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Lot 1485
Josep Guinovart (Spanish, 1927-2007), L'Espelema, etching, printed in colours on wove paper, signed, dated '89, numbered 67/75, 57 by 21cms; and another by the same artist Cap I Camp, signed, dated '89, numbered 67/75, 21 by 57cms (2).Please note that this lot is subject to VAT on the hammer
Lot 577
William Lionel Wyllie RA (British, 1851-1931): London Bridge, with a flock of sea gulls, dry point etching on paper, signed in pencil lower left margin, with title lower right, 30 by 22cm, framed size 49 by 36cm.Provenance: The Estate of Mr Joseph B. Hay, son of Major-General Arthur K. Hay DSO OBE - 100 years of a military family.
Lot 576
William Lionel Wyllie RA (British, 1851-1931): a dry point etching on paper, depicting a tug boat towing seven fishing boats into harbour, in the distance a large steamer heading out to sea, with a lighthouse on the headland, with various other sailing vessels on the water, signed in pencil lower left W L Wyllie, 16 by 37.5cm, mounted, glazed and framed, 34.5 by 54.5cm.
Lot 1186
After Giovanni Battista Piranesi (1720-1778) Italian Palazzi di Campidoglio black and white reproduction, together with two further Italian architectural prints including ''Verduta della Piramide di C. Cesstio'' and another, an etching after Battista Pettoni, Interior of the Colosseum and a coloured charicature ''The Westminster Seceder on Fresh Duty'' after Williams (5)
Lot 1228
Percy Robertson ARE (1868-1934) ''Windsor Castle'', signed, inscribed with the title, etching, unframed, together with five other etchings entitled ''Godalming and Tewkesbury'', ''Godalming'', ''Bry O'Balgownie'', ''Hampton Court'' and another view of Hampton Court by the same artist, 22.5cm by 29.5cm, 19.5cm by 23cm, 20cm by 26cm, 20cm by 26cm, 19.5cm by 26cm and 26cm by 33cm respectively (sh) (6) unframed
Lot 1227
Percy Robertson ARE (1868-1934) ''Switzerland'', signed and inscribed in pencil, etching, unframed, together with seven other etchings entitled ''Bushy Park, Hampton Court'', ''Dordrecht'', ''Lincoln'', ''Books and Toys'', ''Bon church'', A windmill in an open landscape and an etching of a river landscape, 19cm by 24.5cm, 19.5cm by 28cm, 28cm by 25.5cm, 38cm by 28cm, 29cm by 23cm, 39.5cm by 28cm, 20.5cm by 23cm and 36cm by 39cm respectively (sh) unframed (8) Born in Bellagio, Italy in 1868, he was the son of the watercolourist Charles Robertson. Educated at Charterhouse School he won the Leech prize for drawing in 1884. Percy was a watercolourist and etcher. In 1887 he was elected to the society of painter-etchers and engravers (The Royal Society of print makers), in 1908 he was awarded a full scholarship. In 1905 Percy moved to London where he concentrated on London streets and the Thames. He frequently exhibited at all major exhibition halls showing 166 works at The Royal Society of Painters and etcher and engravers and 33 in the RA.
Lot 1184
Lionel Arthur (Sir) Lindsay (1874-1961) Australian Classical Temple and ruins, signed in pencil, etching, together with a vignette scale signed William Walcot etching possibly of a London bridge, a further unframed etching by Mortimer Menpes depicting Stratford Guild Chapel and a small maritime watercolour initialled O.M and inscribed ''Rade de Bress'', 17cm by 25cm, 6cm by 13cm, 38cm by 25cm and 11cm dia. respectively (4)
Lot 20
'Lady Palmer's Cottage, Runswick', signed artist's proof etching by Willie Rawson, 'Runswick', after Frank Greenwood, 'Fish Market & Quay, Whitby', colour print after Marjorie C Bates titled in pencil and 'Runswick Bay, watercolour by P Hardman dated 1927 max 20cm x 14cm (4) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 305
Eliab George Earthrowl (1878-1948)'Noon Day Rest, Duclair Normandy'Original drypoint etching, signed in pencil, 23 x 27cm, together with six other signed etchings by the same artist including 'Diepps Harbour', 'The Mill, Winchester', 'Bucklers Hard, Hampshire', 'The Old Houses, Divan', 'The Old Courtyard, Divan', 'Ely Cathedral' and another signed etching by a different hand 'Old Houses, Torrig' (8)
Lot 498
Palmer (Samuel, 1805-1881). Christmas, or Folding the Last Sheep, 1850, (Lister E4), etching on pale cream wove paper, the 4th state (of 5), with printed title to lower margin '"Christmas" From Bampfylde's Sonnet', plate size 124 x 102 mm (4.9 x 4 ins), sheet size 290 x 210 mm (11.4 x 8.25 ins), as issued in (and included with) Samuel Palmer, A Memoir by A.H. Palmer, Fine Art Society, 1882, some scattered spotting to text, original morocco-backed cloth gilt, heavily rubbed and scuffed to spine, with some wear to joints, 4to (30 x 22.5 cm) Provenance: George Richmond (1809-1896); thence by descent. Author's presentation copy, inscribed to front pastedown 'George Richmond Esq. R.A. with A.H. Palmer's kind regards 1 May 1882', with subsequent inscription below 'Anthony W. Richmond - May 1922 from Daddy'. With two autograph letters signed by A.H. Palmer to George Richmond loosely inserted, relating to this publication, dated 16 September 1881 and November 14, 1883. The earlier letter refers to A.H. Palmer's preparations for the book, and for a future edition of Samuel Palmer's letters, requesting the use of any that George Richmond may have in his possession, and also asking if he owns any of Samuel Palmer's original work for the forthcoming Palmer exhibition to be held at the Fine Art Society in London in the autumn of 1882. The letter is written on 4 sides of a single folded sheet, and finishes in mid-sentence on the last page, indicating that a further leaf is missing. The second letter thanks George Richmond for his kind comments on the published Memoir, referring with approval to the publisher Richmond Seeley, 'a man of unusually refined literary & artistic taste'. He also asks for George Richmond's further assistance in describing the early period of Samuel Palmer's life involving William Blake and Shoreham, which he intends to publish as the opening part of the life and letters of Palmer [published in 1892], proposing 'to call upon you some morning that I might read you what I have written; & that you might kindly correct the errors of ignorance, with any further information you might think advisable, about those delightful old days.' The volume also includes a pencil annotation to the first page of text by George Richmond, giving the name of Samuel Palmer's nurse (Mary Ward), whose love of the bible and Paradise Lost was an important early influence on the artist. An important association copy of this work. (4)
Lot 450
*Rowlandson (Thomas, 1756-1827). Easter Monday or the Cockney Hunt, published July 14th, 1811, etching with contemporary hand colouring, 345 x 245 mm, BM 10813, together with A Mistake at New-Market, or Sport and Piety, published Thos, Tegg, 1807, etching with contemporary hand colouring, some mount staining, 245 x 335 mm, BM 10920 Two sporting caricatures. The first shows an elderly gentleman about to part company from his horse with a hunting 'Diana' boldly clearing the jump and laughing at her companions predicament. The second shows an elderly Methodist woman talking at cross-purposes with a jockey outside a pub in Newmarket. (2)
Lot 393
*Gillray (James, 1757-1815). Mamlouk et Hussard Republican - General result of Buonaparte's attack upon Ibrahim Bey's rear guard, published H. Humphrey, 1799, etching with contemporary hand colouring, large margins, adhesion marks on verso, slight creasing to upper border, 265 x 375 mm This is one of the six images that relate to the Expedition to Egypt, all published with the same date. Here a French hussar on a worn out horse flees from a well-mounted Mameluke. This print probably satirizes a passage from a letter on the retreat of Ibrahim Bey from Cairo to Syria. BM 9360. (1)
Lot 389
*Gillray (James, 1757-1815). The Graces in a high wind, - a Scene taken from Nature, in Kensington Gardens, published H. Humphrey, 1810, etching and aquatint with contemporary hand colouring, thread margins, 255 x 355 mm A satire on the regency/empire style gowns made of fine muslin which in a strong breeze clung and outlined the body, leaving little to the imagination. (1)
Lot 333
*Ostade (Adriaen van, 1610-1685). The Quacksalver, 1648, etching on laid paper, a good impression of the fifth state of nine, trimmed just outside the margins to left, right and bottom edge, plate size 148 x 222 mm (5.8 x 4.8 ins), sheet size 152 x 124 mm (6 x 4.9 ins), hinge- mounted on old card, together with Flemish School. Landscape with village amongst trees, late 16th century, engraving on laid paper, possibly by the Master of the Small Landscapes, first issued in Antwerp by Hieronymus Cock in 1559, unwatermarked, trimmed to plate margins, plate size 137 x 199 mm (5.39 x 7.83 ins), mounted, plus Sadeler (Egidius II, 1570-1629). The Good Samaritan, copper engraving on laid paper, after Jan Breughel (1568/69-1625), published by Jan van Londerseel, plate size 137 x 199 mm (5.39 x 7.83 ins), and another similar by Sadeler after Breughel the Elder, showing a riverscape with the Good Samaritan by a tree, tending to the victim's wounds, published by Jan van Londerseel, plate size 216 x 270 mm (8.5 x 10.6 ins), sheet size 255 x 340 mm (10 x 13.4 ins) (the latter two prints both early copies in reverse, see Hollstein 212) (4)
![*Rowlandson (Thomas, 1756-1827). Nap in the Country [and] Nap in Town, published Samuel Alken, 1785 [but early 19th century i](https://cdn.globalauctionplatform.com/9ecbc814-42f4-416a-89f6-a7f200fb504c/4ab838e9-1490-4eb1-c498-b8fa70821340/468x382.jpg)
Lot 451
*Rowlandson (Thomas, 1756-1827). Nap in the Country [and] Nap in Town, published Samuel Alken, 1785 [but early 19th century impressions], pair of hand coloured engravings [BM numbers 6868 & 6869], 'Nap in Town' trimmed to image, each approximately 170 x 220 mm, together with Mosley (Charles), The old soldier remarkable for constant attendance at St. Pauls..., circa 1750, uncoloured etching, 215 x 215 mm, with Collier (John, pseud. Tom Bobbin), The Disappointment, 1773, etching with crude hand colouring, originally published in 'Human Passions', trimmed to plate mark, some soiling and one closed tear, 225 x 325 mm, plus Williams (Charles), The new Military Road to York by way of Frome, published S. W. Fores, 1807, hand coloured etching, trimmed with slight loss to image, 245 x 330 mm, and Cruickshank (George), A Thing! That Drinks and Smokes. A Man! who Thinks and Acts, published William Tweedie circa 1855, hand coloured wood engraving of a drunk and a teetotaller standing in front of the Crystal Palace, trimmed and laid on modern card, 400 x 280 mm (6)
Lot 419
*Heath (William, 1795-1840). A Quartet in Character, May 1820, The Promenade or a Sketch for Windsor - plate 1st. [December 1828], [and] Playing at Soldiers at Home!!! (Morning), published February 20th 1834, together three etchings with contemporary hand colouring, 'Playing at Soldiers...,' with repaired closed tears, all with thread margins, each approximately 240 x 340 mm, framed and glazed, together with Williams (Charles), A Rustic Retort or a Wit Outwited, published Thomas Tegg, circa 1820, etching with contemporary hand colouring, slight overall toning, 225 x 315 mm, mounted, framed and glazed, with Williams (Charles), Heroic exploits of the Tenth with Nobody, published John Fairburn, circa 1824, five etched caricatures with contemporary hand colouring, printed on one sheet (as published), thread margins, 235 x 335 mm, mounted, framed and glazed, with two lithographic caricatures published by T.Dawson, and four others similar, all framed and glazed (11)
![*Rowlandson (Thomas, 1756-1827). Progress of Gallantry or Stolen Kisses Sweetest, published Thomas Tegg, [1814], etching with](https://cdn.globalauctionplatform.com/9ecbc814-42f4-416a-89f6-a7f200fb504c/a4562fab-432d-4cdf-d384-7435f7864f1d/468x382.jpg)
Lot 447
*Rowlandson (Thomas, 1756-1827). Progress of Gallantry or Stolen Kisses Sweetest, published Thomas Tegg, [1814], etching with contemporary hand colouring, trimmed to platemark, slight abrasion and dust soiling to margins, 330 x 240 mm BM 12402. A bawdy scene on a blustery fortified sea-front. A large, suggestively positioned cannon points out to sea. An elderly and obese sailor, gazes through a telescope. A pretty young woman standing beside him, turns to kiss a handsome young man whilst farther off, an elderly gaitered parson, reminiscent of Dr Syntax, stands with his hands in his pockets and with his hat tied firmly to is head. (1)
Lot 484
*Dicksee (Herbert, 1862-1942). The Clover Field, 1907, etching, published by Frost & Reed, November 30th 1907, signed in pencil to lower margin, image size 28 x 46.5 cm (11 x 18.25 ins), with margins, contemporary black and gilt frame, glazed (with title of the work inscribed to inner gilt slip), Frost & Reed printed label to verso (1)
Lot 365
*Cruikshank (Isaac Robert, 1764-1811). The Messanger of Peace, published S. W. Fores, 1796, etching with contemporary hand colouring, trimmed to neatline, 310 x 420 mm, mounted, [BM 8829], together with A Long Headed Minuet!!, published T. Tegg circa 1807, etching after George Moutard Woodward, contemporary hand colouring, 245 x 345 mm, mounted, with The Grand Review on Sydenham Common, published S. W. Fores, 1792, etching with contemporary hand colouring, trimmed to image and laid on later paper, 290 x 445 mm, mounted, [BM8110] plus, Sweet Fruits of the Third Honey Moon!, published S. W. Fores, 1800, etching with contemporary hand colouring, 320 x 410 mm, mounted [BM 9576] (4)
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78408 item(s)/page