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Lot 370
Mark Andrew Godwin, British b.1957- "Artemis XXI"; etching with aquatint printed in colours, signed and titled in pencil, 90x119.5cm: together with three further screenprints in colours with mixed technique printed in colours entitled "Elysium XVIII", "Pathway XX" and "Timaeus XI" ea. signed and titled in pencil, 70x85cm, 57x76cm and 64x53.5cm, (4), (may be subject to Droit de Suite)
Lot 502
Valentine Green, British 1739-1813- "The Right Honble Lady Louisa Manners, Sister of the Earl of Dysart", after SirJoshua Reynolds PRA, publ Dwec 24th 1779 by V Green No 29 Newman Street Oxford Street; mezzotint, 63x38cm: John Ogborne, British act 1755-1795- The woodcutter and Milkmaid crossing a bridge on a donkey; stipple engravings printed in colours, 49x64cm., ea: William Ward, British 1766-1826- "The Farm Yard", after George Morland, publ July 1 1795 by J R Smith King Street Covent Garden; mezzotint, 45x55cm: William Satchwell Leney, British 1769-1831 - "Shakspeare, Second Part of King Henry the Fourth Act II Scene IV Doll Tearsheet Fastaff & Henry & Poins", after Henry Fuseli RA, publ March 25th 1795 by John & Josiah Boydell at the Shakspeare Gallery, Pall Mall & at No 90 Cheapside London; stipple engraving, 57x42cm: George Morland, British 1763-1804- Shoeing a horse, publ May 1st 1793 by D Orme & Co at the Morland Gallery 14 Old Bond Street; soft ground etching, 52.5x37cm: together with three other soft ground etchings by George Morland. 52.5x37cm., ea., approx: James Kirby Baldrey, British 1750-1823- "Sketches by G Morland", publ March 1 1792 by J Harris N 28 Garrard Street, Soho; soft ground etchings, four, with front wraps, 43x55cm: John Faber Jnr, Dutch 1695-1756- Portrait of Margaret Yorke (nee Cocks), Countess of Hardwicke, after Sir Godfrey Kneller Bt, publ by Faber at the Golden Head Bloomsbury Square, 1741; mezzotint, 36x25cm: together with a mixed folio of prints by and after different hands, mostly 18th and early 19th century, various sizes, (a lot) (unframed)
Lot 510
Suzanne Valadon, French 1865-1938- "Louise Nue"; drypoint etching on laid, signed and dated 1895 within the plate, signed in pencil, 25x29cm, (unframed). (VAT charged on hammer price.) CONDITION REPORT: unframed on laid paper signed in pencil bottom right browned and time faded overall with patches of further staining and spotting overall affects the sheet and the plate there is a tape hinge top left corner on the reverse and associated bleaching to the top corner visible from the front there are no nicks or tears to the sheet, will require some restoration to remove staining but otherwise appears fine
Lot 525
Ian Wilkinson, British b.1962- "Let the Sun Shine", "Inca Fall", and "Floating"; etching in colours, collage & gold metal leaf, signed, dated 04, and titled, and one numbered 4/150 in pencil, 78x74cm, 78x74cm, & 58x58cm respectively: together with one other by the same artist- "Collision"; etching in colours, mixed technique, signed, titled and dated 04 in pencil, 69x67cm, (4) (may be subject to Droit de Suite)
Lot 533
Oliver Robinson, British 1908-1996- "Jazz Tennis"; digital print, signed and numbered 27/250 in pencil, 38x59cm: European School, 20th/21st Century- "Graces III"; etching in colours, embossed, signed indistinctly, titled and numbered 220/275, 38x30cm: together with one other abstract digital print, 76x50.5cm, (3) (may be subject to Droit de Suite)
Lot 565
Anna-Mary Devereux, British, late 20th/early 21st century- 'Lavender, Shoreham Valley'; etching, aquatint in colours, signed and numbered 5/15 in pencil, 22.5x29.5cm: together with two others by the same artist- 'Carnedd Llewelyn' & 'Winter Light, Idwd'; etching, aquatint in colours, signed and numbered 4/5 and 8/10, 22.5x29.5cm & 20x24.5cm respectively, (3) (may be subject to Droit de Suite)
Lot 570
William P Robins RE, British 1882-1959- "Staples Farm"; etching, signed and dated 1914 in pencil, 11x22cm Provenance: with Abbot & Holder, London, according to label attached to the reverse of the frame: Janet Leighton, British, mid 20th century- "Harvestfield"; wood engraving, signed, titled and dated 38 in pencil, 16x23.5cm: Hugh G W Vernall, British exh 1938-40- Trees by moonlight; etching with aquatint, signed and dated 1924 in pencil, 23.5x19.5cm: together with two other etchings by different hands, both signed in pencil, (5) (may be subject to Droit de Suite)
Lot 575
Frank Paton, British 1856-1909- "Grouse Driving", after Archiblald Thorburn FZS, publ by July 10th 1889 by E E Leggatt 62 Cheapside EC; etching with remarque, signed by both printmaker and artist in pencil, bears publisher's blind stamp, bears label for Henry Graves & Company, 6 Pall Mall London SW attached to the reverse, mounted in a glazed oak frame, 38.5x55cm
Lot 593
James Alphege Brewer, British fl.1909-1938- "Milan Cathedral (Corso V Emanuele)", publ. by Alfred Bell & Co Ltd, 6 Old Bond Street, London, W1, Nov 10th 1927; etching, signed in pencil, bearing blindstamp for Fine Art Trade Guild, 45.2x29.5cm: Jackson Henry Simpson, Scottish 1893-1963- "Marischal College, Aberdeen" and "King's College, Aberdeen"; etchings, two, ea signed, 24x14cm 22.2x13.2cm respectively: Percy Westwood, British 1878-1958- "The Cathedral Bruges" and "On the Roya Bruges"; etching, signed and titled in pencil, ea. 30.5x15.5cm, (5), (part unframed), (may be subject to Droit de Suite)
Lot 596
John Henn, British, late 20th/early 21st century- "Red Poppies"; etching with aquatint printed in colours, signed, titled and inscribed 'A/P' in pencil, 50.5x37.5cm: together with two other etchings with aquatint printed in colours by the same hand, to include "Red Poppies I" and "Orange Roses II", both signed, titled and inscribed 'A/P' in pencil, 50x37cm and 45x29cm: Roger St Barbe, British, late 20th/early 21st century- "Portheras Cove II"; etching with aquatint, signed, titled, numbered 1/100 and dated 1994 in pencil, 25x20cm: together with six framed reproduction prints after Ivon A Donnelly, three each in two shared mounts and glazed frames, (6) (may be subject to Droit de Suite)
Lot 36
MICHAEL CARLO, SIGNED, AND DATED 1980 IN PENCIL TO MARGIN, LIMITED EDITION (133/200) COLOURED PRINT, Inscribed "February - Track", 14" x 20"; together with ANN SHINGLETON, SIGNED, AND DATED 89 IN PENCIL TO MARGIN, LIMITED EDITION (71/75) BLACK AND WHITE ETCHING, Inscribed "Aesop II - The Voice of Truth", 12" x 8" and one further SIGNED, Etching, "Girl in Tall Grass" together with JOSEPH KIRKPATRICK, SIGNED, IN PENCIL TO MARGIN, BLACK AND WHITE AQUATINT, Trees, 7" x 3"; together with BERNARD EYRE WALKER, SIGNED, IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Church by a River, 8" x 7" (5)
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78411 item(s)/page