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Lot 928
A late 19thC walnut mirror back sideboard, with two drawers and cupboards flanked by further drawers and cupboards, heavily carved with urns and flowers, the upper section with a broken pediment above a shield shaped mirror, flanked by two rectangular bevel glass mirrors above carved panelling, the base with central drawers and cupboard flanked by further drawers and cupboard beneath, on a plinth, 240cm high, 148cm wide, 47cm deep.
Lot 1139
A Victorian mahogany serpentine chiffonier, with a two tier raised back with a shield shaped motif to the centre flanked by scrolled embellishments raised on scrolling supports. Below a three door cabinet opening to reveal a shelved interior on a serpentine plinth base. Measures 140cm x 50 x 154cm.
Lot 1110
A large Victorian mahogany partner's desk, the rectangular top inset with a green tooled leather writing surface, above a central kneehole and drawer with lock stamped 'Bramah Patent', flanked by two banks of five drawers (locks not stamped), with the same configuration to the opposite side, plinth bases to pedestals, 183 x 107 x 80cms high.
Lot 1155
A Georgian mahogany cylinder bureau bookcase, with a flared and dentil cornice above a pair of glazed astragal doors enclosing adjustable shelves, the lower section with cylinder bureau opening to reveal a configuration of pigeonholes and drawers, with pull-out baize lined writing surface, two short and three long drawers below with swan neck handles, raised on a plinth base, 107 x 60 x 231cms, with key.
Lot 1076
A 19th Century mahogany collectors cabinet, the glazed panel door enclosing twenty-eight numbered drawers (missing top drawer) with turned ebony and ivory handles, on plinth base, the door bears the label 'Albany Hancock's Microscope Slides', 40 x 33 x 52cms high.Notes: Albany Hancock (1806-1873), was an English naturalist, biologist and supporter of Charles Darwin. He is best known for his works on marine animals and coal-measure fossils. Albany Hancock was the brother of the naturalist John Hancock. The Hancock Museum in Newcastle upon Tyne is named after the Hancock brothers, both of whom took an instrumental part in getting the museum built. The museum contains many specimens from their collections.Ivory self-declaration submission reference QB3Z8R7C
Lot 1132
A Victorian mahogany cylinder writing desk, the raised three-quarter gallery back over a retractable top opening to reveal a pull out writing surface, pigeonholes and bird's eye maple drawers, the leather inset three section writing surface with recessed brass handles and ratcheted centre section, side hinged outer sections, central kneehole below with three drawers to each side pedestal, raised on plinth bases, 118 x 151 x 77cms.
Lot 1033
Vincenti et Cie: a French 19th Century gilt brass and champleve mantel clock, with arabic dial and two train drum movement striking on a gong on the hour and half-hour, the case with cupola-style central finial and four outer finials, decorative polychrome enamel panels to body, on stepped plinth base with turned feet, 29cms
Lot 1027
Bryson & Son, Dalkeith: a mid 19th Century Scottish mahogany longcase clock, the circular silvered roman dial with subsidiary seconds dial, two train movement fitted a deadbeat escapement with bell, the case with architectural pediment above a door with circular glass panel, rectangular waist door on panelled and plinth base, with weight and pendulum, 201cms high.
Lot 71
General C.G. Gordon - two Parian Busts, one by W H Goss, on a square plinth, 19cm, the other unmarked, on a spool shape plinth and faux marbled wood socle, 33cm, together with two books - Letters of General C.G. Gordon to his Sister M.A.Gordon, London 1888, and Gordon - Martyr and Misfit, by Anthony Nutting; Major-General Andrew Gilbert Wauchope C.B., C.M.G. - a Woven Silk Stevengraph, a small printed biography/obituary and a hand written letter from him to the Scottish Leader, apologising for a mistake when addressing a meeting, as Colonel to the Black Watch, dated Edinbro 20.11.89.
Lot 1058
A Victorian walnut open bookcase, with moulded edge and fluted pilasters and raised on a plinth base. Height 109 cm, width 137 cm, depth 35 cm. CONDITION REPORT: The bookcase is structurally sound and in generally very good order. The top has no significant issues, only very minor blemishes and is a good uniform colour as is the remainder of the piece. There are small pieces of moulding missing to the top left and top right of the door beneath the turned roundels. The sides of the bookcase are both in good condition with only minor blemishes. The backboards are original and the plinth is in good condition all round with only the minor scuffs and marks that one would expect.
Lot 1254
A George III mahogany longcase clock, Samuel Pearse Honiton, with Father Time automaton to arch and with eight day movement. Height including brass finial 242 cm. CONDITION REPORT: The movement winds on both trains and is currently ticking away. When the hands are advanced the movement strikes. The minute hand is detached and bent but present. The automaton is operating. The seatboard is old and the cheeks have not been built up. The mask around the dial fits well. The case is generally in good order. It looks to have been re-polished in fairly recent times. There are some minor repairs around the extremities. The trunk door fits well with only very minor warping. The plinth around the base is probably a later edition but the colour is a good match. There is a joint stress fracture on the front base panel. We can see no evidence of any woodworm.
Lot 869
A Victorian brass oil lamp, with blue and floral decorated opaline glass column, double wick with globular etched shade. 69 cm high including glass chimney. CONDITION REPORT: Both the shade and chimney are in good order with no significant issues. There are no cracks and only the usual very minor nibbles around the rims. The burner mechanism appears to be complete but we cannot tell whether it is operating correctly as there are no wicks in situ. The reservoir is in good condition with no chips or cracks. The same comments apply to the blue base. The black ceramic integral plinth has one very small under edge chip.
Lot 1129
A George III style mahogany breakfront bookcase, with detachable swans neck pediment above a series of glazed doors with wooden astragals opening to adjustable shelves and fitted with lights, the base with drawers and cupboards and raised on a plinth. Height excluding pediment 226 cm, the pediment adding a further 28 cm, width across waist 217 cm and at cornice 247 cm, depth at cornice 47 cm. CONDITION REPORT: The cornice can be fitted either with or without the swans neck pediment as there is a separate piece of moulding that fits the gap where the swans neck pediment sits which would reduce the height by 25 cm.
Lot 995
A Victorian mahogany partners desk, with green gilt tooled leather writing surface and moulded edge above a kneehole drawer flanked by a shallow drawer and with three further drawers and opposing cupboard with wooden knob handles all raised on a plinth base. Height 74 cm, width 152 cm, depth 106 cm.
Lot 1312
A William IV rosewood breakfront side cabinet, with rear shelf with pleated doors opening to shelves and with frieze drawers and plinth base. Height 123 cm, width 137 cm, depth 55 cm. CONDITION REPORT: The cabinet is in generally good condition with no significant issues. The upstand is in good condition all round and the top shelf a very good colour. The panelled back is in good order as are the columns. The top surface of the cabinet has some minor liquid stains to the polish and some surface scratches. The moulded edge to the top is in good order all round. The left-hand frieze drawer has a stress fracture across the drawer front running full width. The middle drawer also has a similar but far fainter stress fracture to the veneer. The same comments apply to the right-hand drawer. Strangely enough the pleated fabric is actually over wood over a mahogany panel. It is not glazed. All doors close correctly and are not warped. All locks and escutcheons are present but we do not have any keys. They are all unlocked. The sides of the cabinet are in good condition with no splits. The plinth base has the usual marks and scuffs around the extremities as one would expect.
Lot 1314
A William IV mahogany linen press with moulded cornice above a pair of panelled doors opening to pullout trays flanked by half round column corners, the base fitted with a series of drawers and raised on lobed feet. Height 213 cm, width 138 cm, depth 60 cm. CONDITION REPORT: The cornice is in good condition all round. The sides of the top are in generally good condition with the exception of the rear bottom corners where there is a split on both sides. The upper doors are not significantly warped and meet correctly in the middle. The original lock is present but we have no key. If the lock were operable then the doors would close flush. The left-hand door bottom panel moulding is missing. The right-hand door top panel moulding is missing. The door panels themselves are not split. The sides of the base have scratches but no splits. The top left-hand drawer has the upright section of cockbeading missing and the lower drawers both have losses to the cockbeading. There are some minor losses to the crossbanding around and between the drawer fronts. The plinth has minor marks and small veneer losses as one would expect. The legs are original and in good order as are the backboards. The locks and hinges are original but are not named. There is no sign of any woodworm.
Lot 1242
A Georgian lacquered longcase clock case only, mask, aperture, width 29.5 cm, height to top of arch 40.5 cm, height from bottom of arch 29.4 cm, overall height excluding finial 218 cm. CONDITION REPORT: The case is structurally sound with no serious issues. There are some minor traces of what is clearly old long gone woodworm to the top glazed door extremities and the side return mouldings. There are minor nibbles and scuffs to the case but no major problems. The door is not warped and closes as it should. The lock is present and we have the key. The base has rubbing through to the softwood around the extremities and the usual scuffs and marks around the plinth as one would expect. There do not appear to be any significant repairs.
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