Gerald Leslie Brockhurst (1890-1978)/Chiquita (1923/4)/signed in pencil/etching, 16.5cm x 13.25cm/Brockhurst attended Birmingham School of Art, winning prizes which enabled him to travel widely in Europe, where he studied and was influenced by the works of the Renaissance artists. His early portraits were often modelled on his wife, but he soon gained prominence as a portrait painter of important society figures including the Duchess of Windsor. His fame grew when he moved to New York in 1939, and in 1951 he was elected into the National Academy of Design. CONDITION REPORT: Print looks a little grubby but otherwise fair condition - there is a small patch of foxing to the top right. There is more noticeable foxing to the mount and some thunderbugs under the glass. The bottom section of the frame has snapped off and has been temporarily stuck back however the whole structure of the frame is no longer sound.ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
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Gerald Leslie Brockhurst (1890-1978)/Genevieve (1922)/signed in pencil/etching, 20cm x 15cm CONDITION REPORT: Print seems a little grubby but otherwise fair condition. Some water damage and other marks to mount. Frame shabby and a little unsound. There is an affixed paper label to the back which is inscribed in pencil (see additional images). As well as the pencil signature on the print, there is a pencil inscription to the mount: W30 pubd state ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Elisabeth Frink RA (1930-1993)/Ganymede/from the series Children of the Gods, 1988/signed in pencil and numbered 40/70/etching with aquatint, 56cm x 39cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
John Howard (born 1958)/Birmingham Canal - West Smethwick/signed and dated 1991/drypoint etching, 47cm x 41cm/and two other similar views of industrial Birmingham/each from editions limited to 25 copies [3] CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Valerie Thornton (1931-1991)/Etruscan Encounter/signed, titled and dated '83 in pencil, artist's proof/etching with aquatint, paper size 39.5cm x 57cm, unframed CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Hans Brasch (1882-1973)/Portrait Head/initialled and dated HB 1906 within plate/etching, plate size 22cm x 16cm, unframed/Provenance: gallery stamp/code CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Felix Mixelle after Claude Louis Desrais TWO 'DE SAINT SAUVEUR' PLATES Paris: Chez Pavard, 1788 Hand coloured line and aquatint etching on laid paper, bottom left: Desrais del., bottom right: Mixelle sculp., tanning along edge of window mount, top edges taped to backing, framedPlate titles: Hottentote; Hottentotfrom de Saint Sauveur's, Costumes Civils actuels de tous les Peuples connus, vol 4plate size: 17,3 by 11,4cm each
David Inshaw (British B.1943) - Moonlit scenes with crouching figures and a wild beast, black and white artists proof etching, signed and with presentation inscription dated 90, 19 x 16cm approx visible sheet size, together with a sepia coloured monochrome etching understood to be by Harry Snook (20th century school) of a surrealist style scene of grotesque animals and birds after Hieronymus Bosch (16th century Dutch) 10 x 12.5cm approx visible sheet size, both framed (2)
Pablo Picasso (Spanish 20th Century, 1881-1973), Taureau aile Contemple par Quatre Enfants (Winged Bull Watched by Four Children), Etching from the Vollard Suite, on laid paper with Vollard watermark, signed Picasso bottom right, full margins, from 260 edition, French inventory number '377' in pencil bottom left, mounted and framed. Measurements 23.5 x 29.5 cm (PL), frame 48 x 54 cm Consigned from a Deceased Estate
Pablo Picasso (Spanish 20th Century, 1881-1973), Femme Torero II (Female Bullfighter II), from the Vollard Suite, Etching on laid paper with Vollard watermark, signed Picasso in pencil bottom right, from edition of 260, French inventory number '378' bottom left corner, full margins, mounted and framed. Measurements 29.5 x 23.5 cm (PL), 45 x 34 cm (SH), frame 54 x 46 cm Label verso- The Alpha Gallery, Boston. Consigned from a deceased estate
Harry Becker (British 1865-1928), Toilers of the Field, Women in Wartime, Etching and Drypoint, 1914, mounted and framed. Measurements 14.5 x 30 cm (PL), frame 31.5 x 36 cm Featured in and together with a copy of Thompson, Loftus and Bell, 2002, Harry Becker 1865-1928, The Wildlife Art Gallery, Suffolk, page 74
Anthony Gross (British 1905-1984) Etching of a French Street, signed and dated 1923 bottom right, titled bottom left, framed. Measurements 14.5 x 20 cm (PL), frame 24.5 x 30 cm Label verso: A.F. Hodges, Stourbridge Anthony Gross (1905-1984) was a British etcher and painter, born in London. Around the time this etching is dated Gross was training at the Central School of Arts and Crafts, Academie Julien and Ecole des Beaux-Arts in Paris He was taught etching under Jozef Hecht and was a lifelong friend of Stanley William Hayter. During World War Two he was appointed as an official war artist which saw him create depictions of English coastal defences and training grounds as well as being posted to the front lines of India and Burma, and was present at D-Day. His style is characterised by the use of variegated marks to express tone and texture rather than cross-hatching. Post-war, Gross divided his time between London and le Boulve. In 1965 he created the first President of the Printmakers Council and in 1982 awarded a CBE
Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Femme nue assise". Medium: Etching & softground. Date: Composed 1906. Printed later from the original plate. Dimensions: Overall size: 14 7/8 x 11 1/8 in. (378 x 283 mm). Image size: 7 3/8 x 5 9/16 in. (187 x 141 mm).Lot Note(s): Cream wove paper. Full margins, deckle edges. Fine impression. Fine condition. Literature/catalogue raisonne: Delteil 12. Comment(s): Earlier impressions of this print regularly sell at auction for well over $1,000. [25684-3-300]
Artist: Karima Muyaes (Mexican, b.1960). Title: "Encanto Nocturno". Medium: White line color etching with aquatint. Date: Composed 2007. Dimensions: Image size: 11 3/16 x 15 3/4 in. (284 x 400 mm).Lot Note(s): Signed, titled, dated and numbered in pencil. Edition of 30. Pale cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: James Orr's provisional catalogue number PR157. Provenance: Private collection, New Canaan, Connecticut. A Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [18288-0-400]
Stanley Anderson C.B.E., R.A. (1884-1966), Etching on paper, Boaters by a riverside ruin, Signed in pencil lower right margin, FATG blind stamp lower left margin, 30cm x 38.54cm, Framed, With after Mose Bianchi (Italian 1840-1904), Etching on paper, 'Pifferaio', Unsigned, titled and numbered '9/80' to lower margin, 17cm x 12.5cm, Framed and glazed (2)
Artist: Edouard Vuillard (French, 1868 - 1940). Title: "Le Square Vintimille". Medium: Etching & drypoint. Date: Composed 1937. Printed later. Dimensions: Overall size: 19 1/2 x 13 5/8 in. (495 x 346 mm). Image size: 13 1/4 x 10 1/16 in. (337 x 256 mm).Lot Note(s): Signed in the plate, lower right. Edition of 500. Cream wove paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: RM66. Comment(s): According to 'Gordon's Art Reference' the auction record for this print is $1,546 (Bassenge, Germany, 2006). Image copyright © Artists Rights Society (ARS), New York. [25689-3-400]
Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Le Parc Monceau". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 7/8 x 13 in. (454 x 330 mm). Image size: 13 1/4 x 10 1/8 in. (337 x 257 mm).Lot Note(s): Signed in the plate, lower left. Edition of 500. Cream laid paper. Very wide (full?) margins. Fine impression. Very good condition; would be fine condition but for a crease in upper right and left margin, well away from image, would be matted out when framed. Literature/catalogue raisonne: Francis Bouvet, “Bonnard: The Complete Graphic Work” #114. Comment(s): This print is sometimes erroneously called “Jardin public” or “Les Champs-Elysees.” Image copyright © Artists Rights Society (ARS), New York. [25685-3-300]
Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "L'Age de Soleil (Pour Roby)". Medium: Etching. Date: Composed 1960. Printed later. Dimensions: Overall size: 16 1/8 x 13 1/16 in. (410 x 332 mm). Image size: 9 1/8 x 7 1/8 in. (232 x 181 mm).Lot Note(s): Signed in reverse in the plate. The original edition was 114. Cream wove paper. Full margins (deckle edges four sides). Fine impression. Fine condition. Literature/catalogue raisonne: Bloch 680. Comment(s): A similar example to ours sold at an auction high of $1,880 in 2008. Image copyright © Artists Rights Society (ARS), New York. [25683-3-300]
Artist: James Rizzi (American, 1950-2011). Title: "Kiss - Kiss - Bang - Bang". Medium: Color silkscreen and lithograph. Date: Composed 1997. Dimensions: Overall size: 6 5/8 x 14 in. (168 x 356 mm). Image size: 4 x 11 5/8 in. (102 x 295 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27817-3-400]
Artist: James Rizzi (American, 1950-2011). Title: "Junk Yard". Medium: Color lithograph. Date: Composed 1995. Dimensions: Overall size: 14 3/4 x 9 5/8 in. (375 x 244 mm). Image size: 10 x 6 1/2 in. (254 x 165 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27802-3-400]
Artist: James Rizzi (American, 1950-2011). Title: "It Ain't Over Till It's Over". Medium: Color silkscreen. Date: Composed 1992. Dimensions: Overall size: 11 11/16 x 12 in. (297 x 305 mm). Image size: 8 1/2 x 9 in. (216 x 229 mm).Lot Note(s): Bears signature in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27791-3-400]
Artist: Karima Muyaes (Mexican, b.1960). Title: "Historia del Quijote". Medium: Etching with aquatint. Date: Composed c1980s. Dimensions: Overall size: 15 x 11 1/16 in. (381 x 281 mm). Image size: 13 3/4 x 9 5/8 in. (349 x 244 mm).Lot Note(s): Signed in pencil, lower right; titled in pencil, lower center; editioned in pencil, lower left. Very good to fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [19251-0-250]
Artist: James Rizzi (American, 1950-2011). Title: "Everyone Wants to Win the World Cup". Medium: Color silkscreen and lithograph. Date: Composed 1992. Dimensions: Overall size: 11 3/4 x 12 in. (298 x 305 mm). Image size: 8 1/2 x 9 in. (216 x 229 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27787-3-400]
Artist: James Rizzi (American, 1950-2011). Title: "Drawing Attention". Medium: Color lithograph. Date: Composed 1997. Dimensions: Overall size: 29 1/4 x 10 1/8 in. (743 x 257 mm). Image size: 25 5/8 x 7 1/4 in. (651 x 184 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27755-5-600]
Artist: Henri Matisse (French, 1869 - 1954). Title: "Cite - Notre Dame". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 20 x 15 1/16 in. (508 x 383 mm). Image size: 13 1/8 x 10 1/4 in. (333 x 260 mm).Lot Note(s): Signed in reverse in the plate, lower right. Cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: D248. Comment(s): An example from the original printing has sold at auction for as high as $2,585 (Christie's, East [19th & 20th Century, Contemporary Prints & Multiples, Sale #8423] - 09/20/2000 - Lot #71). The original edition was 500. [17489-4-300]
Artist: Edouard Manet (French, 1832 - 1883). Title: "Chat et les Fleurs". Medium: Etching with aquatint. Date: Composed 1869. Printed later. Dimensions: Overall size: 13 x 8 1/8 in. (330 x 206 mm). Image size: 8 x 6 in. (203 x 152 mm).Lot Note(s): Signed in the plate, lower left. Cream wove paper. Very wide margins. Fine impression. Excellent condition. Literature/catalogue raisonne: Guerin 53; Harris 65. Comment(s): This print has sold as high as $863 at auction (Swann Galleries, NYC, Discovery Sale: Prints & Drawings, Sale #1993, 01/22/2004, lot #76). [2919-3-400]
Artist: Maurice de Vlaminck (French, 1876 - 1958). Title: "Rue de la Glaciere". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 5/8 x 13 in. (448 x 330 mm). Image size: 13 1/8 x 10 1/8 in. (333 x 257 mm).Lot Note(s): Signed in the plate, lower right. Edition of 500. Cream laid paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: W146. Comment(s): Image copyright © Artists Rights Society (ARS), New York. [25686-3-200]
SIR FRANK WILLIAM BRANGWYN, RA, RWS (1867-1956) THREE PRINTS including `The Gate of the Farm` (Gaunt 90), etching, unsigned; `The Rialto, Venice` (Gaunt 72), etching, signed; and `Canadians entering Cambrai`, lithograph, signed, all unframed (3) ++ Some surface marks, foxing and time toning
§ Sir Howard Hodgkin C.H., C.B.E. (British 1932-2017) Untitled (After Lunch), 1981 initialled and dated 'HH '81', inscribed 'After Lunch, 1980, overpainted 80-81' in pencil (to reverse), oil, gouache, soft ground etching on Arches mould made paper(56.6cm x 76cm (22.25in x 30in))Footnote: Provenance: Acquired by the sculptor Jean Gibson (1927-1991) from the artist in 1981, and thence by descent. This work will be included in the forthcoming catalogue raisonné of Howard Hodgkin's work, to be edited by Dr. Marla Price and Guy Robertson. We would like to thank the Howard Hodgkin Estate for their assistance in helping to catalogue this lot.
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