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Lot 217
A GLAZED POTTERY SHRINE OR ORNAMENT, BURMA, EARLY 20TH CENTURY honey glazed slip decorated red earthenware, depicting two devotees flanking an altar, on an elaborate raised plinth, a scrolling openwork finial at the back 39cm high Provenance: Private Collection, London, acquired about 60 years ago Although Burma is better known for other crafts, such as wood and stone sculpture, lacquer, metalwork and painting, glazed pottery figural tilework was produced in Pegu in the 15th century, an example of which is in the Victoria and Albert Museum (IS 2 1966), as well as a later example thought to date from the early 19th century (04160A IS). This lot was probably produced during the late colonial period for the British market.
Lot 268
â’¼ A BRONZE FIGURE OF VENUS, PROBABLY FRENCH 17TH / 18TH CENTURY of Venus Pudica type but looking over her right shoulder, modelled in contrapposto, her lowered right arm clutching a drapery, her raised left hand shielding one breast, on a naturalistic base, dark patinated, on a square Rosso Levanto marble plinth bronze 27cm high, 36cm high overall Provenance: Gerald Coke (1907-1990) of Jenkyn Place, Bentley, Hampshire; to his son, the vendor, John Coke. Gerald Coke was a very successful business man and collector. He is perhaps best known for the Coke Handel Collection, an outstanding assembly of 'Handeliana' left to the nation (allocated to the Foundling Museum), his collection of James Giles decorated Worcester porcelain (bequeathed to the Worcester Porcelain Museum) and for the famous gardens he and his wife created at Jenkyn Place. Additionally he had collected Regency furniture during the war, as well as Renaissance bronzes, apparently turning from the latter because of their increasing cost (The Independent, 1 September 1995). Much of the furniture and furnishings from Jenkyn Place were sold at the auction 'The Coke Collection from Jenkyn Place', Christie's, London, 7 October 1996. This figure is probably from a model produced by one of the sculptors working for Louis XIV's court such as Corneille van Cleve (1645-1732) or Robert Le Lorrain (1666-1743). Part proceeds to benefit The Grange Festival
Lot 276
ËœA BLOND TORTOISESHELL TEA CADDY, ENGLISH, CIRCA 1830 arc-en-arbelette fronted, domed lid, spreading plinth base on bun feet, with silvered line banding between the veneers, silvered escutcheon and vacant rectangular cartouche, the ivory bordered interior of two foiled compartments with nacre knopped tortoiseshell covers and red velvet lined lid, with key 17cm long
Lot 201
A Victorian mahogany chiffonier, the shaped superstructure crested by a carved and applied foliate motif above a shallow serpentine shelf, spirally turned supports, the projecting serpentine front top above a frieze drawer and a pair of panel doors enclosing a shelf, flanked by spirally turned pillars, plinth base, 144cm high, 90cm wide, 42cm deep
Lot 219
A Victorian mahogany large chiffonier or sideboard, shaped mirror back half-gallery, the frame carved and applied with a fruiting branch cresting, serpentine top with moulded edge above two frieze drawers and a pair of panel doors enclosing a shelf, divided and flanked by foliate scroll brackets, plinth base, 179cm high, 177cm wide, 46cm deep
Lot 3046
A Large Interchangeable Bells-En-Vue Cylinder Musical Box, By Nicole Frères, circa 1881, Serial No. 51960, with one cylinder playing eight airs, with double-spring lever-wind motor, sectional comb with full-length zither attachment, six bell comb with lever-select to right with the six plain polished tuned bells arrange duet-buffet flanking tune indictor, with speed regulator, on reeded cast gilt bedplate in ebonised interior bearing Nicole black and gilt trade transfer, lacking dustlid, in large walnut and satinwood veneered case with cleated lid, on ebonised plinth base - 37in. wide, the cylinder 15in. All teeth and tips present, working order, some general corrosion/wear consistant with age, overall Good; Veneer to lid appears complete but has moderate scratching/indents over most of surface
Lot 459
A 20th Century double pedestal desk, the tooled and gilded leather insert mahogany framed top on a grey painted base of three frieze drawers, raised on two banks of three drawers with brass cup handles, raised on plinth supports, 123 cm wide x 61.5 cm deep x 74 cm high, together with a 19th Century mahogany side table with turned and ringed legs, 92.5 cm wide x 54 cm deep x 73 cm high
Lot 541
A Victorian oak sideboard with plain top over two drawers and two oak leaf and acorn / ivy carved panelled doors on a plinth base, 122 cm wide x 46 cm deep x 92 cm highCondition ReportWas previously a sideboard, back has been removed and top has been filled etc and re-varnished. Drawers are a bit sticky. The whole piece has been re-varnished / polished. Several knocks, bumps, etc, throughout. Plinth base has large areas of veneer missing to both corners. General war and tear conducive with age and use. See images for more details.
Lot 117
Richard Förster (St. Petersburg 1873 - München 1956) – Satz von sechs feinen Moriskentänzern, süddeutsch, Anfang 20. Jhdt. Auf Lapislazuli-Sockeln die vollrund gearbeiteten Moriskentänzer in Silber, teilweise vergoldet. Gestempelt mit "925" und schwer leserlichem Monogramm. Zusätzlich auf der Plinthe mit Namen der jeweils Dargestellten etikettiert. Nach den berühmten Moriskentänzern, die für das Alte Rathaus in München von Erasmus Grasser um das Jahr 1480 geschaffen wurden. Richard Förster war ein deutscher Bildhauer, Medailleur und Porzellan-Designer. Nach seiner Ausbildung am Städelschen Institut in Frankfurt a. M. studierte er von 1899 bis 1901 an der Kunstakademie in München. Neben Statuen, Bildnisbüsten und Medaillen entwarf er auch ab 1919 Figuren für die Manufaktur Rosenthal und ab 1936 für die Manufaktur Allach. Leichte Altersspuren. Vergoldung minimal berieben. Lapislazuli teils bestoßen. Höhe je ca. 12 cm.Zustand: I - IIRichard Förster (St. Petersburg 1873 - Munich 1956) – a South German set of six fine Moresca dancers, early 20th century The fully sculptured Moresca dancers in partially gilt silver, on lapis lazuli pedestals. Stamped with "925" and a barely legible monogram. Moreover, the titles of the figures labelled on each plinth. Modelled after the famous Moresca dancers created by Erasmus Grasser circa 1480 for the Old Town Hall in Munich. Richard Förster was a German sculptor, medallist and porcelain designer. After training at the Städelsches Kunstinstitut in Frankfurt am Main, he studied at Munich's Academy of Fine Arts from 1899 to 1901. In addition to statuary, portrait busts and medals, he designed figurines for the Manufaktur Rosenthal from 1919 and for the Manufaktur Allach from 1936. Slight signs of age. The gilding with minimal rubbing. The lapis lazuli knocked in places. Height approx. 12 cm each.Condition: I - II
Lot 152
Ein Paar imposante Charles X-Girandolen, Frankreich, um 1830 Sechsflammig. Fein ziselierte Bronze grünlich patiniert sowie teilweise feuervergoldet. Allseitiges Palmetten- und Akanthusblattdekor. Auf der dreipassigen, getreppten Plinthe mit vergoldetem Zierfries die Tatzenfüße. Darauf der mehrfach gegliederte Schaft, dieser kanneliert und sich nach oben verjüngend. Abschließendes und vergoldetes Kapitell in Blattdekor. Darin fünf Leuchterarme um einen weiteren, zentralen Leuchter platziert. Alle Tüllen vorhanden. Höhe 85,5 cm.Zustand: I - IICondition Report:Bemerkenswert guter Gesamtzustand. Minimale Alters- und Gebrauchsspuren. Vergoldung partiell leicht berieben. Schöne gewachsene Patina.An imposing pair of French Charles X girandoles, circa 1830 Six-armed. The finely chased bronze with a greenish patina, fire gilt in places. Palmette and acanthus leaf décor on all sides. The paw feet on the stepped, trefoil plinth with a gilt decorative frieze. On the plinth, the fluted shaft in several sections, tapering upwards. The gilt capital embellished with foliage at the top. Five candelabra arms arranged around a sixth, central candle holder. Complete with all sockets. Height 85.5 cm.Condition: I - IICondition Report:Overall in remarkably good condition. Minimal traces of age and use. The gilding slightly abraded in places. Beautiful patina.
Lot 242
Tintenstand im Stil der Renaissance, Italien, 19. Jhdt. Bronze, dunkel patiniert, und Messing. Auf vier Renaissance-Füßen die rechteckige profilierte Plinthe. Darauf die vollplastisch gearbeitete Bronze in Form von zwei Atlanten, welche die große stilisierte Weltenkugel tragen. Darin gedeckelter Messingeinsatz sowie -fässchen für die Tinte. Abschließender 1/3-runder Deckel mit Knauf. Maße 22 x 22 x 13 cm. Leichte Alters- und Gebrauchsspuren. Patina minimal berieben.Zustand: II +An Italian inkstand in the style of the Renaissance, 19th century Bronze, dark-patinated, and brass. The rectangular, profiled plinth on four Renaissance feet. On top of it the fully sculptured bronze in the form of two atlases supporting the large stylised globe. Inside are a brass insert with a lid and a small container for the ink. 1/3 round closing lid with knob. Dimensions 22 x 22 x 13 cm. Slight signs of age and wear. Patina minimally rubbed.Condition: II +
Lot 396
Großes glasiertes Pferd, China, Tang-Dynastie (618-906) Stehendes Pferd mit nussfarbener Glasur, der Sattel und die Decke teilweise unglasiert. Der Kopf leicht zur Seite geneigt. Kleinere unglasierte Stellen, auch an Hufen und an der Plinthe. Der Schwanz (zum Einstecken) fehlt. Mit Thermolumineszenz-Gutachten (Oxford). Intakt. Maße 48 x 46 x 16 cm. Gewicht 5,6 kg. Provenienz: Aus süddeutscher Privatsammlung. Zuvor aus der bedeutenden Wiener Sammlung Professor Leopold.Zustand: IIA large glazed Chinese horse, Tang dynasty (618-906) Standing horse with brownish-coloured glaze, the saddle and the blanket partly unglazed. The head slightly tilted to the side. Smaller unglazed areas also on hooves and on the plinth. The inserted tail is missing. With thermoluminescence certificate (Oxford). Intact. Dimensions 48 x 46 x 16 cm. Weight 5.6 kg. Provenance: From a South German private collection. Previously in the collection of Professor Leopold, Vienna.Condition: II
Lot 477
Steinkopf des Shiva, Khmer-Kultur, Kambodscha, 11./12. Jhdt. Annähernd lebensgroßer Kopf aus dunkelgrauem vulkanischen Stein. Darstellung der Gottheit mit Tiara und aufwendiger Frisur. Auf der Stirn das stilisierte Dritte Auge. Der Rand der Tiara und das rechte Ohr bestoßen, Hals mit unregelmäßiger Bruchkante. Auf hölzerner Plinthe. Höhe des Kopfes 33 cm.Provenienz: Ex Auktionshaus Nagel, Auktion am 04.04.1992, Los 212. Damaliger Zuschlagpreis 15.000 DM.Zustand: II - IIIA Cambodian stone head of Shiva, Khmer culture, 11th/12th century The almost life-sized head carved in dark grey volcanic rock. The deity is depicted with a tiara and an elaborate hairstyle. The stylised third eye on her forehead. The edge of the tiara and the right ear knocked, the neck with a jagged fracture line. Mounted on a wooden plinth. Height of the head 33 cm.Provenance: Formerly Auktionshaus Nagel, auctioned on 4 April 1992, lot 212, where it sold for 15,000 Deutsche Marks.Condition: II - III
Lot 51
Spätgotische Madonna, Oberösterreich, um 1480 Weichholz, farbig gefasst. Stehende Muttergottes mit offenem Haar, Schleier und Krone, die Füße auf einer Mondsichel mit Gesicht ruhend. In den Händen das munter bewegte Jesuskind haltend. Rückseite gehöhlt. Auf farbig gefasster Plinthe. Stellenweise bestoßen, leichte Wurmschäden und Fehlstellen am unteren Rand. Höhe 84 cm, mit Sockel 92 cm.Zustand: II -A Tyrolean late-Gothic Madonna, upper Austria, circa 1480 Carved in softwood, painted in colour. The Virgin Mary standing upright with her hair loose, wearing a veil and crown, her feet resting on a crescent moon with a face. Holding the radiant Infant Jesus in her hands. Hollowed on the back. Mounted on a plinth with coloured paint. Knocked in places, slight worm damage and defects on the lower edge. Height 84 cm, including the pedestal 92 cm. Condition: II -
Lot 55
Zwei Soldaten aus einer Retabelgruppe, flämisch, um 1540 Eiche, die dunkle Patina wohl im 19. Jhdt. hinzugefügt. Nahezu vollplastische Figur eines Reiters mit Lanze in historisierender Tracht. Neben ihm ein Landsknecht mit Schwert und Hut. Einteilig gearbeitete quadratische Plinthe, die Rückseite nicht voll ausgearbeitet. Maße 47,5 x 29 x 15 cm.Zustand: IITwo carved soldiers from a Flemish altarpiece, circa 1540 Oak, the dark patina presumably applied in the 19th century. Almost fully sculptured figure of a horseman with a lance, in historical costume. A lansquenet with sword and hat is standing beside him. The square plinth carved in one piece, the back not fully worked. Dimensions 47.5 x 29 x 15 cm.Condition: II
Lot 80
Büste einer jungen Dame nach der Antike, Italien, 18. Jhdt. In verschiedenfarbigem Marmor gearbeitet. Auf einem getreppten und profilierten Sockel in schwarzem Marmor die elegante Büste einer vornehmen jungen Nubierin mit prächtigem Haar in klassischem antikisierenden Gewand. Gesamthöhe 56 cm. Altersschäden, v.a. am Sockel. Marmor teilweise bestoßen. Hinterhalb gehohlt. Zustand: II - IIIAn Italian bust of a young lady after antique model, 18th century Worked in different-coloured marble. On a stepped and profiled pedestal in black marble the elegant bust of a distinguished young Nubian woman with magnificent hair in a classic antique robe. Total height 56 cm. Damage due to age, especially on the plinth. Marble partly bumped. Hollowed behind. Condition: II - III
Lot 1019
A mid-20th century lamp, the base modelled as a recumbent stylised deer on a dark stained oak plinth, with integral shade and frame, base 41cm x 18cm, height to top of shade 67cm (approximately) Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Lot 1032
A mid-20th century oak unit, the top with divider and two sliding glass doors, below a compartment with fixed shelf and two sliding glass doors, to the right a cupboard with a single fixed shelf, on raised black plinth, 84cm high, 114cm wide, 30cm deep. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Lot 1050
An early 20th century mahogany two section glazed bookcase, the top with three adjustable shelves and two glazed doors, the base with two loose shelves and two glazed doors, on plinth base, 200cm high, 140.5cm wide (max), 38cm deep (max) Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days. ## key ##
Lot 1129
A mid-20th century teak bureau, the fall front opening to pigeon holes and a drawer, single long drawer below, to the base two panel doors, on plinth base, 104cm high, 84cm deep, 46cm deep (max) Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days. ## key ##
Lot 1131
A teak G-Plan sideboard, mid-20th century, with single long cutlery drawer flanked by a cupboard to each side, each with a single fixed shelf, below the drawer two doors opening to a single long fixed shelf, on plinth base, with applied paper label, 68.5cm high, 172.5cm wide, 42.5cm deep. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Lot 1135
A 19th century walnut veneer open bookcase, with three adjustable shelves, decorated with scrolls and stylised leaves, on plinth base, 113.6cm high, 103cm wide (max), 41.3cm deep (max) Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Lot 1140
A Victorian mahogany linen press, of good colour, with moulded pediment, leading to two doors with moulding, the doors opening to five sliding drawers, the base with two short and two long drawers, all with carved round handles, on plinth, stamped to the edge of one door ‘T Wilson, 68 Great Queen Street, London’, 214cm high, 150cm wide (max), 66.5cm (max) Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Lot 1144
A Victorian stained pine chest of two short and two long drawers, with turned mahogany handles, and raised back, on plinth base, 94.5cm high (max), 95cm wide (max), 49.5cm deep (max) Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Lot 1156
A late 19th/early 20th century chest of two short and two long drawers, with decorative brass swing handles, with reeded sides, plinth base and casters, 84cm high, 122.3cm wide 51.3cm deep. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Lot 1183
A late 19th/early 20th century stained oak chest two short and two long drawers, with turned handles and on plinth base, 77cm high, 102.5cm wide, 48.6cm deep. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Lot 133
A large antique 19th Century Victorian English mahogany library open bookcase display cabinet having an open adjustable shelved top with a slipped corice atop. Below twin doors concealing a shelved cupboard interior section with all being raised on a plinth base. Measures approx 193cm x 126cm x 33cm.
Lot 174
An early 19th Century antique Georgian Regency period rosewood sofa table / console table / stretcher table / desk having a good grain rosewood top with twin drawers to the frieze with turned pull handles and false drawers to the reverse. The base having shaped sides with scroll carved detailing and inverted finials united by long turned stretcher all raised on plinth leg supports with turned wooden bun feet. Measures approx; 72cm x 106cm x 62cm. Floor to underside 61cm.
Lot 200
Attributed to Morris & Co - An antique late 19th / early 20th Century English Arts and Craft solid oak Jacobean revival hall cupboard cabinet having flared cornice top with decorative inlaid decoration below. Two large full length oak doors with chunky geometric mouldings throughout and central carved Art Nouveau floral detailing. Large brass hinges and brass handle marked marked for Rathbone with all being raised on a plinth base. Measures approx; 195cm x 156cm x 42cm.
Lot 633
After Francisque Joseph Duret (1804-1865) - The Neapolitan Dancer - A 19th Century French antique patinated bronze figurine of a male dancer. Beautifully modelled with detailed features, locks of hair, barefoot in shorts dancing with tambourine raised on circular plinth base. Measures: 44cm tall.
Lot 298
By Terence Disdale An Eggshell parquetry design low centre table:, of square form with two curved sides, each with a recessed shelf on interwoven brown speckled plinth, 110cm (3ft 7 1/4in) x 40.5cm (1ft 4in) high, together with a smaller matching table 90cm (2ft 11 1/2in) x 45cm (1ft 5 3/4in).*Biography Terence Disdale trained under the late Jon Bannenberg as a member of the 'Chelsea University' before setting up his own studio in the 1970's. He continues to be one of the most sought after yacht designers and is responsible for several of the longest super yachts in the world including Al Salamah and Pelorus. These tables reputedly came from MY Pelrous.
Lot 1041
A French oak buffet a deux corps19th century, 135cm wide; 208cm highCondition report: Overall wear and tear commensurate with age and use. Some shrinkage cracks to the panelled doors. Scuffs, scratches and marks to the top where the upper doors have swung out. The one door with hinge repairs, which require tidying and improving. Enclosing two shelves, one of which is split. Evidence of worm, with various holes. One small section of moulding missing to the front corner of the base plinth. One key present.
Lot 561
A bronze bust of a young boyPossibly by Oliver MesselUnsigned22cm highCondition report: Overall in good condition. Some minor rubbing to the patina as to be expected with age. There are two mounting apertures to the underside for the head to be secured to a plinth base. There are two incised lines to the back of the head, a horizontal I and L, as part of the cast. See additional photographs.
Lot 574
A pair of sycamore Corinthian column table lamps20th Century, probably by LinleyThe tapered columns with gilt-metal capitals and raised on stepped square bases, unsigned, with shades 62cm high, excluding fitments (2)Condition report:Overall in very good condition. The odd very small/minor tiny dent or bruise to the sycamore, commensurate with age and use, including two small spot marks towards the back of the stepped plinth which can probably be cleaned off. Dirt and dust to some of the recesses and to the shades, consistent with use and age.Electrical cord has been cut and the lamps will obviously require rewiring correctly to PAT safety standards. The shades are creased in a number of areas (see additional photograph of the most severe crease).The dimensions of the bases are: 20.5cm wide; 21cm deep.
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