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A large Victorian mahogany pedestal sideboard, the ornate shaped back with carved scrolling and leaf decoration, above a top with moulded edge, fitted three drawers to the frieze with sloping fronts, raised on two pedestal arched panelled doors with decorative carved mouldings, raised on splayed carved plinth bases (slightly incomplete).
A late 19th century Meissen figure of a boy, he stands with arms outstretched holding a garland of flowers, wearing a blue jacket, floral waistcoat, stripped sash and spotted breeches, leaning on a marbelised column on a circular plinth, 16.5cm high, underglaze blue crossed sword mark, incised F67
Taxidermy - a red squirrel (Sciurus vulgaris), perched on an outcrop clutching an acorn, surrounded by ferns, wild grasses and foliage, glazed case, loop suspension, 41cm high, 36cm wide; an Eastern grey squirrel (Sciurus carolinensis), perched on driftwood and clutching an acorn, surrounded by foliage, glazed and panelled case, moulded oversailing top, plinth base, 43cm high, 36.5cm wide (2)
A George II oak longcase clock, 33cm arched brass dial with silvered chapter ring, inscribed Andrew Dickie, Edinburgh, the arch now with a portrait profile roundel, subsidiary seconds dial, date aperture, twin-winding holes, 8-day movement striking on a bell, the hood with outswept pediment and reeded columns, arched rectangular door to waist, plinth base, 215cm high
A George III mahogany longcase clock, the 33 cm arched enamel dial inscribed Hallam. Nottingham, Arabic numerals, the arch painted with a young lady in a rural setting, spandrels painted with shells, stallion-shaped hinged brass finial, swan neck pediments with brass roundels, date aperture, bird cage movement striking on a bell, turned pilasters, shaped door to waist, plinth base, boxwood stringing throughout, 210cm high
A George II mahogany longcase clock, 29cm arched brass dial inscribed Ogden, Darlington, silvered chapter ring inscribed with Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin-winding holes, 8-day movement striking on a bell, the well-figured case with arched cresting, bras-mounted stop-fluted pillars and quarter-columns, arched rectangular door to waist, shaped plinth base, 220cm high, c.1745John Ogden was a member of a very prolific and distinguished family of clockmakers, originally from Halifax. He signed clocks from both Sunderland and Darlington and died in 1753. Condition Report: Metal stops to flutes of quarter columns coming slightly loose.
A George IV oak and mahogany longcase clock, 29cm arched dial inscribed Whitehurst & Son, Derby, Roman numerals, 30-hour movement striking on a bell, the hood with lofty swan neck pediment, shaped rectangular door to waist, flanked by reeded columns and quarter-colmns, outlined throughout with boxwood stringing, tall plinth base, 222cm high, c.1830
A George III oak longcase clock, 31cm brass dial inscribed Humphy (sic) Wainwright, Nottingham, Roman and Arabic numerals, subsidiary seconds and calendar dial, twin-winding holes, the arch formerly with an added automotan, swan neck pediment, arched rectangular door to waist flanked by reeded canted angles, plinth base, 202cm high, c.1770
A George III style miniature longcase clock, 7cm arched silvered dial with Roman and subsidiary Arabic numerals, faux Strike/Silent to arch, 8-day movement striking on a gong, the hood crested by a silver coloured metal figure of Old Father Time, reeded pillars, arched rectangular door to waist, the base with a shield carved with the armorial bearings of Great Yarmouth, bow fronted plinth, 49cm high
A Louis Philippe ormolu mantel clock, the 10cm ceramic dial within a beaded bezel, bevelled glass, blue Roman chapter with outer Arabic minutes chapter, pierced gilt hands, fourteen day movement countwheel striking on a bell, the movement signed du Moulin Neuf/H Molle Paris, No. 1746, the drum case supported on a column base, swaged urn finial, garland from side volutes below dial, bowed front to plinth with central medallion of low relief doves below a bow flanked by swags, knurled adjustable feet, 38cm high
A 19th century Anglo-Indian teapoy, fluted pagoda top enclosing four conforming canisters, deep frieze carved with flowering leafy stems, lotus grasped carrying handles, the base with four outswept scrolls carved with acanthus, square plinth, acanthus scroll feet, 84cm high, 43.5cm wide, c.1830
A French Louis XVI Revival gilt metal mounted kingwood secretaire a abattant, of narrow proportions, cararra marble top above a frieze drawer and a fall front enclosing a velvet writing surface, pigeon holes and small drawers, above five further drawers, crossbanded and outlined throughout with boxwood stringing, flanked by canted angles, shaped plinth base, 132cm high, 64cm wide, c.1900
A George I/II red walnut kneehole desk, moulded rectangular top with pierced three-quarter gallery, outlined with a broad burr yew band, long drawer to frieze, cupboard to niche, flanked by two rows of graduated cockbeaded drawers, engraved brass batwing handles, plinth base, 78cm high, 79cm wide, c.1730The underside of the drawer with leaves from child's exercise book, the work of Mary Ann Corden, Derby Nov 23rd 1826
A George/William IV mahogany chiffonier, low superstructure with arched cresting, rectangular shelf and niche flanked by pierced brackets, slightly oversailing top above a pair of cockbeaded drawers and doors with brass grilles, flanked by twin split-mouldings and pillars, plinth base, 119cm high, 99.5cm wide, c.1830
A post-Regency rosewood chiffonier, brass three-quarter gallery pierced with anthemions, low superstructure flanked by lotus grasped fluted columns, slightly oversailing top with chamfered border above a pair of glazed doors lined in pleated silk, bead-and-reel borders, acanthus to upper angles, plinth base, 122cm high, 107cm wide, c.1835
A Victorian Gothic Revival oak table cabinet, shaped three quarter gallery centred by a draught turned roundel, brass balustrade above a pair of rectangular doors with blind tracery panels, enclosing shelves and an arrangement of velvet lined collector's drawers, plinth base, 62cm high, 39.5cm wide, c.1860
A Victorian Irish pollard oak compactum wardrobe, by Arthur Jones & Co, Dublin, stamped, stepped cornice above a pair of panelled doors, a niche and two short and three long graduated drawers, flanked by a pair of glazed doors enclosing hanging space, plinth base, 212cm high, 193cm wide, c.1880
Chas. Frodsham, London, a small floor-standing regulator: the eight-day duration timepiece movement having a dead-beat escapement with jewelled pallets, maintaining power and a round wood-rod pendulum with a cylindrical brass-bound bob, with some additional wheel work between the movement plates missing, the nine-inch round silvered dial engraved with black Roman numerals, and the maker's details Chas. Frodsham, & Co, Maker to the Queen, 84, Strand, No. 1539, with blued steel spade hands, the flat-top mahogany case having a steeple top to the trunk door and standing on a raised plinth, height 170 cm.
William Pain, London, a walnut longcase clock: the associated eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute numerals to the outer aspect and the maker's name Willm. Pain, London either side of VI o'clock, the matted dial centre with ringed winding holes and subsidiary seconds and date dials, with restorations, with cast-brass acorn-leaf spandrels to the four corners, engraved to the edge with tulip decoration, with decorative blued-steel hands and a cast brass decorative boss to the added arch with cast-brass dolphin spandrels, the flat-topped walnut case with double cross-banding to the trunk door and base, the hood having turned tapered columns with cast-brass capitals and wooden fret-work above the dial, all standing on a double-plinth to the base, height 229cm.*Notes Various makers named William Pain are recorded as working in London in the 18th century.
A pair of rosewood and brass inlaid breakfront side cabinets in the Regency taste:, each surmounted by a panel of green variegated marble, the friezes decorated with brass lines and centred by cut brass foliate marquetry panels, enclosed by a pair of pleated silk and brass lattice panel doors flanked by turned half columns with gilt brass Corinthian capitals, on plinth bases, 122cm (4ft) long.
A 19th century Continental carved giltwood domed and bow-fronted armoire: with a moulded and gadrooned cornice, enclosed by a pair of moulded panel doors with high relief decoration of rocaille and acanthus scrolls, flowerheads and ribbons, the moulded panel sides each with a central rosette panel in moulded surround, on a plinth base, 144cm ( 4ft 8 3/4in) wide, 205cm (6ft 8 3/4in) high.
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173444 item(s)/page