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Lot 445

A 19th CENTURY INLAID OAK LONGCASE CLOCK, the painted arched dial with Roman numerals signed Samuel Thorp, Abberley within a hood with brass mounted swan neck pediment and decorated with geometric inlay above a trunk with quarter fluted columns on a plain rectangular plinth, 8 day movement striking on a bell. 2.22m Note: Samuel Thorp is recorded as working in Abberley between 1790 and 1844.

Lot 449

AN EARLY 18th CENTURY DUTCH FLORAL MARQUETRY WALNUT LONGCASE CLOCK, the hood with caddy top, decorated with tulips, carved with blind fretwork and enriched with gilt spheres, the front and sides with spirally turned columns, the trunk door finely inlaid with birds and a flower filled urn and fitted with an oval lenticle, on a rectangular box plinth, the 12” brass dial signed Barent Walis, Amsterdam eight day quarter striking movement. 2.34m

Lot 451

A 19th CENTURY BRASS SKELETON CLOCK, the brass dial with Roman numerals, single chain fusee movement, on a walnut plinth (lacking glass dome). Overall 52cm

Lot 464

A LATE 19th CENTURY MAHOGANY CHEST OF DRAWERS, the plain rectangular top above two short and three long graduated drawers on a plinth base, maker’s mark “Snowdon of Rochdale”. 1.13m x 1.21m x 0.55m

Lot 490A

A 19th CENTURY MAHOGANY AND GRAIN PAINTED BOOKCASE CABINET, the upper section with a pair of trellis-glazed doors, the base with two frieze drawers over a pair of fielded panelled doors flanked by pilasters, on a plain plinth base.

Lot 583

A PAIR OF 19th CENTURY MAHOGANY TORCHERES, each with circular top on a tapering part fluted standard with turned, leaf carved baluster base on a stepped square plinth. 1.11m

Lot 2220

Directoire Gilt Bronze Clock. The classically draped square form "table a la truncheon" with a lyre, a open book of music, and a floral arrangement, housing the clock movement, an integrated dial with black enameled Roman numerals, flanked by a classically dressed female figure of Calliope, symbolic of Music, the other side by a lute, the plinth base with applied musical trophy adorsed by wreaths, the movement with an outside counter wheel striking on a bell, raised on four belleflower feet, movement stamped "Tourbier A Paris". 19th Century. Dimensions 15 x 11 1/4 x 4 1/2 inches (38 x 28 x 12 cm). PARTS (pendulum, key and bell); missing backplate for clock Starting Price: $1500

Lot 2224

Directoire Style "Sevres" Gilt Bronze Bisque Figural Clock. The plinth form case housing a clock movement, surmounted by a figure of Cupid, brandishing his trident, atop a dolphin, the white enamel dial with cobalt blue Roman numerals and a black subsidiary seconds dial, adorsed by twin figures of amorini atop dolphins, the bisque base inset with a gilt laurel swag, flambeau and border mounts, raised on four toupie feet, the dial block printed Shreve, Crump & Low, Boston; the movement stamped with "Japy & Fils" seal, "Made in France" "5810.5.5.". Retailed by Shreve, Crump & Low, Boston, Japy & Fils. Early 20th Century; Dimensions 18 x 13 x 6 inches (45.7 x 33 x 15.2 cm); One leg of amorini with a repair, [Key] Starting Price: $500

Lot 2227

Directoire Gilt Bronze Figural Clock. The classically draped square form "table a la truncheon" with a lyre, a zither and a wreath, housing the clock movement, the white enameled dial with black enameled Roman numerals centered by engine turned medallion, flanked by a classically dressed female figure of Calliope, holding a tambourine, the other side by a flowering trophy arrangement with laurel branches and rose swag suspended by an arrow, the plinth base with applied musical trophy adorsed by wreaths, the movement with an outside counter wheel striking on a bell, raised on four trophy feet, movement stamped 941/4. Mid 19th Century; Dimensions 14 x 10 x 4 inches ( 35.5 x 25.4 x 10.2 cm); Pendulum Starting Price: $1000

Lot 2287

William IV Lancashire Mahogany Buffet. The arch shaped backboard, over the outset rectangular top, over twin recessed center ogee molded frieze drawers adorsed by twin outset drawers, over four conforming cupboard doors, each with raised molded arch surround enclosing flame grained panels, the whole raised on a conforming plinth base. Second Quarter 19th Century Dimensions 36 1/2 x 68 x 20 1/2 inches (92.7 x 172.7 x 52.1 cm) Starting Price: $600

Lot 2414

French Art Deco Cold Painted Metal Figural Lamp. The green painted female flapper girl dancer, supporting a single socket lamp fitted with a globular glass shade on a molded daisy design, her left leg bent up high, standing on one foot, raised on a two tone onyx veneered tiered trapezoidal plinth base, the fitter with a "Fabrication Francaise.Made in France" foundry tag. Height 24 3/4 inches (62.8 cm) Starting Price: $600

Lot 323

A Beswick Connoisseur figure modelled as a Polled Hereford bull, Model No. A2574, matt, on a wooden plinth, h. 6.5 cm no obvious chips, cracks or restoration

Lot 329

A Beswick figure modelled as a Charolais cow and calf, Model No. 3075/1827B, gloss, h. 11 cm, on a wooden plinth Small chip to right ear of cow

Lot 335

A Beswick Connoisseur figure modelled as Welsh mountain stallion `Ch. Gredington Simwnt`, Model No. 2541A, matt, h. 21 cm, on a wooden plinth no obvious chips, cracks or restoration

Lot 8

A BETTY JOEL WALNUT WARDROBE with panelled doors inlaid with rectangular motifs, rounded reeded corners, on an ebonised plinth base, designed by Joel for Token Works, 1935, original label to the reverse, 191cm high x 170cm wide

Lot 134

A ROYAL DUX STYLE FIGURE, “Wien” modelled as a semi clad maiden dancing raised upon an oval plinth 12” high.

Lot 139

A BORDER FINE ART BLACKFACED EWE AND COLLIE, No: 104/B104 by Ray Ayres 4¼” on a hardwood plinth, minor chip to ear and “First Lesson (Collie pup and duck)” (ducklings leg broken), JH38 by David Walton 3¾” (2).

Lot 141

A BORDER FINE ART GROUP “SHIRE MARE AND FOAL”, by E Macallister, from the James Herriot series, circa 1985 on hardwood plinth, 9” including plinth.

Lot 143

A BORDER FINE ART GROUP “THE JOYS OF SPRING” (2 ROBINS NEST IN A TEAPOT), No: SOC2 by Ray Ayres, 6½”, circa 1990, from the Animal Society Figurine Series, on a hardwood plinth.

Lot 149

A BORDER FINE ART GROUP “PICK OF THE LITTER” (COLLIE PUPS), JH30 by Ray Ayres, 4¼” on plinth.

Lot 154

A COUNTRY ARTIST GROUP “LIGHTLY DOES IT”, by Keith Sherwin, No: 352 of a limited edited of 450 pieces raised upon a shaped plinth, minor damage to implement rail, 9” x 20”.

Lot 219

A BORDER FINE ART GROUP “THE THRESHING MILL”, model No: B0361, modelled by Ray Ayres 8” x 30” issued January 1999 No: 210 from a limited edition of 600 pieces, with padded box raised upon a hardwood plinth with card.

Lot 224

A BESWICK CHAROLAIS BULL ON WOODEN PLINTH, number A2600 deigned by Graham Tongue 7½” issued 1971 to 1978 from the Connoisseur Series.

Lot 246

A BESWICK BEAGLE “WENDOVER BILLY”, on wooden plinth by Arthur Gredington, 6”, a Nature Craft Best of Breed Corgi, two similar Corgies, a Sherratt & Simpson Group of Westie’s (5).

Lot 307

A VICTORIAN SPELTER FIGURE OF A YOUNG GENTLEMAN SUPPORTING A VASE ON HIS SHOULDER, raised on a circular plinth base 28” high.

Lot 314

A VICTORIAN OAK FITTED SMOKERS CABINET, the rectangular top above a bevelled glass door enclosing a shaped shelf with a Staffordshire Earthenware Japan pattern mixing bowl, two 4” saucers, one hairline crack above two short drawers and a long drawer with a leather pipe case, Meerschaum pipe silver mounted bowl only, two other items raised upon a plinth base 17½” x 11½” x 8”.

Lot 326

A COLD PAINTED SPELTER MODEL OF AN ELEPHANT AND CALF, gilded, raised upon a rectangular marble plinth, 5½” high x 8”, an Art Deco chalk figure of a female archer, plinth base stamped Bacci and Bacci, RD No: 833911, 12” high x 20” and a similar figure 12½” high (3).

Lot 331

A TERRESTRIAL TABLE GLOBE, 20TH CENTURY, with a metal scale, circular plinth base, inset with a compass 21” high.

Lot 355

AN ART DECO WALNUT CASED MANTEL CLOCK, the 7” dial signed Hermle the three train movement striking on five gongs, with a drum case raised upon a plinth base, 9¾” x 24”.

Lot 362

AN EDWARDIAN INLAID MAHOGANY MANTEL BAROMETER, with a 3½” silvered dial signed Thomas Armstrong & Bros., Manchester No: 1208 within an Art Nouveau shaped case inlaid with satinwood flowers and leaves on a plinth base and compress bun feet, 12” high.

Lot 363

AN UNUSUAL MANTEL CLOCK WITHIN A FIRST WORLD WAR PROPELLER, with a 4” white enamelled dial, Arabic numerals, the two train movement with outside count wheels striking on a saucer bell, the propeller stamped indistinctly 1BB125662 with solid brass plinth feet, 10”.

Lot 364

AN ORNATE VICTORIAN ROUGE MARBLE AND BRONZE MANTEL CLOCK, with a 3½” rouge marble and slate dial signed Hall & Company, King Street, Manchester the two train movement striking on a saucer bell, surmounted with a classical maiden and a putti playing a drum raised upon a shaped verde antico marble plinth applied with ribbon tied flowers and two toupie feet, 26” high.

Lot 365

AN EDWARDIAN INLAID BOXWOOD TABLE GONG, of tapering rectangular form with a 13” metal gong raised upon a plinth base complete with beater, 27” x 17½”.

Lot 391

AN EARLY 20TH CENTURY OAK LONGCASE CLOCK, with a 10” dial with a silvered ring, the three train movement striking on eight gongs, the case with applied columns panelled trunk raised upon a plinth base and compressed bun feet, 74” high.

Lot 395

AN EARLY 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, with a 13” white dial signed JNO Callcott Cotton with Arabic numerals, subsidiary seconds and date aperture the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting above inlaid fluted columns, the trunk with a shaped door, fluted quarter columns raised upon a panelled plinth base and bracket feet, 80” high.

Lot 402

A GEORGE III MAHOGANY GENTLEMAN’S WARDROBE, with a cavetto cornice above a plain frieze and two panelled cupboard doors now with a brass hanging rail above two short and two long graduated cock beaded drawers, oval brass handles raised upon a plinth base and bracket feet 78” x 53”.

Lot 405

A 19TH CENTURY MAHOGANY TOILET MIRROR, with a rectangular hinged mirror with fluted uprights, the bowfront plinth base, crossbanded with three frieze drawers raised upon ebonised bun feet, back foot detached, 21” x 20½”.

Lot 413

A GEORGE III WALNUT BUREAU, the hinged fall front enclosing a fitted interior with an arcaded door flanked by fluted slides, six pigeon holes above five curvilinear drawers, the lower part with four graduated drawers, brass swan neck handles raised upon a plinth base and ogee bracket feet, 42½” x 36” x 20”.

Lot 416

AN EARLY 18TH CENTURY PAINTED FREE STANDING NICHE CORNER WALL CUPBOARD, with a fluted frieze above an arch enclosing four shaped shelves enclosed by a pair of arched panelled cupboard doors, the lower part with two rectangular panelled cupboard doors, now detached, flanked by Gothic panelled sides raised upon a plinth base, 92” high x 55”.

Lot 418

A VICTORIAN MAHOGANY TOILET MIRROR, with an oval mirror with a lyre shape uprights on a serpentine plinth with two covered divisions 29½” high.

Lot 428

A VICTORIAN BURR WALNUT DAVENPORT, the moulded rectangular hinged top above a stationery compartment with four upright rectangular divisions, a pen tray, two inkwell divisions and two horizontal divisions, the hinged and shaped fall front inset with a red leather and gilt tooled writing surface enclosing a satin walnut lined interior with four short drawers, panelled front and back with four side frieze drawers, turned wood handles, raised upon an inverted plinth base and compressed bun feet 33” x 21½” x 2214”.

Lot 437

A VICTORIAN SATINWOOD CHEST, the rectangular top above two short and three long graduated drawers, turned wood handles raised upon a plinth base 45½” x 50” x 24”.

Lot 439

AN EARLY 19TH CENTURY INLAID MAHOGANY CHEST OF DRAWERS, the rectangular moulded top above two short and three long graduated cock beaded drawers, brass swan neck handles raised upon a plinth base and bracket feet 41” x 45” x 21”.

Lot 452

A GEORGE IV MAHOGANY ESTATE CUPBOARD, Probably Gillows, with an overhanging cornice above a plain frieze and a pair of panelled cupboard doors with ebony borders, channelled uprights, the lower part with two panelled cupboard doors, flame mahogany crossbanded with brass edges raised upon a plinth base 89” x 47” x 21”.

Lot 454

A 19TH CENTURY POLLARD OAK BOOKCASE, with an ovolu cornice above an inlaid frieze and a pair of glazed cabinet doors enclosing two shelves, the lower part with two drawers, Gothic brass handles above two panelled cupboard doors raised upon a plinth base 83” high x 43” x 17½”.

Lot 457

A VICTORIAN MAHOGANY AND WHITE MARBLE PEDESTAL CUPBOARD, the 16” diameter marble top above a cylindrical column with a hinged door enclosing a shelf raised upon a plinth base 29½” high.

Lot 460

A VICTORIAN MAHOGANY DRESSING TABLE, with a shaped moulded top above three frieze drawers and three panelled cupboard doors raised upon an inverted plinth base 29” high x 49” x 20”.

Lot 461

A WILLIAM IV ROSEWOOD DEMI LUNE GAMES TABLE, with a panelled and beaded leaf carved frieze raised upon a shaft carved with leaves, quadripartite plinth base, leaf carved scroll toes and casters 29½” x 36” x 18”.

Lot 492

A PAIR OF EDWARDIAN MAHOGANY ADAMS STYLE PEDESTALS, each with shaped tops above fluted frieze drawers, one fitted for cutlery above panelled cupboard doors applied with festoons raised upon a plinth base 42” x 20” x 18½”.

Lot 528

A WARING AND GILLOW LIMITED OAK COMPACTUM WARDROBE, with ovolu cornice above a frieze applied with leaves above a full length bevelled mirror, flanked on either side by panelled cupboard doors centred with leafy roundel’s enclosing brass coat hooks and a turned rail, each door with labels Waring and Gillow Limited, Lancaster Factory raised upon a plinth base 82” high x 76” x 21”.

Lot 540

A GLOBE WERNICKE OAK STACKING BOOKCASE, the rectangular plinth base with a hinged glazed door above four hinged glazed cabinet doors above a plain frieze and a rectangular top on bracket feet 71” x 34” x 12”.

Lot 543

A VICTORIAN PINE BLANKET BOX, with original scumbled decoration enclosing a lidded compartment with three divisions, scumbled front raised upon a plinth base with side carrying handles, 22” x 42½” x 21”.

Lot 545

A LATE 19TH / EARLY 20TH CENTURY AMERICAN OAK ROLL TOP DESK, the rectangular top above a slatted serpentine fall front enclosing two drawers and 21 pigeon holes and three stationery open drawers, the lower part with a rectangular top above an arrangement of one long drawer and eight short drawers raised upon a plinth base, the back is also panelled 51” x 50” x 31”.

Lot 548

AN EARLY 18TH CENTURY OAK FOOD CUPBOARD, with an ovolo cornice above a dentil frieze and an arched cupboard door with a moulded border enclosing three shelves and four spice drawers the lower part with a panelled drawer above an arched cupboard door, H brass hinges enclosing two shelves raised upon a plinth base and plain style feet, 78” x 22½” x 12½”.

Lot 551

A PINE HIGH BACK BREAK FRONT DRESSER, with a cavetto cornice above a plain frieze and three plate rails enclosed back, the lower part with a break front top above four drawers flanked on either side by a long drawer and a panelled cupboard door raised upon a break front plinth base 85” x 77” x 20”.

Lot 552

A VICTORIAN PINE BOOKCASE, with a plain frieze above two glazed cupboard doors enclosing four adjustable shelves raised upon a plinth base 71” high x 38” x 13½”.

Lot 555

A VICTORIAN CARVED OAK SETTLE, the rectangular leaf carved back with five foliate carved panels enclosed panelled arms, plinth base with three frieze drawers raised upon legs of square section 40½” x 54½” x 21½”.

Lot 556

LATE 18TH / EARLY 19TH CENTURY OAK BLANKET CHEST, the rectangular hinged top above a frieze carved with lozenges, leaves and flower heads raised upon a plinth base and bracket feet 7½” x 44” x 19½”.

Lot 559

AN EARLY 19TH CENTURY OAK AND MAHOGANY CROSS BANDED CORNER WALL CUPBOARD, with a dentil frieze above a cross banded fielded panelled cupboard door enclosing three shaped shelves raised upon a plinth base 37” x 28”.

Lot 562

AN OAK HALL CUPBOARD PART 18TH CENTURY AND LATER, the rectangular moulded top above two panelled cupboard doors, each carved with heraldic beasts, fruit and flowers with mask handles raised upon a plinth base and bracket feet 56½” x 50” x 14½”.

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