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Lot 942
A late 19th to early 20th Century near pair of French patinated spelter figures, modelled as a female figure holding a basket of roses, with one arm raised holding a single rose, mounted on a circular wooden plinth, the other holding a rose branch, one bears a small plaque inscribed with F Rullon, height 48cm.
Lot 1082
A cast iron six spoked wheel pharmaceutical instrument by the River Chemical Co Nottingham, on wooden plinth, width 31cm, a boxed Sparklet resuscitator for the urgent treatment of Asphyxia, a Victorian cast lever operated iron pill maker, width 18cm, a Bunsen burner and various stands. (qty)
Lot 1236
A Victorian figured walnut inverted breakfront partners desk by Edwards and Roberts, fitted with three frieze drawers and three drawers to each pedestal with cupboards to the reverse below a tooled green leather top, turned wood handles on a plinth base, retailed by Thomas Clarkson Wolverhampton, part remaining makers label, height 78cm x depth 88cm x width 152cm
Lot 113
Taxidermy: A Late Victorian Cased Juvenile European Shag (Phalacrocorax aristotelis), by Joseph Cullingford, Durham, a full mount juvenile, stood upon a white painted plinth, set against a plain papered interior, enclosed within a typical period ebonised pine single-glass display case, 53.5cm by 25.5cm by 53.5cmCondition report: outer case re-taped and re-painted, modern glass panel, plinth within re-painted bright white,
Lot 340
Natural History: Sawfish Rostrum (Pristidae app), circa 1900-1920, an example of a large Sawfish rostrum, 54 teeth, 92cm long, mounted upon a stepped ebonised plinth base, overall height including base 106cm.Also known as carpenter sharks, are a family of rays characterised by a long, narrow, flattened rostrum, or nose extension, lined with sharp transverse teeth, in a way that resembles a saw.With CITES A10 (non-transferable) licence no. 612460/01
Lot 95
Taxidermy: A Late Victorian Cased Pair of Dunlins ( Calidris alpina), by Joseph Cullingford, Durham, a pair of adult full mounts in winter non breeding plumage, the female perched upon a small square plinth with wings outstretched, the plinth with hand written pencil text " ♀ Holy Island 31. 1. 99", the male in walking pose below, the floor bearing hand written pencil text "♂ Dunnet Sep 1898", both set against a plain papered interior, enclosed within a typical pine single-glass display case, 38.5cm by 16.5cm by 38cm
Lot 143
AN ART DECO ALABASTER AND PATINATED METAL GROUP OR CENTREPIECECIRCA 1925Probably depicting a stylised Diana and her hounds, on a shaped plinth base, signed LIMOUSIN to one front edge 42cm high, 91cm wide, 26cm deepCondition Report: The head is composition, this has perished and is in three main pieces, there are some signs of old glue from a previous repair, this will need some repairs before display in a domestic settingPlease see details of this on our additional imagesCondition Report Disclaimer
Lot 145
AFTER GEORGES MORIN, A LACQUERED BRONZE FIGURE OF 'THE HOOP DANCER'CIRCA 1920Portrayed draped and in movement with arms outstretched above a rectangular base, mounted on a marble plinth35cm high Condition Report: The hoop is missing, there is a mark to the base where this has sat and also the remnants of the fixingThe lacquered surface is unevenThe base is loose to the plinth, the plinth with various marks, knocks, chips and losses - most notably to two cornersCondition Report Disclaimer
Lot 220
MILO BAUGHMAN, A BLUE VELVET UPHOLSTERED SOFA1970s and later reupholsteredIn three parts, of exedra form60cm high Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThere are no labels to the underside or other elements, this came in to us as Milo Baughman from the vendor's and we are informed it has the original red upholstery beneath the more recent blue velvet upholstery. (this can be found beneath the covers to the cushions for sure). There are clips present to secure the cushions to the base sections The velvet with some marks and signs of use in a domestic setting Overall the frames appear solid and stable, some chipping and loss around the plinth basePlease refer to additional images for visual reference to conditionAdditional measurementsThe central section is approx 270cm wide, the end sections approximately 220cm wide, each element is approximately 86cm deep Condition Report Disclaimer
Lot 24
AN ITALIAN SLIP MOULDED PORCELAIN BUST OF A GIRL AFTER PROFESSOR GIUSEPPE BESSI (1857-1922)20TH CENTURYInscribed verso Prof. G. Bessi, applied to an alabaster socle base, the base with paper label STONELITE By Prof. BESSI Made in Italy and on an associated biscuit porcelain plinthThe bust and socle 46cm high, the plinth 15.5cm highProvenance: Private collection removed from 9, Royal Crescent, BathCondition Report: Chips to the interior of the plinth base.Condition Report Disclaimer
Lot 261
Y A SATIN BIRCH AND EBONY BANDED SIDE CABINETOF RECENT MANUFACTURE With two drawers and panelled doors flanked by pilasters, on a plinth base the drawer87cm high, 125cm wide, 72cm deep, Together with a similar, smaller, side cabinet, 75cm high, 75cm wide, 42cm deepCondition Report: Overall the condition of these cabinets reflect their lack of significant age and probable light use in a domestic setting; however each with chips and losses to some veneers and some staining and marks to the topsPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 695
30th Foot Medal 1811, a circular engraved medal with multi stepped border, 57mm, silver, hallmarks for London 1810, the obverse featuring a crown above ‘XXX’, above a sphinx, with ‘Egypt’ on plinth, ‘The Cambridge Regt.’ around’, the reverse engraved ‘Award of Merit to Sergt. J. Boyle from the Officers of the Regiment Jan. 4. 1811.’, with loop suspension, good very fine £180-£220 --- Provenance: Day Collection, Sotheby’s, April 1910. Referenced in Balmer, R.282. Note: Owing to the uncertainty that exists with the original provenance and manufacture of some early engraved Regimental Medals, this lot is sold as viewed.
Lot 230
ALFRED GEORGE STEVENS (1817-1875) CARYATIDS FOR THE BOY STOVE, CIRCA 1855 patinated bronze, registration marks for March 1851, 36cm high, with later painted wood mount 56cm high; together with TWO LIONS, bronzed metal, each raised on a painted metal plinth, 37cm highProvenance: The Peter Rose and Albert Gallichan CollectionFootnote: Note: This pair of caryatids would have formed part of a bronze, lacquered brass and steel fireplace known as the 'Boy' stove, designed by Stevens for Hoole & Co., Sheffield and first exhibited at the Great Exhibition in 1851. The original plaster for one of the figures, and design drawings for the stove, are in the Victoria and Albert Museum (inv. no. 4029-1853). Alfred Stevens, active as a sculptor, designer, and painter, rejected traditional distinctions between fine art and design. As chief designer for Hoole & Co., he produced award-winning designs for metalwork, maiolica, terracotta ornaments and chimneypieces. Decorations for the dining-room at Dorchester House, London, and the monument to the Duke of Wellington for St Paul's Cathedral, London are amongst his most celebrated works.
Lot 346
JOSEPH HAYES (1869-1916) FOR ST. PETER'S CHURCH, MORNINGSIDE FIGURE OF SAINT JOHN, CIRCA 1907 plaster maquette, later mounted on a carved oak plinth(figure 111cm high, including plinth 139cm high)Provenance: St. Peters Church, MorningsideFootnote: Note: Regarded as amongst Sir Robert Lorimer’s most innovative architectural designs, St Peter’s, Morningside was built in two stages from 1906-7, with the nave completed from 1928-9. The church was designed by Lorimer in an Italianate style and includes stained glass by Morris and Gertrude A. Meredith Williams, Nina Millar Davidson, and Pierre Fourmaintraux, metalwork by Thomas Haddon and a fine Arts & Crafts lead font by G. P Bankart. On the exterior are carved stone sculptures by Joseph Hayes including The Crucifixion with Our Lady and St. John of around 1907. The current lot is the maquette for the figure of St. John. A polychrome carved wood sculpture in the apse of around 1908 uses the same figure. Joseph Hayes worked on several projects with Lorimer from around 1900, including the management of the carving for the Thistle Chapel in St. Giles’ Cathedral, Edinburgh, built from 1909-1911.
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