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Revere Auctions
Lot 603

Anton Joseph Prenner (Austrian, 1683-1761) after Frans Verbeeck (Flemish, d. 1570), formerly attributed as after Pieter Bruegel the Elder (Flemish, 1526/30-1569). Etching on paper depicting witches preparing a potion. Plate 21 from the series "Theatrum Artis Pictoriae," published 1728. Inscribed in plate along the lower margins "Alt: 26 Lat: 35. UNC," 54C," and "Alten Prygel Pinx."Height: 6 1/4 in x width: 9 in.Condition:There are no major tears. The sheet is toned and there is wear and soiling to the verso and recto as well. There are two pieces of tape fixed along the left edge of the verso. The work is not framed.

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Bonhams
Lot 19

El Anatsui (Ghanaian, born 1944)Grandma's Cloth Series, 1993 signed and dated 'EL/ 93' (lower left of panel 13); titled 'Grandma's/ cloth Series' (verso of panel 1); each panel numbered 1-14 left to right, in chronological order (verso)incised, scorched and acrylic paint on wood panel76 x 130 x 2cm (29 15/16 x 51 3/16 x 13/16in).(in 14 pieces)Footnotes:ProvenanceAcquired directly from the artist, 1993;A private collection.El Anatsui's wide body of work exemplifies an incorporation of traditional forms of art creation across Africa with contemporary motifs. Aiming to redress African history as it was understood, as it had mainly been communicated by European interpretations following colonisation, El researched linguistics and writing systems of his African heritage to inform works such as the present lot. This was an effort to reclaim his heritage identity.Created within the same year as his other Grandma's Cloth works, with the series spanning from the late 1980s to the early 1990s, El Anatsui uses wooden planks and incorporates uli and nsibidi symbols, etched into the wood. Indeed, the process of etching, incising and scorching was performed with modern tools such as blow torches and power saws, contrasting the everyday age-old material. Conceptually, the aggressive nature of moulding the wood is representative of the Western colonisation which fragmented Africa.Inspired by the vivacious graphics, historical significance, and identity that traditional Ghanaian Kente cloth imbues, the artist would eventually go on to expand the medium of his works to scrap pieces of metal, mimicking the action of weaving resonating with the creative process of Kente Cloth. From process to the end result, El Anatsui's work is heavily weighted in symbolism.For further information on this lot please visit Bonhams.com

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Forum Auctions
Lot 46

[Alken (Samuel)] The Race and the Road to Epsom, hand-coloured etching panorama, c.115 x 2388 mm overall, small abrasion mark near foldline, not affecting image, original cloth, hand-coloured etching to upper cover, a little rubbed, housed in modern cloth chemise, [Abbey Life 596 (suggesting that the work is in the style of Leech); Bobins IV, 1299; Mellon/Snelgrove 65], oblong 8vo, Ackermann, 1851. *** Provenance: Le Vivier Library (sale, Christie's South Kensington, 30 October 2012, lot 109).

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Forum Auctions
Lot 33

Alken (Henry) Panorama of a Fox Hunt, hand-coloured etched panorama with engraved title, c.97 x 2226 mm, 6 sheets on wove paper, joined, tear to title, occasional short marginal tear with neat repairs, light marginal soiling, original wooden cylinder with mounted hand-coloured soft-ground varnished etching, later base to cylinder, varnish rubbed and chipped with small loss, housed in modern drop-back box, [Bobins IV, 1298; Mellon/Snelgrove p.16 (example on a cylinder); Siltzer p.61], 8vo, R. Ackermann, 1828. *** Rare. A good example in the original cylindrical binding.The full title reads: 'H. Alken's Panorama of a Fox Hunt shewing a large scope of the Leicestershire, Rutlandshire and Lincolnshire counties: with all sorts of riders, good, bad, and indifferent'. 

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Forum Auctions
Lot 15

Alken (Henry) Going to Epsom Races: a Ludicrous Amusement consisting of Modern Costume, Characters, Dandies, Equipages and Horsemanship, first colour issue, continuous hand-coloured etching panorama, in 8 joined sections, lacking 190 mm section at beginning, overall c.60 x 4382 mm., on a spool turning into publisher's original wood drum, glazed hand-coloured racing print pasted to drum, a little rubbed and chipped, housed in later brown morocco box by Lakeside Press, bookplate inside lid, [Abbey Life 472; Bobins IV, 1294; Mellon/Snelgrove p.23; Siltzer p.58], Chicago, [1819]. *** Provenance: Bookplate of Joel Spitz inside upper cover of case, and with stamp on verso at beginning of panorama; sold at Christie's as Lot 144, 27 May 2015.The first issue is without aquatint and lacks many of the background figures and horse carriages introduced in the second issue, its greater simplicity being greatly appealing. Uncoloured versions of this issue were also available. 

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Bonhams
Lot 205

Sir Terry Frost R.A. (British, 1915-2003)Five in the Afternoon signed and dated 'Terry Frost 76' (lower right), also signed and dated 'Terry Frost 76' (lower centre), inscribed 'At five in the afternoon./It was exactly/five in the afternoon./Un niño trajo la/blanca sábana/a las cinco de la/tarde.' (left centre)watercolour, gouache, collage and charcoal on two sheets of paper58.5 x 85cm (23 1/16 x 33 7/16in).Footnotes:ProvenanceWith Sims Gallery, St Ives, where acquired by the present owner, circa 1990-1995Private Collection, U.K.LiteratureD. Lewis, Terry Frost, Scholar Press, Aldershot, 1994, illustrated in reversed layoutThe right hand side of the present lot is the original work for the etching and lithograph, Black For Lorca, 1991.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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Mallams
Lot 176

Fai Clough (20th Century School) 'Bridge view', etching, signed in pencil and dated 1983 to the margin lower right, 18.5cm x 24.5cm Overall display wear and scuffs to the frame. Some foxing and discolouration to the outer edges of the etching border by the mount, could be concealed if reframed. Otherwise seems ok.

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Mallams
Lot 189

Jamasie Teevee (1910-1985)'Small owl', etching and aquatint, numbered 44/50, signed and dated 1967 in pencil lower right, 21.5cm x 26cm Overall display scuffs, marks and wear to the frame. Some discolouration to the paper in places, otherwise seems ok.

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Mallams
Lot 168

Annette H**** (Contemporary) 'Christmas 2007', etching, numbered 1/2, signed in pencil lower right, 10cm x 14cm and one other similar piece by the same artist, numbered 1/7, signed and dated 2009 in pencil lower right, 9cm x 14cm (2) Overall display marks and some scuffs to the frames. Some pen marks to the back of one of the frames, otherwise seems ok.

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Mallams
Lot 195

Robert Barnes (b.1947) 'Midsummer I', etching and aquatint, numbered 71/100, signed in pencil lower right, 64cm x 49cm and one other by the same artist 'Midsummer III', etching and aquatint, numbered 71/100, signed in pencil lower right, 64cm x 49cm (2) Overall wear, marks and display scratches to the frame. Would benefit from a light overall clean.

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Mallams
Lot 223

Ernst Oppler (1867-1929) 'Anna Pavlova', etching, numbered 16/30, signed in pencil lower right, 32cm x 25cm Some scuffs to the frame. Some discolouration and water stains to the mount. Some faint marks on the etching itself when looking under the right light, but not obvious.

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Mallams
Lot 221

Lewis Baumer (1870-1963) 'The Columbine', drypoint etching, signed in pencil to the mount lower right, 22.5cm x 19cm Provenance: With 'The Fine Art Society Ltd, 148 New Bond Street, London, W1' paper label to the reverse. This piece is not glazed and has some resulting wear and marks. Some foxing and scuffs. Minimal discolouration in places.

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Mallams
Lot 222

Lewis Baumer (1870-1963) 'The Dancer', drypoint etching, signed in pencil to the mount lower right, 34cm x 25cmProvenance: With 'The Fine Art Society Ltd, 148 New Bond Street, London, W1' paper label to the reverse. Some foxing and scuffs. Minimal discolouration in places. Staining to the outer edges of the mount.

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Mallams
Lot 191

Philip Greenwood (b.1943) 'Green vale', etching and aquatint, numbered 9/75, signed and dated 1973 in pencil lower right, 41cm x 47cm and one other by the same artist 'Winter grass', etching and aquatint, artist proof, signed and dated 1971 in pencil lower right, 41.5cm x 47cm (2) Overall minimal display wear and slight marks to the frames, otherwise seems ok.

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Mallams
Lot 146

John Brunsdon (1933-2014)'Criccieth', etching and aquatint, artist proof, numbered 2/10, signed in pencil lower right, 25cm x 31cm Minimal scuffs and display wear to the frame. Otherwise seems ok.

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Mallams
Lot 152

Rowland Hilder (1905-1993) 'Early morning shadows', etching and aquatint, artist's proof I, signed in pencil in the margin lower right, 18cm x 25.5cm Minimal display scuffs and wear to the frame. Some very minor marks and dots to the mount. Minute foxing and tiny marks to the picture in place, which is very hard to see.

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Mallams
Lot 155

20th Century School 'Greylag goose', etching and aquatint, numbered 15/50, signed and titled in pencil lower right, 38cm x 57cm Overall wear, marks and scuffs. Water damage and stains to the outer edges which could be concealed if reframed. Minimal foxing in places. The perspex frame is heavily scratched.

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Mallams
Lot 281

Ian Fleming (1906-1994)'Thistles in the Sun', artist's proof, etching and aquatint, signed and dated 1976 in pencil lower right, 52cm x 61cm Minimal display marks and scuffs to the frame. Has dedication written in pencil to the lower centre border, beside the signature. Minimal foxing in places, most notably to the outer right hand and bottom border, otherwise seems ok.

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Ashley Waller Auctioneers
Lot 1129

A LIMITED EDITION 4/8 PENCIL ETCHING PRINT SINGED NORMAN BARWICK PLUS A FUTHER FRAMED SCREEN PRINT

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Coronari Auctions
Lot 291

Jules De Bruycker (1870-1945): 'L'Eglise St Nicolas Gand', etching, (1919)Work: 35,5 x 22,5 cm Frame: 53 x 36 cm Ref.: - J.D.B. 109 (link). - Le Roy 79.

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Coronari Auctions
Lot 289

Jules De Bruycker (1870-1945): 'Eglise St Michel Gand', etching, (1928)Work: 51 x 35,5 cm Frame: 71,5 x 52,5 cm Ref.: - J.D.B. 233 (link). - Le Roy 150.

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Coronari Auctions
Lot 348

Paul Delvaux (1897-1994): 'L'inscription' from the series 'Construction d’un temple en ruine a la deesse Vanade', etching, dated(19)73Work: 44,5 x 31,5 cm Frame: 77,3 x 65 cm 'Construction d'un temple en ruine a la deesse Vanade' is the result of a collaboration between the French writer Alain Robbe-Grillet, known as a representative of the Nouveau Roman, and the Belgian artist Paul Delvaux. With the printer, they worked for four years on this 'dialogue' between the word and the image.

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Coronari Auctions
Lot 287

Jules De Bruycker (1870-1945): 'Vieille Tourelle Gand', etching, ed. 13/50, (1925)Work: 33,5 x 24 cm Frame: 58,2 x 47,3 cm Ref.: - J.D.B. 179 (link). - L.R. 122.

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Coronari Auctions
Lot 295

Jules De Bruycker (1870-1945): 'Le Vieux marche St. Jacques Gand', etching, [1911]Work: 61,5 x 50,8 cm Paper: ca. 64 x 52,5 cm Frame: 82,5 x 73 cm Ref.: - J.D.B. 041 (link). - L.R. 32.

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Coronari Auctions
Lot 853

Valerius De Saedeleer (1867-1942): Landscape after the storm, etching and aquatint, ed. 116/125Work: 64,5 x 62 cm Frame: 88,5 x 86,5 cm

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Coronari Auctions
Lot 290

Jules De Bruycker (1870-1945): 'Quai', etching, 'epreuve 1r etat', (1928)Work: 31,5 x 23,5 cm Frame: 52 x 42 cm Ref.: - J.D.B. 248 (link). - Le Roy 155.

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Laganside Auctions
Lot 335

A signed Drypoint Etching by John Nicolson (1891-1951) A.R.E, R.B.A. With a Victor Waddington Galleries label. 18/50. 20x26cm. Frame 40.5x53cm

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Stacey's Auctioneers & Valuers
Lot 1638

Pablo Picasso (1881-1973) A framed etching circa 1950s portrait Paul Roby. Lage du Soleil.

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Stacey's Auctioneers & Valuers
Lot 1674

A framed 19th century etching study of harbour possible Flanders Belgium. Signed 70x60cm

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Stacey's Auctioneers & Valuers
Lot 1672

A large framed etching a study of the 17th Century bridge at Toulouse Le Pont Neuf. 73x87cm

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Revere Auctions
Lot 223

Billy Al Bengston (American, 1934-2022). Etching on paper titled either "Composition 1" or "BAB 4" depicting a silhouette of a dog against an abstract background with large celestial-like bodies, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower center; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Sight; height: 22 in x width: 30 in. Framed; height: 25 1/2 in x width: 33 1/2 in x depth: 1 1/4 in.Condition:The colors are bold and deep. There are no visible tears, losses, or creases. Along the lower margin there are minute white accretions. There is undulation to the sheet. Framed under plexiglass, not examined out of frame. No signs of restoration under UV light.

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Revere Auctions
Lot 219

Ed Moses (American, 1926-2018). Etching on Guarro paper depicting the intersection of abstract lines, 1989. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 30 in x width: 22 in. Brian Gross Fine Art SF CACondition:The colors are bold and deep. There are no visible tears, creases, or losses. There is a minute spot of soiling in the margin of the upper left quadrant. There is also a minute spot of discoloration in the lower left quadrant. There are no signs of restoration under UV light.

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Revere Auctions
Lot 210

Terence David La Noue (American, b. 1941). Etching, aquatint, woodcut, drypoint, and acrylic paint on paper titled "Talking Drums" depicting an abstract composition, partially in black and white and partially in a rainbow of bright colors, 1987. Pencil signed, dated, and numbered A.P. 2/2 along the lower center.Height: 36 in x width: 39 1/2 in.Condition:The colors are bold and deep. The sheet is slightly toned There are light creases throughout inherent to the material. The work is affixed with four plastic corner tabs to a non-acidic backing. The work is shrink-wrapped in plastic. Due to this, the verso has not been inspected.

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Revere Auctions
Lot 220

Craig Kauffman (American, 1932-2010). Color etching on wove paper titled "CK-1" depicting two abstract cubes, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 22 in x width: 30 in. Brian Gross Fine Art SF CACondition:The colors are bold and bright. There are no visible tears, creases, or losses. There are no signs of restoration under UV light.

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Revere Auctions
Lot 192

Marc Chagall (Russian/French, 1887-1985). Etching and aquatint from the series "Ce lui qui dit les choses sans rien dire (One who says things without saying anything)" published with poet Louis Aragon, 1975-76. Signed in pencil along the lower right. Published by Maeght Editeur, Paris. Printed on the front of a folded sheet, in which the poem "L'Apocalypse Selon Marc" is printed along the interior.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Reference: Cramer 99.Lot Essay:Chagall's paintings are characterized by their lyrical compositions, vibrant colors, and whimsical imagery drawn from his memories of his Jewish upbringing, Russian folklore, and the rural landscapes of his youth. His works often feature floating figures, airborne animals, and dreamy landscapes, imbuing his art with a sense of otherworldly beauty and magic.Throughout his prolific career, Chagall's art remained deeply personal yet universally resonant, transcending cultural and geographical boundaries. His groundbreaking use of color and form influenced generations of artists, while his ability to evoke emotion and evoke a sense of wonder captivated audiences worldwide. In addition to painting, Chagall also explored other mediums such as stained glass, ceramics, and tapestries, leaving a lasting impact on the fields of applied and decorative arts.Chagall's enduring legacy as a master of modern art is marked by his unwavering commitment to creativity, imagination, and the power of love and hope in the face of adversity. His ability to capture the human experience in all its complexity and beauty continues to inspire and enchant, reminding us of the transcendent power of art to illuminate the human spirit and transcend the limitations of time and space. Through his visionary artistry and his profound exploration of the mysteries of existence, Marc Chagall remains a towering figure in the pantheon of great artists.Sight; height: 18 1/2 in x width: 14 in. Framed; height: 27 1/4 in x width: 22 3/4 in x depth: 1 1/2 in.Condition:The colors are bold and bright. There are no tears, creases, or restorations. There is an undulation to the sheet throughout. Along the verso there are two areas of skimming/residual framer's tape. The work has been removed from its hinges and is currently unframed. The paper backing of the frame has been cut along three edges (not pictured). Frame with plexiglass.

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Revere Auctions
Lot 222

Billy Al Bengston (American, 1934-2022). Etching with aquatint print on Rives BFK paper depicting a silhouette of a dog against a green and red background with abstracted celestial bodies, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower center; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 22 in x width: 30 in.Condition:The colors are bold and deep. There are no visible tears, major creases, or losses. There are no signs of restoration under UV light. There is a minute crease along the upper right corner. There is an extremely minute chip to the upper left corner; only noticeable upon close inspection.

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Revere Auctions
Lot 221

Craig Kauffman (American, 1932-2010). Color etching on wove paper titled "CK-2" depicting three abstract cubes, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 30 in x width: 22 in. Brian Gross Fine Art SF CACondition:The colors are bold and deep. There are no visible tears, creases, or losses. There is a green discoloration along the side margin of the lower left quadrant. There is a minute scattering of discoloration throughout the corner of the upper left margin. There are no signs of restoration under UV light.

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Revere Auctions
Lot 193

Marc Chagall (Russian/French, 1887-1985). Etching and aquatint from the series "Ce lui qui dit les choses sans rien dire (One who says things without saying anything)" published with poet Louis Aragon, 1975-76. Signed in pencil along the lower right. Published by Maeght Editeur, Paris.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Reference: Cramer 99.Lot Essay:Chagall's paintings are characterized by their lyrical compositions, vibrant colors, and whimsical imagery drawn from his memories of his Jewish upbringing, Russian folklore, and the rural landscapes of his youth. His works often feature floating figures, airborne animals, and dreamy landscapes, imbuing his art with a sense of otherworldly beauty and magic.Throughout his prolific career, Chagall's art remained deeply personal yet universally resonant, transcending cultural and geographical boundaries. His groundbreaking use of color and form influenced generations of artists, while his ability to evoke emotion and evoke a sense of wonder captivated audiences worldwide. In addition to painting, Chagall also explored other mediums such as stained glass, ceramics, and tapestries, leaving a lasting impact on the fields of applied and decorative arts.Chagall's enduring legacy as a master of modern art is marked by his unwavering commitment to creativity, imagination, and the power of love and hope in the face of adversity. His ability to capture the human experience in all its complexity and beauty continues to inspire and enchant, reminding us of the transcendent power of art to illuminate the human spirit and transcend the limitations of time and space. Through his visionary artistry and his profound exploration of the mysteries of existence, Marc Chagall remains a towering figure in the pantheon of great artists.Sight; height: 18 1/2 in x width: 14 in. Framed; height: 27 1/4 in x width: 22 3/4 in x depth: 1 1/2 in.Condition:The colors appear bold and bright. There are no visible tears or restorations. Light wear to the edges. The work is floated in frame. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

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John Nicholson's
Lot 13

John Cawse after G M Woodward, 'Jacky Frost !!', hand coloured etching, 13" x 9.25" (33 x 23.5cm), unframed, a/f.

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John Nicholson's
Lot 4

Hubert Andrew Freeth (1912-1986), 'The Stonebreakers', etching, signed with initials, inscribed in pencil and numbered 30/50, plate size 4.5" x 6.75" (11.5 x 17cm), along with 'De Profundis', and etching by Julius Komjati, plate size 4.75" x 6" (12 x 15cm).

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John Nicholson's
Lot 19

Thomas Rowlandson (1757-1827), 'Quarter Day, or clearing the premisses without consulting your landlord', hand coloured etching, circa 1814, 12.5" x 8.75" (32 x 22cm).

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John Nicholson's
Lot 10

Paul Bisson (b. 1938), 'Aquatint Box', colour etching, signed in pencil and numbered 8/200, plate size 20" x 14" (51 x 36cm).

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John Nicholson's
Lot 8

John Hoyland (1934-2011), '1969', Circa 2006, etching and aquatint in colours, signed in pencil and numbered 21/200, plate size 8.5" x 16" (21.5 x 41cm).

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John Nicholson's
Lot 9

Callum Innes (b. 1962), Untitled, etching (photopolymer), signed in pencil and numbered 13/140, plate size 10.5" x 10.25 (27 x 26cm).

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Aldridges of Bath Ltd.
Lot 265

GEORGE CHAPMAN (1908-1993) “Terraced Houses, Swansea”, black & white etching; signed in pencil & numbered 5 from an edition of 50. 50cm x 74cm (image); framed & glazed. (77cm x 99.5cm over-all).

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Aldridges of Bath Ltd.
Lot 260

A. L. WYLLIE (20th century) “Shifting State”, abstract coloured etching, 25cm x 76cm, framed & glazed (93cm x 123cm overall).

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Gildings Auctioneers
Lot 231

William Lionel Wyllie, Fishing boats off shore, signed, etching, 21 x 16cm; three etchings of Eton by William Monk and an engraving. (5)

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Eldreds Auctioneers & Valuers
Lot 102

William Payne (1760-1830) VIEW ACROSS ST NICHOLAS ISLAND TO MOUNT EDGCUMBE Watercolour with etching, 28.5 x 39cm, (fading and staining).

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Eldreds Auctioneers & Valuers
Lot 124

After James Abbott McNeill Whistler RBA (1834-1903), "Figures on a quayside with moored barges and ships", etching, 10 x 12.5cm.

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Eldreds Auctioneers & Valuers
Lot 120

After James Abbott McNeill Whistler RBA (1834-1903), "Thames Police" (Wapping Wharf), etching, 16 x 33cm.

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Eldreds Auctioneers & Valuers
Lot 99

William Payne (1760-1830) VIEW ON THE TERRACE AT MOUNT EDGCUMBE Watercolour with etching, 28 x 38cm.

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Eldreds Auctioneers & Valuers
Lot 118

After James Abbott McNeill Whistler RBA (1834-1903), "Eagle Wharfe", etching, 15.5 x 23cm.

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Eldreds Auctioneers & Valuers
Lot 98

William Payne (1760-1830) VIEW FROM MOUNT EDGCUMBE LOOKING AT BATTERY DOCK, WITH FIGURES IN THE FOREGROUND Watercolour with etching, 27.5 x 38cm.

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Eldreds Auctioneers & Valuers
Lot 101

William Payne (1760-1830) VIEW FROM MOUNT EDGCUMBE WITH FIGURES ON A TRACK Watercolour with etching, 29 x 39.5cm.

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Eldreds Auctioneers & Valuers
Lot 121

After James Abbott McNeill Whistler RBA (1834-1903), "The Forge", etching, 20 x 32.5cm.

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Eldreds Auctioneers & Valuers
Lot 119

After James Abbott McNeill Whistler RBA (1834-1903), "Billingsgate", etching, 15.5 x 23cm.

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Eldreds Auctioneers & Valuers
Lot 122

After James Abbott McNeill Whistler RBA (1834-1903), "The Pool", etching, 14 x 21.5cm.

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Eldreds Auctioneers & Valuers
Lot 133

After Herbert Dicksee, etching, head of a wolfhound, pub: Frost & Reed, signed in pencil on the mount, 43 x 41cm, within rosewood frame, titled "Ye Old Hound" on gallery label verso, with a companion, "Study of a Terrier", (damage to frame), a pair, (2).

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Eldreds Auctioneers & Valuers
Lot 123

After James Abbott McNeill Whistler RBA (1834-1903), "Chelsea Bridge & Church", etching, 10 x 17cm.

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Rogers Jones & Co
Lot 145

‡ FRANK BRANGWYN RA RWS RBA copper plate etching - "Bridge at Subacio - 1924", signed in pencil, 40.5 x 40.5cmsProvenance: private collection WirralComments: framed and glazed

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