A BRISTOL 8-DAY LONGCASE CLOCK WITH 'HIGH WATER AT BRISTOL KEY', the 4-pillar rack-striking movement now with passing half hour strike on a bell and gong for the hour, with 12 brass break-arch dial applied with silvered Roman numeral chapter ring with fleur de lys half hour markers and signed 'Jn. Williams, Bristol', with two birds and urn pattern spandrels, subsidiary seconds dial and calendar aperture to the matted centre and silvered moonphase to arch, in later carved oak caddy-top case with grotesque relief decoration to trunk door and plinth, movement c.1750, case c.1900, 230cm.
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A QUEEN ANNE OAK 8-DAY LONGCASE CLOCK, the 5-pillar movement with inside countwheel strike and 12 brass dial applied with Roman numeral chapter ring with fleur de lys half-hour marks, seconds ring, female head pattern spandrels and oval plaque signed 'W'm Moore, London' to centre, with wheat-ear engraved border and calendar aperture, in caddy-top case with integral hood pilasters over long trunk door and plinth with double skirt base, case with alterations, 252cm.
A WEST COUNTRY INLAID MAHOGANY 8-DAY LONGCASE CLOCK, c.1830, the rack-striking movement with 12 white Roman numeral break-arch dial with subsidiary seconds dial, arch calendar aperture, rose painted spandrels and landscape to arch, in 'whales tail' fretwork arch pedimented case with wavy edge door and turned pilasters to hood, over short panel inlaid trunk door flanked by canted corners, on conforming plinth base with tall bracket feet, 220cm, (hood door AF).
A Bristol area inlaid mahogany 8-day longcase clock, c.1820, the 4-pillar rack and bell striking movement now with 12 brass break-arch dial applied with silvered Roman numeral chapter ring, subsidiary seconds dial, cherub head spandrels and 'Tempus Fugit' silvered boss to arch, in shaped crest pedimented arch-top case with wavy edge door and spiral turned pilasters to hood, over short line inlaid trunk door flanked by further pilasters, on conforming plinth base with tall bracket feet, 214cm.
A George III oak 8-day longcase clock, c.1790, the 4-pillar rack and bell striking movement with 'phase 1' type 12 white Roman numeral painted break-arch dial with subsidiary seconds dial, arch calendar aperture and delicate gilt foliate scroll decoration to centre, plain gilt edged spandrels and urn amongst foliage to arch, in well proportioned pagoda pedimented case with integral reeded hood pilasters, break-arch trunk door and on plinth base with two-tier apron, 216cm.
A GOOD SOMERSET OAK 30-HOUR LONGCASE CLOCK, c.1720, the posted countwheel bell-striking movement with 11 square brass dial applied with silvered Roman numeral chapter ring with lozenge half-hour markers and signed 'E. Rundell, Norton' to lower edge, with twin cherub and crown pattern spandrels and finely engraved tulip decorated centre with calendar aperture, in flat-top pedimented case of good colour with integral hood pilasters, rectangular trunk door and on plain plinth base, 197cm.
A French Sevres style porcelain mounted gilt metal mantel clock, c.1880, the 8-day bell-striking movement with blue ground Roman numeral cartouche dial with rose painted centre, the plinth shaped case with urn surmount and porcelain medallions mounted within side scrolls, on panel fronted base with toupe feet, 35.5cm; on giltwood stand.
A Welsh oak 30-hour longcase clock, c.1820, the bell-striking movement with 12 white Arabic numeral break-arch dial with rose painted spandrels, arch calendar aperture and signed 'Jn. Lloyd, Brecon' to centre, with classical maiden resting in a garden to arch, in swan neck pedimented case with turned hood pilasters, rectangular trunk door and on plinth base, 205cm.
A LINCOLNSHIRE OAK 8-DAY LONGCASE CLOCK, c.1810, the 4-pillar rack and bell striking movement with 12.5 white Roman numeral break-arch dial, with subsidiary seconds dial and signed 'Lamb, Horncastle' to centre, with gilt scallop shell spandrels and painted scene of lion attacking a deer after Stubbs to arch, in good quality swan neck pedimented case with reeded hood pilasters, break-arch trunk door flanked by reeded canted corners, on plinth base with bracket feet, 224cm.
A GEORGE III MAHOGANY 8-DAY LONGCASE CLOCK, c.1760, the 4-pillar rack and bell striking movement with 12 brass break-arch dial applied with Roman numeral chapter ring, subsidiary seconds dial, two bird and urn pattern spandrels and plaque signed 'James Jones, London' to the matted centre, the arch with rocking figure of Chronos within bezel engraved 'Tempus Fugit' flanked by dolphin spandrels, in break-arch pedimented case with cavetto cornice and fluted pilasters to hood, break-arch long door to trunk and on plain plinth base, 210cm, (AF).
A SUFFOLK OAK 30-HOUR LONGCASE CLOCK, c.1725, the posted countwheel bell-striking movement with 10 brass dial applied with silvered Roman numeral chapter ring signed 'Sam'll Hart, Stonham' to lower edge, twin cherub and crown pattern spandrels and with matted centre, in a flat-top case with dentil cornice and turned pilasters to hood, mitred trunk with break-arch long door and on plinth base with bracket feet, 212cm.
A GOOD BRISTOL INLAID MAHOGANY 8-DAY LONGCASE CLOCK WITH MOONPHASE, c.1810, the 4-pillar rack and bell striking movement with 'Osborne's' falseplate and 12 white Roman numeral break-arch dial with subsidiary seconds dial, arch calendar aperture and signed 'James Clarke, Bristol' to centre, with rose painted spandrels and moonphase to arch, in fine swan neck pedimented case with fluted Corinthian pilasters to hood over shaped-top crossbanded trunk door flanked by fluted corner columns and on panel inlaid plinth base with tall bracket feet, 228cm.
A WILLIAM & MARY 8-DAY LONGCASE CLOCK MOVEMENT AND DIAL, c.1695, the 5-finned pillar inside countwheel striking movement with 11 square brass dial applied with silvered Roman numeral chapter ring signed 'Fab' Robin, Londini Fecit' along lower edge, with cherub head spandrels, subsidiary seconds dial, calendar aperture with unusual crown engraved surround, ringed winding holes and tulip engraved centre to the mated ground, with original blued steel hands and now in later North Country oak case with ogee caddy to the pedimented hood with break-arch topped trunk door and on plain plinth base, 207cm.
An early Victorian figured mahogany bracket clock, the 5-pillar twin fusee bell-striking movement with anchor escapement and shouldered plates with 8 circular white Roman numeral painted dial, in shallow arch-top case with gadroon moulded plinth upstand and acorn finial over acanthus carved front and ogee moulded base with turned feet, 56cm.
A SET OF FOUR SILVER MODELS OF THE ROYAL FAMILY, BY GEORGE HENRY PAULIN (1888-1962) Birmingham 1936/37, maker B.G., being:- H.R.M. King Edward VIII, bust length . H.R.H. King George VI, bust length H. R.H. Quenn Elizabeth, bust length and H.R.H. Princess Elizabeth full length with a corgi at her feet, height 12-13cm, total weight of silver, 56ozs, all on square wooden plinth bases (8).
A FRENCH EMPIRE MAHOGANY AND ORMOLU MOUNTED RECTANGULAR COMMODE surmounted by a panel of grey variegated marble, fitted with an overhanging frieze drawer and containing three long drawers below, applied with oval drop handle pulls in the form of a cornucopia of flowers, fruit and foliage and key plates in the form of cherubs holding aloft baskets of flowers, flanked by projecting turned and flowerhead and foliate mounted half columns, raised on a broad plinth base with bun feet, 133.5cm wide.
The Coronation Cup - Epsom 1930, designed and executed in hand wrought 18ct gold by George H Hart, Campden Cloucestershire. 37 troy ozs. 71/4" high (without plinth) 10" high including plinth. The plinth bearing a hallmarked silver plaque with the following inscription: 'Coronation Cup Epson 1930 won by W M G Singers PLANTAGO aged 5 years' The entire cup and plinth housed in oak presentation box
A Queen Anne tankard, cylindrical with a moulded foot, a flattened dome cover and a large scroll handle surmounted by a volute thumbpiece, the body crested, above the motto "Toujours Fidele", gilt interior, by Joseph Ward, London 1704 (with an associated wooden plinth), 6.5in (16.5cm) high, 20.5oz.
Joseph Smith, Chester, oak cased eight day longcase clock, circa 1740, the hood with cavetto cornice over two slender turned columns flanking a brass 30cm square dial with silvered chapter ring, signed and with Roman numerals, matted centre with subsidiary seconds dial and date aperture, four pillar movement striking on a bell, the trunk with a shaped door over a plain box base with plinth, height 198cm
S J Bibby, Carnarvon (sic), a Victorian mahogany eight day longcase clock, swan neck pediment over double turned baluster columns flanking painted arched 41cm dial, signed and dated 1876, with Roman numerals, subsidiary seconds, the spandrels painted with wild beasts and a roving eye lion to the arch (mechanism deficient), the movement striking on a bell, the wide bodied trunk with turned baluster columns flanking an arch panel door, all raised on an arched raised panel base with bracket plinth feet, height 239cm
A Mintons pate sur pate plate decorated by Louis Solon with Cupid giving a leg up to love, the lady with her foot cradled in his hands as she flies upwards from a plinth, her diaphanous robes flowing against the black ground, the green and blue rim gilt with fish scale, printed and impressed marks, 24cm diameter (D)
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173444 item(s)/page