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Victorian mahogany desk with raised central slope front section, rising to reveal a fitted interior, three drawers above a door enclosing four drawers on the left, a central folio recess, and an unusual cupboard on the right which swings open to reveal pigeon holes and shelves. On plinth base with castors, 49" wide
A pair of Volkstedt porcelain ewers, circa 1875, each moulded in high relief with an aquatic scene of nymphs frolicking with dolphins within rushes below a fawn moulded handle, shell moulded neck and dolphin moulded pedestal raised on a canted plinth base, picked out in pastel shades 14.5" high (2)
A Victorian mahogany eight-day longcase clock, the 14" arched enamel dial with roman numerals painted corner spandrels under a rolling moon, the hood with swan neck pediment over arched glazed hood door flanked by spiral turned front corner pilasters over a gothic arch trunk door, flanked by front corner spiral pilasters on a crossbanded box base and cut out plinth, 87" high
A George III eight-day longcase clock, the 12" square brass dial signed John Owen, the 2.25" chapter ring having both arabic and roman numerals with centred subsidiary seconds dial and date aperture within scrolling leaves, the pierced corner spandrels of floral and leaf design, the movement striking on a single bell, the hood with plain moulded cornice over a square glazed hood door with three-quarter front corner pilasters over an arched long trunk door with shaped brass key escutcheon on a box base and later plinth, the interior of the case has a depository label for Brown & Co (Chester), Ltd’, No.197029, Warehouse, Chester, 81.5" high. John Owen is listed as working as listed circa 1780 in Llanrwst, Wales
A late George III oak crossbanded mahogany 30 hour longcase clock, the 12" painted dial with ring of arabic numerals signed Edward Matthews, Welshpool, with centred subsidiary date aperture and painted with a Bird of Paradise to the centre with painted corner spandrels, the hood with swan neck pediment over square glazed hood door flanked by tapering fluted front corner hood pilasters over a short mahogany crossbanded trunk door with central lozenge inlay, flanked by short baluster front corner pilasters on a box base and cut out plinth, 82" high
A brass carriage alarm clock by Margaine, circa 1885, the 2" white dial with ring of roman numerals over a subsidiary alarm dial with ring of arabic numerals, the back plate stamped on the lower left corner with Margaine emblem stamped just above the number 082, the base cover stamped 17082, the case with brass swing handle over a bevelled oval inspection glass above rectangular plain bevelled glass sides on a cut-out plinth base in original leather bound hinged lid carry case with sliding front, 4.5" high. Francois-Arsene Margaine, Rue Beranger 22 and Rue Bondy, 54 Paris
A Victorian bird’s eye maple veneered tall boy stamped 'Gillows, Lancaster’, the rectangular top with moulded edge over three frieze short drawers, two short and three long drawers, all fitted with turned wooden handles on a plinth base, the top centre drawer stamped 'Gillows, Lancaster’, the lock plates stamped 'C & C’. 38" wide, 54" high, 22" deep
A Victorian mahogany pedestal kneehole desk in the manner of Gillows, Lancaster, the top with three-quarter gallery over a central frieze drawer and scroll moulded arched kneehole flanked by three short tapering drawers to each side, all fitted with turned wooden handles on a plinth base, 51.5" wide, 32" high, 25" deep
A mahogany credenza, circa 1820, the flame veneered top over a plain frieze and two central cabinet doors with gilt metal diamond pattern grills with ruched silk behind revealing two adjustable shelves on peg supports flanked by two open serpentine end cabinets, each with two fixed shelves flanked by end rectangular panel moulding on a plinth base, 54" wide, 37" high, 14.5" deep
A Victorian mahogany partner’s desk, circa 1880, the top with later Rexine insert over a central long drawer flanked by two short frieze drawers with matching opposing drawers, the pedestals with three short graduated drawers to each side with opposing single cabinet door on a plinth base, the drawers fitted with later Bakelite knob handles, 72" wide, 29.5" high, 45" deep
An oak longcase clock the eight-day two-train movement with anchor escapement and rackstrike on a bell the arched brass 11 3/4in foliate engraved dial with Roman numerals Arabic five minute divisions subsidiary seconds dial and date aperture within foliate cast spandrels with masks the arch with a boss inscribed John Smith Sleaford within dolphin spandrels the hood with pagoda pediment with central ball and eagle finial and a pair of ball and spire finials the trunk with domed-top door and plain plinth 234cm high
A George III mahogany longcase clock the eight-day two-train movement with interior countwheel strike on a bell the countwheel on the striking train the arched brass 12in dial with Roman numerals Arabic five minute divisions subsidiary seconds dial and date aperture the arch with a disk inscribed Thos. Allen Deptford the hood with domed pediment and brass capped Doric pillars the trunk with domed-top door and plain plinth base 229cm high See G.H. Baillie Watchmakers & Clockmakers of the World (1974) where a Thomas Allen of Deptford is listed ante 1789
A mahogany longcase clock 19th century the eight-day two-train movement with anchor escapement and rackstrike on a bell the 12in square painted dial with Roman numerals subsidiary seconds dial crescent date aperture and inscribed Scovell Newbury the hood with swan-neck pediment and a pair of brass-capped fluted pillars the trunk with rectangular door and panelled plinth the case with pale-wood banding 206cm high (hour hand broken)
A George II oak cased longcase clock the two-train outside countwheel bell striking movement with four wheel trains narrow diamond barrels and anchor escapement the plates grooved for dust shutters (lacking) the 11in square brass dial with recessed seconds dial calendar aperture and ringed winding holes to the foliate engraved matt centre the silvered Roman numeral chapter ring with foliate half-hour markers Arabic five-minute and signed Philip Antrobus to the lower edge with female mask spandrels the caddy-top case with integral hood pilasters over rectangular trunk door and plinth base 200cm high
A William and Mary/Queen Anne arabesque marquetry eight-day longcase clock early 18th century the inside countwheel bell striking movement with lined pillars (one removed) and anchor escapement the 12in square brass dial with subsidiary seconds dial foliate border engraved calendar aperture and ringed winding holes to the matted centre the Roman numeral silvered chapter ring with stylised fleur-de-lys half-hour markers Arabic five-minutes and signed John Eagle Lothbury London to lower edge with twin cherub and crown pattern spandrels and herringbone band engraved border in a case with moulded cornice over integral pilasters to hood over long trunk door with lenticle above conforming plinth base inlaid with tight foliate scroll designs throughout 225cm high (movement and dial associated to case Provenance: The Old Rectory Peasemore See G.H. Baillie Watchmakers & Clockmakers of the World (9th ed. 1974) where John Eagle is listed as an apprentice 1683 and of the Clockmaker’s Company 1690-1712
A late 19th century French alabaster and gilt-metal mounted mantel clock the eight-day two-train movement with outside countwheel strike on a bell and half-hour pass strike the round dial with gilt-metal Roman numerals and mounted in a plinth base with presentation plaque and surmounted with a classical maiden on an ebonised wood base 39cm high (some damage)
A Victorian rosewood mantel clock for Charles Frodsham the French eight-day two-train movement striking on a bell the back plate stamped C.F and CHAS. FRODSHAM CLOCKMAKER TO THE QUEEN PARIS and numbered 29106 the round enamelled dial with Roman numerals Breguet hands and inscribed CHAs FRODSHAM To The Queen in a rectangular case with plinth base 23cm high
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