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Lot 278
Bob Dylan, American b.1941- The Drawn Blank Series (Bell Tower in Stockholm; Carbondale Motel; Trailer; Backstage Dressing Room; Iron Railing; Corner Flat), 2013; each giclée print on Hahnemühle 350gsm Museum Etching wove,each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, contained within the original grey folio, (unframed) (6)Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Lot 282
Bob Dylan, American b.1941- The Drawn Blank Series (Sidewalk Café; Woman in Red Lion Pub; Still Life with Peaches; Motel Pool), 2011; each giclée print in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (framed) (4) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Lot 277
Bob Dylan, American b.1941- Man On A Bridge, 2010; giclée print in colours on Hahnemühle 350gsm Museum Etching wove, signed and numbered 109/195 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 122 x 91.5cm, contained within the original grey tube, (unframed) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Lot 284
Bob Dylan, American b.1941- The Drawn Blank Series, 2010, (the complete portfolio of 8 prints): Dad's Restaurant; Fisherman; Backyard; Horse; Bicycle; Dallas Hotel Room; Rose on a Hillside; Sunflowers; each giclée print on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, contained within the original grey folio, (unframed) (8) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Lot 16
Various Artists, European School 20th Century, (i) Paul Herrmann (German 1864-1946) The Shepherdess, from Illustration for Songs by Goethe, c.1920, drypoint etching, signed and numbered in pencil, together with three other drypoint etchings, each signed and inscribed, largest sheet: 51 x 40 cm,(ii) Hermann Struck (German 1876-1944), Heimallos, etching with drypoint on laid paper, signed, titled and numbered from the edition of 25 in pencil, 31.5 x 22.6 cm,(iii) Rudolf Grossmann (German 1882-1941), Boxer, 1921, hand-coloured lithograph on wove, signed in pencil, image: 31 x 29 cm, (iv) German School, Early-Mid 20th century, Untitled (Wooded Country Lane), drypoint etching on wove, signed and numbered 18/100 in pencil, plate: 24.9 x 21.7 cm, (v) German School, Mid-20th Century, Untitled (Farm Worker with a Rake), woodcut on wove, signed in pencil, published by Balder-Presse Wildeflecken, Rhön, sheet: 35.5 x 25 cm,(vi) Aloys Wach (German 1892-1940), Blick auf eine Straße, 1919, two etchings with drypoint on paper, signed in pencil, plate: 22.6 x 19.6 cm,(vii) Max Burchartz (German 1887-1961), Sitzender weiblicher Akt, 1920, lithograph on paper, signed in pencil, image: 39 x 29 cm,(viii) Ulrich Hübner (German 1872-1932), Lübeck No.4, 1914, lithograph on laid paper, signed and dated within the plate, signed and inscribed in pencil, sheet: 45 x 35.5 cm,(ix) Bruno Karberg (German 1896-1967), Zum Weihnachtsfest, 1935, four woodcuts on wove, signed in pencil, with front pages, each sheet: 26 x 19.3 cm, (unframed) (13) Provenance: from the collection of Klaus Hinrichsen. Note: Klaus Hinrichsen (1912–2004) was a German-born art historian who fled Nazi Germany in 1938. He was interned at Hutchinsons Camp on the Isle of Man from 1940, where he organised exhibitions featuring refugee artists such as Kurt Schwitters. Prevented from working in public art institutions after his release, he dedicated himself to collecting and researching maps, ethnographic works, and lithographs, meticulously cataloguing his acquisitions. He sourced items from Sotheby’s, Christie’s, and antique dealers, prioritising historical significance and conducted extensive provenance research at the British Library. His archive, including records and ephemera from his time in internment, is now held at the Tate Gallery.
Lot 279
Bob Dylan, American b.1941- The Drawn Blank Series (House on Union Street; Sidewalk Cafe; Bicycle; Motel Pool), 2013; set of four giclée prints in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 91.5 x 71 cm, (unframed) (4) Note: each work together with a Certificate of Authenticity published by Washington Green Fine Art.
Lot 288
Bob Dylan, American b. 1941-Train Tracks (Portfolio - Set of 4), 2012;each giclée print in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 207/295 in pencil, each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 91.5 x 71 cm, (unframed) (4)Note: each together with a certificate of authenticity issued by Washington Green Fine Art.
Lot 1
Jules Pascin (Bulgarian/French 1885-1930), Lovis Corinth (German 1858-1925) & Paul Berthon (French 1872-1934),Pierre Mac Orlan, c.1925; The Birth of Venus (Die Geburt der Venus) from Compositions (Kompositionen), 1921-22; Female nude with sunflowers;(i) drypoint etching on wove, inscribed in pencil to lower margin, plate: 14.4 x 9.4 cm, (ii) etching with drypoint on wove, signed in pencil, from an unnumbered edition, printed by Alfred Ruckenbrod, Berlin, published by Alfred Ruckenbrod, Berlin, plate: 30.1 x 21.7 cm, (iii) lithograph printed in colours on wove, signed with monogram within the plate, image: 39 x 13.5 cm, (framed)(3) Provenance: from the collection of Klaus Hinrichsen. Note: Klaus Hinrichsen (1912–2004) was a German-born art historian who fled Nazi Germany in 1938. He was interned at Hutchinsons Camp on the Isle of Man from 1940, where he organised exhibitions featuring refugee artists such as Kurt Schwitters. Prevented from working in public art institutions after his release, he dedicated himself to collecting and researching maps, ethnographic works, and lithographs, meticulously cataloguing his acquisitions. He sourced items from Sotheby’s, Christie’s, and antique dealers, prioritising historical significance and conducted extensive provenance research at the British Library. His archive, including records and ephemera from his time in internment, is now held at the Tate Gallery.
Lot 265
John Cage, American 1912-1992, Score Without Parts (40 Drawings by Thoreau): Twelve Haiku, 1978; colour hardground etching, softground etching, photo-etching, drypoint, sugarlift aquatint, and engraving on Rives BFK paper, signed, dated and titled in pencil, published by Crown Point Press, San Francisco, with their blind stamp, printed by Stephen Thomas, sheet: 56.6 x 75.5 cm, (framed)
Lot 73
Édouard Manet, French 1832-1883,Les Petits cavaliers, after the painting attributed to Velazquez, c.1860;monochrome etching on Velin paper, indistinctly inscribed with signature in the lower margin, and inscribed 'Ed Manet' in pencil on the reverse, sheet: 29.5 x 46.5 cm, (framed) Note: Ref. Guerin 8, Harris, 5
Lot 700
A green glass vase, design: C.J.Lanooy, 1921 - 1923. Execution: Glass Factory Leerdam, marked with etching mark on the bottom, h 13.3 cm (Lit: Leerdam Glass 1878-1998, A.v.d.Kley-Blekxtoon, 2nd edition: page 69, fig. 63). Also includes vase by K.P.C de Bazel, h 14.5 cm, lidded bowl by A.D. Copier, tot. 4x.
Lot 541
A clear glass thick-walled vase, design: A.D.Copier, 1936, executed by: Glass Factory Leerdam, marked with etching mark 'CL' on the bottom, h 12.7 x Ø 12.7 cm (hint of yellow) (Lit: Leerdam Arts and Crafts Catalogue 1937: p.34 and Leerdam Glass 1878-2003, A.v.d.Kley-Blekxtoon, 4th edition: p.114, fig.143). Here are two other vases by the same artist, total 3x.
Lot 156
A series of three clear glass vases with enamel painted fantasy decoration, design: C.J.Lanooy, ca.1921. Execution: Glass Factory Leerdam, marked with etching mark on the bottom, h 12.9 x Ø 7 cm, total 3x (1x frit) (Lit: a similar vase is depicted in: Leerdam Glas 1878 - 2003, A.v.d.Kley-Blekxtoon, 4th edition: page 60, fig. 57).
Lot 373
CARTER (Frederick) 'A List of Prints With notes by Frederick Carter 1916', 8vo, wear to spine otherwise G+ in VG+ black slipcase. FIRST EDITION, INSCRIBED "Six Special Copies NO. 3," with original signed and dated etching, Bradford: City of Bradford Cartwright Memorial Hall, (November, 1916).
![HARDING (Frank) "North Sea Patrol", etching, SIGNED & titled in pencil, 6 x 12 inches [I], f. & g.; "A Tartan with a](https://cdn.globalauctionplatform.com/feaa7a89-a56c-414a-a853-b27600f92c71/7e614349-0cb8-4f73-b5be-b27600fb0de9/468x382.jpg)
Lot 60
THE SMITHS - SHOPLIFTERS OF THE WORLD UNITE 12" (ORIGINAL MISPRESSED 12" WHICH PLAYS 'YOU JUST HAVEN'T EARNED IT YET BABY' - RTT 195). Collectable 1987 UK 12" mispressing which has 'You Just Haven't Earned It Yet Baby' on the A-side instead of 'Shoplifters Of The World'. Undeniably a marketing gimmick (or a spiteful retort), a few hundred copies were pressed and released into record shops and became an instant collectable (somewhat assisted by a news report in the NME). The record is in glossy VG+ condition with a few light surface scuffs though no heavier feelable scratches. The original picture sleeve is in very clean Ex+ condition. A-side Matrix Etching - RTT 195 A1 ALF RAMSEY'S REVENGE. B-side Matrix Etching - RTT 195 B1.
Lot 13
THE SMITHS - HAND IN GLOVE - ORIGINAL 'NEGATIVE' SLEEVE DESIGN (RT 131). Well-presented copy of the record that most collectors regard as the No.1 Smiths rarity... Joe Slee, the Rough Trade Production Manager was interviewed by Q magazine in their October 1994 issue, "I binned all the reverse sleeves because they were faulty. I know they're worth money but, oh well, there goes my pension fund." As we all know, a handful were mischievously released into collector's hands. The sleeve is in VG+ condition showing a few light creases and paper scuffs though no rips, tears or splits. 'Withdrawn cover £40' is visible when held to light on the front top right section. The original record is in Ex+ condition showing only a couple of very faint and wispy paper marks. A-side Matrix Etching - RT 131 A-2U-1-2 (Kiss My Shades). B-side Matrix Etching - RT 131 B1 (KISS MY SHADES TOO / PORKY). Forget your Sex Pistols 'God Save The Queen' 7" on the A&M label, there are several hundreds of those in existence (albeit most probably gathering dust in collector's bank vaults), there are only approximately 25 of these in existence….a sound investment!
Lot 54
THE SMITHS - SHEILA TAKE A BOW 12" (ORIGINAL UK WHITE LABEL TEST PRESSING - RTT 196). Original (EMI pressing) 1987 UK white label test pressing of Sheila Take A Bow. The record is in Ex condition showing a few light and minor surface hairline marks. A-side Matrix Etching - RTT 196 A-1U-1-1-1 COOK BERNARD MATTHEWS. B-side Matrix Etching - RTT 196 B-1U-1-1-1.
Lot 28
THE SMITHS - THE SMITHS LP (ORIGINAL UK WHITE LABEL TEST PRESSING - ROUGH 61). Lovely condition original UK white label test pressing from 1984 of the famed debut eponymous LP from The Smiths. The record is in Ex condition with a couple of light and minor surface hairline marks, these never at all heavier feelable scratches. With photocopied labels attached to the outer sleeve. Also comes with a Rough Trade promotional press release. Side 1 Matrix Etching - ROUGH 61 A1. Side 2 Matrix Etching - ROUGH 61 B1
Lot 61
SANDIE SHAW - HAND IN GLOVE 7" (ORIGINAL UK WHITE LABEL TEST PRESSING - SIGNED - RT 130). Lovely original 1984 UK 7" test pressing of the Sandie Shaw version of 'Hand In Glove' (with The Smiths as backing band), also comes with an APPEARING press release. The record is in Ex condition with a few light and minor surface marks. Signed by Sandie to the B side label. A-side Matrix Etching - RT 130 A-1U-1-1-1. B-side Matrix Etching - RT 130 B-1U-1-1-1. "I had the good fortune to interview Sandie on behalf of Record Collector magazine, and I got her to sign this test pressing when I went up to interview her. Scott Piering (for reasons only known to him) was trying to promote this as a double A-side....probably because the B-side was better!"
Lot 50
PANIC - 1986 12" WHITE LABEL TEST PRESSING (RTT 193). Standard 1986 UK 12" white label test pressing of 'Panic'. The record is in VG condition with a few surface marks moreover noted to the B side. These are not heavier feelable scratches. A-side Matrix Etching - RTT 193 A-1U-1-1-1. B-side Matrix Etching - RTT 193 B-1U-1-1-1 I DREAMT ABOUT STEW LAST NIGHT
Lot 16
THE SMITHS - REEL AROUND THE FOUNTAIN - 1983 WITHDRAWN AND UNRELEASED 7" TEST PRESSING (ROUGH TRADE - RT 136). Staggeringly scarce original 1983 7" 'green' label test pressing of the cancelled and withdrawn second single 'Reel Around The Fountain'. It was decided by Rough Trade that the John Peel session of 'Reel Around The Fountain' would be used for the A-side of this withdrawn single with the Toy Tate-produced 'Jeane' on the B-side. The record is in superlative Ex+ condition showing only a couple of extremely fine, faint and wispy paper marks. A-side Matrix Etching - RT 136 A-1U-1-1-1. B-side Matrix Etching - RT 136 B-1U-1-1-1 (SLAP ME ON THE PATIO)This was the first serious Smiths collectable which entered collector's circles back in 1983 due to its withdrawn status. This listing also comes with the 1983 Issue 15 of Jamming magazine where Rough Trade promoted an early advert for the ill-fated release on page 3 of the magazine.
Lot 30
THE SMITHS - MEAT IS MURDER LP (ORIGINAL UK WHITE LABEL TEST PRESSING - ROUGH 81). Beautifully kept scarce original 1985 UK white label test pressing of Meat Is Murder. The record is in Ex+ condition showing only a couple of extremely minor, faint and wispy paper marks. Side 1 Matrix Etching - ROUGH 81 A1 (ILLNESS AS ART). Side 2 Matrix Etching - ROUGH 81 B1 (DOING THE WYTHENSHAW WALTZ)
Lot 52
THE SMITHS - SHOPLIFTERS OF THE WORLD UNITE 12" (ORIGINAL UK WHITE LABEL TEST PRESSING - RTT 195). Clean example original 1987 UK white label test pressing of Shoplifters... The record is in Ex condition showing only a couple of very light and minor surface hairline marks. A-side Matrix Etching - RTT 195 A-4U-1-1-1 (ALF RAMSEY'S REVENGE). B-side Matrix Etching - RTT 195 B-1U-1-2-
Lot 40
THE SMITHS - HOW SOON IS NOW? 7" (1987 UK WHITE LABEL TEST PRESSING FOR THE B-SIDE OF WILLIAM IT WAS REALLY NOTHING - RT 166). Extremely rare 1987 UK 7" single -sided test pressing of 'How Soon Is Now?'. To maximise earnings Rough Trade kept the Smiths catalogue releases in production up to the end of their career. In 1987 during a new production run, they pressed 'William It Was Really Nothing' with a new cover star (Billie Whitelaw) and changed the 7" B-side with 'How Soon Is Now?' instead of the original 'Please Please Please Let Me Get What I Want' while keeping to the same catalogue number of RT166. This necessitated the need to create a new B-side pressing plate to produce this subsequent test pressing. Therefore this was only ever produced for internal approval, and would have only been pressed in single figures, you will be lucky to ever find another one! This pressing with very fetching light blue labels is 1-sided only with a test-tone only on the other side. The record is in great Ex+ condition showing only a couple of very light and fine paper marks. Appearing to be date stamped '10 OCT 1987'. A-side Matrix Etching - FB 7. B-side Matrix Etching - RT 166 B-2U-1-1-1 WE HATES BAD GRAMMER
Lot 53
THE SMITHS - SHEILA TAKE A BOW 7" (ORIGINAL UK WHITE LABEL TEST PRESSING - RT 196). Virtually non-existent original 1987 UK white label test pressing of Sheila Take A Bow c/w Is It Really So Strange? The record is in great Ex+ condition showing only a couple of very light and minor wispy paper marks. A-side Matrix Etching - MPO RT 196 A1 COOK BERNARD MATTHEWS. B-side Matrix Etching - MPO RT 196 B1.
Lot 32
THE SMITHS - THE WORLD WON'T LISTEN LP (ORIGINAL UK WHITE LABEL TEST PRESSING - ROUGH 101). Excellent original UK 1987 white label test pressing of The World Won't Listen. The record is in clean Ex condition showing a few light paper scuffs, these not at all heavier feelable scratches. Housed with the original UK sleeve in VG+ condition. Side 1 Matrix Etching - ROUGH 101 A-1U-1-1-1. Side 2 Matrix Etching - ROUGH 101 B-1U-1-1-1
Lot 56
THE SMITHS - GIRLFRIEND IN A COMA 12" (ORIGINAL UK WHITE LABEL TEST PRESSING - RTT 197). Lovely example original 1987 UK 12" white label test pressing of Girlfriend In A Coma. The record is in Ex condition showing only a couple of very light and minor surface hairline marks. A-side Matrix Etching - RTT 197 A-1U-1-1-1 EVERYBODY IS A FLASHER AT HEART. B-side Matrix Etching - RTT 197 B-1U-1-1-1 AND NEVER MORE SHALL BE SO
Lot 44
THE SMITHS - SHAKESPEARE'S SISTER 7" (ORIGINAL UK WHITE LABEL TEST PRESSING - RT 181). Unfathomably rare 1985 (EMI) UK 7" test pressing of 'Shakespeare's Sister'. By this time Rough Trade were promoting their single releases via 12" white label test pressings, so most 7" test pressings from this period onwards are rare as hen's teeth! The record is in Ex condition with a couple of light and minor surface/storage marks, these not at all heavier feelable scratches. A-side Matrix Etching - RT 181 A1 (HOME IS WHERE THE ART IS). B-side Matrix Etching - RT 181 B1
Lot 38
THE SMITHS - HEAVEN KNOWS I'M MISERABLE NOW 12" (ORIGINAL UK NON-EDITED VERSION WHITE LABEL TEST PRESSING - RTT 156). Very rare 1984 UK 12" test pressing of the withdrawn 12 inch single which has the full un-edited version of 'Heaven Knows I'm Miserable Now'. Making this release particularly scarce is that this was withdrawn with new 12 inch test pressings were created with the edited version, and also the 7" test pressing was mainly used for promotion. The record is in superb Ex+ condition showing only a couple of extremely faint, slight and wispy paper marks. A-side Matrix Etching - RTT 156 A1 (SMITHS PRESUMABLY). B-side Matrix Etching - RTT 156 B1 (FOREVER ILL)
Lot 23
THE SMITHS - YOU JUST HAVEN'T EARNED IT YET BABY - 1987 WITHDRAWN AND UNRELEASED 12" WHITE LABEL TEST PRESSING (RTT 195). Remarkably rare original 1987 UK 12" test pressing of the withdrawn release of 'You Just Haven't Earned It Yet Baby'. Rough Trade and The Smiths had still not yet agreed on whether 'Shoplifters Of The World' or 'You Just Haven't Earned It Yet Baby' would be released as a single, so test pressings for both releases were made. 'Shoplifters' was released and this test pressing has gone into collecting history. The record is in clean Ex condition showing a couple of light and minor non-feelable small scuffs. This listing also comes with issue 42 of the of the Cartel in-house 'The Catalogue' trade magazine with a Rough Trade advert detailing the forthcoming release of this withdrawn single on page 12. A-side Matrix Etching - RTT 195 A-1U-1-1-3 (ALF RAMSEY'S REVENGE). B-side Matrix Etching - RTT 195 B-1U-1-1-1
Lot 34
THE SMITHS - STRANGEWAYS, HERE WE COME LP (ORIGINAL UK WHITE LABEL TEST PRESSING - ROUGH 106). Great original 1987 UK white label test pressing of Strangeways, Here We Come. The record is in VG+ condition showing some light surface hairline marks, these not heavier feelable scratches. Housed with Ex condition original embossed sleeve. Side 1 Matrix Etching - ROUGH 106 A-2U-1-1 GUY FAWKES WAS A GENIUS. Side 2 Matrix Etching - ROUGH 106 B-2U-1-1
Lot 43
THE SMITHS - HOW SOON IS NOW C/W OSCILLATE WILDLY 7" (1985 UK WHITE LABEL TEST PRESSING - RT 176). Infamous 'How Soon Is Now' 7" UK 1985 mispressing with 'Oscillate Wildly' on the B-side (the corrected release which eventually had 'Well I Wonder' on the reverse). Rather than bin or retain these mipressings, Scott Piering recycled them as promo's to radio stations and journalists while penning 'FAULTY' on the mispressed B-side. The record is in Ex condition with a few light and minor surface hairline marks, these never at all heavier feelable scratches. A-side Matrix Etching - RT-176-A / LYN-15492-1C-Z (THE TATTY TRUTH). B-side Matrix Etching - RT-176-B / LYN-15493-1C-Z
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78391 item(s)/page