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Lot 91

TWO VINTAGE WOODEN STEPLADDERS together with a pine plinth and three round occasional table frames (no covers)

Lot 13

A RECONSTITUTED STONE GARDEN FIGURE OF A BOY with basket of flowers, on a plinth 98cm high

Lot 14

A RECONSTITUTED STONE GARDEN FIGURE OF A BOY on a panelled plinth,116cm high

Lot 123

R Moll, a contemporary bronzed cold-cast resin sculpture of a recumbent lion, 31cm long, 18cm high, signed R Moll, 115/750 to plinth.

Lot 124

Unsigned, a contemporary bronzed cold-cast resin sculpture of a semi-naked female figure, kneeling on one leg and wearing a sarong and headdress, on plinth, 40cm high, (possibly by R Moll).

Lot 433

A William IV presentation silver snuff box on stand, by Edward Smith, Birmingham 1836, rectangular form, the hinged cover with a heavy foliate scroll and fluted border, inscribed 'To Mr Henry W. Vousley, Presented by the Committee of the Licensed Victuallers Protection Society as a token of respect for his strict attention in the discharge of the arduous duties of Chairman during the year 1837 and for his kind endeavours at all times to promote the interests of the Society, 26 Jan 1838', on a raised wooden plinth, applied with a plaque inscribed with the subsequent owners of the box, length 8.8cm, length of plinth 19.5cm, approx. weight 5.2oz.

Lot 477

A silver statue of a horse, by Elkington and Co., Birmingham 1913, also signed G Halliday 1913, modelled in a standing position with a saddle and bridle, on a rectangular base mounted on a wooden plinth, height on plinth 33cm, length 35cm, approx. weight 90oz.

Lot 546

AN EARLY 20TH CENTURY MAHOGANY COLLECTOR'S CABINET, the moulded edge top above six graduated drawers with brass handles and decorative back plates, plinth base, 36.5cm wide x 55cm high x 29cm deep over all.

Lot 284

A RARE VIKING PERIOD PATTERN WELDED AND INLAID SWORD CIRCA 900, 75.25cm fullered blade, characteristic hilt of Petersen Type H form, inlaid to the cross guard with geometric designs and inverted swastika forms, the triangular form pommel with oblong plinth decorated to match. A similar sword was lent to the Metropolitan Museum of Art by Laird Landmann and Kathleen Kinney (accession number L.2008.29.2). That particular sword was marked with the name of its maker Hartolfr. See plate VI Swords of the Viking Age by Ian Peirce for a pommel of matching form. For a similar sword, in relic condition, see Bonhams San Francisco 29th June 2005 Lot 2410, realised $18,400. Provenance: An old established English Collection, River Duddon, Lake District.

Lot 279

A LATE 18TH CENTURY BRONZE PIVOT CANNON, 32inch three-stage sighted barrel bearing an inscription across the mid-point, mounted on a wooden plinth complete with pivot mount and adjustable tail bracket.

Lot 86

An Art Deco glass and copper-mounted standard lamp,the column mounted with glass rods, with a mirrored plinth, 162cm highCondition ReportNo shade, rewired, mirror base cracked.

Lot 118

A white-finish low chest fitted two short & two long drawers with nickel knob handles, & on a plinth base, 88” wide 34” high x 18½” deep.

Lot 119

A white-finish tall standing open bookcase with a pierced frieze, fitted three shelves above two small drawers, & on a shaped plinth base, 35” wide x 70¾” high x 13¾” deep.

Lot 177

A chrome plated novelty car mascot in the form of a horses head & stirrup, mounted on a wooden plinth, 5” high; & five various bronzed bells.

Lot 178

A bronzed fire brigade bell inscribed “WINKWORTH” mounted on an oak plinth bears plaque “DERBYSHIRE FIRE SERVICE”, 10¾” high.

Lot 333

A Lorenzi-style silvered-metal naked female figure mounted on an onyx plinth, 7½” high.

Lot 355

A Mamob stationary steam engine mounted on a wooden plinth; together with approximately twenty various scale model vehicles, all unboxed.

Lot 41

An 18th century mahogany rectangular drop-leaf dining table fitted with a frieze drawer to one end with brass swan-neck handle, on plinth square legs, 44” wide x 64” open x 28¾” high x 22½” deep when closed.

Lot 56

A Victorian mahogany wardrobe with a moulded cornice, enclosed by a bevelled mirror door to centre flanked by a panel door to either side, above two short drawers, & on a plinth base, 74” long x 80” high x 19¼” deep.

Lot 73

A Victorian walnut ‘apprentice-piece’ chest fitted two short & four long graduated drawers with brass drop handles, & on plinth base, 14” wide x 16” high x 9¼” deep (slight faults).

Lot 422

British Society of Cinematographers Technical Award plus, The B.S.C. 'Bert Easey' Technical award, a gold coloured trophy of a camera mounted on a wooden plinth, this was awarded to Bill Chitty in 1985 for his design of innovative lighting Equipment over many years (the first time the award was given to a non-camera operative). Bill was an electrician and gaffer on around twenty films from 1964-1974 including African Queen, The Wooden Horse, Anne of the Thousand Day and others. He was also responsible for the television lighting for Churchill's funeral at St Paul's Cathedral and developed 'The Wendy' lighting units still used today. Included is a large amount of detailed information about Bill's life and includes school reports, letters of commendation from various studios, dedicated signed photographs from John Mills, Dana Andrews and others, photographs from the films he worked on including a cricket match and signed 'Bogie', film stills including Jane Russell, a script for 'The Homecoming' and more - (the printed plaque on the award has the incorrect spelling of Easey)

Lot 489

Garrard Deck 301, a Garrard Deck model 301 with Transcription motor schedule no: 51400/2 with Decca London International pick-up arm mounted on diy suspended wooden plinth on a laminated base with a good fitting perspex lid, comes with a further pick-up arm, two cartridges and paper work, good condition, all untested

Lot 113

A Late 19th Century Brass cased Holosteric Barometer by Barber and Bustin, Liverpool Housed on Spelter Stand with Snarling Lion with Paws Upon Serpent, Raised on Wooden Ebonised Plinth, 30.5cm high

Lot 133

A Bronze Study of a Hunter with Shotgun and Retriever after Mene, Raised on Tapered Hardstone Plinth Base, 19cm high and 20cm wide

Lot 134

After Isidore Jules Bonheur (1827-1901) Bronze 'Jumping the Fence' Set on Rectangular Hardstone Plinth Base, 30x 7x30cm high

Lot 135

A Bronze Figure of a Water Nymph, Sitting on Rocks with Reeds and Fish Beside Set in Marble Plinth, 15cms High, Signed J Berlhoz

Lot 136

A Bronze Study of Seated Pensive Cherub Set on Red Marble Plinth

Lot 144

A Late Victorian Brass Novelty Candlestick , the Candle Holder Mounted with upturned Horseshoes on Circular Plinth Base, 27cms High

Lot 15

A Mid 20th Century Desk Top Wooden Model of a Aeroplane with Brass Propellers and Tail, Mounted on Globular Support and Rectangular Plinth, Base 32cm, Wing Span 16cm

Lot 152

A Trench Art Presentation Vase formed from Cylindrical Shell Mounted on Wooden Plinth Base with Applied Barbed Wire and Plaque Inscribed 'To the Cheshire Regiment 1914 Bantams 1918', 26cm high

Lot 192

A Good Quality Victorian Mahogany Table Top Stereoscopic Slide and Postcard Viewer with Fitted Plinth Base

Lot 193

A Set of Windle and Blyth Postage Scales and Weights on Oak Wood Plinth Base, AF, 19cms Wide

Lot 194

A Set of Large Brass Postage Scales, Late Victorian or Edwardian, with Weights and Oak Plinth Base. 26cms Wide.

Lot 195

A Set of Late Victorian Brass  Balance Scales with a Set of Weights. Rectangular Oak Plinth Base

Lot 233

A 19th Century Chinese Porcelain Figural Vase, Finial in the Form of Seated Dignitary Wearing Blue Robes with Pink Flowers, Now Mounted on Later Plinth Base, 23cm high

Lot 103

A pair of Art Deco silvered bronze bookends, each mounted with a cat and mounted on a marble plinth, signed 'C Charles',each 18cm wide17cm high (2)Condition ReportBoth with nibbles to the marble. Rubbing to the cats.

Lot 104

A French 'circus' cocktail set,attributed to Sudre, modelled as a tiger and a tamer, with twelve sticks forming the cage, mounted on a wooden plinth,15.5cm wideCondition ReportSome surface scratches to the figures. The bakelite endpieces to the coktail sticks with some scuffs,  scratches and marks. The endpieces with some minor gouges. Additional images uploaded.

Lot 105

A French 'barmaid' cocktail set,attributed to Sudre, modelled as a barmaid, the stand as a table and the stick handles as the glasses, mounted on a wooden plinth,13cm wide

Lot 107

Georges Morin (German, 1874-1950),'Hoop Dancer' a gilt-bronze figure of a girl dancing through a hoop, signed 'Morin', with bands of circles to the base, raised on a marble plinth,35cm highCondition ReportSome spotting to the gilt on arms and legs. Two chips to the top edge of the plinth and to the front corners of the plinth.

Lot 111

Lucille Sévin (French, fl.1920-1940),'Isadora', an opalescent glass figure of a nude wearing a cloak, moulded 'Etling France 50', raised on a chrome metal plinth, 22cm highIn collaboration with Edmund Etling, Sévin produced several works in bronze, glass and ivory. This is believed to represent the American dancer Isadora Duncan. Sévin exhibited in Paris at the Salon des Artistes Français, winning a bronze medal in 1932, a silver medal in 1937, and a gold medal at the Exposition Universelle in Paris.Condition ReportSome spotting to the underside of the plinth.Plinth has small knock and the plinth slightly out of shape.Some minor spots to areas of the glass - shown in further photos added to the website.

Lot 112

A Sabino opalescent glass figure, of a nude with two doves, on a square base, engraved 'Sabino Paris', 15cm highCondition ReportChip to the back of the plinth.

Lot 122

A French plaster sculpture of the Madonna and Child,1930s, with an inscription to the plinth,52cm highCondition ReportChips and wear to the base.

Lot 124

A large French Art Deco walnut sideboard,with a marble top, over a slight bow front with cupboards, mounted with an ebonised panel of deer on each door, opening to reveal an oak-lined interior with drawers and shelves, flanked with further cupboards with shelves, with cast shaped handles, raised on an ebonised 'moustache' plinth, 220.5cm wide54cm deep105cm highCondition ReportSome minor knocks and chips, tape remnants to the marble top, some areas with scuffing or paint marks. The inside of the central door with damage to the veneer. The shelves with stains and marks. One key in the right most door - does not turn, appears stuck. The central doors appear somewhat loose in the frame. Additional images uploaded

Lot 15

Clovis Edmond Masson (French, 1838-1913),a bronze and marble mouse, nibbling on a piece of alabaster 'cheese', signed 'C Masson', on a marble plinth,9.4cm wide9.5cm highCondition ReportNibbles to the corner and base edge of the plinth. Old paper label to the underside. Remnants of a green paper cover.

Lot 161

A suite of burr maple wall furniture,comprising: a glazed cabinet,with sliding cupboard over three drawers, and cupboards below, on a low plinth,107cm wide30.5cm deep107cm high,a low bookshelf with an end cupboard,131cm23.5cm deep68.5cm high,a cupboard,enclosing two drawers and with divisions below,36cm wide38cm deep68.5cm high,a bookshelf,81cm wide28cm deep72.5cm high,another bookcase section,133cm wide23.5cm deep68.5cm high,a cupboard section,with a metal-lined base, hinged cupboard/waste bin, and a cupboard with a shelf and divisions,78.5cm wide38cm deep68.5cm high (6)Provenance: Sea Lane House, Littlehampton, West Sussex.Lots 161-163The following three lots formed part of the interior of Sea Lane House, the only house in Britain to have been designed by Marcel Breuer, the Bauhaus-trained architect.Sea Lane House was designed in 1936, by Breuer and British architect FRS Yorke, for James Macnabb, who never actually occupied it. It was subsequently bought in 1943 by Richard Papelien, an engineer and celebrated figure in the automotive industry.The house was constructed with brick and concrete, and the three lots for sale here are believed to have been designed and made specifically for the building.Marcel Breuer briefly studied art in Vienna before joining the Bauhaus in the 1920s. First a student and then a teacher, he became head of the celebrated furniture workshop. On leaving the Bauhaus, Breuer practised as an architect in Berlin before fleeing the Nazi regime and moving to London in 1935, where he stayed for two years. In 1939, he was invited by Walter Gropius (the founder of the Bauhaus and former teacher of Breuer) to work at Harvard University.Condition ReportAll pieces need restoration - losses to the veneers. Plinths with damage.

Lot 17

Pierre-Jules Mêne (French, 1810-1879),a bronze group of two greyhounds with a ball, raised on a cast scroll decorated plinth, signed,21.3cm wide16cm highCondition ReportGood patina.

Lot 208

An Italian rosewood sideboard,by Dassi, 1950s, of serpentine form with a glass shelf and a reeded panel back, the central cupboard carved with a figure, birds, dice, chess pieces and playing cards, enclosing a mirrored interior, flanked with further cupboards over an open shelf, backed with a reeded panel on a plinth box,199cm wide46cm deep125cm high

Lot 22

An Art Nouveau bronze bust of a lady, after Henry Jacobs, on a marble plinth, signed,18cm highCondition ReportChip to the front corner of the plinth. Rubbing to patina.

Lot 349

An Italian brass and enamelled desk lamp,1950s, in the manner of Arteluce, with an adjustable yellow shade, fitted with a pull cord, on a weighted plinth, 41.5cm highCondition ReportNeeds rewiring. Shade possibly re enamelled/painted. Not working.

Lot 478

§ An HK Furniture 'Ambassador' rosewood coffee table, 1970s, designed by Howard Keith, of square form with a bevelled edge, with two drawers to the side, raised on a square plinth, 160cm wide95cm deep38cm highCondition ReportThe top with a white stain to the side. With some scuffs to the veneer - most notably to the centre of the top. With general scratches and marks commensurate with age and use occurring throughout. CITES A10 No. 615615/03

Lot 486

An Italian 'Model No. 480' two-light standard lamp,by Luci, with a twin pulley and string rise/fall mechanism, raised on chrome supports, on a metal plinth, labelled,209cm highCondition ReportNeeds rewiring, some spotting to the base and top.Mechanism works.PAT test passed - 08/07/2022

Lot 88

A French 'jazz dancers' cocktail set,attributed to Sudre, modelled as a dancing couple, with six cocktail sticks mounted on wire between posts, on an amboyna plinth, 15cm wide5cm deep13.5cm highCondition ReportKnocks to the plinth. Some rubbing to the figures.

Lot 90

A pair of art metal squirrel bookends,by Max Le Verrier (French, 1891-1973), each modelled as a squirrel, cast 'M. Le Verrier', on a marble plinth, 15cm high (2)Condition ReportOne with some fine nibbles to the bottom of the plinth. The other with a chip to the rear of the plinth. Both squirrels with some scratches. Additional images uploaded.

Lot 91

A French 'Maurice Chevalier' cocktail set,attributed to Sudre, modelled as the entertainer smiling and wearing a yellow hat and walking stick, with six cocktail sticks mounted with hat terminals, on an amboyna plinth, 14cm wide5cm deep13cm highCondition ReportSome loss of colour to the plinth. Rubbing and chips to the painted figure.

Lot 92

*Pierre Le Faguays (French, 1892-1962),a gilt-bronze figure of a dancer, holding garlands of flowers and bells, raised on a stepped marble plinth, 40cm highCondition ReportChips to the plinth. Figure slightly loose on the plinth.

Lot 93

*Pierre Le Faguays (French, 1892-1962),a pair of gilt-bronze figures of dancers, wearing short dresses, one holding ivory cymbals, the other an ivory tambourine, each raised on a stepped marble plinth,39 and 40cm high (2)IMPORTANT NOTEThis item has been registered as exempt from the UK Ivory Act 2018, on account of it being made before 3 March 1947 with less than 10% ivory by volume. Ivory declaration submission reference: KRR53DYF.Please be advised that several countries, including those in the EU and the USA, prohibit the importation of ivory items in most cases. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This lot is subject to CITES regulations when exporting outside the UK. Potential purchasers should be aware that, under UK guidance, it is possible that you may not be able to obtain a CITES export permit for this lot.Condition ReportOne loose on base - not attached. Chips to the plinths. Some rubbing and wear to the gilt details.

Lot 96

Josef Lorenzl (Austrian, 1892-1950),an Art Deco cold-painted bronze figure of a dancer wearing a blue coat, on a domed stand, signed 'Lorenzl', raised on a stepped onyx plinth, 24cm highCondition ReportSome wear to the cold-painted clothes.

Lot 97

Josef Lorenzl (Austrian, 1892-1950),an Art Deco cold-painted bronze figure of a dancer wearing a ruff, signed 'Lorenzl', raised on an onyx plinth, 21.7cm highCondition ReportMinor rubbing to the legs, dress and forehead.

Lot 98

Josef Lorenzl (Austrian, 1892-1950),an Art Deco cold-painted bronze figure of a dancer wearing red coat and breeches, signed 'Lorenzl', raised on an onyx plinth, 25cm highCondition ReportChips to the onyx plinths corners.

Lot 371

A Large Pair of German Porcelain Twin Handled Vases of Urn Form with Covers Set on Plinth, Bases of Tapering Form, Hand Painted with Floral Design on Yellow Ground Enriched with Gilt Highlights and Tim, Monogram Crown Mark to Base, 52cms High

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