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Lot 105

Eli Marsden Wilson (1877-): `Low-tide Margate Harbour` etching made for the Queen`s Doll`s House signed 2.5cms x 4cm (with copies of the 3 letters from the Royal Family) and a portfolio collection Bookplate, Insects and Figurative etchings by the same artist Provenance: Artist`s family descent

Lot 302

RA Forrest Finches Hand coloured etching, signed in pencil, 14cm high x 21cm wide

Lot 364

John Martin KLB The Crucifixion To his Grace the Lord Archbishop of Canterbury, the President, and to the other members of the society for prominating Christian knowledge, published 1834 Etching print in elaborate gilt frame, 54 x 77cm

Lot 365

F Webster RA Henry Lemon Punch & Judy Show Etching print, printed by McQueen, 64 x 120cm

Lot 374

William Strang ARA Church at Regnavillia Etching, signed in pencil; and another, 20 x 18cm (2)

Lot 419

W Hogarth The Committer, Hudibras, Triumphant, Skimmington Etching, 55 x 33cm (3)

Lot 394

AFTER THOMAS CAMPBELL HOGARTH, "JAMES STUART, AGED 115", etching from the original sketch, stuck down onto card, unframed. 28cm by 22cm

Lot 49

George Vernon Stokes - Black Labrador retrieving a pheasant, coloured dry point etching, signed limited edition, 2/75, 27cm by 31cm; and Black Labrador retrieving a mallard duck, coloured dry point etching, signed limited edition, 28/75, 20cm by 30cm (2 - framed as a pair)

Lot 99

HERBERT DICKSEE. Signed in pencil, etching on paper, a lion and lioness watching Joseph, Mary and Jesus from a rocky outcrop 17 1/4" x 27".

Lot 413

A black and white etching of Hampton Court Palace, 1922, together with six other works.

Lot 226

Collection of pictures and prints including reproduction panoramic Plymouth, Philip West signed `Red arrows` print, R. King etching `Glasgow University`, Plymouth scene, and various other prints (7)

Lot 567

Bim Giadelli, "Vienna", watercolours & an indistinctly signed watercolour, cottages in landscape together with coloured etching The Shambles York, all framed (3).

Lot 64

ALLAN (Robert) artist: a coll’n of 9 signed etchings, mostly coastal scenes; & a signed etching by James Hess. (10)

Lot 71

BLAMPIED (Edmund) [Seaweed gatherer with Horse & Cart], etching, signed in pencil, 5 x 7 inches [I.], loosely mounted. (1)

Lot 72

MARRIOTT (F.) “Ravello, Italy,” etching, signed & titled in pencil, 8 x 10 ins [I.], ; SOPER (George) [Horses drinking], wood-engraving, signed in pencil; & another etching. (3)

Lot 74

LEE HANKEY (William) “Condolence”, colour-printed etching with aquatint, signed, titled in another hand, 12.5 x 10 inches [I.]; & 2 other colour-printed etchings with aquatint by the same artist. (3)

Lot 75

LONG (Nat) “Low Tide”, etching, signed & titled in pencil, 8 x 10 inches; & another “The Beach Ball,” printed in colours. (2)

Lot 510

SEYMOUR HADEN (F.) About Etching, 4to, etched frontis & 15 plates, quarter morocco, Fine Art Society, 1879.

Lot 186

SUE HERCER - "Vic", etching, limited edition, signed titled and numbered, 32cms x 25cms

Lot 197

HILDA MARY PEMBERTON (exh.1897-1940) - Landscape with brook and Withies, etching, signed in pencil and with Raphael Tuck blind stamp, 19.5cms x 14.5cms

Lot 201

After GEORGE CRUIKSHANK - Grandpapa Going To His Party, etching, 11.5cms x 16cms ++discoloured

Lot 62

Hardy Wilson (1881-1955) St Clair Cottage, Goulburn, NSW Monochrome etching Signed and dated ’21 in the plate 32 x 24cm Illustrated online at www.mossgreen.com.au

Lot 70

John Olsen (Born 1928) Hopping Mouse No. 1 Sepia etching Signed, titled, dated ’78 and numbered 5/25 in pencil to margin Plate size 60 x 50cm Provenance Barry Stern Gallery Sydney

Lot 72

John Olsen (Born 1928) Laughing frog Monotone etching Signed titled and dated ’77 and numbered 61/90 in pencil to margin Plate size 64 x 50cm Provenance Barry Stern Gallery Sydney

Lot 75

David Boyd (1924-2011) Untitled - Angel Tinted artist proof etching Signed and dated 1977 in pencil to margin 19 x 14.5cm Provenance Barry Stern Gallery Sydney Illustrated online at www.mossgreen.com.au

Lot 92

Graeme Townsend (Born 1954) Boxed Toucan Coloured Etching Signed titled and dated ’89 to margin Paper size 62 x 51cm Provenance Barry Stern Gallery Sydney Illustrated online at www.mossgreen.com.au

Lot 42

R F KING - Brixham Trawlers, etching, signed and inscribed in pencil in the margin, 7 1/4" x 10 1/2" (unframed)

Lot 218

J* PAUL BRINSON (? - 1927) - `A Grey Evening`, signed, watercolour, 10" x 13 3/4"; and Robert Walker Macbeth after Frederick Walker `Harbour of Refuge`, etching, 19" x 31 1/2" (2)

Lot 291

A 20TH CENTURY BRITISH SCHOOL ETCHING A river scene, indistinctly signed bottom left, 23" x 14 3/4"

Lot 211

Eug Bejot 1912. Le Manzamares Madrid-black & white etching, signed together with other prints.

Lot 608

Modern Masters of Etching W Russell Flint 1931

Lot 407

A framed and glazed coloured etching after Gillray, The Fall of Icarus. 35cm x 24cm.

Lot 252

William Lionel Wyllie (1851-1931) - Portsmouth Harbour with submarines in foreground - 8.5x33cm etching - signed bottom left.

Lot 253

William Lionel Wyllie (1851-1931) - Steam ships with barge in foreground - 12x16cm etching - signed bottom left.

Lot 111

Rowland Langmaid (1897-1956) - Etching - Down River To Tower Bridge, signed in pencil, 21.5cm x 30cm together with Arthur Bond (1888-1958) - Etching - Squally Weather, 23.75cm x 28.75cm A.R.

Lot 148

JAMES HAMILTON MACKENZIE The Apprentice Pillar Pencil signed etching, 30cm x 20cm

Lot 1345

Setting the Affairs of the Nation, etching, and three prints (4)

Lot 10

After Giovanni Battista Piranesi - `Veduta dell` Arco di Tito`, late 19th Century etching with Paris Edition blindstamp, approx 53cm x 74cm, within an ebonized frame.

Lot 37

Jurgen Gorg - `Dammerung`, etching, signed, titled and editioned 13/150 in pencil, approx 43cm x 34cm, within a gilt frame of wide section.

Lot 53

Norman James - View of an Eastern Fortified Town with Mountains beyond, 20th Century aquatint, signed, together with an etching after Malcolm Osborne, `Albi`.

Lot 70

Claude Rowbotham - `Whitby`, colour etching, signed in pencil, together with two further colour etchings by Henry G. Walker and a monochrome aquatint.

Lot 6

Robert Walker Macbeth RA RWS RE (1848-1910) after Arthur Hacker (1858-1919) `The Cloister of the World`, etching, signed in pencil by both artist and engraver, published 1900 by H. Virtue, 51 x 38 cm (20 x 15 1/4 in)

Lot 48

Paul-Adolphe Rajon (1843-1888) after Sir Lawrence Alma-Tadema OM RA (1836-1912) A garland maker, etching, signed by both artist and engraver, published May 1876 by Edward S. Palmer, unframed, plate 14 x 25.5 cm (5 1/2 x 10 in) together with the same engraver`s portrait of Alma-Tadema and a lithograph by Alma-Tadema

Lot 49

Charles Oliver Murray RE (1842-1923) after Sir Lawrence Alma-Tadema OM RA (1836-1912) `Childish Affections`, etching, published 1883 by The British & Foreign Artists` Association, unframed, plate 47 x 32 cm (18 1/2 x 12 1/2 in) together with another etching by Murray after Alma-Tadema

Lot 50

Robert Walker Macbeth RA RWS RE (1848-1910) `Waiting`, etching, signed, published 1882 by J. & W. Vokins, unframed, plate 49.5 x 37 cm (19 1/2 x 14 1/2 in) together with `Rainy Day at Bisham`, etched by Ernest Stamp ARE after Frederick Walker, signed by the engraver

Lot 51

Achille Isidore Gilbert (1828-1899) after Sir Frederic (later Lord) Leighton PRA, `The Athlete Wresting with a Python`, etching, published 1881 by The British and Foreign Artists` Association, unframed, plate 30.5 x 22 cm (12 x 8 1/2 in) together with `The Arts of War` by and after the same hands, an etching of `Widdop as Siegfried` by E. H. Lacey, one after Albert Moore and a lithograph of Paganini by Walter Crane

Lot 54

Ernest Stamp ARE (1869-1942) after Frederick Walker ARA (1840-1875) `Rainy Day at Bisham`, etching, signed by the engraver, unframed, 15 x 27 cm (6 x 10 3/4 in) together with another impression of the same print

Lot 204

Julie Wynn Roberts (b. 1963) `The Pack`, etching, signed and dated `92, inscribed with title and numbered 4/30, unframed, 28.5 x 24.5 cm (11 1/4 x 9 1/2 in) together with four other etchings by the same hand

Lot 351

Sir Frank Brangwyn GUILD HOUSES, GHENT, BELGIUM hardground etching with plate tone, signed in pencil in the margin not examined out of the frame, mount staining visible, atmospheric discolouration of the paper 1 plate size: 37 by 37cm not examined out of the frame, mount staining visible, atmospheric discolouration of the paper

Lot 356

François Krige HORSES hardground etching with plate tone, signed and dated 1936 in pencil in the margin taped at the top two edges with gum tape to the backing mount, mount staining, cockling 1 sheet size: 29,5 by 38cm taped at the top two edges with gum tape to the backing mount, mount staining, cockling

Lot 363

François Krige PORTRAIT OF A MAN hardground etching, signed and dated 1936 in pencil in the margin null null null null null 1 sheet size: 37 by 29,5cm taped at the top corners to the backing mount with gum tape, mount staining, foxing

Lot 368

Dorothy Kay SICK NATIVE hardground etching with plate tone, signed and dated 1938, numbered 13/50 and inscribed with the title in pencil in the margin 1 sheet size: 41 by 49cm

Lot 369

Dorothy Kay BASOTHO BLANKET hardground etching with aquatint, signed and inscribed with the title in pencil in the margin partially taped along the top edge to the window mount with acid free tape, mount staining, otherwise appears good 1 sheet size: 32 by 25,5cm partially taped along the top edge to the window mount with acid free tape, mount staining, otherwise appears good

Lot 1965

An Original signed C.H.Clark etching of `Stirling`, a signed impression of restricted edition of 110 before Plate destroyed

Lot 1968

An Oak framed signed Frank Paton Etching `Are You There?`

Lot 1976

A Coloured print `The Kings Arm, Stow on the Wold`, mounted but not framed coloured print `Beechwood` by E.G.Warren & Unframed old etching `Craignisha` signed ....kelly

Lot 1988

A Pencil drawing `St Marthas, Guildford signed A. Watson together with oak framed etching `St Andrews from the Pier` Signed

Lot 2037

A Denis Higgins print `While You Wait`, framed. Denis Higgins studied etching at Hornsey College of Art and has exhibited at The Royal Academy and at international exhibitions in Berlin, Brussels, Lisbon to name a few.

Lot 386

CARICATURE. FALSTAFF AND THE MERRY WIVES OF WESTMINSTER CANVASSING FOR THEIR FAVOURITE MEMBER, LORD TOWNSEND LD T-D, ETCHING, CONTEMPORARY COLOUR 1788, SCARCE

Lot 388

ENOCH CROSLAND AFTER ALFRED DAWSON - NOTTINGHAM CASTLE, ETCHING, SIGNED BY ARTIST AND ETCHER IN PENCIL IN GILT FRAME WITH NOTTINGHAM ARMS AND A WATERCOLOUR, SUNSET IN THE RIVELIN VALLEY BY W R E GOODRICH

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