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Click here to subscribeA fine 19th Century carved Meerschaum figure of a lightly draped naked female holding flowing drapes resting on a conforming infant on a crescent moon, the drape applied seven amber stars, on a Baltic amber "rocky" base and conforming amber circular plinth, 25cm high, mid 19th Century (the left foot a finely carved ivory replacement, one star an ivory replacement)
An Edwardian mahogany Sheraton revival combination wardrobe outlined throughout with satinwood, boxwood and ebony stringing, the pillar box end sections with mirrored doors and panelled bases flanking a pair of recessed panelled cupboards with shaded oval patera, above four long graduated drawers, skirted plinth, 190cm wide max., 51cm deep, 213cm high, Circa 1905 (faults)
A Royal Worcester urnular two handled vase the body still life painted with peaches, grapes, red currants, apples and blackberries, by Harry Ayrton, pair of gilt and cream acanthus moulded handles, spreading neck with moulded rim, the waisted base conforming on square plinth with indented corners, 31cm high, signed, printed mark in black and dated 1969
A pair of Royal Worcester two handled urnular vases one still life painted with peaches, grapes and raspberry, the reverse with plums, the other with apples, blackberries, the reverse with blackberries, pierced mask handles in gilt and white, the waisted stems with foliate borders to top and base on circular foot and square plinth, the domed covers moulded with trailing guilloches on a gilt ground, bud finials, 21cm high, signed, printed mark in black and numbered 2363 (one lid restored)
A George III oak cottage longcase clock the hood with swan neck pediment terminating in brass roundels with three ball and spire finials, the arched enamel dial painted to the top with a female figure in extensive landscape oval, floral spandrels, the cream enamel dial with subsidiary seconds dial and month aperture, inscribed "J Levy, & Co, Boston", eight day movement striking on a bell, the hood door flanked by a pair of brass capped tapered pillars, mahogany crossbanded trunk door, on plain plinth with shaped apron and bracket feet, 216cm high overall, Circa 1800 (faults and old restorations)
A George III oak cottage longcase clock the hood with swan neck pediment terminating in embossed brass roundels and three brass ball and spire finials, carved with brick work and dog tooth, the cream enamel dial inscribed to the arch "Thomas Regis ?, Cambridge", Arabic numerals with subsidiary seconds dial and month aperture, eight-day movement striking on a bell, floral painted spandrels, the hood with brass capped fluted tapered pillars, the trunk door with applied moulding to the lancet arched door, skirted plinth, shaped apron with bracket feet, 218cm high, Circa 1800
Joseph Else RBS, ARBS, FRBS - a white marble sculpture of an infant, head and shoulders issuing from the block, on a square coloured marble plinth, signed, 30cm high, 19cm wide max., Joseph Else 1874-1955, active 1890 - 1949 Country of birth and death: England Sculptor, modelling teacher, principal of art school Born in Nottingham. He was the son of William Else (born c.1828 in Campton, Leicestershire), a leather cutter presumably working in the shoe industry. In the early 1890s Joseph was working as a lace designer. He studied at Nottingham School of Art between 1890-1900 and in the early 1900s attended the Royal College of Art, London. Else seems to have divided his time between London and Nottingham until 1915 when it is presumed that he was called into active war service. From about 1919-38 Else taught modelling and sculpture at Nottingham School of Art where he was also principal from late 1922. His most important commission was for an extensive scheme of sculptural decoration for the exterior of Nottingham Council House (c.1927-9). This includes the lions guarding the entrance, the frieze above the Ballroom windows (representing ancient local industries such as bell-founding and alabaster) and for twenty-one figures depicting the arts and public service on the main pediment. Elected to membership of Nottingham Society of Artists 1926 (Circa) - 1939 (Circa) Member of council Royal Society of British Sculptors March 1925 - 1938 Principal of Nottingham School of Art 30 July 1923 - 31 August 1939 Vice-president of Nottingham Society of Artists 1933 - 1935
A 19th century Rosewood and marquetry portico clock, 9.5cm engine turned silvered dial inscribed with Roman numerals, twin winding holes, eight-day movement striking on a bell, the case with architectural pediment above four gilt brass mounted columns, plinth base, inlaid with summer flowers, lyre pendulum, bun feet, 48cm high, c.1870
A QUANTITY OF BOXED ATLAS EDITIONS LOCOMOTIVE MODELS, two with literature, two boxed Ertl Britains Collectables 'Memories of Steam' model locomotives, brass model of Stephensons Rocket, on wooden plinth, model of 'Evening Star' made of coal, boxed Hong Kong MTR Subway static models, resin train model (two boxes)
An Arts and Crafts mahogany, rosewood and marquetry compactum wardrobe An Arts and Crafts mahogany, rosewood and marquetry compactum wardrobe , circa 1900, in the manner of Shoolbred, inlaid overall with foliage, birds and butterflies, the dental moulded cornice above a central recess with a galleried front, the central cupboard doors enclosing four linen slides, flanked by two doors each enclosing a hanging rail and hooks, above three drawers and on a plinth base, 218cm high, 214cm wide, 67cm deep
A gilt brass Atmos timepiece by Jaeger-LeCoultre , last quarter 20th century A gilt brass Atmos timepiece by Jaeger-LeCoultre , last quarter 20th century, the single train movement wound via the expansion and contraction of an aneroid chamber mounted to the rear of the mechanism and regulated by torsion escapement with rotating balance suspended at the base of the movement signed JAEGER-LECOULTRE to centre and numbered 662376 to suspension platform, the circular gilt on cream chapter ring with Roman numerals, the rectangular glazed case with canted corners, on plinth base with adjustable feet, 22.5cm high.
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