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Lot 340
A good Victorian mahogany open bookcase, the reeded rectangular top above a plain frieze over three sections, each with adjustable shelves and interspersed by uprights with scroll carved corbels, raised on a plinth base, 168cm wide x 37cm deep x 132cm high Overall - nice colour and ok. Old well-patinated scratches, score marks and dents to top. Some minor chips, including the plinth.
Lot 504
AFTER UGO CIPRIANI (URIANO) (Italian, 1887-1960), - An Art Deco silvered and black patinated spelter figure of a young girl wearing a flowered two piece, with her left hand raised to her face, seated on a marble and onyx plinth flanked by a pair of borzoi, on an angular serpentine base, 23 1/2" wide (Est. plus 21% premium inc. VAT)generally good
Lot 703
A DANISH TEAK DINING SUITE by Skovby, mid 20th century, comprising display cabinet with three glazed doors over protruding base with three cupboard doors, on plinth, 60 1/2" x 19" x 71 3/4", ensuite with an extending dining table with two leaves, 59 1/2" x 39 1/2", and six chairs, the padded open backs and seats in oatmeal tweed, on square tapering legs (8) (This item is offered for sale as a work of art. It may not comply with the Furniture & Furnishings (Fire) Safety Regulations 1998 and for this reason, it should not be used in a private dwelling) (Est. plus 21% premium inc. VAT)Wood work in very good condition and structurally sound bar minor fading to table D ends, no tears to upholstery but nicotine stained
Lot 721
A VICTORIAN BURR WALNUT PIER CABINET with stringing and gilt metal mounts, the frieze inlaid with zigzag banding, glazed door below enclosing shelving and flanked by turned tapering columns, on plinth, 32 1/2" x 14" x 40 3/4" (Est. plus 21% premium inc. VAT)Generally very good condition bar minor fading, all applied metal intact
Lot 728
A VICTORIAN SATIN BIRCH STRAIGHT FRONT CHEST of rounded oblong form with rosewood banding, moulded edged top over two short and four long graduated drawers with turned wood handles, on plinth, 48" x 23 1/4" x 48 1/4" (Est. plus 21% premium inc. VAT)Generally very good condition bar minor fading, also some scuffing to plinth and minor loss to veneer at lower edge of left front corner. All escutcheons and handles intact. Minor shrinkage splits to top and and some scratching.
Lot 751
A REGENCY ROSEWOOD WRITING DESK of shallow oblong form, the panelled fallfront flanked by brass candle sconces and opening to fitted interior with drawers and pigeon holes over a sliding pen tray flanked by both lidded and open small compartments, the fallfront interior with green leather lined skiver over three hinged compartments, two recessed panelled doors below flanked by lotus carved columns, on plinth, 36 3/4" x 15 1/2" x 46 1/4" (Illustrated) (Est. plus 21% premium inc. VAT)Minor fading to fascia and lacking two lifting tabs to scriver compartments, otherwise very good
Lot 754
A SMALL VICTORIAN WALNUT FREE STANDING OPEN BOOKCASE of stepped rounded oblong form, the four shelves with leather trim and pierced fret panelled sides, on plinth with recessed brass castors, 26 3/4" x 17 3/4" x 35" (Est. plus 21% premium inc. VAT)Small split to veneer centre top and minor losses nearby, some losses to leather trim, and some losses to three of the fretwork panels
Lot 39
THREE SWAROVSKI LOTUS CANDLE HOLDERS AND A BUDDHA Comprising a three lotus flower candlesticks of various size, the Buddha modelled seated on a black plinth base Large lotus 7cm high x 13cm; Buddha 9cm high; Pair of smaller lotus 6cm high x 9.5cm Condition: The glue to one of the lotus petals from the largest candle holders has deteriorated and the petal is detached and in need of re-gluing. One or two very small chips to one of the smaller flowers. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 94
Continental,Art Deco figure of a dancer, gilt art metal with cold painted detailing, raised on an onyx plinth, height 28cm.Condition report:Good original colouring, only some random wear and scratching to the raised leg/ knee, and raised arm. The nose end has also lost the clouring. The figure's right hand has lost the little finger. Not immediately evident as it has darkened along the broken surface but it is missing nonetheless. The figure stands upright. No significant chipping to the onyx base. No evidence of a signature.
Lot 103
A pair of George IV mahogany press cupboards,c.1825, with brass stringing, each having two doors with a silk back, brass grilles within pilasters with applied gilt-brass acanthus leaf mounts, over three drawers with original brass knob handles and a plinth base,144cm wide61cm deep214cm high (2)Provenance: The Estate of Jasper Gibbons Grinling, late of The Old Vicarage, Helions Bumpstead, Essex.Condition ReportThere is slight divergence in the style of the doors, but otherwise appear a pair.Converted into a hanging cupboard. Slides missing. Brass stringing lifting to frieze. One corner of cornice loose and with minor losses. One piece of moulding missing.2. Complete with slides. Damage to one corner of cornice. Brass stringing lifting to frieze below doors. Water damage to front. Some moulding missing and replaced. Old splits to right hand door around the hinges.
Lot 156
A pair of Directoire bronze and gilt candlesticks,c.1795, each urn-shaped nozzle supported by a standing cherub on milled feet and a square white marble plinth,11.5cm wide40cm high (2)Condition ReportOne of the gilt ormolu mounts is loose, cracked acroos screw head fixing, but presentThe other has a bent handle to the Urn nozzleThere are chips and nibbles to the corners and edges of the marble plinths
Lot 158
A biscuit porcelain portrait bust of Napoleon by Sèvres, dated 1807, French, after the model by Antoine-Denis Chaudet, stamped and inscribed to the front of the base, the back with incised marks for Alexandre Brongniart and Alexandre Brachard, dating its execution to 30 March 1807, 15.5cm wide15cm deep29.5cm high, on a later rouge griotte and ormolu plinth (2)Literature: T Préaud, 'The Sèvres Porcelain Manufactory, Alexander Brogniart and the Triumph of Art and Industry, 1800-1847', 1997, pp. 345-346.This bust is after the marble original by the French sculptor Antoine-Denis Chaudet, and in 1804 the Sèvres factory, under the stewardship of director Alexandre Brongniart, secured the rights to reproduce the image in biscuit porcelain. In 1807, these busts were produced in two sizes, this being the smaller, to be displayed in offices throughout France, as well as being given as diplomatic gifts. Alexandre Brachard (1775-1830) is recorded at having worked at the factory intermittently from 1784-1827. A larger example 'of first magnitude', executed by Brachard on 18 June 1807 is in the Uffizi Gallery in Florence, inv. Pitti Objects of Art 1911 no. 486.Condition ReportSome slight dirt in places, which appears to be able to be removed by a light clean. Some small apparent old chips to the body, some of which appear to have been filled; some of these may also be manufacturing imperfections. One small break and repair to back left corner, with a very small amount of loss. Some further blemishes, including beneath the jaw and to the neck. Some firing cracks to base and interior. Overall appears in fairly good structural condition, with perhaps a small amount of cleaning and cosmetic attention required. General light wear to marble base. Please view additional photos for reference.
Lot 210
A carved and pierced hardwood cabinet, late Qing dynasty (1644-1911), Chinese, of multistage form, decorated with flying dragons, fruit, flowers and bamboo, raised on squat cabriole feet and a plinth base,120cm wide40cm deep194cm highCondition ReportGeneral surface wear and scratches. Some small splits, knocks, chips and losses. Larger splits to backboards. The bottom drawer to the top section is lacking its stops, therefore pushes in a little further than it should. Some separation to joints in places, although the whole piece is mostly structurally solid and sound. Lacking key for cupboard door. Overall appears in fairly good structural and cosmetic condition, with expected wear and light damage commensurate with age and use. Left hand pierced panel with damage and glue repair.
Lot 237
A carved wooden form in the manner of Dame Barbara Hepworth,of recent manufacture, pierced with a single eyelet, raised on an ebonised wooden plinth, 10cm wide7cm deep36cm highCondition ReportGeneral light surface wear and some small scratches. General light wear to plinth. Overall appears in good cosmetic condition.
Lot 31
A plaster portrait bust, of recent manufacture, depicting Julius Caesar, on an acanthus-decorated bracket,39cm wide25cm deep71cm high overall (2)Condition ReportSome small chips, knocks and losses to both bust and plinth. Some splits to wooden elements of bracket. Overall appear in fair cosmetic and structural condition.
Lot 43
A George III mahogany dressing chest, c.1770, of serpentine outline, the moulded top above four graduated cockbeaded drawers, the uppermost example with a fitted interior, set between stop-fluted column pilasters, raised on a plinth base terminating in concealed lignum vitae castors, 117cm wide 61cm deep 85cm highCondition ReportGeneral knocks, scratches, surface wear, fading and discolouration throughout commensurate with age and use. Some small chips, losses and minor repairs to veneer. One fine split to each side. Some small losses to cockbeading and moulding throughout. Drawers run smoothly. The top drawer lacking mirror and some other fittings. Rear castors worn down a little. Joints generally tight and solid. Splits to oak drawer linings. One escutcheon missing. Lower right handle lacking one plate and is loose. Overall in fair structural and cosmetic order, with the need for a little cosmetic attention, however could be used in its current condition.
Lot 45
A pair of grand tour bronze urns by the workshop of Benedetto Boschetti, mid-19th century, Italian, each body decorated by trailing ivy and gadrooned detail, set between a pair of ram head handles, on a spreading circular base stamped 'B. BOSCHETTI ROMA', raised on a black and serpentine marble plinth,19cm wide15cm deep39cm high (2)The workshop of Benedetto Boschetti, active c.1820-1870 on the Via Condotti in Rome, was well known for the high quality of its works 'after the antique'. The workshop had a strong reputation and, in 1856, S Bonfigli noted that 'The establishment is particularly conspicuous for its great variety of marble works, bronzes etc' (A González-Palacios, 'The Art of Mosaics', 1982, p.166) and the works produced were highly sought after by the young and wealthy 'grand tourers' of the 19th century. Considered ‘the most eclectic virtuoso and certainly the most visionary of all the marmorari', Boschetti himself is recorded as having won a prize medal at the Great Exhibition in London in 1851, and a bronze 'Augustus Caesar' from his workshop was exhibited at the 1876 Centennial Exhibition in Philadelphia. Condition ReportOne has sustained a bit of damage in transit, resulting in the upper part of the marble plinth becoming detached, as well as the body of the urn having come unscrewed from its base, with the screw threaded - both of these issues could do with professional attention in order to rectify them. That said, both stand properly and no damage is visible when standing. Otherwise, both with general light knocks and surface wear. Some chips and knocks to corners and edges of marble plinths. Small crack to the damaged marble plinth. General wear commensurate with age and use.
Lot 60
A grand tour patinated bronze bust of Lucius Verus,19th century, on an integral square plinth, 19cm wide14cm deep39cm highCondition ReportGeneral light rubbing and surface wear. One or two small knocks, including two marks to the chest. Overall appears in good cosmetic and structural condition.
Lot 62
An ebonised and parcel-gilt console table, late 19th century, the rectangular top above an egg-and-dart moulded frieze, with caryatid supports and a mirrored back, raised on a shaped plinth base,172cm wide55cm deep101cm highCondition ReportVeneer appears to be stained to resemble ebony. Some small chips, knocks and losses to ebonised veneer. Scratches and marks to top. Areas of retouching to the gilding. Breaks and losses to caryatids, both with right arms/ hands loose. Old cracks, breaks and repairs to both figures. Some light foxing and mottling to plate. Backboard looks to be original. A small amount of wobble in joints. Overall in fairly sturdy structural condition other than the figural supports, but could do with some cosmetic attention.
Lot 279
A contemporary mahogany table top cabinet. With a glass panels to the front and sides, the hinged door opening to reveal five adjustable shelves, on plinth base, L39cm x D27cm x H77cm Condition Report: Overall condition appears to be good, with surface marks and wear in places commensurate with age and previous use.
Lot 361
A 20th century pine dresser. The upper section with three plate shelves, the base with a rectangular top and three drawers, two panelled cupboards and a dog kennel, on plinth base, L186cm x D53cm x H206cm Condition Report: Generally in good condition. Shows wear including scratches, water marks, knocks etc consistent with age and usage. Internal shelves to the lower cupboards appear to have been replaced and subsequently the doors to not shut correctly. SOme slight splits to the wood. Structurally sound with no signs of worm or damp damage.
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173487 item(s)/page