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Lot 1169
A large Mason's Mandalay pattern two handled soup tureen and cover, with ladle, associated stand; a large Mason's Mandalay pattern shaped oval pedestal comport, wooden plinth stand; a similar Mandalay pattern oval meat plate, Christmas tree shape dish, other serving dishes, a mantel clock, a ginger jar and cover, two handled vase and cover; a pair of candlesticks; graduated jugs; sandwich plate; coasters; large qty
Lot 150
A South German walnut and marquetry cupboard (shrank), late 17th/ early 18th century, the egg and dart, dentil and acanthus carved cornice above a marquetry decorated frieze, the pair of triple field panelled doors centred by starburst parquetry motifs, flanked by marquetry decorated pilasters and above a guilloche carved frieze and carved and fluted plinth feet, 223cm high, 180cm wide, 62cm deep
Lot 229
A George III mahogany breakfront library bookcase , circa 1780, in the manner of Thomas Chippendale, the moulded cornice centred by a carved twin scroll pediment, above six astragal glazed doors opening to adjustable shelves, the lower section with six panelled cupboard doors opening to a shelved interior, on a moulded plinth base, 278cm high, 380cm wide, 65cm deep Provenance: Property from the Estates of J W T & S M F Tapp, Southborough House, Surbiton Purchased from R.A Lee, (circa 1980's) Comparative Literature: Christopher Gilbert, The Life and Works of Thomas Chippendale, 1978, 2 vols. Anthony Coleridge, Chippendale Furniture, 1968 The present lot closely relates in design and scale to a pair of impressive bookcases, supplied by Thomas Chippendale to Sir Lawrence Dundas (1712-1781) for his library at 19 Arlington Street, Piccadilly, London (sold Christie's London, 18 June 2008, lot 6 £2,057,250) and for his country seat in Yorkshire Aske Hall in 1764. The Arlington and Aske bookcases which were invoiced at £80 and £73 respectively were the most expensive items of furniture on Chippendale's invoice to Sir Lawrence Dundas. The offered bookcase is a simplified version of the Dundas examples, lacking the carved elements to the pilasters and cupboard lower section doors. Its design incorporates an amalgamation of features, reproduced in Chippendale s patterns for a `Library Bookcase , illustrated in his Gentleman and Cabinet-Maker s Director, 1st and 3rd eds., 1754 and 1762, respectively plates 69 and 93. In particular these are the dentilled cornice and glazing-bar configuration. The scrolled and voluted pediment is also reproduced on Chippendale's pattern for 'A Desk & Bookcase' illustrated in the 1st edition of the Director, pl. 78 and again in the 3rd edition, pl. 108. Actual examples of case furniture supplied by Chippendale featuring versions of the same distinctive pediment include a secretaire library bookcase supplied for Pembroke House and now at Wilton House illustrated C. Gilbert, The Life and Works of Thomas Chippendale, 1978, 2 vols., vol. II, p. 42, pl. 66; another library bookcase forming part of the same commission and also now at Wilton (see C. Gilbert op. cit., p. 44, pl. 68; a secretaire bookcase at Aske Hall (see C. Gilbert op. cit., p. 56, pl. 87) and a Lady's secretaire supplied to Sir Roland Winn Bt. for Nostell Priory (see C. Gilbert op. cit., p. 58, pl. 90).
Lot 246
Ω A George III mahogany console table, circa 1810, after a design by Thomas Hope, the rectangular inverted breakfront top above an ebony marquetry decorated frieze flanked by twin lion masks, above scroll carved legs surmounted by patera terminals and above carved lion paw feet on a shaped plinth base, 96cm high, 104cm wide, 47cm deep Provenance: Private collection from a Country House, Surrey Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
Lot 298
Ω A Regency rosewood, brass inlaid and parcel gilt console table, circa 1815, the fossilised marble top above the brass strung frieze, incorporating a drawer, above a pair of scroll supports with carved lappet and patera terminals and with a rear mirror panel, above a concave fronted plinth base with guilloche moulded edge, 94cm high, 89cm wide, 46cm deep Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
Lot 330
Ω A William IV amboyna and rosewood Davenport, circa 1835, the scroll carved three quarter gallery above the hinged and gilt tooled leather inset surface opening to two drawers and two false drawers, above opposing side slides and four drawers to the plinth opposed by false drawers, fronted by spiral turned rosewood pilasters, above turned feet and concealed castors, 90cm high, 56cm wide, 61cm deep Cites Regulations Please note that this lot (lots marked with the symbol ? in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
Lot 342
Ω A Victorian rosewood triple section clothes press , by J. Kendell & Co., circa 1840, the central pair of panelled doors opening to four sliding trays, above two short and two long cedar lined drawers, flanked by turned pilasters, each cupboard to the side opening to hanging space, on a plinth base, bearing the makers paper label to the reverse with indistinct number and workmans name, 190cm high, 250cm wide, 60cm deep J Kendell & Co were cabinet makers from Leeds, Yorkshire and who s craftsmanship is seen to be on a par with that of Gillows. The firm was established between 1783 to 1840 and is listed in the G.Beard & C.Gilbert, Dictionary of English Furniture Makers 1660-1840, as an important Leeds maker. J Kendell & Co was eventually taken over by the well known firm of Marsh and Jones, later to be called by their better known name Marsh, Jones and Cribb. From the 1830 s J Kendall & Co adopted the policy of labeling furniture The craftsmanship of these pieces of furniture can be superb with very fine timbers used indeed. They did use simple woods like oak and mahogany but some of the best examples were in rosewood. Provenance: Private collection from a Country House, Surrey Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
Lot 343
Ω A Victorian pollard oak and ivory mounted collector's chest, circa 1860, attributed to Gillows, the foliate carved tablet frieze above fourteen drawers, with an ivory tablet and handles to each, flanked by hinged ribbon carved pilaster sections, on a carved inverted breakfront plinth base, 71cm high, 58cm wide, 26cm deep Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
Lot 612
A mahogany cased dip circle (dip needle) retailed by F. E. Becker and Co. London, with silvered azimuth circle split into 90 degree quadrants and with locking mechanism to the right hand side, raised on a short lacquered stem and vernier scale, circular plinth and three adjustable feet, 26cm high, 15cm wide, 16cm diameter plinthF. E. Becker and Co. traded at 33-37 Hatton Wall, Hatton Garden (1900-1910), also 17,19,21, 23, 25, 27, Hatton Wall (1912-1920s) and Nivoc House, 17-29 Hatton Wall (1930s) London, England. Founded in 1872 and taken over by W. J. George Ltd. in 1897 but continued to trade under the original name until the 1950s, when it was renamed W.& J. George and Becker Ltd.Dip circles are used to measure the angle between the horizon and the earth's magnetic field (the dip angle).
Lot 703
51763 An Edwardian mahogany and satinwood crossbanded table book carrier with presentation plaque for Miss R C Black from the staff of Bedford College 1904, the revolving carrier with spindled divisions on a turned plinth, 31cm square, 35cm high and an Edwardian mahogany and inlaid kidney shaped tray with central foliate motif and with brass handles, 60cm wide (2)
Lot 714
R Pugh, Newtown, a George III oak and mahogany cross banded cottage longcase clock, the square hood with broken swan neck pediment above a 12'' white enamel dial with Roman numerals and date aperture painted shells to the corners, thirty hour movement striking on a bell, between fluted brass capped pilasters above a cross banded ogee arched top trunk door flanked by brass capped quarter pilasters over a cross banded base and later plinth, 205cm high
Lot 731
Joss Banister, Colchester, a George III oak cottage longcase clock, early 19th century, the arched hood with shaped pediment and three ball and spire finials over 12'' arched white enamel dial with subsidiary seconds dial and date aperture, Roman numerals, painted flowers in the corners and named in the arch, eight day movement, striking on a bell between fluted brass capped pilasters over an arched top trunk door, ogive moulding and plain base shaped plinth and bracket feet, 209cm high
Lot 742
An Edwardian mahogany and inlaid bedroom suite comprising a triple wardrobe with classical mask and foliate inlaid frieze above an inlaid panel door centred by a cherubic infant within foliate and swag borders over two arched recesses and three swag inlaid drawers between mirror doors enclosing hooks and on plinth base, 228cm wide, 62cm deep, 216cm high, a dressing table en-suite with pedimented oval mirror plate and two gallery drawers above a central drawer and recess flanked by cupboard doors over short pilasters and shelf base, 136cm wide, 61cm deep, a matching chest of two short and four long graduated drawers on plinth base, 122cm wide, 61cm deep, 123.5cm high, a towel rail, 75cm wide and a bed head and foot board with cherubic panel decoration to match the wardrobe, 147cm wide and a pot cupboard, 44cm wide, 39cm deep, 95cm high overall and also a dressing stool en-suite with green brocade upholstery on square tapering legs
Lot 821
A Victorian walnut gilt metal mounted and inlaid credenza, circa 1880, of break front D-shaped outline with quarter veneered foliate marquetry inlaid panel door enclosing shelves flanked curvilinear glazed side cabinet doors and raised on a shaped apron and plinth, 148cm wide, 39.5cm deep, 106.5cm high
Lot 833
A late Victorian figured walnut and gilt metal mounted credenza, circa 1880, of break front D shaped outline with foliate inlaid frieze and panelled door flanked by glazed half round cabinet doors enclosing shelves raised on an ebonised plinth and elongated bun feet, 152cm wide, 39cm deep, 109cm high
Lot 846
A large Dutch colonial hardwood and ebony chest, first half 19th century the crossbanded top above an elaborate brass lock plate and four bosses with reeded ebony half column corners and stepped plinth, each end with cast metal swing carrying handles and elaborate escutcheons, 61cm wide, 70cm deep, 57cm highBy repute from the Lord Harlech auction
Lot 847
A George III oak dresser North Wales type, late 18th century, the canopied rack with three shelves and three short drawers flanked by shaped panelled cupboard doors above three drawers, a central short drawer and shaped panel cupboard door flanked by conforming cupboard doors on plinth base, 152cm wide, 50cm deep, 182cm overall height
Lot 70
ARR Ifor Freeman (20th Century Cumbrian) - Green patinated plaster sculpture - Portrait bust of a young woman, on figured veneered plinth, 44cm high, unsigned, Chip to hairline Provenance: Sold under instruction of the artist's widow, removed from the artist's studio in Askham, CumbriaNote: Ifor Freeman trained at the Liverpool College of Art where he studied sculpture under Ernest Gardner and Karl Vogal. He was awarded a scholarship to the Royal Academy of Arts School of Sculpture where he won the Bronze medal for Scultpture and the Lanseer Prize for Design. During this period his tutors were Siegfried Charoux A.R.A and Maurice Lambert R.A. On returning to Liverpool, he joined the staff at the College of Art teaching students before being appointed Senior Lecturer in Sculpture and Ceramics at the Liverpool Institution of Higher Education. He has exhibited widely at the Royal Academy, Imperial Institute, Senate House, University of Liverpool, Bluecoat Gallery, Liverpool, Walker Art Gallery and many more. Commissions large work have principally come from three architectural practices - Bradshaw, Rouse and Harker, Liverpool and London; Jones, Andrews and Associates, Haverfordwest; and TRIAD Group of Architects, London. Commissions for smaller works include the University of Liverpool and the National Library of Wales.
Lot 1590
Regency bracket clock with white painted dial with Roman numerals, twin fusee movement striking on a bell, in dome-top mahogany case with floral scroll borders, on plinth base, 43.5cm (pendulum present) CONDITION REPORT This is in running order - the chiming mechanism is faulty - key present
Lot 1592
Fine early 18th century eight day longcase clock, by Langley Bradley, London, with 12 inch square brass dial with silvered chapter ring, subsidiary seconds and date aperture, ringed winding holes, cast crowned cherub spandrels and wheat-ear border, five-pillar movement striking on a bell, in very fine seaweed marquetry inlaid case with caddy top, blind fret panel, brass ringed lenticle glass to door, on platform base, 230cm high (pendulum, two weights and key present) CONDITION REPORT General overall condition is reasonable, movement is very dusty and we are unable to confirm if it is in full working order. Dial is in good order. However, spandrels may have been replaced at some time. Case has had extensive repair and refurbishment. The plinth has been rebuilt at some time and the base surround is a replacement, some moulding is damaged. Door hinges and back are replacements. Hood has been extensively renovated but has damage to fretwork. Rear pillars have been replaced with square beading. Dial mask has been replaced and hood door securing bolt does not function. Front door pillars are now screwed in. Caddy top is loose and requires glueing. On balance the refurbishing seems to suggest that the case and movement may not be original to each other
Lot 1593
18th century eight day longcase clock with silvered and gilt arched dial, signed - Thomas Burges Gosport, with strike / silent subsidiary dial in arch, subsidiary seconds and date aperture, in a fine walnut case with arched and crossbanded door, on plinth base, 216cm (key, pendulum and weights present)
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