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A 19th century oil painting on canvas in the pre-raphaelite manner, arch topped frame showing a pensive young woman in white dress reclining against an ivy clad stone plinth, faintly inscribed verso - Lady Hamilton as Contemplation, with further address details for Mrs Mason (?), 2 Melville Place (?), in moulded gilt frame with arched top, 33 x 18 cm approx overall
A substantial Georgian style two sectional corner/alcove cupboard, the upper open section fitted with three shaped shelves with shell shaped canopy, the lower section enclosed by a twin rectangular fielded panelled door raised on a stepped and moulded plinth, 240 cm high x 130 cm wide approx
A small Victorian mahogany library bookcase, the upper section with moulded cornice over a pair of arched glazed panelled doors revealing three adjustable shelves to interior, the base enclosed by a further pair of arched panelled doors beneath two frieze drawers set on a moulded plinth, 112 cm wide approx
An assembled silver King's Husk pattern Christening set, various makers, London & Sheffield, 1828 & 1833, comprising: a dessert fork, a dessert knife and a dessert spoon, each initialled or monogramed, 118g weighable silver, contained in a case; an Edwardian silver cigarette box, Birmingham, 1906, of square form, cedar lined; and a silver miniature trophy cup, Birmingham, 1932, engraved "Orduna Derby", on a black plinth (3)
19th Century mahogany longcase clock, the broken arch hood with swan neck pediment above a shaped panelled door and conforming plinth base, the painted dial with decorated arch above Roman numerals, subsidiary seconds and date aperture, the two train movement striking on a bell, signed to the dial David Shaw, Leicester
18th Century oak longcase clock, the square hood with a moulded cornice above a rectangular panelled door on a plinth base, the 12in gilt brass and silvered dial with Arabic and Roman numerals, subsidiary seconds and date aperture inscribed Fran Redstall Overton with a two train eight day movement striking on a bell
18th Century oak longcase clock, the square hood with caddy top above a rectangular door and a plinth base, the gilt brass and silvered dial with subsidiary seconds, inscribed J. Shepard, Sheffield, with a two train eight day five pillar movement striking on a bell (the case with later timbers)
George III oak mahogany crossbanded and inlaid longcase clock, the hood with swan neck pediment above shaped panel door and a similar plinth base raised on ogee supports, the circular painted enamel dial with Arabic and Roman numerals, subsidiary seconds and date aperture, with a two train movement striking on a bell
18th Century oak longcase clock, the square hood with flanking pilasters above a rectangular panelled door and conforming plinth base, the whole with later carving, the brass dial with floral spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Sam Bradley, Worcester, the two train movement with anchor escapement striking on a bell
George III oak longcase clock having painted arch top dial decorated with a huntsman on horseback, the dial with Roman numerals, subsidiary seconds and two train weight driven movement striking on a bell, the hood with broken arch pediment and two flanking reeded pilasters above a flush panel crossbanded door and conforming plinth base (with weights, pendulum and winding key a/f)
18th Century oak eight day longcase clock, having square brass dial with chapter ring, Roman numerals and date aperture, engraved Richard Pinn, Salcombe with weight driven movement striking on a bell having a flush panel crossbanded door and conforming plinth base (with pendulum and weight)
Early 19th Century mahogany longcase clock, the square hood with swan neck pediment and blind fretwork decoration above a shaped panel door and plinth base with bracket supports, the painted dial with Arabic and Roman numerals with subsidiary seconds, the two train movement striking on a bell
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173487 item(s)/page