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Lot 6
AFTER GIOVANNI FRANCESCO GRIMALDI (1606-1680) A monochrome etching of a river village scene, 13" x 18.5"This work appears to be mounted and stuck down in place though not fully glued down. Slight discolouration and occasional spotting. The top left corner has a crease mark. It is not laying flat in the mount. Occasional creases. Some damage to the frame. Not inspected out of the frame.
Lot 8
AFTER LUCA GOIRDANO (1632-1705) "Christ Disputing with the Doctors", P & D Colnaghi & Co. Ltd label to the reverse stating "second state of two", etching, 11.5" x 16.25"There is a crease line running down the middle of this print. There are also other small crease marks in places especially around the edges. Also occasional spot marks. The work appears to be mounted and stuck to the mount in places although not fully stuck down. Not inspected out of the frame.
Lot 12
GIOVANNI BATTISTA PIRANESI (1720-1778) An interior sepulchral chamber, 16" x 12", etching, and two similar works (3)Some spotting and staining to the surface on these engravings. Otherwise no apparent damage or restoration. Not inspected out of the frames. They do not lay completely flat in the mounts.
Lot 393
Victoria (Queen of England, 1819-1901 & Albert, Prince Consort, 1819-1861). Portrait of Victoria, the Princess Royal, 27th December 1842, original etching on india paper with card mount support, etched by Prince Albert from an ink sketch by Queen Victoria showing the Princess full length under an arch of ivy leaves, date, artist name and initials in the plate impression, 150 x 117mm, mat mount (1).
Lot 66
Dugdale (William). The Antiquities of Warwickshire Illustrated; from Records, Leiger-Books, Manuscripts, Charters, Evidences, Tombes, and Armes, 1st ed., pub. Thomas Warren, 1656, EXTRA ILLUSTRATED, containing port frontis. and fifteen engraved plates and maps as called for (mostly engraved by Hollar), numerous engravings to text throughout, with much additional engraved material bound-in including maps of Warwickshire by Charles Smith, Richard Blome, Bowen/Kitchin, Seller/Grose, an Ogilby road map of Oxford to Coventry, three large engraved Kip views, an aquatint etching after Sandby of Kennilworth Castle published by Boydell, a mezzotint of Shakespeare’s bust by William Ward, two small Buck views, and several others, title relaid, some of the additional prints also relaid or with fold tears, contemp. mottled calf, modern reback, folio. Upcott p. 1247. (1).
Lot 251
Etchings. A collection of forty-three etchings by various artists, including prints from Etchings for the Art-Union of London by The Etching Club, 1872, including Seymour Haden, Legros, Lalanne, Thomas Webster, C. W. Cope, Richard Redgrave, Thomas Creswick, W. E. Frost, Slocombe and others, many on india paper, various sizes, all loosely contained in later cloth portfolio (except one by Thomas Webster framed and glazed) (a portfolio).
Lot 340
Albert (Prince Consort to Queen Victoria of England, 1819-1861). Study of Eos (greyhound) and Cairnach (Scottish terrier), August 1844, original etching on india paper with card mount support, etched by Prince Albert after his own sketch from memory of the picture by Edwin Landseer, signed, captioned, and dated in the plate impression, 134 x 177mm, mat mount (1).
Lot 278
A collection of five framed figural works to include an oil on canvas of a continental elderly gentleman signed bottom right, an over painted print of a young girl in an ornate gilt frame, a framed postcard of a David drawing together with a contemporary etching by Eastern European artist Dusan Polakovic and an engraving
Lot 567
NAPOLEON FRAMED ARTWORK, 19TH CENTURY. Comprising six vintage images of Napoleon at different stages of his life and printed in various techniques including mezzotint engraving and etching, each contained in a finely and professionally matted and glazed frame. Featuring a massive bust portrait engraving after the full length image by David titled "Napoleon Le Grand," contained in a fluted gilt frame with linen liner, overall 37 inches x 29.25 inches (94 x 75 cm). Other framed images include Napoleon amidst burning ruins, overall dimensions 28.25 inches x 24.25 inches (71 x 61.5 cm), Napoleon on horseback, outside dimensions 25.5 inches x 19.5 inches (65 x 50 cm), Napoleon in an interior scene, outside dimensions 16.5 inches x 18.5 inches (42 x 47 cm), Napoleon at Fontainebleau after the painting by Delaroche, outside dimensions 17 inches x 14.25 inches (43 x 36 cm), and Bonaparte 1st Consul, overall 12.75 inches x 10.5 inches (32 x 27 cm).
Lot 740
REGIONALIST WISCONSIN ARTWORK BY MAX FERNEKES (1905-1984). Comprising a large watercolor and crayon rural landscape with cows and hay wagon, signed lower left and measuring 16 inches x 20 inches; a drypoint etching "Bridge Over Cedar Creek", signed lower right measuring 6 inches x 8.2 inches; a colored woodblock print "The Road Turns Right" signed lower right measuring 6 inches x 3.5 inches; and another drypoint etching depicting row houses in Milwaukee`s 3rd ward, circa 1932, signed lower right measuring 2 inches x 2.25 inches. Each contained in a glazed wood frame.
Lot 778
James McNeill Whistler (1834-1903). `La Vieille aux Loques, 1858 (The Old Rag Seller)`. Etching and dry point on paper, 21 x 15cm. Footnote: Plate 8 of 12 etchings from Nature or `French Set`. The set was a record of the artists tour through Northern France, Luxembourg and the Rhineland in 1858.
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