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Lot 374
A gilt bronze paperweight modelled in the form of a butterfly, raised on Sienna marble plinth, a gilt metal model of a dancer, raised on stepped plinth base, height 9cm, and a miniature bust of the Prince Regent (3).Additional InformationHeavy wear, chipping to the marble base, joints are slightly loose.
Lot 388
GP REPLICAS; a model Ferrari 330 P4, with presentation plinth and plaque, titled 'Ferrari 330 P4 24-2nd Place, Daytona 67L Scarfiotti-M Parkes Chassis No.856', limited edition of 250, also a diecast model of a Jaguar XK120, fitted in perspex box (2).Additional InformationThe Jaguar is at fault, the model Ferrari appears fine with minimal wear.
Lot 856
PH VOGEL & CO; a pair of George VI hallmarked silver candlesticks of squat form, with a beaded cast base rim, Birmingham 1943, also two hallmarked silver napkin rings, each with engraved initials (4).Additional InformationThe sticks have been mounted on later onyx plinth bases, tarnishing and heavy wear to the marks throughout.
Lot 894
WILLIAM WHITE OF MANCHESTER; an early Victorian mahogany longcase clock with broken swan neck pediment above arched painted dial set with Roman numerals, housing an eight day movement with short arched door and plinth base (af), height approx 228cm.Additional InformationDial has been repainted, top of scrolling pediment is damaged. Loose moulding to the swan neck pediments, split to the door, split to the base. The base has also been reduced, it has no feet. Lots of repairs to veneers around the door which have been badly done. Overall a tired example.
Lot 259
Austro-Hungarian Empire Late 19th Century Fine Quality Silver Figural Sculpture of a 15th Century Warrior, Ready for Battle Holding An Axe and Shield Seated on a Large Armour, Clad Horse. The Whole Raised on a Malachite Plinth of Rectangular Form. Marked 800 Silver with Makers Mark. Stands 5.75 Inches - 14.40 cms.
Lot 157
An English carved oak gothic tracery fragment, probably 15th century, pierced and with partial painted detail in red, white and green, on a modern oak display plinth, 20.5 x 50cmFootnote: Provenance: Acquired from Jess Applin Antiques, Cambridge, 2 February 2006Condition report: The Chinese Buddhist statuary and associated collection was acquired by C Roger Moss OBE in Hong Kong during the period 1980 to 2003. All items were officially exported from Hong Kong by shippers and handlers recommended and approved by the Mass Transit Railway Corporation of Hong Kong on 10th May 2003, with full documentation. Itemised inspection certificates - dated 24th February, 16th and 23rd April and 7th May 2003 (report No 0254/03) by J & H Surveying Co Ltd, Marine Surveyors - number and detail the items exported. A copy is available at Cheffins’ offices. The shipment arrived in Felixstowe, UK on 29th May 2003 and was received for transhipment by Redfern International Logistics of Leeds, recorded in their sales invoice no. IDSI2926, which details fees paid for the appropriate Sea Import Customs and Sea Import Documentation. The dating of Chinese sculpture is notoriously difficult and all such references in this catalogue are based entirely upon style and should not be relied on as a statement of fact. 1980年至2003年期间，C Roger Moss OBE在香港购买了中国佛教佛像及相关藏品。 所有物品均由香港地下铁路公司于2003年5月10日推荐并批准的托运和装卸机构从香港正式出口，并附有完整的单据。逐项检验证书-由海洋测量师J＆H Surveying Co Ltd于2003年2月24日，4月16日，23日和5月7日签发（报告号0254/03），对出口的物品进行编号和详细说明。您可以在Cheffins拍卖行获取一份副本。这批货物于2003年5月29日到达英国费利克斯托，并被利兹的Redfern International Logistics转运，记录在其销售发票中- IDSI2926，其中详细囊括了这次海关进口细节和相关文件的支付费用。 众所周知，我们很难判定中国雕塑的历史时期，本目录中的所有相关参考文献均取决于它们的风格，因此买家不应作为事实陈述。
Lot 1058
IN THE MANNER OF LENCI - FIGURE GROUP OF A LADY WITH GEESE, the central figure composed of a lady in national costume, with harvest headdress, clogs and walking stick, her skirt caught in a gust of wing, with mother goose in attendance, inscribed 'M99' to base, with secondary group of goslings following, both mounted to an oblong oak plinth, 54cm high overall
Lot 185
A George II joined and boarded oak coffor bach, Welsh, circa 1750Having an ovolo-moulded single-board lid, a twin fielded panelled front with chamfered ends, boarded sides, and plinth base, 68.5cm wide x 33.5cm deep x 36.5cm high, (26 1/2in wide x 13in deep x 14in high)For further information on this lot please visit Bonhams.com
Lot 232
A George III joined oak and grain-painted astragal-glazed upright cupboard, DevonHaving a pair of glazed doors, each with nine panes, enclosing a blue-painted interior with two shelves, the lower-section with two short drawers, atop a pair of panelled cupboard doors, enclosing one shelf, plinth base, 102cm wide x 40cm deep x 180cm high, (40in wide x 15 1/2in deep x 70 1/2in high)For further information on this lot please visit Bonhams.com
Lot 304
A George I joined and boarded oak and elm box-seated settle, circa 1725Of small proportions, having a twin-panelled back, downswept open arms with scroll-over ends, on tapering rectangular front supports, hinged single-piece elm seat board, twin-panelled front, plinth base, 123cm wide x 52.5cm deep x 99.5cm high, (48in wide x 20 1/2in deep x 39in high)For further information on this lot please visit Bonhams.com
Lot 312
A carved limewood statue, The Virgin teaching Christ to readIn the 15h century mannerChrist nestled in the crook of the Virgin's right arm, an open book on his lap, on a later square plinth, 75cm highFootnotes:Provenance:Mary Bellis, Hungerford, Berkshire.For further information on this lot please visit Bonhams.com
Lot 333
A James I joined oak tester bed, circa 1610Having a foliate-carved and boss dentil-moulded centred nine-panelled tester, pointed-leaf and flowerhead roundel carved and corbel embellished frieze rails, the headboard well-carved with a pair of arcaded panels centred by a flower-filled vase, below addorsed serpents, each end-post with a gadrooned and palmette-carved bulbous cup-and-cover supporting a stiff-leaf carved pillar and Ionic-capital atop a foliate carved plinth, the stock rails with rope hole apertures 155cm wide x 239cm deep x 199cm high, (61in wide x 94in deep x 78in high)Footnotes:Provenance:Purchased from Huntington Antiques, Stow-on-the-Wold, Gloucestershire.For further information on this lot please visit Bonhams.com
Lot 340
A pair of early 16th century carved oak figures, circa 1520Flat-backed, each modelled as a male saint holding a shield, and each on a tapering simple plinth with notched decoration to its upper edge, 13.5cm wide x 7cm deep x 44cm high, (5in wide x 2 1/2in deep x 17in high) (2)For further information on this lot please visit Bonhams.com
Lot 45
A George II joined oak standing corner cupboard, circa 1740Having a cavetto-moulded cornice, a pair of arched fielded cupboard doors, and waist-moulding above two rectangular fielded doors, a bracket-shaped plinth, and four interior shelves, 103.5cm wide x 58cm deep x 202.5cm high, (40 1/2in wide x 22 1/2in deep x 79 1/2in high)For further information on this lot please visit Bonhams.com
Lot 466
A narrow joined walnut chest of drawers, English, circa 1700Having a boarded moulded top, above three long cushion mitre-moulded drawers, applied half-round carcase mouldings, and twin-panelled sides, cut-away plinth base, 92.5cm wide x 38.5cm deep x 76cm high, (36in wide x 15in deep x 29 1/2in high)For further information on this lot please visit Bonhams.com
Lot 513
A 17th century joined solid and veneered walnut narrow chest of drawers, ItalianHaving an ovolo-moulded and canted front corner top, above a frieze drawer, waist-moulding and three mitre moulded drawers, a projecting plinth base, on bracket feet, 61cm wide x 30.5cm deep x 76cm high, (24in wide x 12in deep x 29 1/2in high)For further information on this lot please visit Bonhams.com
Lot 523
An early to mid-17th century carved softwood figure, probably of a male saintOne arm around a vine or staff, the other end curled around his other wrist, standing atop a waisted scroll- and winged mask-carved plinth, converted to a lamp and some electrical fittings remaining, 72.5cm high to top of headFor further information on this lot please visit Bonhams.com
Lot 107
A REGENCY DESIGN CENTRE TABLE MODERN, IN THE MANNER OF THOMAS HOPEThe circular marble top above entwined scrolling serpent supports, on a tricorn plinth with Vitruvian scroll carving, on paw feet75cm high, 109cm diameterCondition Report: Good overall condition. The shaped platform base with cracks along the lines of construction. Diameter is 107.5cm or 42 1/2in, height is 74cm or 29 1/4inCondition Report Disclaimer
Lot 119
A PAINTED PLASTER MODEL OF A LION, AFTER COADEAFTER A REGENCY ORIGINAL, 20TH CENTURYPortrayed recumbent and with stylised features, the front of the rectangular plinth with cast inscription COADE LONDON 1819125cm longCondition Report: A chip off the back end of the base and a void in the casting on one edge. Minor scuffs overall. Finish consistently smoothCondition Report Disclaimer
Lot 127
A CONTINENTAL LIFE SIZE PLASTER MODEL OF A MALE ECORCHÉ, IN THE MANNER OF EXAMPLES BY JEAN-ANTOINE HOUDONLATE 19TH CENTURY AND LATER ELEMENTSPortrayed with right arm raisedApproximately 178cm high overall including integral square plinthCondition Report: The lower portion of the left arm has a glossier and darker finish, and is possibly a replacement or perhaps a later painted element. There also appears to be a restoration to this wrist. Minor chips and losses to plinth. Some losses along the joining seams between different parts, particularly to the abdomen, as well as a small repair to shoulder where there is also a slightly larger gap.Condition Report Disclaimer
Lot 150
A LIFESIZE PLASTER STATUE OF ADMIRAL LORD NELSON 20TH CENTURYPortrayed standing in naval military uniformThe figure approximately 180 cm highCatalogue Note: Vice-Admiral Horatio Nelson, 1st Viscount Nelson, 1st Duke of Bronté, KB was a British naval officer, remembered for his bold military strategies and iconic victories over the French during the Napoleonic wars. He lost his sight in one eye during the Battle at Calvi, Corsica, and later his right arm in the battle of Santa Cruz, Tenerife. He died during the battle of Trafalgar in 1805, shortly after sending out his now famous signal: 'England expects that every man will do his duty' Condition Report: The plaster bears the usual minor marks, knocks and scuffs overall consistent with age. There are some surface marks including to the lower portion of the face, and areas of surface cracking and denting including to shoe buckle and sleeve. There are some minor surface chips and losses overall including to the corners of the plinth, the edge of the hat (largest circa 4-5cm in length), another possible loss to the tip of the sword where a small part of the interior hessian structure of the plaster is visible. Possible repair to tip of nose.The surface is quite textured overall, with a darker finish towards the base.Condition Report Disclaimer
Lot 158
A PAIR OF IMPRESSIVE BRONZED PLASTER MODELS OF I PUGILATORI AFTER ANTONIO CANOVA (ITALIAN, 1757-1822)20TH CENTURYEach portrayed heroically nude and in animated stance of combat, the tallest model 210cm including integral plinth, 279cm overall including painted secondary baseCatalogue note: These impressive models are cast after Antonio Canova's marble sculptures of the Greek boxers Creugas of Durazzo and Damoxenos of Syracuse, whose match is recorded in the 2nd century AD writings of the traveller Pausanias. Canova, who had been appointed minister of the Belle Arti by Pope Pius VII, and conceived of the models in around 1794, and completed the models in 1796. The pugilists were moved to the Vatican in 1797, where they stand to this day.A pair of similarly large casts of these models was included in the auction of the collection of Gianni Versace, Sotheby's London, 18 March 2009, lot 137.Condition Report: Both with some marks, knocks, scratches and abrasion. Some additional small chips and areas of losses to the base. Uneven painted patina as maker intended to simulate bronze. Some minor areas flanking to the paint. Structurally sound with no significant condition faults. Some possible later re-touching of paint. Plinths-Not of significant age and repainted. Some chips to edges. Some structural faults commensurate with use, may require repair/replacement. The example with arm raised, the re-painting of the plinth has not reached underneath the models base (this may apply to both). Condition Report Disclaimer
Lot 242
A GILT METAL SIDE CABINET ATTRIBUTED TO PAUL EVANS, CIRCA 1970Unsigned, enclosed by a pair of cupboard doors on a plinth base81cm high, 153cm wide, 51cm deep Condition Report: Discolouration, bent door at hinge on one side, lifting of some plates,dents, drinks ring marks Condition Report Disclaimer
Lot 258
Y A PRESERVED LIONESS, PANTHERA LEO20TH CENTURYModelled standing full length on naturalistically modelled rock base above an oak plinthCondition Report: Taxidermy lion.Some wear and minor losses to fur overall.One back paw with additional loss to furSome loose elements to visible stitchingbetween two front legs.old chips and some losses to simulated rock base.Some additional wear and chips toouter edges of wooden plinth base Dimensions: 112cm high overall. The base 132cm wide, 56cm deep. Condition Report Disclaimer
Lot 269
AFTER SIR FRANCIS LEGATT CHANTREY RA (BRITISH, 1781-1841), A FULL SIZE PAINTED COMPOSITION MODEL OF SIR THOMAS COUTTSLATE 19TH CENTURYPortrayed wearing a robe and seated With inscription CHANTREY SC 1827 Approximately 153cm high, 110cm longThe present sculpture is a cast after the statue of Thomas Coutts, founder of the Coutts dynasty of banking. The statue currently graces the atrium of the Coutts bank headquarters on the Strand, London. Sir Francis Chantrey (1781-1841) was one of Britain's leading portrait sculptors during the early 19th century, whose works are characterised by a striking sense of informality and character, compared to the more rigid portraits of his contemporaries working in the Neoclassical tradition.His best known works include busts of the poet William Wordsworth, and the writer Walter Scott.Condition Report: The greater part of the surface has been degraded, possibly because it has stood outside. There is a piece of the plinth at the back missing, a crack to the plinth. Condition Report Disclaimer
Lot 274
A PLASTER MODEL OF A KNIGHT20TH CENTURYStanding in full armour and holding a flagThe figure approximately life sized, the integral plinth 60 x 40cmCondition Report: The left arm has a crack where it is joined and there is a small chip to the edge on the left. A small discoloured patch to the left hand corner of the plinthCondition Report Disclaimer
Lot 308
Y A BURCHELLI'S ZEBRA HEAD MOUNT, EQUUS QUAGGA BURCHELLIILATE 20TH/EARLY 21ST CENTURY95cm high, mounted on an ebonised plinth, 183cm high overallCondition Report: Various small areas of loss to fur in places. Stitched repairs above the eye (approx. 5cm) and to the neck (approx. 3cm). Stitched seam to back of neck opening slightly and with some old filler used to help disguise in areas. Some fragments of dried composition material are stuck to the hair of the mane. Plinth with some small chips to edges. Please refer to images online for visual reference to condition. Condition Report Disclaimer
Lot 310
A SCOTTISH BARONIAL CARVED GILTWOOD OVERMANTEL WALL MIRRORSECOND HALF 19TH CENTURYThe arched plated surmounted by a heraldic lion emblem and motto for Clan Gregor, 'S Rioghal Mo Dhream (Royal is my race)Approximately 260cm high, 199cm wide Provenance: Previously from a Private Collection Catalogue Note: Clan Gregor (Clan MacGregor) is a Highland Scottish clan that claims an origin in the early 800s. The Clan is known to have been among the first families of Scotland to begin playing the bagpipes in the early 17th century. The current chief is Sir Malcolm MacGregor of MacGregor, 7th Baronet of Lanrick and Balquhidder and the Seat is Irvine House.Condition Report: Regilded. Some losse to the gilding on the right side of the cornice. Other lesser wear and chips to the gilding in other areas. A small area of loss to the frame on the right side which is not visible viewing the mirror from the front so does not detract from the appearance of the frame. Some marks to the plinth. Condition Report Disclaimer
Lot 317
AN OVERSIZED PLASTER BUST OF DAVIDMODERN, AFTER MICHELANGELOWith variegated grey and white finish117cm high, 78cm wide, overall height including black painted plinth approximately 202cmThis bust is likely derived from a cast of David's head by the Italian sculptor Giovanni Antognazzi (fl. late 19th/20th century), which is recorded as being in the collection of James Perkins in R. Frederiksen and E. Marchand, Plaster Casts, Berlin/New York 2010, p. 629. The head is said to be true to the size of the original marble. Condition Report: In generally good condition overall. Incomplete surface painting to simulate grater age. Some small chips of loss. Please refer to images online for visual reference to condition. Condition Report Disclaimer
Lot 318
A PLASTER MODEL OF A RECUMBENT LION20TH CENTURY, POSSIBLY AFTER A MEDIEVAL ORIGINALWith stylised features, presented on a panelled oak plinth71cm high, 136cm wideProvenance: By repute from the cast collection of the Metropolitan Museum of Art, New York. Condition Report: Lacking section of tail, iron core visible there as well as outline of previously affixed tail. Chips and losses to corners and edges of plinth. Some surface wear and darkening to base and paws. Slight surface flaking to legs and some pouring irregularities to face. Some small chips including to left upper eye.Condition Report Disclaimer
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173487 item(s)/page