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Lot 16
Antique bronze and stone sun dial and pedestal, the engraved dial having central engraved decoration depicting the head of Apollo within script `Make time, save time while time lasts, all time is no time when time is past`, the baluster pedestal standing on an unassociated base and octagonal plinth, overall height 100cm
Lot 59
19th Century mahogany two section secretaire bookcase, having a moulded dentil cornice, the upper section fitted adjustable shelves enclosed by a pair of glazed doors, each having crossbanded tracery, the base fitted a secretaire drawer opening to reveal a fitted interior with a central cupboard, pigeon holes and drawers, two panelled doors below enclosing three long drawers and standing on a plinth base, 130cm wide
Lot 65
George III mahogany breakfront library bookcase, having a stepped moulded dentil cornice, the upper section fitted four astragal glazed doors enclosing adjustable shelves, the base fitted two central blind panelled doors enclosing three slides and fitted three short drawers to either side, standing on a plinth base, 262cm wide
Lot 12
A WEDGWOOD SOLID LIGHT BLUE JASPER POT POURRI VASE, COVER AND INNER COVERshape 381, ornamented with four cameos of nymphs and swags suspended from rams` heads, the domed and fenestrated cover with pointed knop, on square plinth, 36cm h, impressed mark, late 19th c++Complete and all in fine condition
Lot 14
A SOLID LIGHT BLUE JASPER WARE VASENEALE & CO or TURNER & CO, ovoid and ornamented and the figure of a swordsman, the reverse with a lady at an alter, on lapidary polished black stoneware octagonal plinth, 19cm h, c1790 and a pair of Wedgwood jasper trumpet based candlesticks, in dark blue jasper with beaded knop, impressed mark, c1880 (3)++Vase lacking handles
Lot 808
AN IVORY DRESSING MIRROR, PROBABLY FRENCHthe oval frame crested by one of the two cherubs from Raphael`s Sistine Madonna, on leafy scrolling brackets and rectangular plinth set with the figure of Putto standing on a cushion, 20cm h, late 19th c++A delightful object in fine condition. Insignificant natural hairline shrinkage crack in the oval frame at 3 o`clock but stable
Lot 821
A PAIR OF FRENCH BRONZE STATUETTES OF MUSICIANS AFTER AUGUSTE MOREAUon marble pedestal with swag and laureate mounts and hexagonal plinth, 30cm h, late 19th c++Patina removed with old polish residue, slightly nibbled around the edges of the marble plinth and lacking part of the trumpet (?) played by one musician
Lot 833
A VICTORIAN BRONZE MERMAN OIL LAMPof campana shape with merman handles and wave lapped lower body, on spirally fluted stem and shaped square foot, the Argand burner with embossed label BRIGHT LATE ARGAND & CO 37 BRUTON [ST] PATENT INDICATOR LAMP, the cylindrical reservoir embossed on the underside JS, later ebonised plinth, 67cm hAdapted from a design by Edmé Bouchardon (1698-1762).++Finely chiselled and in good condition but electroplated at later date, although not adapted or converted to electricity and apparently complete
Lot 940
A GEORGE II WALNUT LONGCASE CLOCKthe brass breakarched dial signed on a silvered tablet Ant Marsh opposite Ye Bank of England London, having subsidiary seconds dial, square date aperture and silvered chapter ring, TEMPUS FUGIT DISC to the arch, with spandrels of the Seasons and dolphins above, the eight day movement in line inlaid case with brass mounted and stop fluted pillars and break arched and figured door to the trunk, on stepped plinth, 227cm hWhen the clock was overhauled and cleaned for the present owner in November 2007 it was discovered that the reverse of the chapter ring is also engraved with Anthony Marsh`s name.Anthony Marsh, son of John Marsh, a wheelwright of Stow on the Wold, Gloucestershire, was apprenticed to Abraham Acton, on 7 June 1714. He was made free of the Clockmakers` Company on 5 October 1724 and became a Steward of the Company 21st July 1745.++An attractive clock, not unsympathetically restored, probably original to the case and working when removed from the present private consignor`s home
Lot 1002
A VICTORIAN OAK PARTNERS DESKone side fitted with nine moulded drawers, the other with three drawers and two panelled doors, the sides panelled, 78cm h; 122 x 152cm, c1900++Removed from a Nottingham professional office where used by the present vendor for 20/30 years and in need of some light cosmetic work only. The later gilt tooled maroon leather inset writing surface somewhat scuffed and worn. The handles all original, one drawer lacking the brass lock. Two panels in one side with minor vertical shrinkage cracks, slightly scuffed around the plinth
Lot 687
A 19TH CENTURY ROSEWOOD SIDE CABINET the mirrored back in a serpentine cushion frame with foliate scroll cresting, the breakfront base with a white/grey marble top over three doors, each with painted panel of summer flowers, divided by mirrored panels, on a plinth base, 155cm high x 153cm wide x 43cm deep
Lot 100
Rowan Gillespie (b.1953) Reclining Bodyscape (1994) Bronze (232 x 46cm high) on a granite plinth From an edition of nine Provenance: Acquired directly from the artist 9th July 1997 by the current owner Literature: "Rowan Gillespie - Looking for Orion", by Roger Kohn, 2007, this piece illustrated page 76
Lot 381
EDWARD HARRISON, WARRINGTON, A George III mahogany longcase clock, the hood with swan neck pediment, gilt flower bosses, blind fret cornice and fluted columns above a blind fret frieze and waist panel door enclosed by three-quarter fluted corners on panelled plinth and bracket feet. The brass dial with painted sun and moon phase and sporting scenes, the arch engraved, "The Moon Is Appointed For Seasons", the pierced spandrels and signed chapter ring enclosing a second subsidiary dial, the 8-day four pillar movement striking on a gong, 226cm high.
Lot 150
EARLY 20TH CENTURY OAK MIRROR BACKED SIDEBOARD, having moulded cornice above mask moulded freize, rectangular bevelled plate flanked by fluted columns, the base with two freize drawers over two blind panel cupboards, flanked by similar fluted columns on a moulded plinth with bun feet. C1910. 80" Wide x 27" Deep x 82" High.
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