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Lot 387

John R Barclay (1884-1964) 'The Towpath' Etching, signed in pencil 1/50, label verso The Open Eye Gallery, Edinburgh, 19 x 24cm

Lot 396

Andrew F Affleck 'Zardon Zow Mill' Etching, signed in pencil, 25 x 36cm

Lot 419

Eileen Soper 'Setting Free' Dry point etching, signed in pencil, 13 .5 x 19.5cm

Lot 420

William Walcott 'National Gallery, Princes Street' Dry point etching, signed in pencil, and another by Robert Houston of 'St Giles', 10 x 11.5cm (2)

Lot 421

Eileen Soper 'Photography' Dry point etching, signed in pencil, 15 x 20cm

Lot 423

Eleen Soper 'Little Mouse' Dry point etching, signed in pencil, 13 x 9cm

Lot 427

Jackson Simpson 'The Burnside' Dry point etching, signed in pencil, 17 x 24cm

Lot 175

English School (contemporary), A portrait study of four young girls, indistinctly signed, coloured chalks, 40 x 40 cm, together with a lithographic portrait of Virginia Woolf after Jacquelin Moreau, signed and inscribed in pencil, Ltd. Ed.. 33/75, 65 x 49 cm and an etching of a cat *Virginia Woolf portrait purchased at the Royal Academy Summer Exhibition 1982 CONDITION REPORT: Good

Lot 183

Marion Rhodes (20th century) 'Wincle, Derbyshire, signed in pencil, etching, 23 x 30 cm, and another by the same hand of Enfield Market

Lot 175

English School (contemporary), A portrait study of four young girls, indistinctly signed, coloured chalks, 40 x 40 cm, together with a lithographic portrait of Virginia Woolf after Jacquelin Moreau, signed and inscribed in pencil, Ltd. Ed.. 33/75, 65 x 49 cm and an etching of a cat *Virginia Woolf portrait purchased at the Royal Academy Summer Exhibition 1982 CONDITION REPORT: Good

Lot 431

An Edmund Blampied artist proof etching, haystacks near a horse and cart

Lot 332

AFTER JACOB VAN RUISDAEL AND PHILIPS WOUVERMANS "River landscape with figures", black and white etching by Samuel Ireland, hand-coloured, together with coloured engraving "The west prospect of Morden Colledge Black Heath", a coloured engraving, "The hall of Greenwich Hospital", sepia engraved portrait "Napoleon", another AFTER STEPHANOFF "Fame", sepia engraving and AFTER DAVID "Napoleon", coloured engraving by Meyer

Lot 191

Kenneth Holmes (British, 1902-1994) A view of Whitby harbour, signed, drypoint etching, 20cm x 37cm

Lot 317

PHIL GREENWOOD (B.1943) `poppy` Etching with aquatint, signed, titled and numbered 71/150 to the margin Plake 49x56cm

Lot 318

PHIL GREENWOOD (B.1943) `Meadow Lights`; `Pool Light` and `May Grass` Etching with aquatint, all signed, titled, numbered 5/90; 157/250; 164/160 respectively 41x47cm; 41x47cm; and 23x26.5cm (3)

Lot 323

FRANK GREENWOOD (1883-1954) Manchester Grammar School, etching, signed in pencil, plate size 35 x 23cm

Lot 336

ENGRAVING OF MULLED SAKE Published 1794; together with an etching of North Petherton Church by Piper (2)

Lot 1004

English School 19th Century, `The great match between RANDAL and MARTIN`, pugilist scene, black and white etching, framed and glazed, 28cm by 41cm

Lot 49

AFTER CRUIKSHANK, FRAMED ETCHING `UGLY CUSTOMERS`

Lot 132

A box of collectable metalwares including a spelter figure, brass flatback horse, jousting knight plaque and etching and a collar

Lot 475

Marguerite Kirmse ``And Who Are You?``, artist`s proof etching, signed and titled in pencil to the margin, Arthur Ackermann & Son gallery label verso

Lot 102

Teizo Ogaki (Japanese, b.1936), 'Un jout limpide', surrealist study of two male nudes, signed lower left in pencil, dated 72, limited edition, aquatint and etching on paper, numbered 11/25. H.49cm W.46cm

Lot 105

Contemporary Continental School, 'Doldrums', surrealist study of red poppies in a baron ground, signed in pencil lower right, limited edition polychromatic etching on paper, numbered 69/99. H.50cm W.40cm

Lot 232

Francis Robert Kelly (b.1927), 20th century American school, a limited edition dry point etching, a pastoral landscape, a study of a farm amongst rolling countryside, signed in pencil to margin and inscribed 'Kimmeridge', 4/50. H.34cm W.48.5cm

Lot 355

Miscellaneous collection of items to include a Dutch civil strike etching set in a gilt frame, a twin handled serving tray etc.

Lot 526

E J Maybery: `St Mary`s Street, Weymouth`, etching, together with various pictures and prints of local interest and a further quantity of pictures

Lot 527

C R Trevena: `Pegasus`, dry point etching, dated 1928 in original ebonised frame

Lot 459

Arthur Briscoe (1873-1943), Shovelling the Catch, Etching, Signed lower right, 23 x 32cm (9 x 12 1/2 in), Together with a further etching by Briscoe, ‘The Gale’, signed and numbered 29/75 (2)Bid Live at the-saleroom.com

Lot 459

Arthur Briscoe (1873-1943), Shovelling the Catch, Etching, Signed lower right, 23 x 32cm (9 x 12 1/2 in), Together with a further etching by Briscoe, ‘The Gale’, signed and numbered 29/75 (2)

Lot 38

Childe Hassam (American, 1859-1935), "The Nymphs of the Garden", 1923, etching, signed with the artist`s cipher and "imp" in pencil, also inscribed "The nymphs of the garden, three cat birds, four robins, four cotton tails, 3 purple grackles, my garden Southampton, CH", lower margin, 4 3/4 in. x 11 1/2 in., matted.

Lot 1112

Josef Eidenberger (Austrian, 1899-1991), "New Orleans Street Car", color etching, pencil-signed lower right, sight 12 in. x 13 5-8 in., framed.

Lot 23

Thomas Girtin (1775-1802) etching `View of Pont Au Change`, aquatinted by F.C. Lewis, 24cm x 49cm

Lot 26

Kurt Meyer-Eberhardt (1895-1977) signed Steeple Chasing etching, 33.5cm x 49.5cm

Lot 38

Sir Samuel Luke Fildes, hand coloured restrike etching `A Village Wedding`, 45cm x 77cm

Lot 44

Leslie Ward, signed white line etching on stone, `A Purbeck Bakery`, 35cm x 25cm

Lot 476

A framed etching of Magdalen College, Oxford

Lot 479

A coloured etching of river and house scene, a Coronation of King Edward VII, invitation to Mrs Palmer on Thursday 26th June 1902, a watercolour by M.Durrants 1910 and one other

Lot 529

Johnstone Baird, etching `Castle Drawbridge` and two others, E.M. Synge and Percy Robertson

Lot 327

G.B. Goddard, an etching of a dog hunting a stag entitled ""At Bay"" 26 x 35 cms together with a coloured etching entitled ""Old Wotherspoon`s Hair"" 17 x 12 cms.

Lot 355

Two Oval Silhouettes depicting George and Martha Washington and a further silhouette depicting a young girl, an etching of a young woman and a hand coloured etching of Salperton House Gloucestershire published by S Y Griffith`s & Co, Cheltenham.

Lot 164

Edmund Blampied (Jersey, 1886-1966) Galloping drypoint etching, c.1932, signed in ink to centre lower margin and numbered 80/100 9¼ x 12in. (23.75 x 30.75cm.) * Provenance: Pearson & Westergaard Limited, Glasgow (bears original inscribed gallery label verso) See Illustration.

Lot 166

Edmund Blampied (Jersey, 1886-1966) A Jersey Vraic Cart drypoint etching, c.1939, signed in ink to lower margin 9¼ x 11½in. (23.5 x 29.25cm.) See Illustration.

Lot 167

Edmund Blampied (Jersey, 1886-1966) Work in the Fields drypoint etching on bevelled plate, signed and dated 1915 to lower right corner of plate, signed in pencil lower left, from an edition of sixty-five 8¼ x 11¼in. (21 x 28.5cm.) See Illustration.

Lot 170

Edmund Blampied (Jersey, 1886-1966) Farm Fire drypoint etching, signed and dated July 1927 to foot of plate, signed in pencil and numbered 20/100 to lower margin (100 impressions, plate destroyed) 7½ x 9½in. (19 x 24cm.) * Provenance: St Helier Galleries, Jersey. See Illustration.

Lot 286

AFTER REMBRANDT HARMENSZ. van RIJN, SELF-PORTRAIT, AN ETCHING, probably a Basan impression, Recueil Rembrandt, framed. 13cm by 10cm

Lot 288

HERBERT THOMAS DICKSEE (1862-1942), STUDY OF TWO CAIRN TERRIERS, titled Hope, coloured etching, signed with initials and dated 1929, published by Frost & Reed, framed and glazed, image 20cm by 40cm

Lot 84

Pablo Picasso (1881-1973)Portrait of Max Jacob,Etching and drypoint,Dated 7-9-56 inverted lower right.Plate dimensions: h: 7 3/4 x w: 5 3/4 in.

Lot 86

Pablo Picasso (1881-1973)Sculpteur Avec Coupe et Modele Accroupi,Etching on montval laid paper with Vollard watermark,From the Vollard Suite. Published by Ambroise Vollard, Paris, 1939. Signed lower right in pencil. B.152-Ba.304, 1933. Edition of 260.Dimensions: h: 10 1/2 x w: 7 1/2 in. Note condition: acid damage from mat, two minor areas of foxing, and ink residue on upper and lower margin.

Lot 92

Andor Sugar (Hungarian, 1903-1944)Ponte Vecchio Firenze (Italia),Etching,Signed lower right ""Sugar A"".Dimensions: h: 5 x w: 5 1/2 in.

Lot 115

Bruce McCombs (b. 1943)Street Corner,Etching,Signed lower right.Dimensions: h: 23 1/2 x w: 35 1/2 in.

Lot 141

Artist Unknown (19th/20th Century)Industrial Scene,Hand-colored etching,Signed illegibly lower right in pencil.Dimensions: h: 20 1/2 x w: 25 1/2 in.

Lot 10

Fred Cuming (born 1930) drypoint etching, reclining figure, signed and titled in pencil, p 6.75" x 3.5", framed.

Lot 14

Robert Sargent Austin (1895-1973) etching, woman reading a letter, signed in pencil, dated 1938, 5.25" x 4", framed.

Lot 15

Robert Sargent Austin (1895-1973) etching, harvest tools, signed in pencil, dated 1929, no. 29/75, p 5" x 3.75", framed.

Lot 25

Mary Fedden (1915-2012) colour lithograph, "The Etching Table," signed in pencil, i 16" x 22", framed.

Lot 45

Anthony Gross (1905-1984) etching, "Vignes," signed in pencil no. 3/4, p 10.5" x 13.5", framed.

Lot 71

M Sherlock etching, Benares, signed in pencil, p 13.5" x 8.75", framed.

Lot 73

Sir Hubert von Herkomer (1849-1914) etching, country figures with a child 1891, signed in pencil, p 6" x 8", mounted.

Lot 226

Henry Wilkinson coloured etching, view of Perth, signed in pencil, no. 26/75, p 11" x 16", framed.

Lot 109

A NORTH EUROPEAN DISH-HILT RAPIER, SECOND QUARTER OF THE 17TH CENTURY, AUSTRIAN OR GERMAN with tapering slender hollow-triangular blade, etched with exotic birds, scrolls of foliage and inscriptions at the forte (the etching rubbed, obscured in places), steel hilt comprising pierced, engraved large shallow circular dish-guard embossed with a pattern of spiralling flutes to form a large expanded flowerhead, a pair of straight slender quillons with attenuated bud-shaped terminals, quillon-block chiselled with volutes and scrolls, tall fluted ovoid pommel formed en suite with the quillon terminals, and retaining an early grip of twisted wire and `Turks` heads` 111cm; 43 3/4in blade

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