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Lot 1
An Early 20th Century Punu Ancestral Guardian Doorpost, Upper Ngoume River, Western Congo, carved as the bust of a woman, with rigid high coiffure, white painted oval face with protruding globular eyes with an incised slit, protruding pursed lips, the high domed forehead with a diamond shaped scarification mark, on a tall tapering neck and later wooden plinth, 52cm high overall
Lot 1
WILLIAM CONGREVE ROLLING BALL BRASS CLOCK, the principal dial with 3.25" silvered chapter ring flanked by subsidiary 2" silvered dials supported upon four circular tapering columns with ball and spike finials united by an undertier with rolling ball platform, upon a green marble plinth and under a glazed brass case, 18" high
Lot 1
MARQUETRY EIGHT DAY LONGCASE CLOCK the substantial five pillar movement with inside countwheel and pull repeat, the 12" square brass dial signed Windmills, London, the matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, the walnut case inlaid with flowers, birds and baskets, the long door inset with a lenticle the hood surmounted by a caddy top, replaced fretwork and plinth,(repairs), 98" high
Lot 1
An oak cased fusee mantel timepiece, Maple & Co Ltd, London, early 20th century, The four-pillar fusee movement with anchor escapement and 7.5 inch circular silvered Roman numeral dial signed MAPLE & CO LTD, LONDON to centre, in drum-head case with carved side scrolls and shaped panel infill beneath dial, on moulded plinth base with block feet, 38cm high.
Lot 1
A French Louis XVI style gilt brass and white marble mantel clock, John Hall & Co, Paris, circa 1900, the eight-day bell-striking movement with floral garland painted white enamel Arabic numeral dial signed JOHN HALL & CO PARIS to centre, the break-arch case with ribbon tied surmount and convex glass beneath dial flanked by musical trophy cast uprights, on shaped plinth base with leaf cast disc feet 26cm high
Lot 1
A French large gilt metal mounted Belge noir marble mantel clock, unsigned, late 19th century, the eight-day gong-striking movement with gilt on black Roman numeral chapter ring in shallow arch top case with female mask crest and gilt relief panels of battle scenes flanking dial, the angles with gilt seated armoured warriors, on lion mask centred plinth base, 39cm high.
Lot 1
A gilt metal mounted ebonised and alabaster portico clock, French/Austrian, 19th century, the eight-day bell-striking movement with gilt Arabic numeral chapter ring and recessed cartouche applied centre, now in an earlier arch-top scroll sided case raised on four alabaster columns with gilt metal applied shaped plinth base, 48cm high
Lot 1
A mahogany crossbanded oak thirty-hour longcase clock, unsigned, early 19th century, the countwheel bell-striking movement with 12 inch white painted Roman numeral break-arch dial with arched calendar to centre and polychrome foliate painted spandrels, the arch decorated with a hunting scene, the swan neck pedimented case with reeded pilasters to hood above short trunk door and conforming plinth base, 219cm high
Lot 1
An oak thirty hour longcase clock, John Rogers, Leominster, circa 1770, the four-pillar outside countwheel bell-striking movement with 10 inch square brass dial signed on a circular plaque John Rogers, LEOMINSTER to the matted centre within a brass Roman numeral chapter ring with lozenge half hour markers and female mask and scroll pattern applied angles, in a case with moulded cornice above turned hood pilasters and long trunk door, on plinth base, 194cm high. John Rogers is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Leominster 1767-1778.
Lot 1
A Scottish mahogany eight-day longcase clock, Shaw, Aberdeen, circa 1800, the four-pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and signed Shaw Aberdeen to centre, in break-arch pedimented case with canted angles to hood above break-arch trunk door flanked by reeded quarter pilasters, on plinth base with splayed bracket feet, 219cm high.
Lot 1
A mahogany crossbanded oak eight-day longcase clock, J. Wain, Alfreton, early 19th century, the four-pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed J. Wain Alfreton to centre, with polychrome and gilt conch shell painted spandrels and scene of Britannia seated before a Man of War to arch, the swan neck pedimented case with short trunk door and canted angles above banded plinth base, on bracket feet, 210cm high.
Lot 1
A Scottish oak eight-day longcase clock, George Dunbar, Turriss, late 18th century. The four-pillar rack and bell striking movement with 12.5 inch single sheet brass break-arch Roman numeral dial with subsidiary calendar and seconds dials and signed Geo. Dunbar TURRISS to centre, with foliate engraved infill to spandrels and dial for age of the moon to arch, the swan neck pedimented case with reeded pilasters to hood above shaped-top trunk door and reduced plinth base, 191cm high.
Lot 1
A George III mahogany crossbanded oak eight-day longcase clock, of small proportions, Edwd Bell, Uttoxeter, circa 1790, the four-pillar rack and bell striking movement with 13 inch brass break-arch dial with arched calendar aperture and subsidiary seconds dial to the foliate scroll engraved centre, within an applied Roman numeral chapter ring with Arabic five minutes and mask and scroll cast spandrel applied angles, with boss signed Edwd Bell, Uttoxeter between dolphin mounts to arch above, the case with swan neck pediment and fluted pilasters to hood above shaped-top trunk door flanked by fluted quarter pilasters to angles, on raised panel fronted plinth base, 197cm high. Edward Bell is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Uttoxeter circa 1795.
Lot 1
An oak eight-day longcase clock, Ashton, Tideswell, circa 1795. The four-pillar rack and bell striking movement with 14 inch single-sheet brass circular Roman numeral dial with subsidiary calendar and seconds dials to the foliate engraved centre and Arabic five minutes, signed ASHTON, TIDESWELL to lower edge, the swan neck pedimented case with turned hood pilasters and shaped-top trunk door flanked by quarter column applied angles, on plain plinth base with ogee bracket feet, 207cm high. Thomas Ashton is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Tideswell circa 1795
Lot 1
An inlaid mahogany eight-day longcase clock, with moonphase, unsigned, early 19th century, The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with arched calendar aperture and subsidiary seconds dial to centre and with floral painted spandrels beneath rolling moon to arch, the swan neck pedimented case with dual ring-turned hood pilasters to each side of dial above shaped-top oval panel inlaid short trunk door flanked by reeded pilasters, on conforming panel inlaid plinth base with splayed bracket feet, 235cm high
Lot 1
An oak thirty-hour longcase clock, Will. Russell, Wootton, circa 1740. The four-pillar outside countwheel bell-striking movement with 12 inch square brass dial with calendar aperture to the Hoho bird and foliate scroll engraved matted centre within an applied Roman numeral silvered chapter ring with Arabic five minutes and fleur de lys half hour markers and signed Will. Rufsell along lower edge, with bird and urn pattern spandrel applied angles, the case with moulded cornice above long trunk door and reduced plinth base, 195cm high. William Russell is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Volume 2 as working in Wootton, Bedfordshire up to 1770.
Lot 1
A carved oak eight-day longcase clock, with rocking ship to arch, the four-pillar rack and bell striking movement with associated 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and bearing signature Jno Charlton DURHAM to the foliate scroll engraved centre, within an applied Roman numeral chapter ring with Arabic five minutes and foliate scroll pierced and cast spandrel applied angles, with rocking ship before a maritime view to arch above, now in a case with swan neck pediment above shallow arch trunk door and plinth base now with later foliate carved decoration throughout, 220cm high.
Lot 1
An oak and mahogany eight-day longcase clock, unsigned, early 19th century. The four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with arched calendar aperture, subsidiary seconds dial and indistinctly inscribed Congleton to centre, with polychrome and gilt chinoiserie figure painted spandrels and oval vignette of a cottage within a gilt and foliate ground to arch, the case with swan neck pediment above reeded pilasters to hood and shaped-top short trunk door between crossbanded friezes, on plinth base with canted angles, 219cm high.
Lot 1
A George III mahogany eight-day longcase clock, with deadbeat escapement Walker, Newcastle, late 18th century, the four-pillar rack and bell striking movement with V-shaped pallets, low escape wheel and 12.5 inch brass break-arch dial with ringed winding holes, recessed subsidiary seconds dial and calendar aperture to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and mask and scroll cast spandrel applied angles beneath boss signed Walker Newcastle flanked by dolphin cast mounts to arch, in a pagoda pedimented case with swan neck frieze and fretwork infill above brass stop-fluted pilasters to hood and break-arch door to trunk, on panel fronted plinth base with moulded apron, 238cm high. Probably John Walker who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Newcastle-on-Tyne 1787-95.
Lot 1
A George III mahogany crossbanded oak eight-day longcase clock, with moonphase, Seddon, Frodsham, circa 1790, the four-pillar rack and bell striking movement with 13 inch brass break-arch dial with calendar aperture, recessed subsidiary seconds dial and oval plate signed Seddon Frodsham to the matted centre, within an applied Roman numeral chapter ring with foliate half hour markers and Arabic five minutes and mask and scroll cast spandrel applied angles, the arch with rolling moonphase calibrated for the lunar month to circumference, the case with swan neck pediment above turned hood pilasters and shaped-top trunk door flanked by quarter columns, on raised panel fronted plinth base with ogee bracket feet, 218cm high. Probably John Seddon who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Frodsham 1784-95.
Lot 1
A carved oak eight-day longcase clock. The four-pillar rack and bell striking movement with associated 12 inch square brass dial with arched calendar and penny moon to the foliate engraved matted centre within Roman numeral chapter ring with fleur de lys half hour markers, Arabic five minutes and bearing signature Major Schofield ROCHDALE, the angles with female mask and scroll pattern spandrels, now in a caddy-top case with spiral twist pilasters to hood above shaped-top trunk door and plinth base now with later foliate carved decoration throughout, 219cm high.
Lot 1
A mahogany eight-day longcase clock, Walter Mayers, Gloucester, circa 1800. The four-pillar rack and bell striking movement with 12.5 inch white painted Roman numeral square dial with arched calendar aperture, subsidiary seconds dial and signed Walter Mayer GLOUCESTER to centre, with floral painted spandrels, in swan neck pedimented case with rectangular trunk door and panel fronted plinth base, distressed, 224cm high. Walter Mayers is recorded in Dowler, Graham Gloucestershire Clock and Watchmakers as working 1782-1802.
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173444 item(s)/page