, 55 x 55cm (21 1/2 x 21 1/2"), 77 x 73cm (30 1/4 x 28 1/2") (sheet) Condition Report: On close inspection there is a small light crease mark in the paper at the bottom right corner of the sheet, overall in good condition and no significant issues.

•SANDRA BLOW RA (BRITISH 1925-2006) THREE SQUARE Etching, signed, inscribed with title, numbered 68/75 and dated (20)03, 55 x 55cm (21 1/2 x 21 1/2"), 77 x 73cm (30 1/4 x 28 1/2") (sheet) Condition Report: Available upon request

•CALUM INNES (SCOTTISH B. 1962) FROM MEMORY Etching, signed, inscribed M, numbered 6/60 and dated (20)06, 22 x 20cm (8 1/2 x 8"), 47 x 37cm (18 1/2 x 14 1/2") (sheet) Condition Report: The work is found to be in good condition and no significant issues.

Leonard Robert Brightwell (1889-1983) British, 'Gentleman of the Jury', drypoint etching, signed and inscribed in pencil, 9" x 15".

Frank Harding (19th /20th century) 'Waterloo Bridge', Etching, signed and inscribed in pencil, 6" x 14", and three further etchings by the same hand of 'Westminster Bridge', 'Below Tower Bridge' and 'Portsmouth', all signed and inscribed in pencil.

Leonard Robert Brightwell (1889-1983) British, 'Three of A Kind', drypoint etching, signed and inscribed in pencil, 8" x 10".

W. L. Wyllie (1851-1931) British, An etching of shipping on a busy river, 4.75" x11".

Leonard Robert Brightwell (1889-1983) British, 'No Monkeying', drypoint etching, signed and inscribed in pencil, 15" x 10".

After Charles Chaplin, A reclining female nude, etching, signed in pencil and inscribed, 9" x 6".

Circle of John Crome, two travellers in a wooded landscape, etching, numbered '10', 4.25" x 3.25", (unframed).

George Cruikshank (1792-1878) 'Sales By Auction', hand coloured caricature etching, 9.5" x 13.5". (A/F), (unframed).

Royal Naval Officer’s 1845 Pattern Sword. The 80cm blade by Larcom & Vesey Portsea with single fuller, etched with the Imperial crown, fouled anchor and scrolling foliage panels. Gilt metal hand guard, the incorporated fouled anchor oval now defaced, lion’s head and mane pommel and backstrap, wire bound white fish skin grip, gold and navy sword knot (distressed). Black leather scabbard with three gilt metal chapes, the blade clean, the etching weak, gilt areas rubbed £160-£200 --- This is an age restricted lot: the successful buyer will be required to either collect in person, or arrange specialist shipping.

A German Second War Kriegsmarine Officer’s Dagger. An extremely nice condition WKC bladed naval officers dagger, very fine etching of sailing ships to both sides of the mint bright blade. All of the fittings, which include the upper pommel, cross guard and scabbard retain original gilt. Deep orange grip, all grip wire intact. Red felt washer still in place. The scabbard is with the extra thickness scabbard band rings, very good condition £300-£400 --- This is an age restricted lot: the successful buyer will be required to either collect in person, or arrange specialist shipping.

Eric Monk framed Etching on silver sheet of Sandringham no 33 of 100 in original box with certificate 6 x 4 inches

Etching White Horse Close Edinburgh 13 x 11 inches

ADRIAN ETIENNE DRAIN (1885-1961) “Two young girls in bonnets”, coloured drypoint etching, limited edition No’d. 55/75, numbered lower left, signed in pencil lower right, image size 32 cm x 22 cm

EARLY 20TH CENTURY ENGLISH SCHOOL "Flowers in terracotta pots", a still life study, oil on board, unsigned, size including frame approx 57 cm x 68 cm, together with AFTER HENRIKUS ELIAS RODDENBURG (1895-1987) "Crematorium Reims", study of church tower with figure in foreground, coloured etching, signed and dated '31 lower right, limited edition No'd. 19/150 and titled lower left, image size approx 51 cm x 37 cm

Nevinson, C.R.W. Modern War Paintings by C.R.W. Nevinson With an essay by P.G. Konody. London: G. Richards, 1917. 4to, number 34 of 75 copies with an etching "Returning to the Trenches" in pocket at rear, coloured frontispiece signed in pencil by Nevinson and 24 plates, original green cloth, uncut, dustwrapper split along upper joint and with loss at head of spine, the etching signed in pencil and dated 1916, lower margin of etching discoloured, rear endpaper spotted

[Johnson, Samuel] A Journey to the Western Islands of Scotland London: W. Strahan, 1775. First edition, 8vo, finely bound in tree calf gilt by Riviere [ESTC T84319]; with a loosely inserted etching from The Gentleman's Magazine (volume 45, 1775) entitled Dr Saml Johnson's Introduction to a Highland Hut, 11.5 x 15.5cm

An original coloured map of Caermardi by Christopher Saxton, together with two reproduction maps (prints) 'The Countye of Monmouth' by John Sppede and another of Monmouth by Rob Morden, as well as a West view of Usk Castle in the county of Monmouth, coloured etching. (4)(B.P. 21% + VAT)