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Lot 673

A mid-19th century mahogany and rosewood cross banded eight day longcase clock, the arched painted dial inscribed 'Bostock, Sandbach' above short arched door and plinth base, height 220cm.Additional InformationSold with two weights and pendulum, one rosette missing to broken swan neck pediment, cracks to the side panels both upper and lower.  Bleaching and fading to the door, old repairs to the veneers, some veneer flex missing, splits to the wood and surface knocks.  None of the brass finials are present, lacking any feet.

Lot 691

A mid-20th century gilt metal standard lamp with seated cherub to the lower section above square sectioned base with printed panels, raised on marble plinth base, height 146cm, together with a similar table lamp (2).

Lot 70

A brass horn with rubber bulb, length 36cm (af), and a metal figure of an eagle on a wooden plinth, height 25cm (af) (2).Additional InformationThe horn is in very poor condition, perished rubber, rusting to the fitments, lots of residue and several old repairs. The eagle has splits to the base, loses to the tips of the wings and again is in poor condition.

Lot 737

A Victorian mahogany straight front chest of two short over three long drawers, raised on plinth base, height 117cm, length 118cm, depth 52cm.Additional InformationStaining/water damage and marks to the top, scratches, impact marks throughout.

Lot 751

GLOBE-WERNICKE CO LTD; an oak three tier bookcase with up and over doors, height 124cm. Additional InformationGeneral wear and slight rubbing to two brass knobs, one knob is missing, minor chipping to the plinth base in parts.

Lot 775

An Edwardian mahogany and boxwood strung triple wardrobe with moulded dentil cornice above two full length bevelled mirror doors enclosing hanging rails and central inlaid door enclosing four linen slides above three drawers, raised on bracket foot plinth base, width 186cm.

Lot 782

An early 20th century mahogany pot cupboard with single cupboard door to plinth base, width 40.5cm.Additional InformationThe top is a probable replacement as the timber does not match the base. General surface wear throughout, but overall presented well.

Lot 834

A 19th century pine blanket chest on plinth base, height 49cm, length 93.5cm.Additional InformationGenerally good with impact dents and marks, minor water damage and splits to the top.

Lot 877

A stained and carved oak figural jardiniere stand modelled as a semi-nude figure supporting the circular plinth, raised on bun feet, height 89.5cm, diameter 28cm.Additional InformationChipping/losses to dish top, general wear and scratches throughout. We approximate the age to be early 20th century.

Lot 150

A Baule figure Côte d'Ivoire Carved wood, shown standing on an integral plinth, the left foot turned slightly inwards, the arms held to the sides, the long neck with scarification marks the sides, the facial features reduced to the essence of form, with a three-part coiffure.H: 14 1/2 in. (figure)PROVENANCE:The Estate of Thomas McNemar, Lexington, Virginia.

Lot 211

A South Indian bronze figure of a seated Devi 15th century The elegant goddess seated, with one hand raised, in lalitasana atop an oval of lotus petals and rectangular stepped plinth, brown patina with areas of verdigris.H: 8 in.PROVENANCE:Property from a Private Philadelphia Collection, acquired from Makler Gallery, Philadelphia, April 6, 1975.

Lot 977

A 19th century mahogany side cabinetThe rectangular top above a frieze fitting with three variously sized drawers and two pair of cupboard doors, on a inverted breakfront plinth base, 152cm wide, 48.5cm deep, 88cm high (59 1/2in wide, 19in deep, 34 1/2in high). For further information on this lot please visit Bonhams.com

Lot 739

A carved wood figure of a courtier,Probably MingShown standing on a plinth, wearing a gown with long sleeves and a high hat,27.5 cms highFor further information on this lot please visit Bonhams.com

Lot 1003

A 19th century mahogany chiffonierThe raised superstructure with mirrored back above a pair of cupboard doors with fabric backing and brass lattice grill, raised on plinth base, 100cm wide, 46cm deep, 130cm high (39in wide, 18in deep, 51in high). For further information on this lot please visit Bonhams.com

Lot 1014

A French 19th century brass and marble mounted mantel clockInscribed to the dial 'Mappin & Webb Ltd 20 Regent St W'The 3-1/2 inch circular white dial with Roman and Arabic numerals, the twin train movement with mercury compensated pendulum striking a gong, stamped 'vmcb' contained within a glass case, raised on a plinth, 16cm wide, 14cm deep, 25cm high, (6in wide, 5 1/2in deep, 9 1/2in high)For further information on this lot please visit Bonhams.com

Lot 976

A 19th century mahogany inverted breakfront chiffonierThe rectangular top above a pair of cupboard doors with moulded detail flanked by turned columns raised on a plinth, 111cm wide, 46cm deep, 90cm high (43 1/2in wide, 18in deep, 35in high). For further information on this lot please visit Bonhams.com

Lot 326

A Maltese Silver Model Dis,Maltese standard mark Realistically modelled, on ebonised plinth, 18.5cms wide, together with a George III Fish slice, London 1812 and Edwardian Fish Serving fork, weight 9.4oz.For further information on this lot please visit Bonhams.com

Lot 915

A late 19th century mahogany pedestal deskThe top with inset leather writing surface, fitted with two drawers and two opposing faux drawers raised on pedestals fitted with four drawers and opposing cupboard raised on a plinth, 134cm wide, 90cm deep, 79cm high (52 1/2in wide, 35in deep, 31in high). For further information on this lot please visit Bonhams.com

Lot 970

A 19th century mahogany side cabinetThe rectangular top with moulded edge above a pair of arched cupboard doors, raised on a plinth, 111cm wide, 37cm deep, 100cm high (43 1/2in wide, 14 1/2in deep, 39in high). For further information on this lot please visit Bonhams.com

Lot 301

An Art Deco novelty electoplated table lighter1930s formed as an elephant with bone tusks standing on a stepped plinth, , height 12.5cm.For further information on this lot please visit Bonhams.com

Lot 972

An early 19th century mahogany chiffonierThe rectangular top with raised arched back board and tier supported by turned columns above a single ogee molded frieze drawer and pair of cupboard doors flanked by columns, raised on a plinth, 82cm wide, 39cm deep, 132cm high (32in wide, 15in deep, 51 1/2in high). For further information on this lot please visit Bonhams.com

Lot 1015

A 19th French century ormolu lyre mantel clockThe movement stamped Le Roy A ParisThe 4-inch dial with Arabic cartouche numerals, the twin train movement striking a bell, raised on a plinth on squat bun feet, 19cm wide, 13cm deep, 50cm high (7in wide, 5in deep 19 1/2in high)For further information on this lot please visit Bonhams.com

Lot 57

A lapis lazuli intaglio of a warrior, 18th-19th centuryOval, the warrior standing in front of a plinth with a genius holding a wreath, ring size S, length 27mm, width 20mmFootnotes:Provenance:A private UK single-owner collection formed in the mid 20th century This lot is to be sold without reserveFor further information on this lot please visit Bonhams.com

Lot 360

A late 19th/ early 20th century mahogany large wardrobe having two mirrored doors flanking two cupboard doors and four drawers above another four drawers and standing on a plinth base 83 1/2"h x 81"w

Lot 478

A Chinese bronze figure of Hotei, late Qing Dynasty, 19th Century, modelled standing and holding a large sack, raised on a plinth base, 11.5cm high.Condition: Good with minor signs of age.

Lot 552

A George III William Cooper of Derby oak longcase clock, circa 1790, having an eight day mechanism, the hood with a swan neck pediment, glazed door enclosing a white enamelled 12 inch dial with black Roman numerals, painted arch, the door set between quarter round turned columns, raised on a projecting base section and plinth, 220cm high, complete with two weights and pendulum

Lot 564

A Gillow and Co mid Victorian walnut and marquetry ormolu mounted credenza, the top with burr walnut book-matched veneers and rosewood cross-banded edge, the front with boxwood stringing to frieze, ormolu swag mounts, square sectioned pillars and applied acanthus mounts, the central door inlaid with a panel of marquetry depicting a musical theme with ribbon decoration to upper half, the side doors with lattice inlaid marquetry, all doors opening to reveal fitted shelves, raised on a plinth base with ormolu beading, 106cm high, 137cm wide, 45cm deep

Lot 173

A Full Armour In Italian 16th Century Style19th Century Incorporating Earlier ElementsComprising close-helmet with rounded 16th century skull, visor and lower-bevor (all with patched repairs and large internal reinforcing plates), the first rising to a roped comb and with tubular plume-holder incised with spiral lines at the rear, the second sharply-pointed with horizontal vision slits above a prominent roped lower edge, and with lifting peg on the right fitting into a slot in the upper edge of the later prow-shaped upper-bevor, the last shaped to the chin and with locking hook on the right, gorget of two neck-plates front and rear, the lower ones each with recessed turned and roped borders followed by dome-headed rivets on petalled brass washers, gorget of three plates front and rear, hinged together on the left and secured by a pin and keyhole catch on the right, the top plates with boldly turned and roped upper border, the front plates centrally cusped and with incised double line borders, 16th century breast-plate with medial ridge drawn-out to a blunt point and with turned and roped neck, moveable armhole gussets en suite, two-plate skirt and thigh length tassets en suite with the gorget, articulated vambraces, fingered gauntlets and full leg harness all en suite, the latter including poleyns each with ovoidal side-wing and articulated plates above and below, the bottom plates pierced for attaching the greaves, the latter each hinged together and with wide rounded-toes sabatons both of eight articulated plates (old surface patination and light surface rust): on a wooden stand mounted on a wooden plinthFor further information on this lot please visit Bonhams.com

Lot 115

Alexander R Graham: Cricketer and four further bronzesCricketer, Boxer, Skipper and two Surfers, four mounted on plinth bases, one signed with initials and another with label from Mall Galleries 15 to 17cm high (5)For further information on this lot please visit Bonhams.com

Lot 103

Steve Winterburn (British, born 1959)Hounds Headsbronze limited edition 8/8, in the form of two dog's heads mounted on circular marble plinth, signed 'S Winterburn' 22cm wide, 26cm deep, 41cm high (8 1/2in wide, 10in deep, 16in high) This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 102

Hamish Mackie (British, born 1973)Woodcock in Flightbronze limited edition 10/12, signed with initials 'HAM' and dated 2004, with light brown patina raised on square marble plinth 32cm wide, 34cm deep, 44cm high (12 1/2in wide, 13in deep, 17in high) This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 49

Edwin Douglas (British, 1848-1914)Persimmon - the 1896 Derby Winner signed 'E Douglas' and dated 1897, oil on canvas29 x 39cm (11 7/16 x 15 3/8in).Footnotes:Persimmon is a well known 19th century British thoroughbred racehorse and sire owned by King Edward VII. In a racing career that lasted from 1895-1897, he ran nine times and won seven races including the St Ledger, the Ascot Gold Cup, the Eclipse Stakes and the 1896 Epsom Derby. Persimmon died of a fractured pelvis aged only 15 in 1908, however his taxidermied head is on display at the National Horseracing Museum in Newmarket.Provenance:This picture was given to the vendor's great grandfather Edmund Walker who was the Sandringham Stud Manager to King Edward VII. Persimmon was raised by Edmund as a foal and then went on to be trained by Richard Marsh. There is still a statue of Persimmon at the front of Sandringham Stud with Edmund Walker's name on the plinth. This is one of two paintings, the other being held in the Royal Collection. It is thought that this painting was the original portrait of Persimmon given to Edward VII, however it is said King Edward did not like the way the straw was painted and therefore sent it back to be done again. The picture in the Royal Collection is thought to be the new and improved version, and this earlier version was gifted to Edmund Walker who was also a personal friend to the King. The next lot displays four of Persimmon's horseshoes displayed in a glazed case.For further information on this lot please visit Bonhams.com

Lot 91

FOUR HORSESHOES BELONGING TO THE 1896 DERBY WINNER PERSIMMONThe four shoes surmounting an oval photograph of Persimmon to the centre, mounted on red velvet backing in glazed wooden frame with bishops mitre crest stamped to centre top, 47cm wide, 47cm high (18 1/2in wide, 18 1/2in high) Footnotes:Persimmon is a well known 19th century British thoroughbred racehorse and sire owned by King Edward VII. In a racing career that lasted from 1895-1897, he ran nine times and won seven races including the St Ledger, the Ascot Gold Cup, the Eclipse Stakes and the 1896 Epsom Derby. Persimmon died of a fractured pelvis aged only 15 in 1908, however his taxidermied head is on display at the National Horseracing Museum in Newmarket.Provenance:The vendor's great grandfather was Edmund Walker - the Sandringham Stud Manager to King Edward VII. Persimmon was raised by Edmund as a foal and then went on to be trained by Richard Marsh. There is still a statue of Persimmon at the front of Sandringham Stud with Edmund Walker's name on the plinth.The previous lot depicts an oil painting of Persimmon by Edwin Douglas given to Edmund Walker as a gift from King Edward VII.For further information on this lot please visit Bonhams.com

Lot 150

RYDER CUP: NORMAN WOOD'S REPLICA RYDER CUP TROPHYBy Asprey, London 2001Modelled as the original; on domed foot, the knopped stem with lion masks to top, one side of the body engraved 'The Ryder Cup', the other with cast American and European flags crossed, the lid with standing golf figure, the stepped wooden plinth with metal border engraved 'Norman Wood Ryder Cup Player 2001'. With it's original and often discarded box.Overall height 30.5 cm (12 in)Footnotes:The PGA celebrated its Centenary in 2001 and in recognition of its wonderful Ryder Cup history it presented all living Ryder Cup European players with their own Ryder Cup trophy. This fine gesture was seen to be even more significant when the terrorist events in the United States on September 11 2001 forced the postponement of the 34th Ryder Cup Matches. This trophy belongs to 1975 GB & I Ryder Cup player Norman Wood. Born in Scotland in 1947, he turned professional in 1965. In 1972 he won the Italian Open; in 1973 he won the Jamaica Open; in 1974 he was runner-up to Gary Player at the Australian Open and at the conclusion of the 1975 season Wood finished 18th on the Order of Merit.Selected for the 21st Ryder Cup Matches at Laurel Valley Golf Club, PA as one of six rookies, Wood defeated Lee Trevino 2/1 in the singles and lost with Tommy Horton 4/2 against Snead and Nicklaus. The United States team won the competition by a score of 21 to 11 points. Back problems forced Wood to prematurely retire from the tour and in 1982 he took up a permanent position at the Royal Guernsey Golf Club. This lot is subject to the following lot symbols: NMTNMT Motor vehicle lots marked 'NMT' originate from or are registered in another EU member state and have travelled less than 6,000km from new. Accordingly HMRC and the DVLA classify such machines as 'New Means of Transport' under the Nova Scheme and are subject to VAT at 20% on the hammer price.For further information on this lot please visit Bonhams.com

Lot 114

A bronze group of an Alpine Hunter and red deer stag on a sledgemounted on a white rock plinth base emblematic of snow 17cm wide, 12cm high (6 1/2in wide, 4 1/2in high) For further information on this lot please visit Bonhams.com

Lot 16

A large Tibetan copper bronze Buddha plinth, W. 34cm, H. 8cm.

Lot 320

A LARGE LLADRO FIGURE GROUP OF A PAIR OF FLAMENCO DANCERS ON WOODEN PLINTH

Lot 375

A BESWICK RACEHORSE FIGURE ON PLINTH TOGETHER WITH A MATT FINISH GREY EXAMPLE AND A BLACK BEAUTY FIGURE (3)

Lot 515

A large mahogany bookcase fascia, designed by Sir Edwin Landseer Lutyens for the Billiard Room of Papillon Hall, Lubenham, the main aspect incorporating a breakfront bookcase, flanked by a glazed door, matched by a cupboard, middle section with four eight-pane glazed panelled doors, enclosing shelves, over four panelled doors, double cornice section, plinth base, the flanking sections with arched doors incorporating 'teardrop' glazing, with ornamented tracery, break-moulded outlines, angled corners; together with other auxiliary pieces, length as assembled, width 520cm, height 270cm.Footnote: Papillon Hall was built in about 1622-24 for David Papillon, an architect and military engineer of French extraction. It was greatly enlarged in 1903 by Sir Edwin Lutyens for Captain Frank Bellville, heir to the Keen's Mustard fortune, who was an avid huntsman. Lutyens had wanted to design a "butterfly-plan" house having visited Norman Shaw's remodelled Chesters some years earlier, and Papillon Hall gave him the perfect footing with the original octagonal core to extend from. It appears a coincidence that the desire to design a butterfly-plan house and the original owner's name meaning butterfly in French presented itself at the Hall in Lubenham. The enlargement was designed during Lutyen's "transitional" phase from vernacular to classical styles and it incorporated elements of both, as well as French influences in reference to Mr Papillon's origins. Contrary to Roderick Gradidge's comments in his 1981 monograph on Lutyens where he suggested a more traditional English style was used, the interior furnishing for the Billiard Room at least carried on the French influence. This period in Lutyens' career became pivotal, with his pursuit of the Classical winning out above the French style. Papillon Hall was later requisitioned by the US Airborne Division during World War II, and was eventually demolished in 1951 having been returned to the family, and a failed attempt to find a new owner led to a state of severe disrepair. The Billiard Room fittings were sold by the demolition contractor and then installed in a house in Glasgow from where they have recently emerged following its conversion to flats and their removal.

Lot 521

A terracotta garden planter on plinth by Doulton Lambeth, tapering form, with rosettes on a plinth, diam 62cm, height 90cm.

Lot 532

A small Arts and Crafts oak chest of drawers, rectangular boarded top, two short and three long graduating drawers, plinth base, width 82cm, depth 46cm, height 80cm.

Lot 534

An Arts and Crafts oak bedside pedestal cupboard, by Peter van der Waals for Claude Biddulph of Rodmarton Manor, with a slide above open recess with pierced shaped carry handles, above a single cupboard with nip handle and chip notched stretchers, raised on a plinth base, partial paper label to the interior, width 41cm, depth 41cm, height 73cm.

Lot 505

A pine chest of two over three drawers on plinth base

Lot 621

A pine bookcase with five shelves on plinth base

Lot 169

Four English porcelain plates, mid to late 19th Century, comprising an example painted with bouquets within scroll moulded cartouches, the ground with blue flowerheads, a Royal Worcester Sèvres style example painted with exotic birds and fruit within turquoise and gilt borders, printed puce marks and a Copeland green ground plate painted with a vase of flowers on a marbled plinth within a spirally moulded border gilt within leafy tendrils, printed marks and a Spode example CONDITION REPORT: The first with some flaking to gilt rim.The second with refreshed gilding around the rim and the scroll frames- probably some small restored chips to the gadrooning. The green Copeland plate in good condition.The Spode plate in good condition.

Lot 237

After Sir Joshua Reynolds, Lady C Mosan Bampfyld, porcelain plaque, full length portrait standing beside a plinth, inscribed verso, 24cm x 16cm, framed

Lot 289

A parian figure, titled 'The Little Boat Builder', modelled by EB Stephens, dated 1879 to plinth and inscribed 'Hit the Wrong Nail', signed 'Art Union of London' on the reverse, 78cm high CONDITION REPORT: The end of the hammer handle is broken off. Firing crack behind right arm.

Lot 310

Two Meissen figures, circa 1860, she holding basket of flowers and standing by an urn, he leaning on a tree stump, a sheep at his feet and a carrier pigeon in his hands, each on circular base with gilt edge, blue cross swords mark, incised marks F73 and C68, 19cm high CONDITION REPORT: Male figure- left foot broken off. Tiny flat chip to corner of coat. Sheep's ear restored. Index finger restored on one hand.Her - Tiny chips to roses. Item in left hand broken away and missing. Slight losses to 'lace work of bodice' and 'hems'. Firing cracks visible to reverse of plinth and under hem of dress.

Lot 459

Charles Octave Levy (French 1820-1899)/Salome/signed CH Levy to the left of the plinth/bronze, 83cm high/see illustration

Lot 682

A breakfront kneehole desk by Lamb of Manchester, in burr elm with ebonised banding, the pedestals both with cupboards, three drawers above, the top leather lined, 130cm wide, 57cm deep CONDITION REPORT: There are no opposing drawers/cupboards but the back is veneered so it could be freestanding. A few water marks to writing surface. Ink spillages to interior of drawers and cupboards. Locks marked J Beardmore. The loose shelf from each plinth is missing. The handles to the plinth doors look slightly less quality than the drawer handles, I am unsure if they are replacements or if they were meant to be that way. They have a painted surface which looks a bit chewed as well.

Lot 428

A Reconstituted Stone Corinthian Column Stand or Plinth, 59cms High

Lot 92

Madonna Picture Discs, four UK release Shaped Picture Discs comprising Dress You Up, Crazy For You (Original), Crazy For you (reissue with plinth) and Angel (break below waist on picture) - various years and conditions

Lot 101

Capodimonte figure, "Eagle" by Giuseppe Armani, on a wooden plinth base, with certificate numbered 356, 33cm wide, 32.5cm high

Lot 102

Capodimonte figure, "the Elephant" by Giuseppe Armani, on a wooden plinth base, with certificate numbered 524, 29cm wide, 30cm high

Lot 103

Capodimonte figure, young girl rescuing a cat from a tree, by Giuseppe Armani, on a wooden plinth base, 29.5cm high, Leonardo Collection figure, "Circus Clown", on a wooden plinth base, 26.5cm high (2)

Lot 95

Collection of ceramic birds, consisting of Lenox examples, Stonecraft Figurines, Animal Kingdom, The Leonardo Collection, one on a wooden plinth (11)

Lot 114

A large late Victorian oak breakfront bookcase,the galleried top above frieze drawers and twin cupboard doors, flanked by open sections, on a plinth base,212cm wide45cm deep99cm highProvenance: Hunsdon House, Hertfordshire.From The Principal Contents of an East Anglian Estate.Condition report: Scratches and knocks. One backboard warped/split. General wear commensurate with age.

Lot 238

Raphael Febrari (d.1928),an Art Nouveau gilt bronze and marble bust of a young lady on a square plinth, signed 'R Febrari, Paris',61cm highCondition report: No obvious major faults.

Lot 266

A Biedermeier mahogany commode, with a grey-veined marble top, blind frieze drawer and three further drawers, gilt brass handles and escutcheon, on a plinth base,129cm wide57cm deep89cm highCondition report: A small sliver of border moulding has come away from the top right edge of the chest, (present in the drawer) just below the marble. There is a bruise to the front right side corner approximately half way up, a timber shrinkage crack to the side panel and a small section of veneer missing from the plinth base on the right hand side.

Lot 293

A French Louis XVI-style patinated bronze clock,late 19th century, in the form of three gilt putti on a cylindrical marble plinth holding a patinated globe aloft surmounted by a gilt cherub, the marble base with crisply cast gilt-bronze ribbon-tied swag appliqués on a shaped base, the movement stamped 'Vincenti et Cie, Paris',60cm highCondition report: Wear to globe, three numerals missing, wear to others.One putti support detached from globe.Some wear.Movement not tested or guaranteed.Complete with pendulum, no key.

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