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Lot 317

FRANCIS KELLY, LIMITED EDITION BLACK AND WHITE ETCHING (5/15) ‘Triptych’, 15” x 19”

Lot 334

E HERBERT WHYDALE, SIGNED IN PENCIL TO MARGIN, ETCHING, Nearing the Hilltop, 8” x 10” (unframed)

Lot 335

WILLIAM PALMER ROBINS, SIGNED AND DATED 1924 IN PENCIL TO MARGIN, ETCHING, Inscribed “Near Stalham”, 5” x 9” (unframed)

Lot 336

WILLIAM PALMER ROBINS, SIGNED AND DATED 1922 IN PENCIL TO MARGIN, ETCHING, Inscribed “Stokesby”, 4 ½” x 7 ½” (unframed)

Lot 337

WILLIAM PALMER ROBINS, SIGNED AND DATED 1924 IN PENCIL TO MARGIN, ETCHING, Inscribed “Haymaking on the Waveney”, 7 ½” x 13” (unframed)

Lot 338

WILLIAM PALMER ROBINS, DATED 1920 IN PLATE, ETCHING, Haystack by a Windmill (inscribed in pencil to margin “4th State”), 9” x 14” (unframed)

Lot 339

WILLIAM PALMER ROBINS, SIGNED AND DATED 1919 IN PENCIL TO MARGIN, ETCHING, Flatford Lock, 5” x 8” (unframed)

Lot 340

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, ETCHING, Inscribed “Walberswick Pier September 1890”, 6” x 9” (unframed)

Lot 341

CHARLES J WATSON, SIGNED IN PENCIL TO MARGIN, ETCHING, Hotel De La Poste 1913, 8” x 9” (unframed)

Lot 342

CHARLES J WATSON, SIGNED IN PENCIL TO MARGIN, ETCHING, Inscribed “Arles 1894”, 7” x 9 ½” (unframed)

Lot 344

CHAS CHAPLIN, SIGNED AND DATED 1963 IN PENCIL TO MARGIN, ETCHING, Inscribed “New Forest Glade 45”, 7” x 10”

Lot 347

CATHERINE MAUD NICHOLLS, SIGNED IN PENCIL TO MARGIN, ETCHING, Vicarage Hill, Alton, Hants, 6” x 9 ½” (unframed)

Lot 351

MARTIN HARDIE, SIGNED IN PEN TO MARGIN, TRIAL PROOF ETCHING, Port Manchin, 7 ½” x 6 ½” (unframed)

Lot 352

TOM MAXWELL, SIGNED IN PENCIL TO MARGIN, ETCHING, The Scottish Provident Building, 11” x 10”; and E M PAIGE, SIGNED IN PENCIL TO MARGIN, ETCHING, A Fortified Town, 5 ½” x 9 ½” (2) (unframed)

Lot 358

REVEREND EDWARD THOMAS DANIELL, BLACK AND WHITE ETCHING, A Continental River Scene with Bridge and Castle, 5” x 7 ½”

Lot 361

FRANK HENRY MASON, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, Scarborough, 6” x 16”

Lot 363

CONSTANCE MARY POTT, SIGNED IN PENCIL TO MARGIN, ETCHING, The Stand October 1905, 7 ½” x 9”

Lot 364

WILLIAM PALMER ROBINS, SIGNED IN PENCIL TO MARGIN, ETCHING, Mercury Lane, Canterbury, 9” x 6”

Lot 365

W LAIDLAW, SIGNED IN PENCIL TO MARGIN, FOUR ETCHING, Bake House Close; St Giles Cathedral; Hollywood Palace; Advocates Close (all Edinburgh), assorted sizes (4)

Lot 369

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, ETCHING, Old London Bridge, 6 ½” x 12; plus S FORDWAY, SIGNED IN PENCIL TO MARGIN, ETCHING, Unicorn Inn, Shrewsbury, 8” x 7 ½” (2)

Lot 371

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, ETCHING, HMS Orion, 10 ¾” x 7 ¾”

Lot 375

FRANK HARDING, SIGNED IN PENCIL TO MARGIN, ETCHING, Waterloo Bridge, 6” x 14”

Lot 379

ROWLAND LANGMAID, SIGNED IN PENCIL TO MARGIN, ETCHING, Inscribed “Spit Head”, 3 ½” x 12” (unframed)

Lot 380

EILEEN A SOPER, SIGNED IN PENCIL TO MARGIN, ETCHING, Young Children freeing a Bird from its Cage, 4” x 7”

Lot 381

ARTHUR BRISCOE, SIGNED IN INK TO MARGIN, LIMITED EDITION (53/75), ETCHING, The Fore Gallant Sail, 9” x 13 ½” (unframed)

Lot 382

LOUIS WHIRTER, SIGNED IN PENCIL TO MARGIN, ETCHING, ‘Durham Cathedral’, 9” x 11 ½”

Lot 387

HENRY JAMES STARLING ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, Horstead Mill, Norfolk, 8” x 10”

Lot 388

HENRY JAMES STARLING ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, Rackham Court, Norwich, 7 ½” x 5”

Lot 389

HENRY JAMES STARLING ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, George IV Yard, Burr Street, Norwich, 9” x 8”

Lot 390

HENRY JAMES STARLING ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, Cow Gate, Norwich, 12” x 10”

Lot 392

LEONARD R SQUIRRELL, SIGNED IN PENCIL TO MARGIN, ETCHING, ‘Dover Castle’, 7 ¼” x 13”

Lot 394

EDWARD MILLINGTON SINGE ARE, SIGNED IN PENCIL TO MARGIN, ETCHING, Venetian Landscape, 6” x 6”

Lot 395

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, ETCHING, Giona Volendam – Holland, 9” x 6”

Lot 397

CHARLES J WATSON, SIGNED IN PLATE, ETCHING, Norwich Market Place, 9” x 12”

Lot 400

R GOFF, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Dated 1892, River landscape with cattle grazing in distance, 10” x 13”

Lot 408

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, ETCHING, Horses in a landscape, 8” x 10”

Lot 411

FRANCIS SEYMOUR HADEN, SIGNED IN PENCIL TO MARGIN, ETCHING, Out of Study Window, 4” x 10”

Lot 475

THOMAS BLINKS AND FRANK PATON, SIGNED IN PENCIL TO MARGIN BY BOTH, ETCHING, Ferret Catching, 10 ½” x 8”

Lot 476

AFTER THOMAS BLINKS, BLACK AND WHITE ETCHING, Plough Horses, 9” x 12”

Lot 508

SIDNEY G HENSON, SIGNED IN PENCIL TO MARGIN AND DATED ’62, BLACK AND WHITE ETCHING, “Cannon Street Station, 5” x 7”; R S A, INITIALLED TO THE IMAGE, BLACK AND WHITE ENGRAVING, Lady tethering a goat; AFTER H CASSIERS, COLOURED LITHOGRAPH, “Sunday Afternoon”, 4” x 8” (3)

Lot 525

ERNEST MEISSONIER, ENGRAVED BY J JAQUET, SIGNED BY BOTH TO THE MARGIN, BLACK AND WHITE ETCHING, Published 1888, Napoleon reviewing his troops, 19” x 33”

Lot 575

JOHN CROME, BLACK AND WHITE ETCHING, “Track Beside a Parkland Fence, Road by Park Palings”, 4” x 7”

Lot 488

A Victorian 1895 Pattern Infantry Officer's Sword, the rusted single edge fullered steel blade bearing traces of etching, by Robert Mole & Sons, Birmingham, the edge stamped M2567, the nickel plated steel hilt pierced with crownded VR cypher, wire bound fishskin grip and pigskin covered scabbard.

Lot 1

William Lionel Wyllie, an etching "The River Tyne" with Tyne Bridge. 8.75ins. x 15ins., framed, signed in pencil. (see illustration)

Lot 302

A VICTORIAN NAVAL OFFICER'S SWORD BY WILKINSON & CO., SOUTHSEA, with 31 1/2in. single-edged fullered blade double-edged towards the point and etched with scrollwork, the Royal arms and a crowned fouled anchor, the forte signed 'WILKINSON & CO. / 16 ST. JAMES RD / SOUTHSEA', gilt-brass hilt with crowned fouled anchor, folding flap and lion's head pommel, and shagreen-covered wire-bound grip, in original brass-mounted black leather scabbard with two suspension rings (some wear to etching on blade and gilding on hilt).

Lot 309

A 'MAZEPPA' BOWIE KNIFE BY S. HANCOCK & SONS, SHEFFIELD, with 10in. clip-point blade signed 'S HANCOCK & SONS / PEA CROFT WORKS / SHEFFIELD', etched 'SELF DEFENDER' and with two marks of a running horse with a man strapped to its back marked 'MAZEPPA', German silver shaped guard, German silver grip with horn grip-scales, that on the left with a shaped inset German silver escutcheon named 'W.S. COLLINS' (some small scattered patches of pitting to blade, etching feint, grips worn), in original leather-covered scabbard with gilt border (chape missing, scabbard worn), with brown leather frog. Other Notes: The legend of Mazeppa originates from Poland and Russia. Mazeppa was born to a Polish noble family in Podolia. He became a page at the court of Jan Casimir, the King of Poland, but was caught with the wife of a count and as a punishment was lashed to a wild horse and turned loose. The horse died in the Ukraine where Mazeppa was rescued by a Cossack family who nursed him back to health. He became secretary to the Cossack hetman at the Russian Court, and at his death was appointed his successor. Czar Peter I made him Prince of the Ukraine, but in the subsequent war with Sweden Mazeppa deserted to Charles XII. After the defeat at Pultowa in 1709 Mazeppa fled to Valentia and then onto Bender. It is not known if he died of natural causes or was killed on the Czar's orders.

Lot 1

TWO CHINESE FLOWER PAINTINGS on silk, 8" x 10", two humourous Victorian coloured prints 'Bona Fide Traveller' and 'The Bewildered Traveller', a signed etching of an estuary scene and two further prints (7)

Lot 1025

An Artists Proof Etching, Countess Weir Bridge, a pottery jardiniere, a butler's type tray on stand, and other items

Lot 359

* Millar (Fred, exh. 1915-1923). Magic Music, 1918, colour etching, showing a young piper with dancing elves by moonlight, signed in pencil to lower right corner, plate size approx. 380 x 305 mm (15 x 12 ins), margins trimmed, mounted (1)

Lot 379

*Rhead (G. Woolliscroft). The Eton Wall Game, pub. Dickensons, 1 Jan, 1888, sepia etching after Thomas M. Hemy, signed in pencil, 355 x 520mm, together with other sporting prints including the Oxford and Cambridge boat race teams (c.1900), engravings of hunt masters, etc., all mounted (6)

Lot 755

Hind (Arthur M.).. A History of Engraving & Etching from the 15th Century to the Year 1914, 2nd imp., 1927, photogravure frontis., b & w illusts. to text, orig. cloth gilt, 4to, together with Walter (H.B.), Catalogue of the Terracottas in the Department of Greek and Roman Antiquities, British Museum, 1903, forty-four collotype plts., orig. cloth gilt, 4to, plus Larwood (Jacob and Hotten, John Camden), The History of Signboards, from the Earliest Times to the Present Day, 8th ed., 1875, hand-col. frontis., b & w illusts., some minor scattered spotting, orig. cloth gilt, faded on spine, thick 8vo, and other misc. art and antiques ref., etc., ex Prinknash Abbey (3 shelves)

Lot 520

CHARLES CATTERMOLE, The Palmy Days of Hoghton Tower, proof etching with inscribed mount, published 1886 by S Walmsley, 18" x 24", Hogarth frame

Lot 525

PIERS BROWNE, Lower Force Aysgarth, coloured etching, limited edition 25/75, signed and inscribed in pencil and dated '76, 16 1/4" x 16 1/4", gilt metal frame

Lot 531

WILLIAM LIONEL WYLLIE, Shipping in Rough Seas, etching signed in pencil, published by The Art Union of London 1892, 20 1/2" x 25", stained frame

Lot 532

TATTON WINTER, A Summer Pastorale, coloured etching, signed in pencil, 12 1/2" x 15 1/4", gilt frame

Lot 533

HENRY GEORGE RUSHBURY, Stirling Castle, etching signed in pencil, plate size 8" x 11 1/2", gilt frame

Lot 534

CECIL ALDIN, Portrait of a Spaniel on an Armchair, etching signed in pencil, plate size 8 1/4" x 6 3/4", ebonised frame

Lot 536

HEDLEY FITTON Street Scene, etching signed in pencil, 12 3/4" x 13 3/4", ebonised frame

Lot 182

Grove (M.). Spithead & Portsmouth, [1845], etched title and four uncoloured aquatint etchings, all titled (and some dated) within the plate, some foxing and marginal fraying, orig. printed wrappers incorporating repeat of title etching to upper cover, stitched as issued, fraying to extrems., oblong folio (27 x 40cm). Produced to commemorate the fleet review in June 1845 attended by Victoria & Albert whose paddle steamer can be seen in three of the views. A contemporary ink inscription to the upper cover reads by Miss Grove 1845. Very scarce. (1)

Lot 341

*Manetti (Saverio). Avosetta, o Becca storto [Avocet], [1767-76], hand coloured etching with aquatint, plate dimensions 345 x 275mm, framed and glazed (1)

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