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Lot 115
CHARLES J WATSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “St Pierre Lisieux”, 12” x 8 ½”; ERNEST LABOWE, SIGNED TO MARGIN, DATED 1911 TO IMAGE, BLACK AND WHITE ETCHING, “A La Petite Chaise”, 4” x 5”; ALC, INITIALLED TO IMAGE, BLACK AND WHITE ETCHING, “Thorpe”, 3 ½” x 2 ½”; and one other (4)
Lot 150
JAMES ABBOTT McNEILL WHISTLER, SIGNED AND DATED 1859 IN THE PLATE, GROUP OF THREE BLACK AND WHITE DRYPOINT ETCHINGS, Three Plates from the Series of 16 Etchings – The Thames Set: “The Pool” 5 ½” x 8 ½”; “Lime House” 5” x 8” and “Thames Police or Wapping Wharf” 6” x 8 ¾”, all etched 1859 then printed and published 1871, all laid down; together with JAMES ABBOTT McNEILL WHISTLER, SIGNED AND DATED 1859 IN PLATE, BLACK AND WHITE DRYPOINT ETCHING, “Old Westminster Bridge”, 3” x 8” (4)
Lot 212
WALTER DENDY SADLER, ENGRAVED BY W BOUCHER, SIGNED BY BOTH TO THE MARGIN, TWO BLACK AND WHITE ETCHINGS, The Butler’s Toast (1893) and The Wedding Breakfast (1898); together with WALTER DENDY SADLER, ENGRAVED BY JAMES DOBIE, SIGNED BY BOTH TO MARGIN, BLACK AND WHITE ETCHING, “A Doubtful Bottle” (1892), assorted sizes (all mounted but unframed) (3)
Lot 269
ENA MORRIS, SIGNED IN PENCIL TO MARGIN, GROUP OF FOUR COLOURED SCREEN PRINTS AND ONE SIGNED BLACK AND WHITE ETCHING, various subjects; together with MARY CHAPMAN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ARTIST’S PROOF ETCHING, Japanese Woman, assorted sizes (all mounted but unframed) (6)
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78388 item(s)/page