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An 18thC Sevres biscuit group of two lovers eating grapes, seated against a tree-stump encrusted with a fruiting vine and with a Spaniel at their feet, entitled `Les Mangeurs de Raisin`, and further incised `Bachelier`, and `1779` to the base, with impressed Sevres mark, on a detachable shaped ormolu plinth, 25cm high overall. Catalogue Note: This group was designed by Jean-Jaques Bachelier (1724-1806), after Francois Boucher. Jean-Jaques Bachelier was appointed Art Director at Vincennes in 1751, and invented this type of biscuit porcelain. Naturally he became the first of the sculptors at Sevres to favour the use of biscuit porcelain for such decorative figural pieces.
A pair of Regency rosewood and gilt metal mounted bedside tables, circa 1815, each rectangular top with canted corners and pierced three-quarter gallery, frieze drawer, four downswept supports and shaped plinth, four downswept legs with carved scroll feet, approximately 85cm high, 69cm wide, 50cm deep
A Victorian walnut, tulipwood and Sevres style porcelain inset side cabinet, circa 1870, gilt metal mounted throughout, pair of panelled doors centred by oval porcelain plaques depicting winged cherubs flanked by three galleried open shelves on each side, plinth base, 117cm high, 219cm wide, 49cm deep
A Derby style figurine, modelled as a lady in 18th century dress holding a fan wearing a cobalt blue coat standing upon a gilt decorated plinth base, height 25 cm, together with a Derby style figurine, modelled as a gentleman in 18th century dress wearing a turquoise robe standing upon a plinth base, height 26 cm, (A/F), (2).
Attributed to Josef Wind, a continental terracotta figural collection box cover, 19th century, modelled as a female bust, head and shoulders, with cut out money slot to rear of neck. The base modelled as a breakfront plinth, central panel depicting an organ player with gilt halo, flanked by panels with figural heads, bearing signature to plinth, height 55 cm, (restorations).
A Victorian mahogany triple section wardrobe, with moulded cornice above three panelled doors enclosing fitted interior upon plinth base, 209 x 196 x 58 cm, together with an Edwardian mahogany dressing table, 154 x 91 x 50 cm, together with a mirror door wardrobe, 180 x 88 x 40 cm, (lacking cornice), an Arts and Crafts style oak mirror and an oak bureau, (7).
"JOHN EBORALLS, WARWICK AN EARLY 19TH CENTURY OAK AND MAHOGANY THIRTY HOUR LONG CASE CLOCK having a hood with later swan neck pediment and inlaid decoration, flank fluted pilasters and brass capitals, mounted upon a trunk with waist panel door, quart" er pilasters and box plinth, the mechanism four pillar Clerkenwell type faced by a square painted dial with Roman calibrated chapter, 2.06m high
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173444 item(s)/page