A good George II walnut longcase clock, the 30cm arched square dial inscribed John Pyke, London, subsidiary seconds dial and date aperture, pierced steel hands, silvered chaptering with Roman and Arabic numerals, strike/silent dial to arch, pierced brass spandrels, twin winding holes, eight day movement striking on a bell, the hood with lofty bell canopy with pierced blind fret panel above an arched door flanked by fluted columns, long arched door to waist, stepped plinth base, outlined throughout with boxwood and ebony stringing, 250cm high, c.1735
We found 173487 price guide item(s) matching your search
There are 173487 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
173487 item(s)/page
A good burr walnut three-piece bedroom suite, comprising triple wardrobe, chest and dressing table, the wardrobe with arched rectangular cornice applied with two shells dividing three shaped rectangular doors with opposing hanging rail and drawers, pierced brass escutcheons, axe head swing handles, plinth base, ogee bracket feet, the chest of three drawers and dressing table conforming, the wardrobe 190cm wide, 220cm high, the chest 115cm wide, c.1925
A Victorian mahogany cylinder bureau bookcase, outswept cornice above arched glazed doors, enclosing two adjustable shelves, the retracting cylinder enclosing a sliding tooled ratchet writing surface, pigeon holes and maple fronted drawers above a pair of arched panelled doors flanked by leafy brackets, plinth base, 121cm wide, 228cm high, 56cm deep, c.1860
An oak and mahogany cross banded and inlaid longcase clock, early 19th century, the broken scroll swan neck pediment above a square glazed door flanked by turned pilasters and enclosing a 12" white painted enamel dial with Roman numerals and date aperture and marked J Cooper, Wolverhampton, the centre painted with an exotic bird and basket of flowers, the corners painted with birds and flowers, 30 hour movement, striking on a bell above a mahogany cross banded frieze and short trunk door, inlaid with a foliate lozenge motif to the centre over a cross banded panel and flanked by fluted quarter pilasters over an ogive moulding and cross banded base board and detachable plinth, moulding losses, 80" high
An oak and mahogany cross banded cottage longcase clock, early 19th century, the broken scroll pediment with brass stamped flower head terminals, above a square glazed trunk door, flanked by fluted brass capped pilasters enclosing a 13" painted enamel dial with Roman numerals, date aperture and marked J N Peacock, K Y Stephen, florally painted to the centre and with faux reeded fan corners, 30 hour movement, striking on a bell above a short cross banded trunk door and moulded tablet, flanked by inset corner columns, over an ogive moulding and cross banded base board and plinth, 79" high
A pine cottage longcase clock, 18th century, with restorations, the moulded cornice above a square glazed door, flanked by turned three quarter pilasters, enclosing a 10" brass dial with matted centre and silvered chapter ring with Roman numerals and marked Taylor Petworth, within foliate pierced corner spandrels, single hand, and 30 hour movement striking on a bell, above a full length square top trunk door, ogive moulding, baseboard and stepped plinth, 74" high.
An oak cottage longcase clock, 18th century, the shaped pediment above an ogive moulding and pierced frieze over a glazed trunk door, flanked by turned three quarter pilasters, enclosing a 10.5" square brass dial, with matted centre, Roman numerals and pierced mask spandrels, eight day movement, striking on a bell above an ogive moulding and full length trunk door over a further cushion moulding, plain baseboard and stepped plinth, 79"
An oak and mahogany cross banded cottage longcase clock and associated dial, the case early 19th century, with carved swan neck pediment and ogive cornice, above a glazed square door flanked by square columns, and with later carved foliate border and marbled slip frame, pulling forward to reveal an 9.5" square brass dial, early 18th century, with Roman numerals and foliate engraved centre, marked William Nock, Bridgnorth, pierced steel single hand, mask centred pierced spandrels, 30 hour movement, striking on a bell, above an ogive moulding and full length square top, cross banded trunk door, further ogive moulding, plain cross banded baseboard and later plinth, 83"
An Edwardian mahogany and boxwood strung and inlaid mantel clock, circa 1905, the lancet case surmounted by ball finials, enclosing a 6.5" white enamel dial with arabic numerals, eight day movement striking on a gong, fluted brass capped pilasters, lozenge inlaid lower panel and raised on a stepped plinth and four compressed bun feet, 14.5" high
A Victorian black marble mantel clock, late 19th century, with a shaped pediment above an architectural frieze of classical figures and 4.5" two piece annular dial with arabic numerals and brocot escapement, flanked by four corinthian capped fluted columns, raised on a stepped plinth, eight day movement striking on a gong, 15"
A William IV rosewood side cabinet, circa 1835, the rectangular top above two arched glazed doors, enclosing shelves and flanked by arched panel cupboard doors, mounted with lotus wrapped pilasters and applied with flower head mouldings, later gilt paper panels, enclosing shelves over a cushion moulding and raised on a plinth base, 51" wide, 16" deep, 37" high
A Victorian mahogany chiffonier, circa 1860, with shaped panel back and bowed front over a frieze drawer and two papier mache panel cupboard doors, painted with flowers, enclosing a single shelf between canted outfacing corners, applied with scroll brackets and raised on a plinth base, 50" wide, 21" deep, 60" high
A Dutch walnut chest of drawers, 18th/19th century, the rectangular mitred top with lunette carved bevelled edge, above two short and two long bevel drawers, carved with heads, a boar hunt and drinking scenes respectively, over a lunette carved plinth and on compressed bun feet, the sides carved with leaf panels, 42" wide, 24" deep, 32" high
A George III oak and mahogany cross banded and inlaid full height corner cabinet, circa 1800, the stepped moulded cornice above a boxwood and harewood conche shell and flowerhead inlaid frieze, over two panel cupboard doors, centred by boxwood conche shell motifs, within pergola surrounds and enclosing three serpentine front shelves, and a later drop down serving shelf, over two conforming panel cupboard doors and plinth base, between fluted canted angles, 40" wide, 18" deep, 83" high
A Victorian rosewood marble top chiffonier, circa 1860, the mirror back in foliate carved frame, over a serpentine marble top and bow front frieze drawer, the foliate moulded bowed cupboard door with vacant centre, between cabriole leg applied brackets and raised on a plinth base, 52.5" wide, 19" deep, 64" high
A German rosewood and thuyawood marble top secretaire abattant, Biedermeier style, third quarter 19th century, the marble top above a frieze drawer, flanked by flowerhead carvings over a fall front enclosing a birds eye maple lined interior of short drawers, over three long drawers and raised on an ebonised plinth and ebonised bun feet, 33" wide, 20" deep, 56" high
A mid 19th century Russian ormolu, malachite and carnelian mounted desk set, each piece engraved with foliate scrolls and set with cabachon stones, comprising an ink stand, the malachite screw top enclosing a glass ink well above tapered fluted sides set with dragon handles, the swept and plinth base with scroll work pen rest on four stylised dolphin feet, 10.5cms wide. a pen wipe, the brush with line finial above a square blue glass column, on a counted square base with nib drawer, 9.2cms high, a taper stick, the nozzle set on a naturalistic branch stem forming a looped handle, on a quatrefoil dished base, with four ball feet, 7.5cms wide and a pounce tazza, the oval agate bowl supported by a figure of a cherub on a domed circular base, 9.2cms high
Late 19th century Meissen figure of 'Ada Cavendish as Julia in the Hunchback', holding a fan in her right hand and wearing a white gown with floral painted borders, on an octagonal shaped plinth base inscribed 'I'll set a pattern to your lady wives', the base inscribed with the title of figure, inscribed model number J188, underglazed blue cross swords mark, (head restored), 24.6cms high
A pair of empire style ormolu three light candelabra, late 19th century, the vine cast nozels supported by three scrolled branches around a central flame finial, supported by a figure of a winged angel on a knopped stem with diaper and guilloche cast borders with an acanthus leaf cast collar, on a white marble plinth, 52.3cms high (2)
A late Victorian mahogany and ormolu mounted musical bracket clock, by Lund and Blockley, 42 Pall Mall, London, the ormolu mounted inverted bell top pierced and chased with scrolling foliate, surmounted by a leaf tied carrying handle, above a rectangular door and a moulded plinth on four foliate cast and chased scrolled feet, the 8.5 inch brass matted dial with silvered chapter ring, the triple fusee brass movement with anchor escapement, striking half hourly on a gong and hourly on eight bells 51cms high to handle
A large late Victorian satin walnut lawyers bookcase, of inverted break front form, the projecting cornice above a centre section fitted with open adjustable shelving flanked by a pair of cupboard doors, enclosing pigeon holes and hanging space, above four base cupboard doors, enclosing fitted shelves, on a plinth base, with reeded and boss turned borders throughout, 260cms wide x 228cms high
A 19th century reconstituted stone finial, probably from a gate post, with pyramid shaped top above acanthus carving, and hung with swags, with circular foot, together with a coad stone pedestal, with rope twist frieze above garlands, on a stepped plinth base, (slight damage), total height 172cms high
A late 19th century Hungarian green and cream painted dresser, the projecting cornice above a pair of glazed doors enclosing a single shelf, above an open shelf with floral painted spandrels inscribed with the initials FW and the dated 1876, the rectangular moulded top above a pair of frieze drawers and a pair of cupboard doors with panels painted with fruit, above a moulded plinth on four bun feet, 139.5cms wide
A Swiss, simulated rosewood and inlaid musical box, circa 1880, the cover inlaid with a ewer, fan and foliate motif, enclosing a glazed cover to a 13" cylinder, playing ten airs, lever-wound with stop, play and change repeat levers, the mechanism engraved with Lily of the Valley and roses and on bevelled plinth base, veneer loss, top warped, 23" wide
A Victorian lady's rosewood and mother of pearl inlaid combined jewellery writing and workbox, the foliate inlaid sarcophagus top enclosing a mirror and fitted compartmented tray, with mother of pearl bobbin reels, above three short drawers, one unfitted, one fitted for jewellery, the bottom drawer has a pull-out lap desk with ink bottles and gilt tooled writing slope, enclosed by two mother of pearl foliate inlaid panel cupboard doors and on ebonised plinth, 12.5" wide
![Loading...](/content/bs/images/ajax-loader.gif)
-
173487 item(s)/page