We found 78391 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 78391 item(s)
    /page

Lot 18

William Lionel Wyllie ‘Jenkins Swatchway. Thames Barges Racing in the Thames Estuary at the Turn of the Century’ signed in pencil – Dry Point Etching – Artist’s Proof 14.¼” x 9”

Lot 19

William Lionel Wyllie ‘Convoy War’ signed in pencil – Dry Point Etching 6.½” x 10.½”

Lot 2

William Lionel Wyllie, ‘The British Fleet Entering Grand Harbour Valetta, Malta’ 1916 signed in pencil – Artist’s Proof – Dry Point Etching 15” x 6.¼”

Lot 20

William Lionel Wyllie ‘Devonport’ signed in pencil – Dry Point Etching 4” x 13.½”

Lot 21

William Lionel Wyllie ‘Warships on The Thames’ signed in pencil – Dry Point Etching 4” x 13.½”

Lot 22

William Lionel Wyllie ‘Shipping – The Thames By The Tower Of London’ signed in pencil – Dry Point Etching 10.½” x 15.½”

Lot 23

William Lionel Wyllie ‘Capital Ships Proceeding To Jutland With Spotter Plane’ signed in pencil – Dry Point Etching – Artist’s Proof 7” x 17”

Lot 24

William Lionel Wyllie ‘Destroyers Off Gibraltar’ signed in pencil – Dry Point Etching 7” x 15”

Lot 25

William Lionel Wyllie ‘H.M.S. Hood and Nelson Submarine’ signed in pencil – Dry Point Etching – Artist’s Proof 4” x 12”

Lot 26

William Lionel Wyllie ‘Portsmouth Harbour’ signed in pencil – Dry Point Etching 4” x 8.½”

Lot 27

William Lionel Wyllie ‘Naval Vessels, Valetta’ signed in pencil – Dry Point Etching 7” x 15”

Lot 28

William Lionel Wyllie ‘Plymouth’ signed in pencil – Dry Point Etching 4.½” x 14”

Lot 29

William Lionel Wyllie ‘The Atlantic Fleet Coming Into Portsmouth’ signed in pencil – Dry Point Etching 8” x 14”

Lot 3

William Lionel Wyllie, ‘Destroyer & Submarine’ signed in pencil – Dry Point Etching

Lot 30

William Lionel Wyllie ‘A Destroyer, Fast Patrol Boat and Yachts, Early 1920’s’ signed in pencil – Dry Point Etching – Artist’s Proof 13.¼” x 3.¾”

Lot 31

William Lionel Wyllie ‘Naval Ships In Battle’ signed in pencil – Dry Point Etching 4.½” x 14”

Lot 32

William Lionel Wyllie ‘H.M.S. Renown With The Duchess Of York On Board Leaving Portsmouth Harbour, with Early Flying Boats Escorting’ signed in pencil – Dry Point Etching – Artist’s Proof 12.½” x 5”

Lot 33

William Lionel Wyllie ‘U.S. 6th Battle Squadron Firth of Forth’ signed in pencil – Dry Point Etching 5” x 14”

Lot 33a

William Lionel Wyllie ‘Blackwall Reach’signed in pencil – Dry Point Etching – Artist’s Proof 13” x 7”

Lot 34

Commander Rowland Langmaid RN ‘Old Portsmouth With Tower House (W.L.Wyllie’s home & studio) and King Edward’s Fort At Centre’ signed & inscribed in pencil – Dry Point Etching – Artist’s Proof 13” x 3”

Lot 35

Commander Rowland Langmaid RN ‘The British Atlantic Fleet Early 1920’s, signed in pencil – Dry Point Etching – Artist’s Proof 14” x 6.½”

Lot 36

Commander Rowland Langmaid RN ‘Portsmouth Harbour Entrance With H.M.S.Victory Moored In The Distance’ signed in pencil – Dry Point Etching – Artist’s Proof 13” x 3”

Lot 37

Commander Rowland Langmaid RN ‘Escorting The Royal Vessel’ signed in pencil – Dry Point Etching 7” x 13”

Lot 38

Commander Rowland Langmaid RN ‘Across The Bar’ signed in pencil – Dry Point Etching 7.½” x 13”

Lot 39

Commander Rowland Langmaid RN ‘Battle Cruisers and Light Cruisers Steaming Down The Channel’ signed in pencil – Dry Point Etching – Artist’s Proof 3” x 12”

Lot 5

William Lionel Wyllie, ‘Thames Vessels Tower Bridge’signed in pencil – Dry Point Etching 9” x 10.½”

Lot 6

William Lionel Wyllie, ‘Flotilla of Naval Destroyers Putting To Sea’signed in pencil – Dry Point Etching 7.½” x 17”

Lot 7

  William Lionel Wyllie, ‘Rigged Vessels on a Calm Sea’ signed in pencil – Dry Point Etching 5.½” x 12”

Lot 8

William Lionel Wyllie, ‘Destroyers at Speed in Escort Duty First World War Convoy’signed in pencil – Dry Point Etching – Artist’s Proof 12.¾” x 4.¾”

Lot 89

Dry Point etching – G.W Portsmouth Harbour 12/125 - unframed

Lot 9

William Lionel Wyllie, ‘The British Fleet at Anchor in Spithead, 1914’ signed in pencil – Dry Point Etching – Artist’s Proof 9” x 4.½”

Lot 1364

A William Tatton Winter coloured etching, Salisbury Market, signed in pencil, label verso, two artist's proof etchings, and a lithograph (4)

Lot 175

LOUIS ICART (FRENCH, 1888-1950) 'Vitesse (Speed II)' Aquatint etching, signed, numbered 148 in pencil and with windmill backstamp. The image 32 cm by 62.5cm. CONDITION REPORT: Very minor foxing spots in one limited area particularly no other obvious damage.

Lot 178

SIR FRANK BRANGWYN (1867-1956), 'OLD BRIDGE, ROME', signed in pencil, uncoloured etching. The plate 30.5cm x 35cm. CONDITION REPORT: Good condition with no obvious damage, modern frame with washline mount.

Lot 179

SIR FRANK BRANGWYN (BRITISH 1867-1956), 'THE APSE OF ST. WALBURGH, FURNES' uncoloured etching, signed in pencil by the artist and with Fine Art Society Ltd label verso dated 1926. The plate 37.5 x 43cm. CONDITION REPORT: No obvious damage or losses. Recent mount but appearing original frame, backboard and label.

Lot 448

William Lionel Wylie RA (1851-1931), Panoramic aerial view of London in the smog, unsigned, etching on paper, 15cm x 38cm

Lot 484

Lord Nelson. 'Plan of the Platform and Disposition of the Bannerolls, Trophies, etc. around the Coffin at the Funeral of the Much Lamented Lord Nelson, under the Dome at St Paul's Cathedral, on the 9th of January 1806', hand coloured etching with aquatint with key under, published Jan 13th 1806, 43 cm x 26 cm, together with two other engravings relating to Nelson of similar date, all unframed (3)

Lot 486

William Lionel Wyllie RA (1851-1931). The Battle of Trafalgar, etching, signed in pencil, 17.7 cm x 37.5 cm (1)

Lot 487

William Lionel Wyllie RA (1851-1931). Lightermen working their barges through London Bridge, etching, signed in pencil, 22.5 x 33.8 cm (an early example with the signature on the image), c.1900 (1)

Lot 182

Elizabeth Chalmers Hogmore Lane, Hurst Hand coloured etching Signed and numbered 25/35 in pencil, 20cm x 25cm And a collection of other pictures including three oils and prints

Lot 169

E.J. Wilson 'Naunton' - house near a river Oil on board, signed 15cm x 20cm A pen and watercolour of Thames St. Sunbury on Thames by Richard Homes, and a handcoloured etching of a church and rectory (3)

Lot 477

Joseph W Simpson 1879 - 1939, dry point etching study of Lucy in Galloway, pencil signed to mount, 28/75, 32cm x 22cm

Lot 479

Joseph W Simpson 1879 - 1939, coloured etching pencil signed study of John Peel, 34/100, 34cm x 25cm

Lot 480

Joseph W Simpson 1879 - 1939, dry point etching depicting "Jorrocks", pencil signed to mount, 3/100, 22.5cm x 21cm

Lot 534

Leonard Russell Squirrel, pencil signed dry point etching Rievaulx Abbey, Yorkshire, image 22cm x 35cm

Lot 1525

Maurice de Vlaminck (1876-1958), Le Village d'Herouville, colour etching with aquatint, unframed, 48cm x 60cm. DDS

Lot 1526

Herbert Dicksee (1862-1942), The Last Load, etching, signed in pencil, 32cm x 57cm.

Lot 548

David Young Cameron, Tay Valley, dry point etching, pencil signed, 30 x 27cms.

Lot 557

Robert King Good Friday Processional signed, titled and No. 1/35 etching with aquatint 12cm x 20cm Footnote: The drawing shows figures assembled in Humberstone Gate, Leicester, before processing to Town Hall Square. This lot may be subject to Artist Resale Right

Lot 568

After Sheila Horton, "August Holidays", etching and watercolour, limited edition numbered 8/20, signed and titled, 30 x 40cms and another work by the same artist, "The Wedding", (2).

Lot 576

After A.E. Wardle, "The School Hall, Christ's Hospital, Hertford", monochrome etching, pencil-signed, titled and with artist proof blind stamp number 17, 20 x 26cms.

Lot 590A

After Graham Clarke, The Sailors Return, limited edition, etching and aqua tint, signed and titled, No. 128/200, together with Christies Contemporary Art Certificate, 54cm x 69cm.

Lot 528

Rembrandt Harmenszoon van Rijn (1606-1669). Rabbi Samuel Manasseh ben Israel portrait (Bartsch 269). Etching on laid paper, with narrow margins. Signed and dated 1636 in the print. Impression with the accidental marks that appear in this state at the bottom of the plate. The sheet approx. 11,1 cm X 14,3 cm.

Lot 820

C19th School, "Two Foxes with a Kill", stipple engraving & etching 45x60cm

Lot 151

An early 19th century officer’s sword of The 52nd (Oxfordshire Light Infantry) Regiment, curved flat blade 31½”, etched in plain panels on one side with crowned Royal Arms, supporters and motto, and on the other side with crown, strung bugle, “LII” and wreath (etching faint), gilt stirrup hilt with ornamental langets bearing strung bugle, crossguard, facetted knucklebow, flattened lion’s head pommel into backstrap facetted at the lower end, wirebound fishskin grip, in its steel flattened diamond section scabbard (minor dents) with 2 rings on crosslet mounts. Good Condition, the hilt retaining approximately 50% original gilt. Plate 43

Lot 140

A 1796 pattern heavy cavalry officer’s undress sword with special pattern hilt, broad straight shallow fullered blade 35”, with hatchet point, marked J.J. Runkel, Sohlingen on backstrap, and etched on both sides with crowned GR cypher and trophies of instruments and weapons, steel semi basket ladder pattern guard, heavy facetted pommel and backstrap, 2” deep shaped wirebound fishskin grip, in its steel scabbard (3 dents) with 2 rings. Good Condition, with a little gilt to etching. Plate 42 £400-600

Lot 166

An early 17th century gorget, probably German, shield shaped with roped edges and similar borders decorated with staggered rows of domed brass rivets, the neck with single row of larger rivets, etched overall with heraldic shield surmounted by a crest in the form of a barred helmet, and with two storks for supporters, the whole surrounded by scrolled foliage on a beaded background. Good Condition (the etching slightly worn commensurate with age). Plate 47

Lot 117

Karen Gregory (20th century): 'The Miners' Strike '84', etching, hand signed, titled & numbered 1/3 in pencil, H 23 x W 19.5 cm; together with Gustavo Monroy (Mexican, born 1959): Untitled etching, hand signed in pencil & dated '92, H 11.5 x W 17 cm. Provenance: The collection of Ellie Sice, formerly the manager of 'Safe Studios' artists workshop, part of the Whitechapel gallery, from 2003-2011. During this period she met many known & up and coming artists who presented her with their works as tokens of appreciation

Lot 128

L Berger (20th century): still life, oil on panel; together with an engraving of Chelmsford, portrait etching & print after Goya (4)

Lot 2102

An etching 'The Selection Committee', framed and mounted, 8 3/4'' x 7''.

Loading...Loading...
  • 78391 item(s)
    /page

Recently Viewed Lots