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Click here to subscribeGeorge III oak and mahogany crossbanded longcase clock, the pagoda top with a painted glass frieze above a shaped door flanked by quarter fluted pilasters and a plinth base, the gilt brass and silvered dial with Arabic and Roman numerals, subsidiary seconds and calendar, inscribed William Lawton, Newton, the eight day movement striking on a gong
Mahogany longcase clock, the broken arch hood with swan neck pediment above an arched panel door and conforming plinth base, the painted dial with Roman numerals, subsidiary seconds dial and date aperture, the two train movement with anchor escapement striking on a bell, the dial and movement 19th Century, the case modern
Mahogany longcase clock, the broken arch hood with flanking pilasters above a figured, arched and moulded panel door with conforming plinth base, the painted dial signed Sam Harley Salop, with Arabic and Roman numerals, subsidiary seconds dial and date aperture, the two train movement striking on a bell (the dial and movement 19th Century, the case modern)
George III oak longcase clock, the square hood with swan neck pediment and flanking pilasters above a rectangular panel door and conforming plinth base, the brass dial with mask head spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Thomas Brown, Birmingham, the two train movement with anchor escapement striking on a bell
Late Victorian oak longcase clock, the arched hood with turned columns above an arched door with floral carved panels and a plinth base, the gilded brass dial with silvered chapter ring, Roman and Arabic numerals and chime/strike and seconds subsidiary dials, the three train movement striking on gongs
George III oak longcase clock, the broken arch hood above a crossbanded arched panel door and conforming plinth base, the brass dial with Arabic and Roman numerals, strike silent selector to the arch, subsidiary seconds dial and date aperture within floral spandrels, signed George Brown, Beverley, the two train movement with anchor escapement striking on a bell
George III oak longcase clock, the square hood with flanking pilasters above a rectangular panelled door and conforming plinth base, the painted dial with Arabic numerals, subsidiary seconds dial and date aperture with a single train thirty hour movement striking on a bell (with alterations)
George III longcase clock the square hood with broken arch pediment and flanking pilasters above a panel door and conforming plinth base with original grained painted finish, the square 10in brass dial with floral spandrels, Arabic and Roman numerals, signed John Dadswell, Burwash with single train thirty hour movement
George III mahogany cased eight day longcase clock having arched hood enclosing a brass dial with silvered chapter ring, Roman numerals and strike silent dial, subsidiary seconds with date aperture, inscribed Junior Gatward Hitchin, the two train movement striking on a bell above a flush panelled door and conforming plinth base
George III oak and mahogany crossbanded longcase clock, the broken arch hood with flanking pilasters above a shaped panel door and conforming plinth base, the brass moon phase dial with mask head spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed John Day, Wakefield, the two train movement with anchor escapement striking on a bell
Victorian mahogany musical bracket clock, the pagoda case with carved and moulded plinth, the engraved, gilt brass dial with silvered chapter ring, Arabic and Roman numerals below three subsidiary chime silent, slow / fast and Whittington Westminster selectors, the three train movement with anchor escapement chiming on eight bells and striking on gongs, 17ins high
George III oak longcase clock, the broken arch hood with swan neck pediment and flanking pilasters above an arched panel door and conforming moulded plinth base with splay bracket feet, the gilt brass dial with floral spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Thomas Spence Dysart, the two train movement with anchor escapement striking on a bell (case with some alterations)
Large Victorian mahogany and gilt brass mounted musical bracket clock, the galleried top with inset classical frieze above an arched dial with floral spandrels flanked by caryatid corner pilasters above a moulded plinth base with further gilt brass mounts and feet, the silvered chapter ring with Arabic and Roman numerals below three subsidiary chime silent, fast / slow and bell selectors, the three train movement with anchor escapement, chiming on eight bells and striking on gongs, 24.5ins high
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