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Early 20th Century German bracket clock, the triangular pediment with turned finials above a bevelled glazed door flanked by turned pilasters and on a gadrooned carved plinth, the silvered chapter ring with Roman numerals and pierced brass spandrels, together with a non-contemporary bracket, 34cm wide
A late Victorian bronze and gilt bronze table lamp, modelled as a cherub holding a branch issuing a candle sconce (converted from candle-holder), the whole raised upon a fluted black marble plinth and on gilt bronze ball feet, h.46cm (excluding fittings)Condition report: One small nibble to underside only.Otherwise good.
A late 19th century French bronze of the Muse of Music, in seated pose with harp behind her, brown patination, unsigned and lacking foundry mark, h.22.5cm, all raised on later marbled composition plinth,Condition report: No breaks or damage.Modest patina wear to extremities only.Plinth is later.
A Victorian brass pedestal oil lamp, having an acid etched shade over cut clear glass font, to a reeded acanthus leaf cast column on a square plinth, h.86cmCondition report: Shade is grubby and with one small rim chip.Font is good.Brass with some minor tarnishing.Otherwise no apparent faults.
A French gilt brass and marble three-piece clock garniture, the clock having an unsigned convex white enamel dial with twin winding holes for a brass eight day cylinder movement striking on a bell, the case surmounted with a cherub over four columns, with bevelled glazed window to a marble plinth, h.35cm, the twin light candelabra with centre flaming torch finial, h.25cm, 20th centuryCondition report: Clock runs and strike works.Dial chipper around both winding holes only.All brass good and complete, colour good.Marble good with some minor nibbles to edges only.Overall very good.
A Regency rosewood side cabinet, having replacement veined green marble top over twin gilt brass and pleated silk fronted cupboard doors, enclosing adjustable shelves, w.97cm, d.36cm, h.92cmCondition report: Approx. 6” surface scratch to marble top, would easily polish out.Doors close perfectly, no warping.Lock good, with key.Silk and brass good.Some flaking to gilt along both sides.Plinth good.Rosewood of good colour and complete, albeit slightly grubby.Overall very good condition.MOULDING BENEATH MARBLE TO EITHER SIDE MISSING.
A reproduction mahogany kneehole desk, in the George II style, by John L Corlyon (Furniture) Ltd of Burstwick, being No.12 of 50 reproduced from the original in No.10 Downing Street, London, bearing plaque to inside door, the breakfront top having a gilt tooled leather inset writing surface over three frieze drawers, one with makers stamp and over three real drawers and a cupboard door disguised as three drawers enclosing flight of six stationery drawers, all flanking recessed cupboard door, the plinth with leaf carving, w.106cm, d.61cm, h.79cm
AN ELIZABETH II CAST SILVER MODEL OF A STALLION, by William Comyns & Sons Ltd, London 2005, the horse realistically modelled, on a wooden plinth, in Comyns silk-lined card box. Horse 19cm long, 22.7 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Marks clear and well struck, to back of offside hind leg (leg with fixing point to base)
A good selection of various silver-plated and metal bijouterie etc.to include various boxes, a wine funnel, a modern cast figure of Napoleon on a shaped mahogany plinth base, a white-metal circular French box (mark to underside), a 20th century silver-plated model cannon and various preserve spoons, a Stilton scoop, a 19th century seal, 19th century Parisian silver sifter spoon etc. (good selection)
A pair of early 20th century fine Royal Copenhagen porcelain comports; each with reticulated gilded border and individually painted central scene of flowers and leaves etc., each on circular plinth base with four scrolling gilt-decorated feet, each with printed and painted marks to underside (20.25cm diameter, 15.75cm high)Condition Report: The comport with the mauve flowers and green leaves - the gilding around the edge appears to be bright and in good overall condition. The floral decoration to the top also good condition generally and it is noted that the composts do not exhibit excessive knife or spoon marks, the underside of the first comport appears good. Both the base and the reticulated top marked with three blue wavy lines and the underside marked Royal Copenhagen in typical fashion, the stem and scrolling feet look good, bright and in original condition. There are no signs of restorations. There are no 'diamond scores' to the wavy lines. The second comport - although dusty and dirty it appears in good honest original condition with no cracks or restorations noted, this comport is also marked to the reticulated top and the underside of the base.
E M BALL; a fine oval oil on panel still-life study of flowers in a vase upon a plinth base; signed lower right, walnut and sycamore-fronted frame, stamped E M Ball verso (full height 51.5cm x 37cm full width)Condition Report: Very good generally. The actual oval painting has very minor pin prick sized pieces of paint away on the left lower size - otherwise very good. The frame has a little piece of veneer away to the inside. The back is a little scuffed but overall the condition is very good.
A mid-19th century mahogany linen press; the cavetto-style cornice above two panelled doors with Gothic-style arches opening to reveal original slides and further over two half-width and two full-width graduated drawers below with turned wooden handles, original plinth base (possibly a marriage) (128.5cm wide x 59cm deep x 198cm high)
A Small 18th Century Style Mahogany Longcase Clock, pagoda pediment with shell inlay, arched trunk and plinth with matching shell inlay, 4-1/2-inch arch dial, twin spring barrel movement striking on a bell, 177cm high see illustration 09.02.21 Case is slightly faded in parts, hood finials are missing, minor scuff marks to edges and minior dents, dial slightly discoloured, movement is clean, Movement stamped Smith Empire clocks, circa 1930's.
A Walnut Marquetry Eight Day Longcase Clock, signed Hen Massy, London, circa 1700, caddied pediment, brass capped columns, side viewing windows, marquetry trunk door depicting floral, bird and scroll work and central urn, inlaid stringing side panels, front of the plinth with matching marquetry, 12-inch square brass dial with silvered Roman chapter ring signed, matted centre with date aperture and seconds, crown and cherub spandrels, five pillar movement with anchor escapement and inside countwheel striking on a bell, later seatboard, 232cm high see illustrations Henry Massy is recorded as working from Charles Street, London and was free of the clockmakers from 1692 to 1745. 08.02.21 Case with veneers lifting in parts and cracking in places, case surfaces have been polished, some moulding beneath the throat moulding has been replaced, some mouldings around the border of the trunk door has been replaced, trunk door has been repaired at some time, signs from the back of the door with a rectangular piece of oak placed into the door, and it appears that the marquetry has then been re-laid onto the new pieces of wood and some small pieces of new marquetry re-laid, wooden dial surround veneers have been later added, some patching to veneers replaced around the case, some cracking to the plinth, later built skirting, dial needs cleaning and chapter ring needs re-silvering, movement looks complete, later seatboard.
A Victorian Glazed Pine Bookcase, 3rd quarter 19th century, the top probably associated, the later moulding above a glazed door enclosing a fabric lined interior between gilt metal mounts, the base with five graduated drawers all between pivoting and lockable stiles, on a plinth base, 76cm by 44cm by 227cm
A Late Victorian Carved Oak Wellington Chest, late 19th century, the three-quarter gallery above a leaf carved border and six graduated drawers with Green Man mask handles between a lockable stile, on plinth base, 63cm by 37cm by 107cmGood cosmetic condition with the exception of some very minor natural fine shrinkage splits towards the back left-hand corner. Left-hand side panel drawers are open but with no key (see images).
A Victorian Figured Walnut and Ebonised Four Door Library Bookcase, circa 1870, the upper section with four glazed doors enclosing sixteen adjustable shelves all between fluted columns, the base with four moulded cupboard doors enclosing adjustable shelves, the right hand cupboard door fitted with pigeon holes, plinth base, 288cm by 60cm by 271cm
An Imposing Victorian Mahogany Mirror Back Sideboard, 2nd half 19th century, the original mirror plate within a moulded frame decorated with scrolls, leaves, and vines, the base of inverted breakfront form with central drawer flanked by four moulded cupboard doors and raised on a plinth base, 216cm by 68cm by 260cm
~ A Victorian Mahogany Breakfront Library Bookcase, 2nd half 19th century, the upper section with sixteen leather-trimmed adjustable shelves, two shelves below flanked by moulded cupboard doors, 305cm by 49cm by 276cmReasonable condition throughout. Some general scuffs/small faults mainly around bookcase wings (see image). Further scuffs around the plinth base and sides. Small piece of moulding missing to the right-hand lower section (we have this piece it just needs re-gluing). Some of the dust covers on the shelves are detached (we also have several of these pieces).
~ A Victorian Mahogany Four-Door Library Bookcase, 2nd half 19th century, the bold cornice above four glazed doors enclosing a later velvet lined interior, an open section below flanked by two cupboard doors with adjustable shelves, 305cm by 49cm by 276cmThe top is removable therefore the bookcase is in two pieces. This cabinet has some later additions, it was used as a gun cabinet so the upper section is green baize lined. Central glazed doors - the right-hand section has a later drawer added and an aperture to receive guns. Lower left-hand panel with traces of paint. The plinth base with numerous scuffs. The right-hand front corner with section of timber missing and small damage to the moulding. Front-right hand corner of the upper section with section of timber missing. Glazed doors are later.
~ A Pair of Victorian Mahogany Bookcases, 2nd half 19th century, the moulded cornices above leather-trimmed adjustable shelves, on plinth bases, 142cm by 42cm by 272cmBookcase one - traces of emulsion paint around the edges, some of the dust covers on the shelves are missing/detached. General scuffs around the base with some further traces of paint (see images). Bookcase two - similar condition with the exception of the upper section bottom shelf with some veneer losses.
~ A Victorian Mahogany Straight Front Chest, 3rd quarter 19th century, the moulded top above two short and three long graduated drawers flanked by a moulded cupboard door enclosing two shelves, on flattened bun feet, 123cm by 59cm by 100cmRather tired but uniform colour. The top is misshapen. The back right-hand corner has various scratches to the top. The moulded edge with natural? shrinkage splits. Water? marks to the cupboard door. Drawers with small faults to the cock beading and the plinth base with small losses (see images). Right-hand end panel with further fading/split. Left-hand back corner above one foot with a section of damage.
^ A Gillows of Lancaster Eight Piece Oak Bedroom Suite, circa 1860, comprising an oak double-door wardrobe with moulded cornice above moulded cupboard doors enclosing a sliding frame with pegs flanked by four sliding trays, a small and a long drawer, a further deep drawer below, on a plinth base, 133cm by 60cm by 198cm, a kneehole dressing table with three-quarter gallery above nine drawers and an inverted cupboard door, 115cm by 61cm by 86cm, a two-drawer washstand with three-quarter gallery, on turned legs with brass capped toes and castors, 107cm by 53cm by 81cm, a compactum with moulded top and two frieze drawers above moulded cupboard doors enclosing a sliding frame with pegs, three sliding trays and two deep drawers above a plinth base, 127cm by 59cm by 144cm, a bedside cupboard with grey and white Carrara marble top above a moulded cupboard door enclosing a shelf and plinth base, 41cm by 38cm by 81cm, a three-quarter bedstead, the headboard with moulded frame and later upholstery, the footboard with moulded panel and turned and fluted supports, takes a 4ft mattress, and a pair of chairs on turned forelegs, 43cm by 35cm by 83cm Ordered in 1860 by William Preston, former Mayor of Liverpool. Purchased from Christie's, Ellel Grange Country House Sale, 1979, Lancaster, lot 851
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173444 item(s)/page