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Lot 877
An Impressive Edwardian Mahogany Inlaid Chiming Longcase Clock, the imposing case with carved and scroll decorated mounts, glazed trunk door with carved flowers and elaborate scroll frames, flanked by carved floral pilasters, plinth with a central inlaid panel depicting a basket of flowers, 15-inch brass dial with a silvered Arabic numeral chapter ring, seconds dial, three dials for strike/silent, chime/silent and Whittington/Westminster chime selections, triple weight driven movement, chiming on eight tubular bells and striking the hours on a larger tubular bell, mercury tube pendulum, 275cm high see illustration 24.02.17, Case with scuff marks and small dents in parts, small chips to the edges in parts, small ledge beneath the trunk door with scuff marks, skirting and feet with small dents and scratches, dial with small scratches and discoloured in parts, movement parts look dirty and needs a service, pendulum tube with visible mercury.
Lot 884
Professore Cesare Lapini (Italian, 1848-after 1893): ''Gli Adirati'' (The Enraged), white marble figural group, titled, signed and dated Firenze 1892, plinth base, 75cm high See illustrationFlaw in material from lower section of scarf on boy through to right shoulder of girl. Some typical minor surface wear and staining. 161116
Lot 882
After Jean-Didier Debut (French, 1824-1893): Porteur d'eau Tunisien, a bronze figure of a North-African water carrier, signed Debut, on a rectangular plinth with title plaque, 62cm high See illustration For a similar example see Sotheby's, Paris, 29.10.08, lot 126 This model is sometimes attributed to Marcel, the son of Jean-Didier DebutSome typical wear to patination and minor scratching throughout. 230217
Lot 857
An Ormolu and Porcelain Mounted Striking Mantel Clock, circa 1880, urn finial, figural, floral and cherub decorated pink porcelain panels, acanthus leaf and swag mounts, pink enamel dial with Roman numerals, twin barrel movement striking on a bell, 36cm high, raised on a gilt wooden base and ebonised plinth, beneath a glass dome09.12.16, Ormolu is slightly faded, surfaces with signs of bubbling in parts, porcelain panels are clean, dial with one minor hairline crack on the 5 o'clock numeral cartouche, movement needs cleaning, gilt wooden base is faded and with chips to the edges, ebonised plinth with scratches and small dents, glass dome with small scratches in parts but is complete.
Lot 875
An Oak Eight Day Longcase Clock, signed Henry Brownbill, Leeds, circa 1780, broken arch pediment, fluted columns, mahogany crossbanded trunk door flanked by inset fluted pilasters, inside trunk door with a Brian Loomes retail label, 13-inch arched brass dial with a silvered Roman and Arabic chapter ring, dial centre with subsidiary seconds, date aperture and finely engraved with scroll work and a central seascape scene depicting a mermaid beside a galleon, rolling moonphase in the arch and signed above, four pillar movement with an anchor escapement and rack striking on a bell, 227cm high see illustration 24.02.17, Pediment with small chips to the edges in parts, front corner of the hood with a chip, plinth with scratches in parts, movement with the rack spring missing, otherwise the movement looks complete.
Lot 810
Sydney Harpley RA (1927-1992) ''Singapore Girl on a Swing'' Signed in the cast and numbered 4/6, 6 June 1984, on a black slate base and stand, bronze, life size Bronze: 158cm high, 170cm wide (approx.) Base: 45cm high, 88cm wide, 62cm deep Plinth: 8cms high, 84cm wide, 59cm deep Exhibited: Royal Academy Summer Exhibition, 1984, V15 Harrogate Festival Exhibition, 1985 On loan to the Mercer Art Gallery and the Harrogate Town Hall since 1991 *Artists' Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Sydney Harpley was born in 1927 and served in the army National service 1945-48. Between 1950-53 Harpley studied sculpture at Hammersmith School of Art, where he gained the National Diploma in Art and Design. This was followed with a period spent at the Royal College of Art from 1953-56 and was made an Associate of the Royal College of Art. Harpley first exhibited sculpture at the Young Contemporaries in London and the Royal Academy Summer Exhibition of 1954, subsequently exhibiting at the latter every year. Harpley has held a number of highly successful one man shows, including those at The Society of Arts, Cape Town, South Africa (1964), Adler Fielding Gallery, Johannesburg, South Africa (1964), The White House Gallery, Breda, Holland (1974), Nevil Gallery Bath, UK, (1983) to name but a few amongst others within Europe and the United Kingdom. Mixed exhibitions have also been numerous within England. In 1958/9 Harpley was commissioned by London County Council to produce two sculptures, which was quickly followed by a commission from Hemel Hempstead New Town in 1960 for another four works. Cape Town has an over life size memorial to Jan Christian Smuts, amongst other international commissions, but perhaps ''Girl on Swing'' for the Singapore Botanical Gardens of 1984 is most notable here being no.1 from the edition of 6 and commissioned by his Excellency David Marshall, Singapore Ambassador to France. Harpley also lectured at several art schools within the United Kingdom and acted within various committees including the Selection Committee for RA, the Summer Exhibition (1975-76), Council of RA (1975-6) & 1982-3. Bronzes by this important Neo-Romantic artist can be found in many international and national collections including the National Gallery of New Zealand, the National Gallery of South Africa, Bradford City Art Gallery, University of Leeds (The Stanley and Audrey Burton Gallery), Samuel Josefowitz Collection, Geneva, Fleur Cowles Meyer Collection, London and the Paul Mellon Collection, USA. He has also produced several significant portrait busts on commission which include: HSH Prince Albert of Monaco for HSH Princess Grace of Monaco, Lee Kwan Yew, Prime Minister of Singapore and Viscount Villiers for Lord Jersey to name but a few. Sydney Harpley's work captures the full grace of the female form. ''Girl on a Swing'' should be considered one of his finest works representing neo-romanticism in its purest form and arguably equivalent to some of the earlier work produced by Degas and Rodin of a similar theme.
Lot 486
Demetre H Chiparus (Romanian, 1888-1950): ''Innocence'' A Gilt and Patinated Bronze and Ivory Figure, circa 1925, modelled as a young girl wearing a gilt dress, on an onyx plinth signed D Chiparus, 25cm See illustration Provenance: Sotheby's Fine Art Decorative Arts and Design From 1870, 24 February 2004, Lot 282.
Lot 629
An Art Deco Walnut and Silvered Console Table, with a grey marble top, above a silvered frieze, above a reeded front, on a shaped scrolling support, on a plinth base, on two feet 127cm by 55cm, 97cm high See illustration Made for The Paramount Theatre, Leeds. The Paramount was opened in 1932. The table was used in the balcony foyer. The interior decorative work was by Chas M Fox. The architects were Frank Thomas Verity and Sam Beverley.
Lot 71
Small Roman gold finger ring with garnet Intaglio1st – 2nd century AD; diam. int. mm 11; gr 2,29; A small gold finger ring with garnet Intaglio depicting a butterfly on a plinth. Probably belonging to a child due to the smallness and for the presence of another little ring joined to it, perhaps for a twine to prevent loss. In Roman time butterfly symbolized the soul leaving the body.PROVENANCE:Ex Gorny & Mosch 235 (Munich, 16 December 2015), lot 312; formerly in the Dean collection (London), formed since 1960s.
Lot 93
An RAOC Rifle Association hallmarked silver challenge trophy, profusely inscribed with former winners names starting 1931, London 1922, on shield mounted plastic plinth 22cm high, gross weight 12oz, an RASC Boys Company Rifle Challenge Cup, hallmarked Birmingham 1929, 14cm high, 6oz and five other plated or pewter trophies/tankards (7)
Lot 1219
AN ORNATE SILVER HALLMARKED CHALICE ON PLINTH DECORTAED WITH A NEOCLASSICAL DESIGN. HALLMARKED LONDON 1907, MAKERS GOLDSMITHS & SILVERSMITHS COMPANY LTD (112 REGENTS STREET). PRESENTED TO WASHINGTON MG SINGER ESQ, ON HIS RETIREMENT FROM THE SOUTH DEVON FOX HOUNDS. APPROX 42 OZS, 30CMS HIGH.
Lot 54
"The Adoration of the Magi" with Saint Peter and Saint Paul. A carved ivory triptych - France, 19th Century ; ; on a wood and ivory plinth base. 40.1 x 27.6 x 4.8 cm, 10 55/64 x 10 9/32 x 1 57/64 in, weight 1310 gr. Item condition grading: **** good. Ce.S.Ar. Certificate of Antiquity"L'Adorazione dei Magi" con San Pietro e San Paolo. Trittico in avorio scolpito - Francia, XIX secolo; ; su base a plinto in legno e avorio. 40,1 x 27,6 x 4,8 cm, peso 1310 gr. Stato di conservazione: **** buono. Certificato Ce.S.Ar.
Lot 55
"Scenes from the Passion of Christ" . A carved ivory triptych - probably Spain, 19th Century; ; with traces of original polychromy, on a wood and ivory plinth base. 35.2 x 42.5 x 4 cm, 13 55/64 x 16 47/64 x 1 37/64 in, weight 1366 gr. Item condition grading: **** good. Ce.S.Ar. Certificate of Antiquity"Il ciclo della Passione di Cristo". Trittico in avorio scolpito - probabilmente Spagna, XIX secolo; ; con tracce degli originali smalti policromi, su base a plinto in legno e avorio. 35,2 x 42,5 x 4 cm, peso 1366 gr. Stato di conservazione: **** buono. Certificato Ce.S.Ar.
Lot 65
"Maria Theresa of Austria". A carved ivory equestrian figure - France/Russia, early 19th Century "Saint George and the Dragon". A carved ivory equestrian figure - France/Russia, early 19th Century; ; on a wooden plinth base with the inscription 24 June 1741. Her coronation as queen of Hungary took place in St. Martin's Cathedral on 25 June 1741 after she had spent months honing the equestrian skills necessary for the ceremony. 27 cm, 10 5/8 in high overall, base 20 x 9.5 cm, 7 7/8 x 3 47/64 in, weight 1450 gr. Item condition grading: **** good (some restorations). Ce.S.Ar. Certificate of antiquity signed G.J., on a wooden plinth base. 28 cm, 11 1/32 in high overall, base 20 x 9.5 cm, 7 7/8 x 3 47/64 in, weight 1395 gr. Item condition grading: ***** excellent. Ce.S.Ar. Certificate of Antiquity
Lot 85
A carved ivory Crucifix - France, late 18th / early 19th Century; ; standing on a gilt wood plinth base. 39 cm, 15 23?64 in high overall, base 13.5 x 7 cm, 5 5?16 x 2 3?4 in, Christ 18.4 x 13 cm, 7 1?4 x 51?8 in, weight 537 gr (sculpture 106 gr). Item condition grading: **** good (minor defects and repairs). Ce.S.Ar. Certificate of AntiquityAntique French carved Ivory Crucifix - Late 18th-early 19th CenturyCrocifisso in avorio scolpito - Francia, fine XVIII / Inizio XIX secolo; ; con basamento a plinto in legno dorato. Altezza totale 39 cm, base 13,5 x 7 cm, Cristo 18,4 x 13 cm. Peso complessivo 537 gr (scultura 106 gr). Stato di conservazione:**** buono (minori difetti e restauri). Certificato Ce.S.Ar.
Lot 86
A carved ivory Reliquary Crucifix - France, late 18th / early 19th Century; ; standing on a gilt wood plinth base with wax seal on the back. 57 cm, 22 7?16 in high overall, base 25 x 12.5 cm, 9 27?32 x 4 59?64 in, Christ 27 x 19 cm, 10 5?8 x 7 31?64 in, weight 1590 gr. Item condition grading: **** good (minor defects and repairs). Ce.S.Ar. Certificate of AntiquityCrocifisso porta reliquie in avorio scolpito - Francia, fine XVIII / Inizio XIX secolo ; ; con basamento a plinto in legno dorato e sigillo in ceralacca posto al verso del reliquiario. Altezza totale 57 cm, base 25 x 12,5 cm, Cristo 27 x 19 cm. Peso complessivo 1590 gr. Stato di conservazione: **** buono (minori difetti e restauri) Certificato Ce.S.Ar.
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173487 item(s)/page