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A large collection of miscellaneous football memorabilia, comprising: posters including Manchester United v Benfica 1968 photographic souvenir (4 copies), Littlewoods Challenge Cup (3 copies), Carling Premiership; the Wembley Twin Towers; Arsenal 1997-98 double-winners; Littlewoods F.A. Cup featuring Nat Lofthouse and Frank McLintock (7 copies);a length of children's bedroom wallpaper featuring the England team; an assortment of football souvenirs including a silver-lustre ceramic miniature replica of the F.A. Cup trophy, a painted plaster replica of the World Cup trophy, an Edwardian nursery plate decorated with a teddy bear footballer, a 1960s ice bucket modelled as a leather football, Arsenal FC cup, saucer & side plate, a Dartmouth pottery mug, A Euro '96 commemorative ceramic plate, an Astbury Fine China Lisbon Lions bottle & stopper, a souvenir of Everton's 1995 F.A. Cup win, TWO ceramic money banks, a metalware ashtray, a ceramic Crystal Palace 1990 F.A. Cup final souvenir, souvenir china plates for Southampton and Sheffield Wednesday, a small Arsenal mirror, WBA souvenir football money bank and a tankard, and a Real Madrid souvenir ash tray, a Victorian pottery beaker (damaged), a china child's cup, a St Amand French plate, two china models of football boots, a pair of miniature leather footballs, a circular box, three chocolate moulds shaped as footballs, six printer's blocks two of a football the other of a boot, a boxed George W. Hughes football pen, a brass figure of a footballer, seven lead football figures, and a glass commemorating Aberdeen's 1947 Scottish Cup win, two metalware figures of footballers, the first in green spelter modelled volleying a ball, set on a marble base, the other smaller but from an earlier age, mounted on an ebonised plinth, the first 18cm., 7in. long, and a memento of Norwich City F.C.'s first tour of Holland in 1962, in the form of a metallic roundel of a footballer mounted on an ebonised backboard, with inscription plaque, 18cm., 7in. square (a qty.)
A late 19th Century banded onyx and gilt metal mounted Mantel Clock, the overhanging cornice with facetted pediment, over half-fluted columns to a plinth base, and raised on a giltwood base, to a cast and beaded bezel enclosing a 4 ½" gilt dial with painted Arabic numerals, and blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement, strike on a blued steel coiled gong, height 13"
A late 19th Century French Black Slate Rouge Marble and Gilt Metal Mounted Mantel Clock, the overhanging cornice surmounted by an arched pediment, set with an applied bronze panel depicting musical cherubs, over freestanding Corinthian columns to a plinth base, and cast beaded bezel, enclosing a 4" silvered Roman dial, with outside minute track and blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a bell, height 15 ¾"
A late 19th Century French Gilt Metal Mantel Clock, modelled in the form of a narrow ecclesiastical building, surmounted by a bell tower and freestanding columns, to a stepped plinth base, with 3" cartwheel type dial, with black painted Roman numerals and outside minute track, with pierced blued steel hands, to a circular brass movement, with back mounted count wheel and silk suspension, strike on a bell (incomplete and water damaged), height 15 ¼"
An early 20th Century French lacquered Brass Four Glass Mantel Clock, the plinth shaped case set with four bevelled glass panels, to a plinth base, and enclosing a 3 ½" Arabic enamel dial, with outside minute track and blued steel fleur-de-lys hands, to a circular brass movement, with anchor escapement with strike on a blued steel coiled gong, and twin pin mercury pendulum, height 9 ¾"
A late 19th Century French Black Slate Mantel Clock, retailed by Alan and Daws of Norwich, the architectural pediment to an overhanging cornice over freestanding Corinthian columns and stepped plinth base, bearing presentation plaque to cast and beaded bezel, enclosing a 4 ¼" chapter ring, with engraved and gilt highlighted Roman numerals, with further gilt fleur-de-lys hands and matted centre, to a circular brass movement with anchor escapement and strike on a coiled gong, height 15 ½"
A late 19th Century Oak cased triple barrel Mantel Clock, the arched pediment over a plain frieze and reeded columns, to a stepped plinth base, and a 6 ¼" rectangular brass dial with applied Roman and Arabic chapter ring, with subsidiaries for regulation and chime/silent, with blued steel hands, to a square Winterhalder and Hoffmeier brass movement, with anchor escapement and strike on five blued steel coiled gongs, height 16 ¼"
An early 20th Century Green Onyx and Gilt Metal Mounted Clock Garniture, the architectural case with overhanging cornice to two free-standing columns, flanking a cast brass bezel and plinth base, to a 4" Arabic enamel chapter ring with matted centre and blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a coiled gong (slight losses); together with a pair of portico type Side Pieces (3)
An early 20th Century green onyx and gilt metal mounted Mantel Clock, the architectural case with six balustered finials, over freestanding columns to a plinth base with a cast and beaded bezel, enclosing a 4" Roman enamel chapter ring, with outside minute track and matted centre, to a circular brass movement with anchor escapement and strike on a bell, height 12"
A late 19th Century Black Slate and Green Variegated Marble Mantel Clock, the plinth shaped case with applied pillars and stepped plinth base with floral and foliate gilt highlights, to a cast brass and beaded bezel, enclosing a 4" Arabic enamel chapter ring, with outside minute track and matted centre, to a circular brass movement with anchor escapement and strike on a coiled gong, height 12"
An early 20th Century Black Slate and Cast Brass mounted Mantel Clock, the architectural case with central dome to an overhanging cornice and four freestanding columns, on a stepped and shaped plinth base, to a cast and beaded bezel enclosing a 4" Roman enamel chapter ring, with outside minute track and fleur-de-lys blued steel hands, with visible brocot escapement, to an Ansonia spring driven movement, ehgith 16"
A late 19th Century Black Slate and Green Variegated Marble Mantel Clock, the architectural case with multiple pediments over four freestanding columns, to a stepped plinth base, with floral and foliate gilt highlighted detail, to a cast and beaded bezel, enclosing a 4 ¼" Arabic enamel dial, with outside minute track and steel fleur-de-lys hands, to a visible brocot escapement, to a circular brass movement with anchor escapement and strike (lacking gong), height 16"
An early 20th Century Walnut Cased Mantel Clock, the plinth-shaped case with shaped pediment over half-baluster columns and plinth base, to a 6 ½" silvered arch dial with Arabic chapter ring and black spade hands, to a brass movement with anchor escapement and strike on a coiled gong, height 15"
An early 20th Century Oak cased 8-day Long Case Clock, unsigned, the architectural pediment centred with a ring turned urn, to a carved frieze and freestanding columns, to a long shaped trunk door within canted corners, and carved with thistle design, to a similarly decorated plinth base on bracket feet, to an 11 ½" square brass dial with Roman and Arabic chapter ring and half-hour markers to an engraved centre with subsidiaries for seconds and date, and black painted hands, to a weight driven movement with anchor escapement and strike on a gong, height 85 ½"
A mid-18th Century Walnut cased 8-day Long Case Clock, Wm Gunn of Wallinford, the hood with moulded overhanging cornice to ¾ colums and ogee throat, to a long plain trunk door and plinth base, to a 12" arched brass dial, with subsidiary date to the arch flanked by dolphin spandrels, over further mask and foliate spandrels, enclosing a Roman and Arabic chapter ring, with half-hour diamond markers to a matted centre, with subsidiary seconds and ringed winding squares, with blued steel hands, to a movement with plates united by four knopped and finned pillars, with anchor escapement, strike on a bell, height 77 ½"
A third quarter of the 18th Century Oak cased 8 day Long Case Clock, Willm Stanford of South Waltham (unrecorded), the square hood with overhanging cornice to ¾ columns with gilt capitals, to an ogee throat and long arched door, and raised on a plinth base, to an 11" square brass dial with unusual cast and applied ho ho bird and "C" scroll spandrels, to a silvered Roman and Arabic chapter ring, to an engraved centre, with black pierced steel hands, to a movement with plates united by four knopped pillars, and anchor escapement, strike on a bell, height 76"
A mid 18th Century Oak cased 8-day Long Case Clock, John Arnold of Childockford, the hood with overhanging cornice to a blind fret panel, over three-quarter columns, to an ogee throat and long arched panelled door, and plinth panelled base, to a 12" arched Brass dial, decorated with silvered sunburst disc flanked by dolphin spandrels and further cast and applied spandrels enclosing silvered Roman and Arabic chapter ring with fleur-de-lys half hour markers, to a matted centre with further silvered subsidiary seconds and date sector with black painted hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 84"
A second quarter of the 19th Century Mahogany cased 8-day floor standing Household Regulator, unsigned, the hood with overhanging cornice, over freestanding baluster columns, to an ogee throat and a plain frieze to a shaped short trunk door, flanked by quarter reeded columns, and raised on a plain plinth base, to a glazed door with Brass bezel, enclosing a 13½" painted Roman dial, with outside minute track and enclosing subsidiaries for seconds with black painted spade hands, to a movement with plates united by four knoped pillars with deadbeat escapement with strike on bell, to a wooden stemmed pendulum with large Brass face lead bob and a pair of "Mortar Bomb" cast iron weights, height 78"
A mid-20th Century Oak cased triple weight Long Case Clock, the plain arched case to a glazed long trunk door on plinth base, and raised on four compressed bun feet, to an 11" silvered circular dial, with applied silvered Arabic numerals and pierced hands, to a weight driven movement with anchor escapement and strike on eight rods, height 73 ½"
A 19th Century Mahogany Side Cabinet, with moulded dentil cornice over central cupboard, with double front, flanked on either side by panelled doors enclosing cupboards, the frieze fitted with three drawers, and a further similar central cupboard below, flanked on either side by panelled doors enclosing cupboards on a plinth base, 63" wide
A Regency carved mahogany and marble mounted console table, circa 1815, the Carrara marble top above a double ogee frieze and a mirrored back panel, with acanthus leaf carved scrolled supports, on a reel-moulded plinth, 96cm high, 132cm wide, 45cm deep. Visit www.dnfa.com for condition reports.
A George IV mahogany breakfront bookcase, circa 1825, the upper section with crenellated cornice above five shelves, the projecting fiddle-back and crossbanded mahogany base with four doors enclosing an arrangement of drawers (with gilt brass handles) and shelves, on a plinth, 261cm high, 283.5cm wide, 48.5cm deep (later shelf section). Visit www.dnfa.com for condition reports.
* Circle of César 1921-1998- A compressed metal sculpture of rectangular shape, chromed metal (lacking plinth), 35x15.5x12cm. Note: This sculpture closely resembles the series of 'Compression' sculptures by César. In César's sculptures the context of Nouveau Réalisme emerges from industrial materials. Through the process of compression, wrecked cars, for example, become sculptures.
A mahogany tripod standard lamp, early 20th century, the brass lamp over dished tray above tapered faceted column terminating in outswept supports, 130 cm high, together with a Victorian Japanned bedroom chair with mother of pearl inlay, a faux marble plinth, a Georgian style whatnot and a low tripod table, (5).
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173444 item(s)/page