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Lot 754
VICTORIAN BRASS INLAID ROSEWOOD MANTEL CLOCK with associated signed French brass movement by Victor Athanase Pierret, the white dial with Roman numerals, blued steel hands, the brass inlaid rosewood case of octagonal form, over a plinth base with single side drawer, on brass bun feet, 53cm high
Lot 764
FINE GEORGE III MAHOGANY LONGCASE CLOCK by Richard Marsh, Ipswich, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed 12 inch silvered brass dial with Roman numerals and outer Arabic seconds, subsidiary seconds dial at twelve, brass spandrels, pierced brass hands, encased in an architectural dentil hood with doric columns, contained in a waisted mahogany case, on plinth base with bracket feet, 237cm
Lot 723
EARLY TWENTIETH CENTURY MAHOGANY CASED HAC PORTICO CLOCK single train key wind movement, the circular dial with Roman numerals and painted floral decoration, pierced steel hands, housed within a four pillared mahogany portico case, on plinth base with bun feet, surmounted by a brass acorn finial, 33cm high
Lot 767
CARVED OAK GRANDMOTHER CLOCK the unsigned eight day three train movement with anchor escapement striking on gongs, the arched 7 inch brass dial with Roman numerals and outer Arabic seconds, three front winding holes, brass spandrels, encased in an oak hood with turned columns, contained in a waisted oak case, on plinth base with ball feet, 167cm
Lot 756
EBONISED CARVED OAK LONGCASE CLOCK the unsigned weight driven movement striking on a gong, the 10.5 inch gilt dial with Roman numerals, painted steel hands, the hood with carved floral decoration, the ebonised carved oak case with single glazed door, on plinth base with ball feet, 205cm high
Lot 758
EDWARDIAN LONGCASE CLOCK OF GEORGE III DESIGN by R. Andrew, Denny, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed arched 12 inch silvered brass dial with Roman numerals and outer Arabic seconds, subsidiary seconds and calendar dials at twelve and six respectively, painted pierced steel hands, encased in an arched hood with doric columns, contained in a waisted mahogany case outlined with boxwood stringing, on plinth base with bracket feet, 210cm high
Lot 777
GEORGE III CARVED MAHOGANY PROVINCIAL LONGCASE CLOCK of small proportions, by James Holms, Kilmacolm, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed 7.5 inch arched brass dial with Roman numerals, calender aperture at twelve, pierced steel hands, brass spandrels, encased in a pierced architectural hood with doric columns, contained in a waisted mahogany case, on stepped plinth base, 178cm
Lot 761
GEORGE III OAK COUNTRY MADE LONGCASE CLOCK by Pike, Barnstable, the unsigned weight driven thirty hour movement with anchor escapement striking on a bell, the signed 12 inch painted dial with Roman numerals, calender aperture at six, pierced steel hands, contained in a waisted oak case, on plinth base with bracket feet, 192cm high
Lot 752
TWENTIETH CENTURY MAHOGANY GRANDMOTHER CLOCK the unsigned eight day three train movement with anchor escapement striking on gongs, the 7.5 inch brass and silvered dial with Roman numerals and outer Arabic seconds, the dial signed Tempus Fugit with chime/silent lever at nine, encased in a moulded hood, with mahogany case, on plinth base, 170cm high
Lot 744
FINE GEORGE III MAHOGANY REPEATING BRACKET CLOCK maker James Cowan, Edinburgh, the signed brass twin train fusee movement striking on a bell, the engraved arched 8 inch brass dial with Roman numerals and two front winding holes, strike/silent dial to the arch, pierced blued steel hands, the arched mahogany case summounted by two brass finials, the body with two pierced side panels backed with yellow canvas, glazed front and rear doors, on stepped plinth base, 48cm high
Lot 762
EARLY NINETEENTH CENTURY OAK LONGCASE CLOCK the unsigned eight day two train movement with anchor escapement striking on a bell, the arched 12 inch painted dial with Roman numerals and outer Arabic seconds, subsidiary seconds dial and calendar aperture at twelve and six respectively, painted pierced steel hands, the arched hood with swan neck pediment and doric columns, contained in a waisted oak case, on plinth base with bracket feet, 227cm high
Lot 766
GEORGE III CHINOISERIE LONGCASE CLOCK by John Peat, Darlington, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed 11 inch engraved silvered dial with Roman numerals and outer Arabic seconds, subsidiary seconds and calendar dials at twelve and six respectively, pierced hands, contained in a lacquered chinoiserie case, on plinth base, 230cm
Lot 1870
A 20th century oak chest of three long over four long graduated stepped moulded drawers, on stepped plinth base, with maker's plaque 'Brynmawr Furniture Makers, Paul Matt Designer', 92cm wide. Illustrated Footnote: Brynmawr Furniture Makers Ltd was a furniture manufacturing company in Wales, established in the 1920's to provide jobs for local people to combat the severe economic depression in the area. Paul Matt was the son of and apprentice to Charles Matt, a Polish immigrant cabinet worker who made furniture to the designs of Charles Rennie Mackintosh, heavily influenced by the Arts and Crafts movement.
Lot 264
Victorian mahogany wardrobe, inverted breakfront with a moulded cornice, plain frieze, two central doors enclosing shelf, slides and drawers, long drawer below, flanked by full length doors enclosing hooks and rails and drawers, arched mouldings in carved corbels, plinth base, width 252cm, depth 78cm, height approximately 220cm.
Lot 285
Regency style mahogany dining suite, by Charles Barr, comprising set of twelve dining chairs, shield shape backs with pierced and carved vase splats, serpentine drop in seats, square tapering moulded legs joined by H stretchers, comprising two elbow chairs, width 57cm, height 98cm and ten single chairs, dining table, oval top with boxwood stringing and broad crossbanding, reeded edge, plain frieze, two turned and ringed columns each with three splayed moulded legs, brass paw feet, with two extra leaves, top 270cm x 110cm maximum, height 76cm, sideboard with a rectangular breakfront top with boxwood stringing, broad crossbanding, moulded edge, four frieze drawers above cupboards, plinth base, width 154cm, depth 46cm, height 90cm.
Lot 363
Victorian mahogany dressing table, carved pediment, rectangular adjustable mirror with bevelled plate above trinket drawers, base with rectangular top and moulded edge, two short and two long graduating drawers, with applied mouldings and turned handles, plinth base, width 124cm, depth 51cm, height 175cm.
Lot 1269
Regency period bracket clock with eight day twin chain fusee movement striking on a bell, adjustable pendulum, white enamel dial with Roman numerals and pierced hands, in a mahogany dome-top case with inlaid brass and ebony stringing, on a flared plinth, together with separate mahogany bracket, clock 42cm overall height, bracket 40.5cm wide (winding key and pendulum present) CONDITION REPORT General overall condition good. Movement dirty but appears to be in working order. Enamel dial has some damage around edge and winding holes are chipped. Case is good. Some minor damage and cracking to veneers. Rear door is damaged bottom corners and near lock
Lot 788
Impressive Chinese carved polychrome temple figure carved as a female deity in contemplation pose, seated on plinth base, 143cm high CONDITION REPORT Provenance acquired in the Far East by a private collector. All over general deterioration commensurate with age- flaking to paint/gesso, some surface shrinkage and cracks. All over considerable surface dirt, probably late 19th/early 20th century
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173444 item(s)/page