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AN OAK LONGCASE CLOCK signed John Hartley, the eight day movement with anchor escapement striking on a gong, arched brass dial with Roman and Arabic numerals, the centre chased with masonic emblems and with secondary dial and calendar aperture, the arch with a silvered boss chased with an angel, the case with arched broken pediment and moulded cornice on fluted columns, arched door flanked by fluted quarter columns, panel base, on plinth, the whole later profusely carved, 87 1/2" high
AN OAK WARDROBE by Wilf Hutchinson, Husthwaite, of oblong multi panelled form, half penny moulded cornice over two top hinged doors, two long doors below enclosing a hanging space flanked by shelving with drawers below, panelled sides, on plinth, carved squirrel trademark in low relief, 42" x 20" x 78" (Illustrated)
AN OAK PULPIT by Robert "Mouseman" Thompson of stepped faceted panelled form with integral steps, with moulded cornice over a frieze carved with a band of fruiting oak, the central panel with oak leaf patera, adjustable book rest, two internal book shelves and seat, on moulded plinth, 46" x 44 1/2" (excluding steps) x 72"
A VICTORIAN MAHOGANY AND PARCEL GILT TRIPLE WARDROBE in the Aesthetic taste, the moulded cornice surmounted by a pediment with central gadrooned roundel, central mirrored door flanked by a panelled doors each with two painted fielded panels depicting birds on branches on a gilded ground, and enclosed slides, drawer and hanging space, on plinth, 74" x 23" x 88 1/2"
A LATE VICTORIAN MAHOGANY PART BEDROOM SUITE, with satinwood banding and stringing, comprising triple wardrobe, the arched surmount with dentil moulded cornice, frieze inlaid with ribbon tied festoons, central mirrored door with arched bevelled panel, flanked by cupboard doors with oval inlaid panel to match frieze, four drawers below with oval brass drop handles, on plinth, 86 1/4" x 24 3/4" x 97", ensuite with mirrored kneehole dressing table, bedstead 54" wide, bedside cupboard, towel rail and a pair of chairs (7) (Illustrated)
EARLY TWENTIETH CENTURY STAFFORDSHIRE POTTERY ADVERTISING TOBY JUG, the plinth base inscribed `Hoare and Co`s Toby Ale in Bottle`, the base with retailers name Hancock and Corfield, Mitcham, a FRENCH SARREGUEMINES CHARACTER JUG, ANOTHER CONTINETNAL DITTO, a Royal Doulton `Robin Hood` CHARACTER JUG, a Shorter and Son `Guardsman` toby jug and an unmarked character jug with musical base (6)
STYLISH 1930`s POTTERY TAPERED CYLINDRICAL SHOULDERED VASE, tube lined and slip decorated with a peacock perched upon a branch against a gilt accentuated setting sun, signed A. Dean beneath the glaze, incised `W` to the base, 12 1/4" (31cm) high, TOGETHER WITH A IRIDESCENT GLASS VASE of Loetz type, a TINY JAPANESE MUSTARD YELLOW POTTERY GUDRUPLE POSY VASE ?, enamelled and gilt with children, a tiny possibly Samson of Paris pseudo Chelsea Gold Anchor, `Toy` MODEL DOG, and a POST WAR ROYAL DUX MODEL ALSATIAN lying on a rounded oblong plinth base (5)
An early 20th Century gilt and silvered French Carriage Alarm Clock with push repeat, 1086, the movement with replacement lever platform escapement and strike on a blued steel and coiled gong, to an engine turned gilt mask with a grey enamel dial, with outside minute track and Roman lozenges, fitted with blued steel arrow hands over an Arabic 12 hour subsidiary, in a gilt and silvered case with hinged carry handle and pediment, with push repeat and canted corners, to a shaped frieze, over Corinthian columns to a plinth base, height 8”; together with its original Morocco covered outer Travel Case, (handle A/F)
A late 19th Century Mahogany Cased Bracket Clock, Cousens & Whiteside, 20 Davies Street, Berkeley Square, the arched case on plain plinth base and raised on rosette feet to a cast brass bezel with bevelled and convex glass enclosing an 8” repainted Roman dial with outside minute track and blued steel moon hands, to a five pillar twin fusee movement with anchor escapement, strike on a bell, height 17 ¼”
A 20th Century Mahogany Cased Mantel Clock with arched top and central platform, also crested with three gilt metal urn finials, the arched brass dial with central silvered Arabic chapter ring with outside minute track, Junghans movement striking on gong, plinth base with compressed bun feet, 17” high
A 19th Century Swiss Cuckoo Clock with arched top applied with foliate mounts, central aperture enclosing bird, circular face with Roman chapter ring, gallery below on a moulded plinth base, striking on gong movement (some moulding etc detached and needs repair), circa mid-late 19th Century, 17” high
An early 19th Century Oak Cased 30-hour Longcase Clock, name erased, the hood with overhanging cornice, to a circular aperture and moulded throat with long shaped trunk door and plinth base, to a 14” first period circular dial, with Roman and Arabic chapter ring, the floral detailed centre with date sector and pierced steel hands, to a movement with plates united by four knopped pillars, with back mounted count wheel, anchor escapement, strike on a bell, height 81”
Hamish MacPherson ARBS, British b.1915- Reclining Nude; wood sculpture on a wooden plinth, length 35cm: together with a bronze sculpture of two abstract forms by the same artist, height 36cm, (2) (may be subject to Droit de Suite) Provenance: with Roland, Browse & Delbanco, 19 Cork St, London according to the label attached to the base of the plinth
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173444 item(s)/page