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Lot 179
PORCELAIN TWIN-HANDLED VASE, 19th Century, of campana form with spreading circular foot over a square plinth base, bearing gilded crowned ram handles, the body painted with open pink roses and two hovering insects, unknown impressed mark to base, 16cms highProvenance: private collection SwanseaComments: small firing crack to foot, wear esp. gilding
Lot 657
A RARE SANDSTONE FIGURE OF SHIVA AND SKANDA, ANGKOR PERIODKhmer Empire, 10th - 12th century. Carved as Shiva seated in lalitasana, holding his son Skanda on his knee, the left hand wrapping around the boy's body. The faces both with a serene and confident expression, gentle smiles below mustaches, their hair arranged in a conical topknot secured with a large foliate tiara, both dressed in a sampot covering the lower body. Provenance: From an old Austrian private collection, Vienna. Condition: Good condition, commensurate with age. Extensive wear, signs of weathering and erosion, some losses and nicks, scratches, few minor cracks. The head of Shiva and one corner of the plinth reattached with associated losses and minute remnants of adhesive.Weight: 14.8 kg Dimensions: Height 45.9 cmShiva, literally 'The Auspicious One', is one of the principal deities of Hinduism, known as 'The Destroyer' within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In his benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his two children, Ganesha and Skanda. In his fierce aspects, he is often shown slaying demons. Shiva is also regarded as the patron god of yoga, meditation and the arts.Skanda, also known as Kartikeya, is the Hindu god of war, the son of Shiva and Parvati, hence the brother of Ganesha, and a deity whose legends have many versions in Hinduism.Literature comparison:There are closely related sandstone figures of Shiva and Uma, depicting uma-maheshvara, however, note that these always show Uma with a large breast, quite different from Shiva. The present lot depicts two figures with an equally small chest and two faces with mustaches. Thus, presumably, this sculpture represents Shiva and his first-born son Skanda. For comparison see a related sandstone figure of Shiva holding Uma, late 10th century, Banteay Srei, Angkor, Cambodia, in the National Museum, Phnom Penh, Cambodia. Compare also a related sandstone figure of Shiva and Skanda, 10th century, in the collection of the National Museum in Phnom Penh, Cambodia.
Lot 377
A SANCAI GLAZED POTTERY FIGURE OF A GROOM, TANG DYNASTYChina, 618-907. The tall figure standing atop a rectangular plinth, with hands positioned as if holding reins, dressed in a knee-length tunic with large lapels and secured at the waist with a broad sash, the unglazed face crisply molded with the hair pulled up under a double-knotted cap.Provenance: From the collection of Pauline Palmer Wood, Chicago, USA, 1969. The Art Institute of Chicago, accession number 1969-787A, gifted by the above. Pauline Palmer Wood (1917-1984) was the daughter of Pauline Kohlsaat and Potter Palmer, Jr. of Chicago. She attended Concord Academy and was active in the Chicago Historical Society. Wood was also a noted collector of Chinese antiques, gifting several important Tang-dynasty Sancai-glazed figures to the Art Institute of Chicago. Condition: Overall good condition, commensurate with age. Extensive wear, losses, firing cracks, glaze flakes, small chips, old repairs, all exactly as expected from authentic Tang dynasty excavations. The plinth is a later replacement.Weight: 3,318 g Dimensions: Height 60 cmLiterature comparison: Compare a closely related groom, described as Western Turkic, in the Mr. and Mrs. Ezekiel Schloss Collection and illustrated in E. Schloss, Foreigners in Ancient Chinese Art, vol. II, New York, 1969, pl. 10a. Compare also a related example from The Collection of Anthony M. Solomon and illustrated in V. Bower, From Court to Caravan: Chinese Tomb Sculptures from the Collection of Anthony M. Solomon, Harvard Art Museum, Cambridge, 2002, p. 127, pl. 43.Auction result comparison:Type: Closely relatedAuction: Christie's New York, 23 March 2012, lot 1963Price: USD 30,000 or approx. EUR 37,500 converted and adjusted for inflation at the time of writingDescription: A large sancai-glazed pottery figure of a groom, Tang dynasty (618-907)Expert remark: Compare the closely related pose, the facial expression, and the colors of the glaze, as well as the related size (63.5 cm)Auction result comparison:Type: RelatedAuction: Sotheby's London, 3 November 2021, lot 105Price: GBP 13,860 or approx. EUR 16,500 converted and adjusted for inflation at the time of writingDescription: A large sancai-glazed pottery figure of a foreign groom, Tang dynastyExpert remark: Compare the related pose, and the glaze, as well as the related size (63.8 cm)唐代三彩馬伕陶俑中國，618-907年。高大的陶俑立於長方形的底座上，雙手如握韁繩，頭上戴帽，身著翻領上衣，腰繫寬帶。面部未上釉。 來源：美國芝加哥Pauline Palmer Wood收藏，1969年；芝加哥藝術學院，編號1969-787A，接受贈送。Pauline Palmer Wood (1917-1984) 是芝加哥 Pauline Kohlsaat 和 Potter Palmer，Jr. 的女兒。她就讀於康科德學院，活躍於芝加哥歷史學會。她也是一位著名的中國古董收藏家，曾將幾件重要的唐三彩陶俑贈送給芝加哥藝術學院。 品相：總體品相良好，大量磨損、缺損、裂紋、釉面裂痕、小磕損，有修復。底座是後來裝置。 重量：3,318 克 尺寸：高60 厘米 文獻比較： 比較一件非常相近的西突厥馬伕，收藏於Mr. and Mrs. Ezekiel Schloss Collection，見E. Schloss，Foreigners，《Ancient Chinese Art》，卷II，紐約，1969年，編號10a。比較一件相近的例子，收藏於The Collection of Anthony M. Solomon ，見V. Bower，《From Court to Caravan: Chinese Tomb Sculptures from the Collection of Anthony M. Solomon》，哈佛藝術博物館，劍橋，2002年，頁127，圖43。 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2012年3月23日，lot 1963 價格：USD 30,000（相當於今日EUR 37,500） 描述：唐代三彩俑 專家評論：比較非常相近的姿勢、面部表情、釉面的顏色，以及相近的尺寸 (63.5 厘米) 。 拍賣結果比較： 形制：相近 拍賣：倫敦蘇富比，2021年11月3日，lot 105 價格：GBP 13,860（相當於今日EUR 16,500） 描述：唐代三彩胡人陶俑 專家評論：比較相近的姿勢、釉面，以及相近尺寸 (63.8 厘米)。
Lot 702
A BRONZE FIGURE OF DURGA RIDING A LION, INDIA, 15TH CENTURYThe seated goddess mounted on the separately cast lion standing foursquare on a stepped rectangular pedestal, the wide base and waisted plinth engraved with lappet borders framed by beaded edges. Her four arms holding a sword, trident, conch, and bowl, the face with almond shaped eyes centered by an urna and surmounted by an ornate crown. The lion and base each with two apertures for a mount.Inscriptions: The base punched with the name of a previous owner, 'Krishna Jyoti Amvane'.Provenance: From a South German private collection, mostly assembled between the 1960s and 1980s. Condition: Good condition with minor wear and casting flaws, small nicks and dents, light scratches, losses.Weight: 5,052 g Dimensions: Height 33.4 cmDurga is a major deity and supreme divinity in Hinduism. She is one of the most popular and widely revered among Indian divinities and is associated with protection, strength, motherhood, destruction, and wars. The most popular legend associated with the goddess is of her killing of Mahishasura, a half-buffalo demon who did severe penance in order to please Brahma. Durga was created by the trimurti to destroy Mahishasura and was gifted a lion as her mount. She is seen as a motherly figure and often depicted as a beautiful woman, riding a lion or tiger, with many arms each carrying a weapon and often defeating demons.Auction result comparison: Type: Closely related Auction: Christie's New York, 20 March 2008, lot 345 Price: USD 5,000 or approx. EUR 7,000 converted and adjusted for inflation at the time of writing Description: A brass figure of Durga slaying the buffalo, India, Orissa, 15th centuryExpert remark: Note the much smaller size (14.9 cm).
Lot 248
Hine-Talent of Thomas HineTriomphe. Grande Champagne.Baccarat crystal decanter No. 54. Hallmarked silver collar. In original presentation Elie Bleu humidor (surface lightly scratched) with hygrometer. Accompanied by certificate of authenticity, four Cristal Sèvres glasses, cedar display plinth and stopper. Engraved labelling. filled to 70cl. Cognac, 40% volume1 crystal decanterThis lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 266
Leopold Gourmel-'L' de GourmelGrande Champagne.Crystal decanter. In original presentation box and wooden plinth. 70cl. Cognac, 40% volume1 crystal decanterThis lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 151
A RARE BUDDHIST STONE STELE, NORTHERN WEI DYNASTYChina, 386-534. Buddha is shown seated in dhyanasana with hands held in dhyanamudra, wearing robes that fall in heavy folds, his sensitively carved face bears a serene expression with heavy-lidded eyes and full lips, the hair arranged in tight curls beneath the usnisha. The figure is flanked by two smaller acolytes above two Buddhist lions and backed by a tall aureole carved with bands decorated with acolytes and diminutive Buddhas. The plinth with further figures.Provenance: An old German private collection, ca. 1980, by repute. A private collection in Bavaria, Germany, acquired from the above. Galerie Zacke, Vienna, 16 November 2013, lot 17. A notable private collector in Kensington, London, United Kingdom, acquired from the above. A copy of the original invoice from Galerie Zacke, dated 17 November 2013 and stating a purchase price of EUR 16,432 or approx. EUR 19,500 (adjusted for inflation at the time of writing), accompanies this lot. The aforementioned Bavarian collection has been built since the 1970s into one of the largest collections of Buddhist bronzes and sculptures in Central Europe. The collector was a noted magician and as such guided by the fundamental idea that one thing can also be another, always looking for a second nature or hidden meaning behind the primary appearance of an artwork.Condition: Very good condition, commensurate with age, and overall exactly as expected and found on other examples from the same period. Extensive wear, weathering, erosion, encrustations, structural fissures, and minor cracks. Some losses and nicks, as seen in the images. Dimensions: Height 66 cmThis exceptional and important statue belongs to a small group of Northern Wei Buddhist stone steles depicting the Buddha with acolytes on one side and scenes of the Buddha's life on the reverse, the imagery deriving from Indian prototypes. The reverse of the present stele shows scenes from the life of Buddha, including his final death, the parinirvana.Literature comparison: A similar but slightly smaller stone stele of Buddha, dated by inscription to AD 455 of the Northern Wei dynasty, is illustrated by Jin Shen in the Catalogue of Treasures of Buddhist Sculpture in Overseas Collections including Hong Kong and Taiwan, Shanxi, 2007, page 3. Also illustrated, page 10, is another stone stele of Buddha, dated to AD 472 of the Northern Wei dynasty, also depicting friezes of the Buddha's life on the reverse.Auction result comparison: Type: Closely related Auction: Christie's New York, 25 March 2022, lot 733Price: USD 781,200 or approx. EUR 763,000 converted at the time of writing Description: An important and very rare stone Buddhist stele, Northern Wei dynasty, dated by inscription to AD 457 Expert remark: Compare the closely related carving and subject, with a similar aureole carved with diminutive Buddhas, the reverse also with scenes from the Buddha's life. Note the smaller size (41 cm) and the dating inscription, as well as the exceptionally well documented provenance and history of publications.13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.北魏罕見佛碑中國，386-534年。佛陀結跏趺坐，雙手施禪那印，身穿著長袍，褶皺綫條流暢。面容沉靜慈祥，雙眼微閉，面露微笑，俯首下視，神情祥和親切。頭上螺髻。佛像兩側各有一位菩薩侍立，石碑左右兩角為獅子。後有光背，光背上刻有人物場景的紋帶。 來源：德國私人舊藏，據説購於 1980年前後；德國巴伐利亞私人收藏購於上述收藏；維也納Galerie Zacke藝廊，2013年11月16日，lot 17；英國倫敦肯辛頓知名私人收藏購於上述拍賣。隨附一份Zacke藝廊2013年11月17日出具的原始發票複印件，上面注明價格為 EUR 16,432，相當於現在的 EUR 19,500。巴伐利亞收藏創建於上世紀七十年代，是歐洲最大的佛教銅像和雕塑造像收藏之一。這位收藏家是一位著名的魔術師，因此遵循“一物也可以是另一物”這一基本理念，總是在藝術品的主觀背後尋找第二本性或隱藏的意義。品相：狀況極好，與年齡相符。大面積磨損、風化、侵蝕、結殼、結構裂縫，一些缺損和刻痕，如圖所示。 尺寸：高66 厘米 這尊非凡而重要的雕像屬於北魏佛教石碑，一面描繪佛陀，背面描繪佛陀的生活場景，展示了佛陀生前的故事與涅槃。由於字數限制，完整中文敘述請至www.zacke.at查看。
Lot 231
A BRONZE FIGURE OF BUDDHA, PRE-ANGKOR PERIODStyle of Angkor Borei, Ta Keo region of the Mekong Delta, 7th century. Seated in dhyanasana on a rectangular plinth, the hands in dhyanamudra, the face with downcast eyes below gently arched eyebrows, flanked by two elongated ears, the hair in tight curls, surmounted by an ushnisha.Provenance: From the collection of an American gentleman. Galerie Zacke, 11 May 2019, lot 311, sold for EUR 8,216 or EUR 8,700 adjusted for inflation at the time of writing. Michael Phillips, acquired from the above. Michael Phillips (born 1943) is an Academy Award-winning film producer. Born in Brooklyn, New York, his parents were Lawrence and Shirley Phillips, noted New York dealers in Asian fine arts, selling to the Met, the LACMA, the Chicago Art Institute, and the British Museum among others. Michael Phillips is a collector of Asian art himself, particularly Indian, Southeast Asian, and Himalayan sculpture. His most important films include The Sting (winning the Academy Award for Best Picture in 1973), Taxi Driver (winning the Palme D'Or at the 1976 Cannes Film Festival), and Steven Spielberg's Close Encounters of the Third Kind. Condition: Extensive wear, some losses and cracks, traces of erosion, minor nicks. Very good condition considering the high age of this statue. Fine naturally grown patina.Weight: 521.9 g Dimensions: Height 17.4 cm (excl. base), 18.5 cm (incl. base)With a fitted modern wood base. (2)Angkor Borei was an important early center of Buddhism and Buddhist temple construction before the establishment of the Khmer Empire. The present figure is characteristic of Angkor Borei sculpture, as seen in the subtle protuberance of the ushnisha and the large snail-shell curls. Sculpture from this early period exhibits the naturalism and grace that echoes the treatment of the body in Gupta-period India, where ornamentation is minimized to emphasize the smooth volume of the form.Expert's note: The raw material of this sculpture is copper ore with iron oxide veins, which has developed an extensive malachite and azurite patina over the past 1400 years. A closely related piece from the same group was tested at the Ciram Laboratory in France in 2018 to confirm the material. According to the previous owner, the piece was originally found in the Ta Keo region of the Mekong Delta.Literature comparison:Compare a related bronze figure of Buddha, dated 7th-8th century, in the collection of the Metropolitan Museum of Art, accession number 1981.462.2.Auction result comparison:Type: Remotely relatedAuction: Christie's New York, 13 September 2016, lot 265Price: USD 37,500 or approx. EUR 45,500 converted and adjusted for inflation at the time of writingDescription: A Sandstone Figure of a Seated Buddha, Pre-Angkor period, Angkor Borei style, 7th centuryExpert remark: Compare the closely related pose and facial features. Note the different material and significantly larger size (48.2 cm).13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
Lot 154
A SMALL WHITE MARBLE FIGURE OF A LION, TANG DYNASTYPublished: Religion and Ritual, Michael B. Weisbrod, Inc., 1987, no. 19.China, 618-907. Finely carved, the beast seated on its haunches atop a rectangular plinth and facing forward with the mouth wide open in a ferocious roar, the fierce expression further marked by large bulging eyes. Three long strands of a split beard are smoothly carved on the chest below the chin in rounded relief. The pointed ears are laid back above the thick, subtly carved curls of the mane. Its tail curls around the figure's right side with the end lying over the back paw and below the chest.Provenance: Michael B. Weisbrod, Inc., New York, USA, acquired 1985 in the Hong Kong market. The collection of J. Abraham Cohen, New York, USA, acquired from the above. Michael B. Weisbrod, Inc., New York, USA, 2010, acquired from the above. A notable Canadian private collection, acquired from the above. Michael B. Weisbrod is a noted scholar of Chinese art, who has published extensively on the subject over a time span of more than 50 years. In 1972, Michael joined his father Dr. Gerald Weisbrod's Asian art gallery in Toronto, Canada. The father-and-son team opened their New York location on Madison Avenue in 1977, and during the next 45 years the gallery held a significant number of exhibitions, selling to museums and private collectors across the globe, eventually adding further locations in Shanghai and Hong Kong.Condition: Superb condition, commensurate with age. Small losses and nicks, light scratches, old wear and weathering, some imperfections to the stone. Fine, naturally grown patina with an unctuous feel and a magnificent ivory color overall.Weight: 1,837 g Dimensions: Height 16.2 cmThe lion is well represented in Buddhist art of the Tang dynasty. Its roar was said to represent the dissemination of the Buddhist scriptures. In their role as guardian figures, lions can be found not only lining spirit roads which lead to imperial tombs, but also in pairs in tombs, such as the pair of small marble lions found guarding the front room of the underground hoard of Buddhist relics at the Famen Temple. See Famen Temple, Shanxi, 1990, pp. 164-167. This figure is stylistically related to other marble lions of Tang date that are also seated on a plinth, some facing forward, some with the mouth open.Literature comparison: The present marble lion bears a strong resemblance to one of the large stone guardian lions along the spirit path of the Qian Ling mausoleum, the tomb of Emperor Gao Zong and Empress Wu Zetian near Xi'an, illustrated by Qian, Out of China's Earth, page 156, and also by Siren, Chinese Sculpture from the Fifth to the Fourteenth Century, volume 4, pl. 431A. Allowing the difference in size and material, there is a marked similarity in the shape of the muzzle, the split beard and the collar of flesh between the shoulders and legs. The large stone lion is probably no later than AD 683, the year of Gao Zong's death.Auction result comparison: Type: Closely related Auction: Christie's New York, 24 September 2020, lot 908 Price: USD 475,000 or approx. EUR 533,500 converted and adjusted for inflation at the time of writing Description: A small white marble figure of a seated lion, China, Tang dynasty Expert remark: Compare the closely related pose, roar, split beard, bulging eyes, and plinth. Note the similar size (18.2 cm).Auction result comparison: Type: Closely related Auction: Christie's New York, 25 March 2022, lot 742 Price: USD 75,600 or approx. EUR 74,000 converted at the time of writing Description: A superb carved white marble figure of a lion, Tang dynasty Expert remark: Compare the closely related pose, roar, split beard, bulging eyes, and plinth. Note the similar size (17 cm).13% VAT will be added to the hammer price additional to the buyer’s premium – only for buyers within the EU.唐代小漢白玉獅中國，618-907年。雕工精巧，石獅呈現蹲坐式樣，前肢斜伸，胸部挺起，獅頭昂揚，雙目圓睜，頭頸處鬃毛分成數縷垂捲，細膩逼真，體格雄健。它的尾巴捲曲在右側，末端位於後爪上方和胸部下方。出版：Michael B. Weisbrod，Inc.，《Religion and Ritual》，1987年，編號19。 來源：美國Michael B. Weisbrod藝廊，1985年購於香港；美國紐約J. Abraham Cohen收藏；B. Weisbrod藝廊2010年購於上述收藏。美國紐約Michael B. Weisbrod私人收藏。Michael B. Weisbrod是一位著名的中國藝術學者，他在 50 多年的時間裡就該主題發表了大量著作。1972 年，Michael加入了他父親 Gerald Weisbrod 博士在加拿大多倫多的亞洲藝術藝廊。這對父子團隊於 1977 年在麥迪遜大道開設了他們的紐約分館，在接下來的 45 年裡，藝廊舉辦了大量展覽，向全球的博物館和私人收藏家出售作品，最終還在上海和香港開辦分店。 品相：狀態極好，小缺損和刻痕，輕微的劃痕，磨損和風化，石質有些不完美之美。自然包漿，瑩潤細膩。 重量：1,837 克 尺寸：高16.2 厘米由於字數限制，完整中文敘述請至www.zacke.at查看。
Lot 98
* SCOTT IRVINE (SCOTTISH b. 1970),DISCUSwooden sculpture with rotating fused glass panel on glass plinth; signed to the underside50cm highNote: Born in Edinburgh in 1970, throughout his childhood Scott could always be found in the garden shed with some blocks of wood and constructing his early creations. He left school at the age of 16 with good qualifications and advice to follow a different career to the one he had already set his heart on. However, he decided to fulfil his passion of working with wood and trained as a carpenter in a local firm in Balerno. In 1993, following a paralysing illness (Guillain Barre Syndrome) which unfortunately left him with some residual weakness and pain in his feet, he was unable to return to carpentry as his fulltime profession. Having a great devotion to working with wood, he was determined to carry it on, which led him into the art of woodturning and carving which has been entirely self-taught. After a few years of selling his work through a small number of galleries, he decided to set up his own business 'Harmonies in Wood' in 1998. Although Scott enjoyed working with wood, he wanted to develop his work in a different direction, so he started incorporating metals and stone into his sculptures. However, in 2002, he still wasn't satisfied, so with a longstanding interest and desire to incorporate glass into his sculptures, he decided to buy himself a kiln and started experimenting with fusing glass. His joinery and glazing skills came in handy in terms of cutting glass and his technical knowledge of glazing was put to the test. After much trial and error, he developed the desired fused glass disc which he was able to incorporate into his wooden sculptures. Even though the wood that he uses is kiln dried, being a natural product, it is unpredictable and prone to movement over time, therefore Scott created a specialised glazing system for incorporating the fused glass element to allow for any expansion and contraction between the wood and glass components. The designs of his fused glass are inspired from the natural landscape of the Pentland hills near to his Balerno home. He has no fear in using a very varied colour palette but likes to complement his designs by incorporating iridescent and dichroic glass to create a dramatic fusion of effects. The continual and expanding interest in his unique designs and craftsmanship has resulted in Scott's work being exhibited in numerous galleries throughout Scotland and the UK with some European and American exhibitions too. He has been fortunate to exhibit his work in several solo shows in some of Scotland's finest galleries. The freshness of his designs continues to surprise and delight an ever-growing number of private and corporate collectors of his work. He has recently worked on some very exciting projects including the production of awards for The Jolomo Lloyds TSB Scotland Awards in 2007 and was commissioned to make the Jolomo Awards for 2009. The 2009 Awards were presented at the Kelvingrove Art Gallery & Museum, Glasgow on 12th June. He has made awards for Vision in Business for the Environment of Scotland (VIBES) 2007 and 2008 and the Robert Burns Humanitarian award 2008 and many other awards and sculptures for other corporate events and buildings.
Lot 58
A PAIR OF LATE GEORGE III MAHOGANY DINING ROOM PEDESTALS, Late 18th century, with rectangular tops and reeded edges over a single drawer and a panelled door with reeded brass borders and well-figured panels enclosing interiors of drawers and shelves, on a plinth base, 100cm high x 43cm wide (2)
Lot 402
Beswick Champion Welsh Mountain Pony With Stand / Plinth. Reads on the Plinth - Champion Welsh Mountain Pony, Gredington Simwnt 3614, Owned by The Lord Kenyon of Gredington, Beswick England. Approx Size Including Plinth 9 by 9 Inches. White Speckled Grey Colour way. Beswick Stamped to base. Model Number 3614.
Lot 227
A George III style mahogany eight day longcase clock, the swan-neck pediment and fluted columns enclosing an arched brass dial with angel and crown mounts, silvered crest to the arch, subsidiary seconds dial, date aperture and silvered chapter ring inscribed R Smallwood, Macclesfield, over a shaped trunk door, plinth base and bracket feet, the twin train movement striking on a bell, dial 31 cm wide, total height 213 cm
Lot 239
A William IV rosewood chiffonier; the mirror-backed superstructure with a gilt pierced gallery supported with Vitruvian scrolls above figured top and a pair of golden pleated silk-filled panel doors, flanked by a bold pair of scroll corbells with ormolu acanthus embellishments, supported by an inverted breakfront plinth. 105 cm wide x 52 cm deep x 128 cm overall height.Private estateSlight cracks to the sides, two small pieces of cross-grain edging to the upper shelf above the mirrorOld repair to the back edge below mirror
Lot 294
A large pair of 17th-century Venetian style bronzed and parcel gilt composition blackamoor floor lamps, 20th century, each six-sconce candelabrum held aloft by a stylized male figure with a loin cloth and standing on a rococo moulded plinth. 38 cm wide x 138 cm overall heightThe lamps are in good conditionI think they are made from some sort of GRP
Lot 300
An Anglo-Indian bone and ebony inlaid cabinet, early 20th century, with a shaped broken arch pediment over a laurel carved frieze pair of simply glazed doors; the base fitted two short over two long drawers with a shaped plinth and short turned legs. 82 cm wide x 49 cm deep x 193 cm overall height.
Lot 339
Hippolyte Moreau (French, 1832-1927) and Prosper Lecourtier (French, 1851-1924). Bronze titled "Piqueur Au Relais (Picker at the Relay)" depicting a hunter with a horn and two dogs at his side. The naturalistic base inscribed "HIP Moreau Lecourtier" and the plinth applied with inscribed label "Piqueur Au Relais, Salon des Beaux Arts."Height: 32 in x width: 19 in x depth: 15 in.
Lot 78
A MODEL UNDERTYPE STATIONARY HORIZONTAL STEAM ENGINE, ENGLISH, DATED 1894,with metal plaque engraved F. LAWRANCE 1894,the single cylinder with eccentric driven slide valve, the valve chest with maker's plate, the crosshead running in twin guide bars with lubricator cups, twin ball governor, the crankshaft running in main bearings on twin pedestal supports with lubricators and with 6-spoked cast and machined flywheel, the mahogany-lagged boiler with brass banding, the copper sheathed firebox with safety valve and inspection mudhole door, the backhead with single water gauge glass, try-cocks and blow-down valve, the smokebox with door handle and strap hinges, copper chimney with brass cap, the main metal bedplate mounted on shaped wood plinth with glazed mahogany case. the model 13in x 15 1/2in x 5in (33cm x 39cm x 13cm)cased 16in x 20in x 10 1/2in (40.5cm x 51cm x 26.5cm) This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 80
A MODEL VERTICAL INDUSTRIAL STEAM ENGINE, ENGLISH, 20TH CENTURY,No. 113, made by Kingscote Bros & Williams, the single cylinder raised on turned steel supports, with fat-cup lubricator, manual drain cocks and blued-steel lagging, the eccentric-driven slide valve with wheel valve to steam inlet, the chest cover with maker's plate, the crankshaft pedestal supports integrally-cast with the main bedplate and with number 113 plate, the main bearings with lubrication boxes, a heavy cast and machined disc flywheel, the whole of solid industrial construction, finished in green with polished brightwork, on wood plinth fixed with brass maker's plate Kingscote Bros & Williams, mechanical & electrical engineers, Patricroft, Mancheste, glazed display case, the model 15in x 11 1/2in x 11 1/2in (38cm x 29cm x 29cm)cased 19 1/2in x 15in x 15in (49.5cm x 38cm x 38cm) This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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