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A Victorian oak, walnut and satinwood side cabinet, circa 1870, the rectangular top with an acanthus border, above a scroll carved frieze drawer and two cupboard doors inset with two oval and two carved walnut panels depicting a mother and child afront a statue and putto playing, with scroll bracket and a plinth base, 107cm wide x 136cm high x 48cm deep.
A statuette of Francis Humberston McKenzie, with marks for Birmingham 1935, maker Elkington & Co, naturalistically cast wearing early 19th century full Regimental Highland dress uniform of the Seaforth Highlanders, mounted on a waisted square section ebonised plinth Height 36cm Francis MacKenzie Humberston, or Francis Humberston McKenzie, Baron Seaforth and MacKenzie (1754-1815), was a descendant of the old Scottish earls of Seaforth and twenty-first Caber Feidh (caberfae) hereditary clan chief of the MacKenzies. Despite suffering an attack of scarlet fever at the age of twelve which permanently destroyed his hearing and, for a time, deprived him of speech, Seaforth went on to enjoy a distinguished career as a military leader and politician. He was also a great patron of the arts generously supporting artists such as Thomas Lawrence and Benjamin West. In 1800 he was appointed Governor of Barbados and famously campaigned against the slave trade. However, his later years were darkened by calamities and personal suffering including the death of three of his sons, debts and the sale of his estates. His death in 1815 is believed to have fulfilled a prophecy which foretold that in the days of a deaf and dumb Caber Feidh the ‘gift-land’ of the house should be sold and the male line of Seaforth come to an end.
A very rare near pair of pipe smoking Staffordshire spaniels circa 1850, each seated with separately moulded front legs, with russet patched decoration, black muzzle and gilt collar and holding a pipe in its mouth, each raised on blue painted, scroll moulded, oval plinth base 8.25" high (2). These models were inspired by the prints of Sir Edwin Landseer, notably his 1840 print entitled "A Quiet Pipe" showing a hound enjoying a clay pipe of tobacco
A Charles Vyse figure of Market - Day, Boulogne - Vegetables, introduced in 1930, modelled as a seated lady wearing a patterned purple dress and holding a cauliflower, with two baskets of produce at her feet including artichokes, beetroot, carrots etc, incised " C VYSE 1931, CHELSEA" raised on a black painted canted plinth base
A Victorian mahogany eight-day longcase clock, the arched enamel dial signed ÔThos Hayward, Wrexham’ with ring of roman numerals, centred subsidiary seconds dial and date aperture under a rolling moon, the movement striking on a single bell, the hood with swan neck pediment over double baluster turned front corner hood pilasters flanking an arched hood door over a gothic arched short trunk door flanked by double baluster turned front corner pilasters on a crossbanded box base and cut-out plinth, 82" high
A late George III oak floor standing straight fronted two-sectional corner cupboard, circa 1800, the top section with twin two panel doors revealing two shaped fixed shelves with later boarded back, the bottom section with two single panel doors revealing two fixed shelves on a plinth base (with repairs and renewals), 42" wide,. 89" high
A large Victorian mahogany mirror back inverted breakfront four door chiffonier, the arched mirror with acanthus moulded show frame over three secret frieze drawers and four single panel cabinet doors with acanthus corner mouldings on an inverted breakfront plinth base, 84" wide, 65" high, 27" deep
A Victorian walnut and marquetry piano top Davenport writing desk, circa 1860, the hinged top revealing a central short drawer flanked by stationery compartments over pull-out ratchet writing surface flanked by pen trays and ink bottle wells over a cabinet base with a two panel glazed door with open fret decoration flanked by turned and fluted leaf carved front corner pilasters on a cut-out plinth base with manufacturer’s label ÔOetzmann & Co, London’ on the reverse, 23" wide, 38" high, 19" deep
A Victorian mahogany wardrobe/ chest, circa 1850, the ogee moulded cornice over a flamed veneered frieze, the central section of seven graduated long cockbeaded drawers fitted with turned wooden handles under a C scroll and leaf carved pediment, the two single panel end doors with heavy top corner leaf mouldings revealing a hanging interior on an inverted breakfront plinth base, 86" wide, 88" high, 22" deep
Henry Dasson, (1825-1896), a Louis XVI style mahogany pedestal with gilt bronze mounts signed ÔHenry Dasson 1890’, the square top with canted corners over a ribbon moulded gilt bronze border, the frieze of four panels depicting gilt bronze leaves and flowers over four gilt bronze ram’s head capital mounts united by leaf and berry garlands over a square tapering column with canted corners and tapering panels within gilt bronze beaded borders on a square plinth with canted corners and leaf moulded gilt bronze bands, 41.5" high, 12" square.. Note: Henry Dasson, 106 Rue Ville-du-Temple. (1825-1896) Important Furniture Manufacturer with high quality mercurial gilded mount, specialising in copies of 18th century exhibited Louis XV and XVI pieces. His business closed in 1894.
A Victorian walnut serpentine credenza, the white veined marble top over a plain frieze and two oval panelled mirror doors with flower and leaf mouldings revealing a single fixed shelf flanked by canted corners and scroll and leaf top and bottom mouldings on a plinth base, 47" wide, 34" high, 15" deep
A 19th century mahogany collectors cabinet of Wellington chest design with twelve graduated drawers with brass floret knob handles (one odd) enclosed by hinged pilasters on a plinth base formerly with bun feet. 27in. (58cm.) wide x 3ft. 4in. (1.02m.) high. /t (see previous lot for illustration)
An early oak longcase clock, with 10in. arched brass dial inscribed 'Abraham Weston, Lewes', decorated with engraved scrolls and spandrels, fitted thirty-hour striking movement, the hood with domed top, the arched glazed panelled door flanked by turned pilasters, an arched panelled door to the trunk raised on a cut-away plinth base, 18in. x 82in. high.
An early 19th Century Scottish mahogany longcase clock, the white enamel dial inscribed 'P. McFarlane, Glasgow', with painted roman numerals, subsidiary seconds and date dials, fitted eight day movement striking on a single bell, the cylindrical hood with carved scrolling decoration, the circular glazed panelled door above a tapering panel door to the trunk with canted sides, raised on a plinth base with bun feet, 18 1/2in. x 83in. high. (see lot 1247 for illustration)
A George III oak longcase clock, with 12in. brass dial with silvered chapter ring and subsidiary seconds dial and date aperture, an engraved boss to the arch inscribed 'Cha. Stoddart, Morpeth', the hood with swan neck pediment surmounted by a brass sphere above the glazed panelled door flanked by brass-mounted pilasters, an arched panelled door to the trunk below, raised on a cut-away plinth base, 18 1/2in. x 88in. high.
A Regency mahogany bracket clock by Molineux of Blackheath, fitted eight day movement striking on a single bell, the case with overhead handle and decorated with inlaid brass moulding, stringing and foliate motifs, raised on a plinth base with brass ball feet, 12in. x 20in. high. (see lot 1257 for illustration)
A Victorian faded mahogany officer's campaign secretaire chest, with an arrangement of three long and three short hardwood lined drawers surrounding the central secretaire drawer, with baize-lined folding section opening to reveal the writing slope, pigeonholes, a short drawer and storage compartment, fitted Chubb's patent lock and inset copper handles, raised on a plinth base with detachable turned feet, 42 1/2in. x 21in. x 45in. high.
An Art Deco satin birch cocktail cabinet, in the style of Waring and Gillow, with a pair of fluted panelled doors opening to reveal a mirror-backed interior with a further pair of panelled doors enclosing a bottle stand, flanked by a pair of panelled doors enclosing shelves, raised on curved end supports and plinth base, 52in. x 65 1/2in. high.
A George IV mahogany bookcase, with two pairs of astragal doors enclosing adjustable shelves, two pairs of panelled doors below enclosing adjustable shelves, decorated with ebonised roundels, raised on a plinth base, bearing the Spillman & Co., St. Martin's Lane London trade label, 102in. x 17 1/4in. x 96 1/2in. high.
A Georgian style partner's mahogany pedestal desk, the top with inset green tooled leather surface, fitted an arrangement of nine short drawers to one side, three short drawers and a pair of panel doors to the other fitted moulded brass handles, raised on plinth bases, 66in. x 42in. x 30in. high.
A twenty-key barrel organ with automaton monkey violinist probably Thibouville Lamy circa 1860 the monkey dressed in knee breeches and tailcoat seated in a room setting with gilt mirrors over the barrel organ mechanism all in rosewood and simulated rosewood case; the lower section centred with a marquetry urn of flowers on plinth base (a.f.) H 83.5cm W 49.5cm
An Edward VII silver presentation twin-handled trophy vase of waisted cylindrical shape supported on a waisted pedestal and swept plinth base on four scroll and shell bracket feet bearing the inscription Presented to Sir William H Raeburn Bt. L.L.J.P. Chair of the Clyde Navigation Trust by the chief officials of the Trust on his retiral.....during which he had invariably encouraged and inspired them in their duties 5th November 1929 Birmingham 1926 Edward & Sons Glasgow (handles now missing); with associated vellum presentation document H 38cm 34oz
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173444 item(s)/page