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A 19th Century "North Country" oak and mahogany cased longcase clock, the 14ins arched brass dial with Arabic numerals and with subsidiary seconds dial and date aperture and showing phases of the moon to the arch and with floral spandrels to the eight day two train movement striking on a bell, contained in oak case inlaid with mahogany panels and crossbanded n rosewood, moulded scroll pediment and split turned columns to hood with Corinthian capitols, conforming pillars to trunk and small trunk door inlaid with ovoid shell motif, plinth with cant corners and inlaid with circular panel, on bun feet, 88ins high (maker’s name to dial rubbed)
A late 18th Century mahogany longcase clock, the 12ins square brass dial with added arch inscribed James Cragg of Milnthorp, the arch painted with a boar shooting scene, the silvered chapter ring with Roman and Arabic numerals and engraved dial centre to the eight day two train movement striking in a bell, contained in case with arched and dentil cornice and plain turned pillars to hood, arched trunk door flanked by fluted and brass stopped quartered columns, the plinth with astragal panel, 84ins high (case somewhat damaged and in pieces, and in need of restoration) Face
A Victorian ebonised and red tortoise-shell Boulle dwarf display cabinet in the French manner, with gilt brass mask pattern mounts and gilt brass leaf mouldings, fitted one cloth covered shelf enclosed by a single arched glazed door, on shaped plinth base, 31.5ins wide x 44ins high (some inlay slightly lifting and in need of restoration)
A pair of Victorian ebonised and red tortoise-shell Boulle two tier display cabinets in the French manner, each with gilt brass caryatid pattern and mask mounts and gilt brass leaf pattern mouldings, the upper parts fitted two cloth covered shelves with mirror panelled back, each enclosed by a shaped glazed door, the bases each fitted one cloth covered shelf enclosed by a single shaped glazed door, on shaped plinth base, 29ins wide x 69ins high (with some damage, brass wire lifting, inlay damaged and in need of restoration)
A Victorian walnut and gilt metal mounted credenza with bowed ends, the whole inlaid with boxwood stringings parquetry bandings and floral marquetry ornament, enclosed by a central single panelled door, the centre inlaid with arabesques and gilt brass mouldings, flanked by display cabinets, each fitted two cloth covered shelves enclosed by a bowed glazed door, with gilt brass floral and leaf scroll ornament, on plinth base, 59ins wide x 40ins high
A good Victorian walnut dwarf side cabinet, the top with matched veneered panel inlaid with ebony stringings and within wide crossbanding, fitted three narrow frieze drawers above central cupboard, fitted two shelves enclosed by a pair of figured panelled doors, flanked by open shelves fitted three shelves, interspersed by pillars carved with leaf paterae and scroll mounts, on plinth base, 53ins wide x 37.5ins high
A George IV mahogany chiffonier, the back with angled pediment, fitted one shelf with plain turned uprights, the base with recessed centre, fitted one frieze drawer and cupboards under enclosed by a pair of figured panelled doors, plain split turned columns to sides, on plinth base, 37.5ins wide x 50ins high
A Victorian mahogany break-front wardrobe with rounded front corners, the upper part with deep moulded cornice, the centre fitted four sliding trays, two short and two long drawers enclosed by an arched mirror panelled door, flanked by hanging compartments, each enclosed by an arched panelled door, on plinth base, 84ins wide x 83ins high (veneer chipped on cornice and two glass handles missing)
A Meissen model of a standing lioness 1924-34 after the model by August Gaul, in the white, on a stepped rectangular plinth, a rear corner with relief signature 'A.GAUL' crossed swords and dot in underglaze-blue, impressed crossed swords and dot and 'weiss' to rear and underside of base, incised model number A 1054., impressed numeral 59 length: 44cm., 17.25;in., height: 30.5cm., 12in. Following studies in Hanau, Berlin and Rome, Professor August Gaul (1869-1921) became one of the leading animal sculptors of the early 20th century. His life-size bronze of a standing lioness of 1901 established his renown, and was the model for the smaller version subsequently produced at Meissen. He only had two students, one of whom was Max Esser, who worked with Gaul between 1905 and 1915, and whose work for Meissen sparked the interest of Gaul in producing his models in porcelain. Gaul died before the idea could be taken further, however, and in 1921 the manufactory purchased eighteen animal models and one female mask from his estate. The models were produced in BÅ¡ttger stoneware and unpainted porcelain under the supervision of Max Esser; see C. Marusch-Krohn, Meissener Porzellan 1918-1933 Die Pfeifferzeit, pp.188ff. for a discussion of Gaul's work.
A late Victorian oak open bookcase cabinet in the manner of Richard Norman Shaw, with carved panels and bevelled mirrors, the shelves around a central cupboard with a shelf, enclosed by a pair of doors with panels of carved masks, foliage and swags, surrounded by geometric mouldings and fluted side pilasters, the plinth base on ribbed capped ball feet. 6ft. 10in. (2.08m.) long.
A Victorian mahogany inverted breakfront sideboard, the three frieze drawers above a central cupboard fitted a shelf and flanked by smaller cupboards each side, either fitted sliding trays or a shelf above a cellaret drawer, enclosed by domed panelled doors, on a plinth base. 5ft. 11in. (1.80m.) long x 35.5in. (90cm.) high x 21in. (53.5cm.) deep.
A late Victorian mahogany partners pedestal desk, the rectangular top inset maroon gilt tooled leather, the front with three frieze drawers and three drawers to each pedestal, the plinth on castors, the back with three frieze drawers, all fitted later brass plate handles, and cupboards enclosed by panelled doors. 4ft. 11in. (1.50m.) wide x 3ft. 6in. (1.065m.) deep x 30in. (76cm.) high.
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173487 item(s)/page