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Click here to subscribeA late 19th Century black and green variegated marble mounted Mantel Clock, the breakfront plinth-shaped case with overhanging cornice, to a shaped and moulded base (chips and losses), to a cast brass bezel with bevelled glass enclosing a 3 ¾” Roman enamel chapter ring (A/F), with outside minute track to a recessed centre with visible Brocot escapement and blued steel moon hands, to a circular brass movement with strike on a bell, height 11 ½”
A late 19th Century black marble and bronze mounted Mantel Clock, the plinth-shaped case set with a classical frieze panel over freestanding Corinthian columns and further replicated panel to the base, and bearing a presentation plaque dated 1888, to a cast and beaded bezel with bevelled glass enclosing a 3 ½” Arabic enamel chapter ring with outside minute track and matted centre, with blued steel hands, to a circular brass movement with anchor escapement and strike on a blued steel coiled gong, height 12 ½”
A mid-20th Century Mahogany cased triple barrel Mantel Clock, Winegarten of London, the plinth-shaped breakfront case set with a square chrome bezel enclosing a 5 ¼” silvered dial, with Roman chapter ring and outside minute track, and set with chime/silent lever at 3, and blued steel pierced hands, to a signed rectangular brass movement with anchor escapement and strike on five rods, height 10”
An early 20th Century German lacquered Walnut triple barrel Mantel Clock, the case with an arched pediment and cornice, to a single glazed door on a stepped plinth base with lacquered brass splayed feet, to a 6” arched and silvered dial with subsidiaries for chime/silent and regulation over a Roman chapter ring with outside minute track and black painted hands, to a triple spring driven movement with anchor escapement and strike on four rods and a coiled gong, height 14 ½”
A mid-20th Century Mahogany cased Barograph, apparently unsigned, the regular shaped rectangular case with carry handle and three glazed panels and hinged to one end, on a plinth base with bracket feet, and enclosing an 8 day spring driven drum mechanism, and 8 bellow mechanism with aluminium recording arm, length 11”
An early 20th Century Oak cased Mantel Timepiece, the case with overhanging cornice surmounted by a domed pediment, to a single glazed door, and raised on a moulded plinth base, with a 4 ½” square silvered dial with Arabic chapter ring, outside minute track and blued steel hands, to a rectangular brass movement with anchor escapement, height 9”
A late 19th Century Walnut Cased Mantel Clock, the arched case to a plinth base and raised on bracket feet, with lions mask and ring side handles, to a cast brass bezel with beaded rim and bevelled glass enclosing a 4 ¾” Roman enamel dial with outside minute track and blued steel fleur-de-lys hands, to a square Winterhalter and Hofmeier movement with back mounted count wheel and anchor escapement, strike on a blued steel coiled gong, height 11”
A second half of the 20th Century Mahogany cased 8 day Mantel Timepiece, Elliott, and retailed by Mappin & Webb Limited, the plinth-shaped case raised on four lacquered brass compressed bun feet, to a further lacquered brass square bezel enclosing a signed 3 ½” square silvered dial with applied mask spandrels and Roman and Arabic chapter ring, with black painted hands, to an 8 day spring driven movement, height 6”
An early 20th Century Mahogany and Boxwood line inlaid Mantel Timepiece, the balloon shaped case to a moulded plinth base and raised on four lacquered brass bun feet, to a cast brass bezel with bevelled glass enclosing a 3” Roman enamel dial with outside minute track (chips to rim), and fitted with blued steel hands, to a circular brass movement signed Buren, and fitted with a replacement platform escapement, height 9”
A late 19th Century French ebonised and Walnut Mantel Clock, the arched case on a moulded plinth base, to a cast brass bezel with bevelled glass enclosing a 3” Roman enamel dial (chip to winding square), with outside minute track and blued steel moon hands, to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 9”
A mid-20th Century Mahogany and Boxwood line inlaid 8 Day Mantel Clock, the balloon-shaped cased with moulded plinth base and raised on four lacquered brass feet, to a cast brass bezel with convex glass enclosing a 3” Arabic dial with outside minute track and blued steel hands, to a spring driven movement with platform escapement, height 9 ½”
A late 19th Century Mahogany and inlaid Mantel Timepiece, the drum shaped on scrolling mount and plinth base, to a cast Brass bezel, set with a bevelled glass enclosing a 3 ½” Roman enamel dial with outside minute track and blued steel moon hands, to a circular Brass movement, with anchor escapement, height 8 ½”
A mid-19th Century Dresden Porcelain Cased Mantel Clock, the waisted plinth raised on compressed feet and surmounted by a central plinth flanked by classical muses depicting Industry and Art, and painted in colours with gilt highlights (extensively restored), to a cast brass and beaded bezel enclosing a 3” Roman and Arabic enamel dial, with outside minute track and pierced and engraved brass hands, to a circular brass movement with backmounted count wheel and anchor escapement, strike on a bell, height 13 ½”
A late 20th Century Porcelain and gilt metal mounted Clock Garniture, produced for the V & A Museum “Marie Antoinette’s Flowers of Versailles Vases”, the waisted case with mask and sunburst finial, over foliate swag decoration, to a paste-set bezel, and raised on an oval plinth base, to a signed Roman chapter ring with outside minute track and gilt hands, to a spring driven movement with strike on a bell; together with a pair of urn-shaped Side Pieces issuing gilt flowers, height 15”
A late 19th Century American black and gilt highlighted cast metal Mantel Clock, Ansonia, the case with architectural pediment, flanked by ahlf round colonnades on a plinth base, to a cast bezel enclosing a 4” two-part Roman enamel dial, with outside minute track and blued steel moon hands, to a spring driven movement with anchor escapement, strike on a gong, height 11”
A late 19th Century black and variegated marble mounted Mantel Timepiece, the breakfront plinth-shaped case with cast brass bezel and bevelled glass enclosing a 3 ½” Arabic enamel dial with outside minute track and gilt centre with blued steel hands, to a spring driven movement with anchor escapement, height 9”
A late 19th Century black and variegated marble Mantel Clock, the plinth-shaped case with overhanging cornice and freestanding columns to a plinth base, with cast and beaded bezel with bevelled glass enclosing a 3 ½” Arabic enamel dial with outside minute track and matted centre with blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a coiled gong, height 8 ½”
A late 19th Century black and variegated marble mounted Mantel Timepiece, the breakfront plinth-shaped case with overhanging cornice, to a cast brass bezel and bevelled glass enclosing a 3 ½” Roman enamel dial with outside minute track (dial A/F), and blued steel spade hands, to a circular brass movement with anchor escapement, height 9 ¼”
An early 20th Century Green Onyx and lacquered Brass mounted Mantel Clock, the architectural pediment to domed case, flanked by demi-lune pediment with cast pineapple finials, over freestanding Corinthian columns, to a shaped plinth base, and raised on applied paw feet, to a cast brass bezel with beaded border, enclosing a 3 ½” Arabic chapter ring (hairlines), with outside minute track to a matted gilt centre, with further pierced scrolling detail and blued steel fleur-de-lys type hands, to a circular brass movement with anchor escapement (lacking hammer and gong), height 14”
A Mahogany and Rosewood crossbanded 8 Day Long Case Clock, unsigned, the arched hood with scrolling pediment, over freestanding columns to an ogee throat and long arched trunk door, and raised on a plinth base, to a 12” arched brass dial with silvered boss and cast and applied spandrels enclosing a silvered Roman and Arabic chapter ring, to a matted centre with subsidiary seconds and blued steel hands, to a movement with shouldered plates united by four knopped pillars, with anchor escapement, strike on a bell (associated), height 87”
An Oak cased 8 Day Long Case Clock, the arched hood with overhanging cornice to ¾ columns, with ogee throat, and long arched trunk door and raised on a plinth base, to an 11” arched brass dial with starburst to the arch and further dolphin spandrels, and further urn spandrels enclosing a Roman and Arabic chapter ring with outside minute and inside quarters track, and further half-hour markers, signed W Hulbert of Bristol, to a matted centre with subsidiary seconds and date sector, width pierced and stamped black hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell (case, dial and movement associated), height 80”
An Oak Cased 8 Day Long Case Clock, unsigned, the case with overhanging cornice and caddy top surmounted by three giltwood ball finials, to a blind fretwork frieze and ¾ columns, to an ogee throat and long square trunk door, and raised on a plinth base to a 10” square brass dial, with applied fruiting vine and foliate spandrels enclosing a Roman and Arabic chapter ring with outside minute track and engraved centre with subsidiary seconds and date sector, and black painted hands, to a movement with plates united by four knopped pillars and anchor escapement with count wheel strike on a bell (associated and composite), height 88”
A mid-18th Century Associated Walnut Cased 8 Day Long Case Clock, Thomas Page of Norwich, the associated case with overhanging cornice surmounted by a swan neck pediment and three globe and spike finials over ¾ Corinthian columns, to an ogee throat and domed long trunk door, to a panelled plinth base and raised on bracket feet, to an 11”square brass dial with cast mask and foliate spandrels enclosing a Roman and Arabic chapter ring, with outside minute track to a matted centre with blued steel hands, to a movement with plates united by four knopped pillars and anchor escapement and rack strike on a bell (associated), height 95”
An early 19th Century Oak Cased 8-dayLong Case Clock, Gudgeon & Son of Bury, the arched hood with pierced and scrolling pediment, over freestanding columns, to a shaped throat and arched long trunk door, raised on a plinth base (reduced), to a 12” arched white dial, with strike/silent subsidiary to the arch, over a Roman chapter ring with Arabic quarters and outside minute track, enclosing subsidiary seconds and date with pierced steel hands, to a signed false plate and with plates united by four knopped pillars, and anchor escapement, strike on a bell (associated), height 78”
An early 19th Century Mahogany Cased 8 Day Long Case Clock, unsigned, the arched hood with overhanging cornice surmounted by a scrolling pediment over freestanding fluted columns, to an ogee throat and long truck door with reduced plinth base, to a 12” second period painted Arabic dial, with gilt highlighted basket of floral detail to the arch over fruiting spandrels to an Arabic chapter ring with further Arabic quarters and outside minute track enclosing subsidiary seconds and date sector with pierced steel hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement with strike on a bell, height 79”
A 20th Century new/old Shop Stock Long Case Clock, the hood with over hanging cornice to a long trunk door and plinth base, to an 8” square Brass dial, with applied and silvered Roman and Arabic chapter ring, to a signed and matted centre with black painted hands, to a triple barrel movement, height 60”
A second half of the 20th Century Mahogany Cased Long Case Clock, the case with overhanging cornice to an arched door and quarter columns, with further long glazed door and fluted quarter columns, to a plinth base, with a 9” arched brass dial with engrave detail and Roman chapter ring with outside minute track and black painted hands, to a weight-driven movement with strike on rods, height 76”
A first half of the 20th Century stained Oak Cased Long Case Clock, the stepped architectural case with a single panelled and glazed door to a plinth base with bracket feet, to a silvered 11 ½” Arabic dial, with outside minute track and strike/silent lever at 3, with blued steel hands, to a triple weight driven movement, with anchor escapement and strike on 8 rods, height 79”
A first half of the 20th Century Stained Oak cased Triple Weight Long Case Clock, the shaped pediment to a long and panelled glazed door, on short plinth base, to a 12” silvered circular Arabic dial, with outside minute track and black painted hands, to a triple weight driven movement with anchor escapement and strike on eight rods, height 76”
A French bronze model of Venus, circa 1800, the nude portrayed standing and looking up to sinister to a garland held in each hand above her, her weight on her right foot with the left resting on a tree stump behind, the rouge marble columnar plinth with engine milled and gilt bronze circlet above a square base, 75cm high. Provenance: Cowdray
A Louis Philippe ormolu and patinated bronze cased striking mantel clock, circa 1835, surmounted by a maiden robed in the Classical taste, leaning against a cabinet and reading a book, the cabinet decorated with torcheres, swans and volume spines, the plinth with a central bust in relief flanked by seated amorini and further motifs, the white Roman numeral enamel dial signed for Giteau, Palais Royal No. 140, Paris, the eight-day bell striking movement with silk suspension, 52cm high, 32cm wide. Provenance: Cowdray
A French white marble and gilt metal mounted Portico clock, mid 19th century, the eight-day bell striking movement stamped CR/GR and numbered 40616 with white enamel Roman numeral dial set into a drum shaped case with tazza surmount and chimera cast apron supported on gilt female caryatid decorated uprights, with rectangular plinth base, 39cm (15.5ins) high. Provenance: Cornwallis
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