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Lot 64

CHARLES MERYON (1821-1868) "La rue des toiles bourges", etching, pencil signed and dated 1853, 8 1/2" x 4 3/4"

Lot 69

GIOVANNI BATTISTA PIRANESI "Prospettiva dello stesso delubro", etching on two joined sheets, 23 1/2" x 36"; one further engraving after Turner; and a print after Philip Wilson Steer (3)

Lot 70

CLAUDE HAMILTON ROWBOTHAM (1864 -1949) "Trevempen nr. Newquay", etching in colours, pencil signed in the margin, 6" x 4 1/2"; and four further by the same hand, all mounted but unframed (5)

Lot 71

CLAUDE HAMILTON ROWBOTHAM (1864-1949) "The Queen`s Head, Little Marlow", etching with aquatint, pencil signed in the margin, 4" x 6"; and five further by the same hand, all mounted but unframed (6)

Lot 72

MALCOM OSBOURNE (1880-1963) An extensive landscape with fields and trees, etching, inscribed in pencil to the margin and dated 1921, 6 1/4" x 13 3/4"; and two further works by Bernard Rice and Sydney Lee, all similarly framed (3)

Lot 73

HENRY DANIEL (20th Century) Durham cathedral from the river, etching, pencil signed in the margin 9" x 14"; and another by the same hand - farm buildings in a landscape, also pencil signed, 6 1/2" x 12" (2)

Lot 76

THE STUDIO - "Modern masters of etching vols. 1 - 3, 5 - 14, 16 (x2) - 18, 21 - 23", bound in blue hardback (20)

Lot 80

FRED RICHARDS (1887-1932) "The street of ink", etching, titled and pencil signed in the margin, 7 1/2" x 6 3/4"

Lot 87

BALTHAZAR SOLVYNS "The Snake Charmers (Snunb`heryah)", etching, hand coloured, 14" x 20"; and four further similar etchings, all mounted but unframed (5)

Lot 109

JAMES ROBERT GRANVILLE EXLEY (1878-1967) "Bolton Priory", etching, pencil signed in the margin, 7 1/2" x 11"; and two further etchings by the same hand to include "St Mary`s and the Glebe Thornton" and "White Friars and Dutch houses, Lincoln", all mounted but unframed (3)

Lot 110

JAMES ROBERT GRANVILLE EXLEY (1878-1967) "The catch of the season, Exford, Exmoor, Somerset", etching, pencil signed in the margin, 7" x 5"; and two further etchings by the same hand to include "Caudebec-en-Caux Place d`Armes" and "A canal in Craven", each mounted but unframed (3)

Lot 111

JAMES ROBERT GRANVILLE EXLEY (1878-1967) "A cock fight", etching, pencil signed in the margin, 7" x 6"; and six further etchings on a similar theme to include "Minikin Maniquins", "Bewilderment", "A match in strength" etc, all unframed and two mounted (6)

Lot 112

JAMES ROBERT GRANVILLE EXLEY (1878-1967) "Silver duck wing - grey old English game fowl", etching, pencil signed in the margin, 7" x 6 1/4" and five further etchings on a similar theme, all unmounted and unframed (6)

Lot 144

ARTHUR DUDLEY (exh 1890-1907) Still life, a basket of grapes, earthenware vase and apple branches on a surface, signed and dated `95, watercolour, 10" x 29 1/2"; together with two other works - M* OLIVER RAE - "Brighton (The Beach)", etching, 2 1/2" x 7"; and a small watercolour(3)

Lot 411

A group of six, including a pair of floral still life studies, coloured mezzotints, signed J. Chamberlain, three chinese watercolour still life studies on rice paper and a signed etching with aquatint `October Mist`, by Sally Hunkin.(6)

Lot 422

William Lionel Wyllie (1851-1931), The Thames at Tower Bridge, etching, signed, 25cm x 35cm.

Lot 429

Winifred Pietard (20th century), Amaryllis & Stephanotis, colour etching,k signed and inscribed in pencil, 38cm x 30cm.

Lot 457

Shoichi Hasegawa (b.1929), L`Ile au Trescer, colour etching, signed, inscribed and numbered 76/110, 49cm x 58cm together with another Shoichi Hasegawa (b.1929), Emeraudi Symphony, colour etching, signed, inscribed and numbered 43/110, 49cm x 58cm.

Lot 331A

A 1972 Poster for the Bacon Exhibition, Grand Palais, Colin Dales, Geometric Design, printed on cotton, limited edition etching, optical illusion, etc.

Lot 108

Charles Murray - The Cemetery, monochrome etching, signed and dated 1927 in pencil, approx 13cm x 19cm.

Lot 131

Mark Spain - `Early Morning`, late 20th Century colour etching, signed, titled and dated 1989 in pencil, together with two further etchings by the same hand.

Lot 143

Luigi Kasimir - View of a European City, colour etching, signed in pencil, approx 19cm x 32cm, within a wood frame.

Lot 151

Boris O`Klein - `Champs-Elysees`, hand-coloured etching, signed and titled in pencil.

Lot 167

After George Edwards - `The Ash Coloured Hawk and the Little Brown Lizard`, mid-18th Century hand-coloured etching, within a gilt frame, together with a collection of ornithological prints.

Lot 207

After Charles François Daubigny - Dutch Interior with an Artist painting the View from his Window, 19th Century monochrome etching printed by Detatre, Paris, approx 10cm x 14cm, within a stained wood frame.

Lot 25

Ernest L. Hampshire - `Houses of Parliament from Lambeth`, monochrome etching, signed and titled in pencil, approx 16cm x 23cm.

Lot 30

James Priddey - `Beneath the Trees - Derwentwater`, colour etching, signed and titled in pencil.

Lot 31

William Douglas Macleod - `Carting Sand Machrihanish`, monochrome etching, signed, titled and dated 1923 in pencil, together with a further etching by the same hand.

Lot 60

After E. Blampied - The Dentist, monochrome etching, signed in pencil, approx 19.5cm x 27cm.

Lot 94

Micheal Farrell 1940-2000 SELF PORTRAIT Etching, 19 1/2" x 25 1/4" (49.5 x 64 cm), signed, inscribed and dated 77, ed. 52/80.

Lot 95

Micheal Farrell 1940-2000 STORM IN A TEACUP Coloured etching, 19 1/2" x 25 1/4" (49.5 x 64 cm), signed, inscribed and dated 77, ed. 27/80.

Lot 112

Micheal Farrell 1940-2000 THE LAST BUT ONE HIBERNIAN FIGHTING THE BULL Coloured etching, 29 1/2" x 41 1/2" (75 x 105.5 cm), signed, inscribed and dated `94. Ed 5/20

Lot 245

A pencil drawing of Fulbeck Church, 16 by 24cm, along with a stipple etching of a view of Fulbeck, 13 by 18cm. (2)

Lot 287

FOUR MISC. MINIATURE PICTURES INCL. A WATERCOLOUR ENTITLED MILLPOND, SWANAGE BY R C BEAN, TWO HAND COLOURED LITHIOGRAPHS OF DINAN AND GARNIER AND A BLACK AND WHITE ETCHING OF QUEENS COLLEGE, CAMBRIDGE SIGNED R WARWICK

Lot 1549

J STARLING: Signed Etching, Horning Street, Norfolk, approx. 8” x 10”, f/g

Lot 1559

THOMAS GRAY: ELEGY WRITTEN IN A COUNTRY CHURCHYARD, Ill, The Etching Club, 1847, 1st edn, 4to, old cf gt, worn

Lot 319

A post war etching of the interior of St. Peter`s Church, Newlyn, indistinctly signed, limited edition No.6 of 26, together with an 18th century black and white engraved print "Perspective View of the City of bath, in Somersetshire" and two other 19th century Bath prints.

Lot 158

After Charles Cuttermole. An etching, A Preston Guild in the 17th Century, 34.5cm x 51.5cm

Lot 221

Louis Icart (1888-1950). Dalila, artist signed coloured etching, bears proof mark, 52cm x 34cm

Lot 475

Violet Darley, two Seascapes, oil on canvas, 1926, and a pair of Landscapes by the same hand, Elizabeth of Hungary by M I Hanker, and an Etching of St Leonards School, St Andrews, and Christs Hospital School

Lot 476

Tom Maxwell, three black and white etchings, signed in pencil, and R. B. E Woodhouse `The Landgate, Rye`, etching, signed and titled in pencil

Lot 496

E N Groom, London Bridge, pencil signed and titled, etching

Lot 501

Albany E. Howarth, `Palazzo Desdemona, Venice`, etching, signed in pencil

Lot 1048

Sir Alfred Munnings (1878 - 1959) etching in glazed frame - study of a horses head, 18.5cm x 14.5cm Further images and condition reports available at www.reemandansie.com

Lot 1049

Sir Alfred Munnings (1878 - 1959) etching in glazed frame - cattle under a tree, 14cm x 22.5cm Further images and condition reports available at www.reemandansie.com

Lot 1118

Peter Coker, RA (1926-2004) signed limited edition etching entitled Buckden, signed, titled and numbered 3/10 in pencil, image 26.5cm x 35cm Further images and condition reports available at www.reemandansie.com

Lot 1175

Michael Ayrton (1921 - 1975) signed limited edition black and white etching, entitled - Theseus and The Minor, signed and numbered in pencil 70 / 75, in glazed frame, plate size 40cm x 54.5cm Further images and condition reports available at www.reemandansie.com

Lot 249

TRACY EMIN RA (b.1963), `For You`, original signed polymer etching 2010, 20cm x 24.5cm, unframed but boxed.

Lot 335

AFTER HENRY ALKEN (1785-1851), `Pheasant Shooting` hand-coloured etching and aquatint published 1820, framed, 26cm x 34cm, gallery label for Arthur Ackermann to verso; also `The Court of Common Pleas,` hand-coloured aquatint after Pugin & Rowlandson, framed, 22cm x 28cm. (2)

Lot 337

DAVID HOCKNEY CH RA (b.1937), `The Beginning` from the suite of etchings `Illustrations for Fourteen Poems from CP Cavafy`, etching and aquatint 1966, signed in pencil, unframed (35cm x 25cm).

Lot 347

EARLY 19TH CENTURY SCHOOL `Cleopatra,` engraving in oak frame; also Alphonse Legros (1837-1911) `Le Baptème`, etching (1870), framed; also Cornelis Schut (1597-1655), `Pyramus and Thisbe`, etching and engraving, framed (largest 22cm x 29cm) (3)

Lot 370

ALEXANDER JOSEPH FINBERG (1866-1939), `Continental Town`, etching, signed in plate, framed; also `Spencer House`, hand coloured aquatint published 1800; also two further framed topographical prints, the largest 26cm x 33cm (4)

Lot 390

HENRY ASTON BAKER (c.1874-1856), "COMING TO ANCHOR", a marine watercolour of a man-of-war, watercolour, titled and monogrammed in ink, with dealer`s label verso; together with "SOUTH SEA CASTLE...NEAR PORTSMOUTH", by the same hand, with a note verso, a marine watercolour, titled and monogrammed to the reverse of the watercolour (not removed from frame). (2) 12cm by 18.5cm and 14cm by 21.5cm. Note: the first with a dealer`s note verso indicating a date on the reverse of the watercolour of May 1798 and a further hand-written note stating that the same subject appears as an etching in the Naval Chronicles with the original painting attributed to Nicholas Pocock. A similar note is inscribed to the reverse of the second watercolour.

Lot 411

Robert Burns ‘Winter Bankhead’ pencil signed etching, 14cm x 20cm

Lot 416

E A Taylor, "Dingy and Figure", etching, 13cm x 17cm

Lot 522

Winifred Austen "Mallards in Flight" signed etching, 23cm x 27cm

Lot 2048

A framed and mounted etching of a thatched house and a building near a river with a bridge crossing over to a small church in a moulded gilt frame.

Lot 2049

A framed and mounted etching of Eros, Piccadilly, London. Signed

Lot 2051

A small etching of ``College Bridge`` Cambridge. Signed M Rudge.

Lot 2053

A framed and mounted etching From the old market place, Rouen. Signed.

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