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Click here to subscribeEarly 20th century oak cased Art Nouveau style mantel timepiece, the arched and waisted case with copper strung and shell inlaid detail on a plinth base with compressed bun feet to a cast bezel with convex and bevelled glass enclosing a Roman and Arabic 8 1/4 cms enamel dial with outside minute track and gilt spade hands to a circular brass movement with replacement lever platform escapement, height 27cms
Late 19th century French nautical themed drum case timepiece, retailed by Jenner & Knewstub - 33 St James St, surrounded by a ship's wheel with further crossed cannons and supported on an anchor, (repairs throughout), to a black marble plinth base with bevelled glass enclosing an 8cms Roman enamel dial with outside minute track and blued steel spade hands to a circular brass movement with replacement lever platform escapement, height 25 1/2 cms
Late 19th century black and variegated rouge marble mounted mantel timepiece, the architectural case with overhanging cornice and free standing columns on a stepped plinth base to a cast brass bezel with bevelled glass enclosing a 24cms Arabic enamel chapter ring with outside minute track and blued steel fleur de lys to a circular brass movement with anchor escapement, height 29cms
Late 19th century porcelain mounted gilt spelter mantel clock garniture, the case with overhanging cornice surmounted by a lidded urn with applied side mounts on a plinth base to a mid-blue 8cms porcelain dial with outside minute track and floral decorated centre and with blued steel spade hands to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, together with a pair of non-matching urn shaped side pieces, height of clock 35cms (3)
First half of 20th century specimen marble garniture set, retailed by Itsweire-tournade-Hazebrouck, the faceted oval case raised on stepped sides to a plinth base and surmounted by a pair of cast metal models of swifts to a hinged oval bezel with bevelled glass enclosing a 5 1/2 ins gilt and printed Arabic dial with outside minute track to a circular brass movement with lever platform escapement, height 26cms, together with matching shallow urn side pieces (3)
Late 19th century black marble mantel clock, the architectural case with classical frieze panel beneath an arched pediment and with free-standing Corinthian columns on plinth base bearing presentation plaque dated 1889 to a cast and beaded bezel with bevelled glass enclosing a gilt Arabic chapter ring with gilt fleur de lys hands, to a circular brass movement with anchor escapement, strike on a coiled gong, height 32cms
AN IRISH SILVER CELTIC REVIVAL PRESENTATION CUP, Dublin 1969, mark of Alwright & Marshall Ltd, inscribed 'Rosslare Golf Club, Willie French Memorial Cup (Replica) 1969, applied with twin handles and supported on an ebonised plinth base, (c.14.5 troy ozs including base). 23cm high on stand; together with another Art Deco two handle trophy cup, Birmingham 1932, maker's mark rubbed, (c.12 troy ozs). 17cm high
A Victorian mahogany breakfront bookcase by H Mawer & Stephenson Ltd of London, having four glazed doors enclosing shelved interior, one door stamped, w.198cm, d.48cm, h.121cm Condition Report / Extra Information Internal depth outer sides 32cm.The top with scratches.Losses to moulding of top right back edge.Several knocks and dents etc to plinth base.Split to top right hand door.Tired and in need of a polish.
Sylva Lacinová-Jílková (1923-)FRÜHLING - STUDIE1967Variantenmodell zur Plastik „Frühling“ (1969, gebeiztes Holz, H. 125 cm, Kunstmuseum in Olmütz), Blei, H. 29 cm, signiert und datiert auf dem Sockel: „LACINOVÁ 67“.Zustand A.Reproduziert: B. Gabrielová, Bildende Künstler der Gegenwart / VII. Sylva Lacinová, Brünn 1996.Sylva Lacinová-Jílková (1923-)SPRING - STUDY1967Varian model for the sculpture Spring (1969, stained wood, height 125 cm, Art Museum in Olomouc), lead, height 29 cm, signed and dated on plinth „LACINOVÁ 67“.Condition A.Lit: B. Gabrielová, Výtvarní umělci dneška / VII. Sylva Lacinová, Moravská galerie Brno and Město Brno 1996.
Heinrich Thein (1888-1969)STERNZEICHEN KREBSEntwurf. Deutschland, Meißen, Staatliche Porzellan Manufaktur,1934-1944Dekorative Putten-Figur, mit Krebs tanzend, dynamische Art-Deco-Morphologie, niedriger Quadratsockel; Weißporzellan, feingemalt in Pastelltönen, Inkarnate, Golddetails.H. 13 cm.Blaue „Schwertermarke“ unter Glasur, eingepresste Modellnummer „60276“ und Nr. „241“ mit umgekehrter Buchstabe „K“, Malernummer in orange: „62“.Zustand A.Heinrich Thein (1888-1969)ZODIAC: CANCERDesign. Germany, Meissen, Staatliche Porzellan Manufaktur,1934-1944Decorative figure of a putti playing with a cancer, dynamic Art Deco style, on low square plinth; white porcelain, finely color-painted in pastel tones, flesh tones, gilded details.Height 13 cm.Blue underglaze crossed swords mark, impressed model No. „60276“ and No. „241“ with reverse „K“, orange painter’s No. „62“.Condition A.
Dorothea Charol (1889-1963)TÄNZERINEntwurf (1926),1929Deutschland, Selb, Ph. Rosenthal & Co. AGBalletttänzerin-Figur aus Weißporzellan ohne weitere Ausschmückung, höherer durchbrochener 8kantiger Sockel in Art-Deco-Morphologie, mit Baumstütze.H. 33 cm.Grüngedruckte Firmenmarke unter Glasur: „Rosenthal Bavaria D. R. P. a.“, eingepresste Modellnummer „211a“ und „M“.Zustand A.Dorothea Charol (1889-1963)BALLET DANCERDesign 1926,1929Germany, Selb, Ph. Rosenthal & Co. AGFigure of a ballet dancer, white porcelain without other decorations, higher octagonal plinth in Art Deco style.Height 33 cm.Green printed underglaze company mark „Rosenthal Bavaria D. R. P. a.“, impressed model No. „211a“ and „M“.Condition A.
VASEwohl Böhmen, Teplitz, um 1900Große Vase in Jugendstil Flora-Morphologie, auf niedrigem Oval-Sockel stehende Figur eines schwarzen Jungen mit Korb, Feinsteinzeug mit feiner Relieftextur, farbglasiert, matt-inkarnat.H. 47 cm.Eingepresste Modellnummer „6652 / 51".Zustand C.FIGURATIVE VASEApparently Bohemia, Teplice, around 1900Big vase in Art Nouveau floral style, on low oval plinth with a figure of a black boy with a basket, soft stoneware with relief texture, color glaze, matte surface.Height 47 cm.Impressed model No. „6652 / 51“.Condition C.
DAMENBÜSTEBöhmen, Aussig, Ferdinand MareschAugust Otto (1868-1947),Entwurf um 1900Jugendstil-stilisierte dekorative Damenbüste in ihrem langen Haar und im Dekolleté mit Maiglöckchen dekoriert, Kunstterrakotta, grünlich patiniert, höherer verjüngter Sockel.Signiert auf dem Sockel „A. Otto“, Prägemarke „JM“ und Modellnummer „11053“.H. 39,5 cm.Zustand B.Zustand restauriert.BUST OF A GIRLBohemia, Ústí nad Labem, Ferd. Maresch, továrna hliněného zbožíesigned by August Otto (1868-1947),around 1900Decorative bust of a girl in Art Nouveau style, decorated in hair and in neckline with lilies of the valley , terracotta, green patina, higher plinth. Height 70 cm. Signed on plinth „A. Otto“, impressed mark „JM“ and model No. „11053“.Height 39,5 cm.Condition B.Condition restored.
BISONUngarn, Pécs, Zsolnay,1924-1970Realistisch gestalteter Wisent mit gesenktem Kopf, auf länglichem Sockel stehend. Keramik mit grüner irisierter Glasur, sog. „Eosin“. Modellnummer 9556.H. 16 cm, L. 24 cm.Boden mit gelbgedruckter Firmenmarke „ZSOLNAY PÉCS / MADE IN HUNGARY“.Zustand restauriert.BISONHungary, Pécs, Zsolnay,1924-1970Ceramic statuette of a realistically-made standing bison bull with a bent head, on a prismatic plinth. The surface is decorated with a green iris glaze with reddish reflection, the so-called "Eosin" Model No. 9556.Height 16 cm, length 24 cm.Marked on underside with pressed company mark „ZSOLNAY PÉCS / MADE IN HUNGARY“.Condition restored.
Raphael Nannini (1852-1925)NAPOLEON AUF DEM PFERDEntwurf.Italien, 20. Jh.Reiterbildnis bezieht sich in seiner Dynamik auf das berühmte David-Porträt von Bonaparte, schwarzpatinierte Bronze, tlw. vergoldet, H. 56 cm, L. 58 cm, signiert auf der Plinthe „R. Nannini“, länglicher Sockel aus Schwarzmarmor.Zustand A/B.Raphael Nannini (1852-1925)NAPOLEON ON A HORSEDesign.Italy, 19th / 20th centuryNapoleon Bonaparte on a horse, bronze with black patina, partially gilded, height 56 cm, length 58 cm, signed on plinth imitating terrain „R. Nannini“, marble rectangular plinth.Condition A/B.
Theodor Stundl (1875-1934)TÄNZERINEntwurf. Österreich, Wien, Arthur Rubenstein,1920Stehender weiblicher Halb-Akt in antikisierender Morphologie, mit Draperie, Tamburine in der rechten Hand, Bronze patiniert, H. 43 cm, signiert und datiert auf der Plinthe rechts unten „T. Stundl 1920“, ebenda gezeichnet „AR“ (ligiert).Zustand B.Theodor Stundl (1875-1934)DANCERDesign. Austria, Vienna, Arthur Rubenstein1920Standing woman’s semi nude in antique forms, with drapery, tambourine, bronze with patina, height 43 cm, signed and dated lower right on plinth „T. Stundl 1920“, marked „AR“.Condition B.
Václav Novák (1880-1917)DIANAEntwurf.Böhmen, 1. Hälfte 20. Jh.Nackte kniende Jagdgöttin mit Pfeilköcher unter dem linken Arm, den rechten am Rücken des Hundes, der zu ihren Füssen liegt. Patinierte Bronze, Oval-Sockel aus Graumarmor. Gesamthöhe inkl. Sockel 27 cm, Figur H. 20 cm. Nicht gezeichnet. Wohl von der Firma F. Anýž realisiert.Zustand A.Václav Novák (1880-1917)DIANEDesign.Bohemia, 1st half of the 20th centuryStatuette of kneeling naked goddess with a quiver with arrows and a dog, bronze with patina, oval plinth made of grey marble. Height including plinth 27 cm, height of figure 20 cm. No marks. Made probably by company Franta Anýž.Condition A.
Jaroslav Plichta (1886-1970)TYRŠ – DENKEREntwurfBöhmen, Prag, Franta AnýžPlastik von sitzendem Dr. Miroslava Tyrš, in langem Mantel, gefaltete Sokol-Kappe in seinen Händen haltend. Patinierte Bronze, H. 35 cm, Gesamthöhe inkl. Sockel 40 cm, signiert und gezeichnet auf der Plinthe: "J. PLICHTA. / 11 (wohl Abguss-Nummer)", Herstellermarke. Im Stein realisiert in der Werkstatt von T. Kaderka, Arbeit von Schülern der Bildhauerschule in Horschitz, vor dortigem Sokol-Haus in 1950 platziert. Zustand A/B.Zustand A/B.Jaroslav Plichta (1886-1970)TYRŠ - THINKERdesignBohemia, Prague, Franta AnýžStatuette of sitting Miroslav Tyrš in a long coat with Sokol’s hat in his hand. Bronze with patina, height 35 cm, height with plinth 40 cm, signed and marked on plinth: „J. PLICHTA. / 11 (probably No. of the cast)“, marked by manufacturer. Stone version was made by the workshop of T. Kaderka, it was work of the pupils of the sculpture school in Hořice, and it was placed in front of the local "Sokolovna" in 1950.Condition A/B.
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