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Click here to subscribeRichard Smith, British b.1931- "IV", from Proscenium Suite; etching, signed, numbered 39/40 and dated 71 in pencil, in a perspex box frame, 79.5x59cm., (sheet) Note: See Tate Gallery, London PO1278 for an example of same print: James Burr, British b.1926- "Five in the Heart"; woodcut printed in colours, signed, titled, numbered 5/30 and dated 1985 in pencil, 57x39.5cm., (2) (may be subject to Droit de Suite)
Sunandang KM, Indonesian, mid-late 20th century- Figure on a forest path; oil on board, signed, inscribed and dated 72 on the reverse, 46.3x65cm: South East Asian School, mid-late 20th century- Villagers in a filed; gouache, signed, 25x35.5cm: Dutch/South East Asian School, mid 20th century- Figures with a cart and oxen by an archway; etching, signed and inscribed in pencil, 34x19cm: European School, 19th century- Figure studies; pencil, in verre eglomise frame, 11.5x13cm: European School, late 19th/early 20th century- View of a quayside; etching, signed and inscribed in pencil, 12x12cm., (5)
Jean Jansem, Armenian/French 1920-2013- Mother and child; drypoint etching, signed and inscribed `EA` in pencil, 9.4x14.6cm: Jean Auguste Vyboud, French 1872-1944- Reclining nude; etching printed in sepia, signed in pencil, 9.5x23.2cm: together with one other etching printed in sepia by the same hand depicting a nude knelling, signed in pencil, 11.5x10.5cm: British school, late 20th century- Jockey on a race horse; etching, signed with monogram `MB`, dated 97 and numbered 2/150 in pencil, with label attached to the reverse Academy Framing at the Royal Academy of Arts, Burlington House, London, 10.5x12.5cm: together with one further etching by the same hand depicting a jockey on a race horse, signed with monogram, dated `97 and inscribed A/P in pencil, with label attached to the reverse Academy Framing at the Royal Academy of Arts, Burlington House, London, 12.5x9.5cm, (5) (may be subject to Droit de Suite)
Georges Lambert, French 1919-1998- "Jazz"; etching with aquatint, signed, titled and numbered 7/250 in pencil, 22x31cm: British School, early-mid 20th century- "High Street, Canterbury"; etching with dry point, signed, titled and numbered 4/50 in pencil, 19x15cm., (2) (part unframed) (may be subject to Droit de Suite)
Clem Beer, British b.1941- "Happy Bays"- lithograph printed in colours, signed, titled and numbered 18/70 in pencil, 70x49cm: together with another lithograph printed in colours by the same hand depicting a busy seaside town, signed and numbered 32/70 in pencil, 70x49cm: Sheila Horton, British late 20th/early 21st century- "Six Portraits"; etching printed in colours, signed titled and numbered 20/100 in pencil, 30x22.5cm: Dorothy Lloyd-Griffiths, British, late 20th/early 21st century- "Goosey Gander"; etching printed in colours, signed, titled and numbered 21/200 in pencil, 9x11cm: C J Pelavin, British, late 20th century- "The Elephant Danced with Fans So Elegant"; etching printed in colours, signed, titled, dated 80` and numbered 4/75 in pencil, 24x18.5cm: together with another etching printed in colours by the same hand, entitled "Come Dance with Me", signed, titled, dated 1980 and numbered 27/75, 27x23cm: Kate Canning, British, late 20th century- "Parrot Tulips II"; screenprint in colours, signed, titled, dated `80 and numbered `A/P 1/15`, 75.8x56.2cm: together with three further screenprints in colours by the same hand entitled "Nosey Paikei", "Peeping Tom" and "Parrot Tulip I", all signed, titled and numbered in pencil, various sizes, (unframed), (10), (may be subject to Droit de Suite)
Percy Thomas, British 1846-1922- "Kitchen on Board the Deal Lugger", from English Etchings, part 38; etching, signed and titled in pencil, 15x20cm: together with five other examples from the English Etchings series by Percy Thomas, Alfred Withers, C F Robinson, M Snape and J A Poulter, some signed and titled in pencil: together with a small number of 19th century and later watercolours and prints by and after various hands and an Indian miniature painting on silk, (unframed), (a lot)
Mark Andrew Godwin, British b.1957- "Compound I" and "Compound II"; etching and mixed technique printed in colours, two, both signed, titled and numbered 122/250 and 115/250 respectively in pencil, ea. 55x45cm: David Dodsworth, British b.1952- "Taos # II"; carborundum printed in colours with embossing and gold leaf printed on hand-made paper, signed and inscribed `A/P` in pencil, 42x33cm: together with nine further carborundums printed in colours with embossing and gold leaf printed on hand-made paper, entitled "Inteser", "Taos # III", "Isis # II", "Isis # I", "Inteser IV", "Abrakas", "Axiom D", "Axiom C" and "Genka # I", ea. signed, titled and inscribed `A/P` in pencil, various sizes, (unframed), (12), (may be subject to Droit de Suite)
Richard Spare, British b.1951- "Four Trunks"; etching with aquatint printed in colours, signed, titled and numbered 4/150 in pencil, 20x25cm: David Meldrum, British, late 20th century- "Summer Table"; lithograph printed in colours, signed, titled, and numbered 29/75 in pencil, 76x56cm: together with four etchings with aquatints printed in colours by the same hand, entitled "Chickens", "Blue Jay with Flowers", "Quayside" and "Decoy Duck", ea. signed, titled and numbered in pencil, ea. embossed with blind stamp, various sizes: Martin Leman, British b.1934- "Flowers In My Cabin"; etching with aquatint printed in colours, signed, titled, dated `76 and inscribed `A/P` in pencil, 27x24.5cm: together with two further etching with aquatints by the same hand entitled "What a Difference a Snake Makes" and "Red Shoes", one mezzotint printed in colours by the same hand entitled "Panda" and three lithographs printed in colours by the same hand entitled "Hill Street Blues", "Rosie" and "Good Companions", all by the same hand, ea. signed, titled, dated and inscribed in pencil, various sizes, (13), (unframed), (may be subject to Droit de Suite)
Monir, Indian b.1943- "Gust Before the Rain"; etching with aquatint printed in colours, signed, titled, dated `80 and numbered 7/75 in pencil,13.8x15cm: together with six further etchings with aquatints printed in colours by the same hand entitled, "One Comes Up Must Come Down", "Memory", "Memory", "Lucia", "The City" and "Untitled", ea. signed, titled, dated and numbered in pencil, various sizes, (unframed), (7)
Elizabeth Duncan-Meyer ASGFA, British b.1942- "The Tempest"; etching with aquatint printed in colours, signed, titled and numbered 4/30, 29x39.7cm: together with five further etchings with aquatints printed in colours and one drypoint with monoprint in colours by the same hand entitled "Nadia", "Dozy", "Proud Tinka", "Arthur`s Country", "Marine" and "Cornish Coast-Line", ea. signed and titled, various sizes, (7), (part unframed), (two in shared mount), (may be subject to Droit de Suite)
Kristian Krokfors, Finnish b.1952- "Deja Vu"; mixed technique lithograph with screenprinting in colours, signed, titled, dated `80 and numbered 93/100 in pencil, 83x62.5cm: Martin Ware, British late 20th/early 21st century- "Sails 7"; etching printed in colours, signed, titled, dated and numbered in pencil, 45x59cm: together with two other etching with aquatints printed in colours by the same artist, entitled "Sails 2" and "Icarus 2", (4) (may be subject to Droit de Suite)
James William Giles, British 1801-1870- "James Watson Esqre Brook Hill Co Antrim", after Charles Hancock, publ M & N Hanhart Lith Printers; lithograph, bears label for John Mason, House, Sign, Furniture and Ornamental Painter, Gilder & Japanner, and Paper-Hanger, Southwell attached to the reverse, 50.5x63cm: Robert Walker Macbeth RA, Scottish 1848-1910- "The Ballad Seller", publ January 7th 1903 by W R Howett & Co Bedford Row Chambers London W; etching on silk, signed with initials and dated 1901 within the plate, signed in pencil, 33x47cm: After Percy H Martindale, British 1869-1943- Portrait of H M Burge, Bishop of Oxford 1919-1925; photogravure, signed by the artist in pencil, 49x37cm: After Wilfred R E Fairclough, British 1907-1996- "Wye College", 1947; reproduction print, 47.5x60.5cm., (4) Provenance: from the collection of the Estate of the Hon Christopher Lennox-Boyd
Combette Editeur, Paris, Rue de la Parcheminerie 15, 19th century- Les Iles St Pierre et Miquelon près de l`ile de Terre-Neuve, from Colonies Françaises (en Amerique); hand-coloured engraved map, 30.5x43.5cm: John Vulliamy, British, mid-late 20th century- "Via della Belle Arti II, Bologna"; etching with aquatint printed in sepia, signed and numbered 4/50 in pencil, 33.5x25cm: Hubert Andrew Freeth, British 1912-1986- "Firegod"; etching with aquatint, signed, titled, numbered 11/60 and dated 66 in pencil, 21.5x30cm: Japanese School, mid-late 20th century- Dancer with a fan; colour woodblock print, signed with single seal, 37x22.5cm., (4)
CAPTAIN D J SCOTT-MASSON, RD, RNR, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “Britannia Rules”, 14” x 23”; together with ANNE ROOKE, SIGNED AND DATED ’55, COLOURED SCREEN PRINT, LAKE AND MOUNTAIN LANDSCAPE, 15” x 20” and J WARNER, SIGNED TO THE IMAGE, BLACK AND WHITE ETCHING, Cubist-type Study of an Archway, 9 ½” x 10” (3)
Louis Philippe Boitard , (French, fl. 1733-1767), A mother and her daughter, pen, ink and watercolour, inscribed `from the life` lower left, 18 x 11cm (7 x 4 1/2in). Engraved: the two figures can be seen in the crowd in Boitard`s etching The Covent Garden Morning Frolick, 9 October 1747 (British Museum) (see back of frame)
Collection of Welsh Rugby Union Centenary glass ware and other souvenirs – to incl 1981Glass engraved rugby ball – issued to JL Hayes mounted on a wooden plinth, 1980 Welsh Rugby Union Centenary Commemorative FDC depicting a Welsh And French player and Commemorative Envelope –mounted on a card holder, and Welsh Rugby Union Centenary Presentation Copper Etching – Centenary Year 1980/81, celebrating 8 Grand Slams and 16 Triple Crowns to front, and mounted in gilt frame overall 24cm x 32cm . (VG) (3)
AFTER THOMAS ROWLANDSON (1756-1827) "Smithfield Sharpers" or "The Countrymen Defrauded", published 1787 and etched by IK Sherwin, printed title to the margin, hand-coloured etching, 13.25" x 16", and a pair of hand-coloured engravings after Rowlandson "An Italian Family" and a"A French Family" (3)
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