TWO SIMILAR COMPOSITION STONE PEDESTAL SHALLOW URNS LATE 20TH CENTURY On plinth bases each 100cm wide, 49.5cm highProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesPlease note: This lot will be available to view at Barnwell Manor and collection is from there only following purchase.Condition Report: PLEASE NOTE; This lot is on view at Barnwell Manor where it will remain for collection by the successful purchaser Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Weathered with some lichen build up- bases are different coloursPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
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A PAIR OF COMPOSITION STONE SPHINXES AFTER COADE, MODERN One bearing Coade Lambeth signature to the plinth each approximately 79cm high, 41.5cm wide, 107cm longPlease note: This lot will be available to view at Donnington Priory, Newbury and collection is from there only following purchase. The model for these is illustrated item 55 in Coade's 1784 'Descriptive Catalogue of Coade's Artificial Stone Manufactory'. It would seem likely that Coade had 'drawn inspiration' for the model from John Cheere's reworking of Giovanni Battista Guelfi's original design- itself a reworking of an Egyptian Sphinx in Rome. Condition Report: Please note: This lot will be available to view at Donnington Priory, Newbury and collection is from there only following purchase.Slight colour variance from different exposure weathering- typical paler necks from less exposure- some lichen build up and mild wear to bases Please see numerous additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A STONE COMPOSITION MODEL OF A CLASSICAL MAIDEN ATTRIBUTED TO AUSTIN & SEELEY, MID 19TH CENTURY On an associated carved Cotswold stone plinth 169cm high (including plinth), 40cm wide, 40cm deep Please note: This lot will be available to view at Barnwell Manor and collection is from there only following purchase.Condition Report: PLEASE NOTE; This lot is on view at Barnwell Manor where it will remain for collection by the successful purchaser Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Variance in colour from weathering with some old lichen and moss. Slight loss of definition to features and detailing. Face with what looks to be old restoration points around mouth and end of nose. Base with wear and loss to edges. Please see numerous additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A CONTINENTAL CARVED AND POLYCHROME DECORATED BUST OF THE MADONNA LATE 16TH/EARLY 17TH CENTURY With separate but possibly original stepped plinth base 51.5cm high overall, the base 35cm wide Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Old worm throughout resulting in holes an some surface loss. Both shoulders with spliced repairs, some loss from handling to raised details, shrinkage cracks notably to reverse- with signs of old remedial filler. Paint loss from rubbing age and handling throughout. Some restorative retouching. Base worn to edges and cornersPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A CARVED MARBLE FIGURE, POSSIBLY ALEXANDER THE GREAT AFTER THE ANTIQUE, LATE 19TH CENTURY Unsigned 80cm high, the base 25.5cm wideCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Left arm missing, losses to fingers of right hand and heads of birds to helmet. Natural inclusions visible including to legs, cuirass etc Signs of old remedial restoration to nose, chin and sections of plinth lower edge. Some staining and overall quite dirty. Right arm with visible join to segmented construction at shoulder. Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A BLUE JOHN PEDESTAL URN MID/EARLY 19TH CENTURY The turned tapering urn on black slate, white marble and blue john base34.5cm high, the base 10cm wideProvenance: Property of a Lady of titleCondition Report: Finial associated- formerly utilised as a lamp- now reverted. Old drill hole to one plinth edge, hole visible to underside. Finial restored and probably replaced and under strong light and UV repairs showing to base of body, stem and sections of moulding to base. Small knocks and losses to exposed edges and corners of basePlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A 'GRAND TOUR' BRONZE OF AUGUSTUS CAESAR OF PRIMA PORTA ITALIAN, LATE 19TH CENTURY With integral turning handle to circular plinth base 34.5cm high, the base 11.2cm diameter The figure of the first Roman Emperor derives its name from the locality in Rome where it was excavated in 1863 at the Villa Livia- formerly the home of his third wife Livia Drusilla. The marble figure is now held and displayed in the Vatican Museum.Condition Report: Generally good condition- very mild rubbing and wear to extremities with slightly paler colour visible to folds of cloak, tip of nose, edge of base etc. Some rubbing to right arm. Condition Report Disclaimer
AFTER ALBERT-ERNEST CARRIER-BELLEUSE (FRENCH, 1824-1887), 'LA CONFIDENCE' (THE SECRET) LATE 19TH CENTURYTerracotta, signed to the side 'A CARRIER' approximately 69cm high, the plinth base 44cm wide, 28cm deepCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Looks to have a later wash disguising professional restorations. Some repairs are evident to the naked eye through colour variance- such as the lyre, neck of front figure, side of pedestal, projecting unclothed leg, arms, hands etc- - but the wash is largely impermeable to UV and strong light making detailed and precise list of repairs/restoration impossible. However we would suggest that it is likely that repairs and restoration may be fairly extensivePlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
AN 18TH CENTURY DUESBURY & CO DERBY PORCELAIN FIGURE - MADONNA & CHILD modelled seated in a turquoise chair, on square plinth, 20cm high, patch marked base incised 'No. 138'Note: this incised number matches with the Soar et al list of moulds and models of 1795 (see Twitchett, John: Derby Porcelain, page 75)
An early 20th century oak Globe Wernicke three-tier bookcase with leaded glazed doors, on a plinth base, height 112cm, width 86cm, depth 27cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late 20th century bronzed composite bust of a young girl, raised on a metal-clad wooden plinth, height 43cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late 19th century mahogany library bookcase cabinet, fitted with four lancet glazed doors above doors with applied border mouldings, on a plinth base, height 253cm, width 225cm, depth 50cm. Note: from the contents of Runnymede Park, Surrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early 20th century German cast bronze Art Deco figure depicting a young lady balancing a ball, stamped 'GERMANY' and raised on an onyx plinth, height 12.5cm, together with an early 20th century patinated cast bronze figure of Pierrot in a seated pose, height 6.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Sevillian school. Circle of BARTOLOME ESTEBAN MURILLO (Seville, 1617 - 1682), 17th century."The Virgin handing the rosary to Saint Dominic".Oil on canvas.Relined.Frame of the 19th century, with damages.Size: 157 x 102 cm; 172 x 115 cm (frame).One of the most outstanding episodes of the legend of Saint Domingo de Guzmán is the vision that the saint had of the Virgin of the Rosary, appearing to him in the chapel where he was praying. The episode depicted here was in fact the most popular in Spanish painting during the Baroque period, especially in the Sevillian school. In particular, the present scene is directly influenced by Murillo's painting of the same name (now in the Archbishop's Palace in Seville, a work of his youth, executed between 1638 and 1640): in both paintings, a subtle break of glory envelops in cotton wool the apparition of a young Mary, who holds the Christ Child in her left arm. The Virgin is depicted with a gentle, idealised face, wrapped in a soft robe and mantle draped by a gentle breeze. On the left, the saint expresses surprise and rapture with the sparkle in his eyes. He holds out his hand to receive the rosary. Between the two figures in the present painting we see the same motif as in Murillo's painting: a bouquet of lilies, a symbol of purity, has been placed on the closed cover of the Bible. From the golden background emerge the loving heads of seraphs, impregnated with tenderness, again following Murillo's models. The painter does not, however, attempt to imitate the model, and there are clear differences: the dog and the plinth in Murillo's painting are not depicted, but the silent bond between the two main figures is the focus of the painting. In conclusion, it is safe to assume that this painting, which is practically coeval with Murillo, must have been executed under the influence of the master by a disciple of his.
A LARGE REGENCY PAINTED PLASTER FIGURE OF A WOMANIN THE MANNER OF HUMPHREY HOPPER, CIRCA 1820 Depicted standing, classical robes, plinth base, unmarked figure 134.5cm high, base 42cm wideProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The surface looks to have been redecorated in pale white, blue and slight pink washes. This is impermeable to strong and UV light, but we would suggest that it probably covers restorations to both arms, hands and possibly the neck. Object to her left hand is incomplete. Some rubbing and loss to surface notably at exposed extremities and around neck and nose. Base chips, some sizeable and with knocks and subsequent hairlines including one running from front centre edge of plinth back into feet.base 41.7cm wide, 33cm deep. With regards question of the weight- too heavy for us to weigh- would suggest this is a careful lift by two strong people. Please see numerous additional images for visual references to condition which form part of this condition report.In the additional images the figure can be seen on top of a white painted base- this is NOT included in the lot. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A PAIR OF MARBLE OBELISKS LATE 19TH CENTURY PROBABLY ITALIAN Variegated green and Siena marble 47.5cm high, bases 9cm wideProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Both have restoration to the plinth bases- 1 has old and more recent significant repairs to top 4" of shaft which lacks tip- the other with modern glue repair to tip- visible glue remnants to bothPlease see numerous additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A PAIR OF CARVED MARBLE LIONS PROBABLY EARLY 19TH CENTURY, ITALIAN On associated later stepped bases 45.5cm high overall, lion plinth bases 49cm deep, 16cm wideProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Both dirty and with slightly softened features and detailing. this may indicate they spent some time outdoors which could explain why the plinth under the left hand lion in main image seems to have sheared horizontally- with visible gap and some corner repairs. The piece lifts up in one section indicating it may have had further repairs at the shear point Some knocks and loss to edges and cornersPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
AN UNUSUAL ROOT WOOD JARDINIÈRE LATE 19TH CENTURY, POSSIBLY ASIAN 35.5cm high, 68.5cm wideCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. No liner- Japanese calligraphic script to underside which is fairly scratched- additional scuffs and marks around body and plinth base. Some shrinkage cracksPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A GEORGE VI SILVER FIGURE OF A SCOTTISH BLACK WATCH INFANTRY SOLDIERTHE GOLDSMITHS AND SILVERSMITHS CO. LTD., LONDON 1948On an ebonised square plinth base19cm highProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: Marks are clearFigure and base with slight play to the plinthPlinth with rubbingLight scratches and wear commensurate with age and useCondition Report Disclaimer
A George V silver sculptural scene by Walker & Hall, Sheffield 1927, modelled as a farmer pushing a wheelbarrow full of crop by a leafless tree, on a naturalistic square base, held on a wooden plinth, the silver piece 18.5 cm high x 11.2 cm wide, total height on plinth 24 cm high, silver weight 1070 grams
An Edwardian silver trophy bowl on stand by Cohen & Charles, London 1907, designed as a monteith with figural moulded border, inscribed to the front for 'Little Chalfont Women's Institute (...)', with associated circular wooden plinth, bowl 13.5 cm diameter, height without plinth 10.5 cm, weight 265 grams
A 19th century brass mounted mahogany table timepiecethe dial signed Benj. Gray, Leicesterthe rectangular case surmounted by a pineapple finial over cornucopia side handles, the plinth base on ball feet, the signed 6' repainted Roman dial with matching blued steel hands, the single chain fusee movement with anchor escapement to a substantial pendulum with stirrup-type regulation, with winder and case key, 49cms highThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early 19th century ebonised and gilt-metal mounted single pad top bracket clockthe dial signed Barwise, Londonthe arched case with foliate cast handle on a brass-bound pad over fish scale side frets to a plinth base on ball feet, the retouched 7' painted Roman dial with strike/silent over pierced quadrants, the twin gut (now wire) fusee movement with shouldered plates united by five knopped pillars, the anchor escapement with stirrup type regulation to the pendulum, signed backplate and striking on a bell, 42cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A fine mid 18th century chinoiserie japanned cased table clock with pull cord repeatthe dial signed Thomas Utting, Yarmouththe caddy top rectangular case surmounted by a brass knopped handle over a broken arch and glazed side panels on a plinth base with block feet, the 6.5' arched brass dial with silvered Roman and Arabic chapter ring with diamond half hour markings, blued-steel hands, matted centre with mock pendulum aperture and signature cartouche with subsidiary date with strike/silent lever above, the twin fusee movement now with anchor escapement with highly engraved backplate depicting birds and baskets of fruit surrounded by foliate scrollwork, striking the hour on a bell, with pull quarter striking on six bells with hour repeat, with a brass bob pendulum, winding key and two case keys, 49cms high (5)Footnotes:Thomas Utting was active pre-1730, then succeeded his uncle Daniel Manley 'near the bridge' at Great Yarmouth 1730-43. Also at Beccles (Suffolk) from 1743.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A pair of early 19th century French gilt bronze herm busts of classical female musesin the Empire tasteeach modelled full face, their elaborately braided coiffures arranged in knotted cascading chignons, their curls arranged beneath floral bandeaus, their shoulders clad in drapery, on later Verde Antico moulded square shallow plinth bases, the busts probably original forming the outer finials to chenets, 30cm high (2)For further information on this lot please visit Bonhams.com
A good late 19th/early 20th century carved oak table clockthe dial signed J. Smith & Sons, Clerkenwell, Londonthe architectural case with carved pediment over canted corners, the sides with sound frets, on footed plinth base, the signed 5' rectangular silvered Roman dial with engraved mask and matching blued steel hands, a regulation dial above XII, the twin chain fusee movement with anchor escapement striking on a coiled gong, with pendulum, two case keys and a winding key, 35cms highThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An impressive late 19th century Continental carved oak quarter chiming table clockthe architectural case with broken swan neck pediment on carved composite columns to a stepped moulded plinth, the 8' arched brass dial with subsidiaries for chime/silent, regulation and chime on 8 bells/Westminster over a silvered chapter ring, the substantial triple chain fusee movement with anchor escapement sounding the hours on a large coiled gong and the quarters on a run of eight graduated bells, 59cms highThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A pair of rosewood D-shaped hanging display cabinets by Edward Barnsleypossibly made in 1967 following a Barnsley designEach inlaid with sycamore stringing, the projecting top above a hinged glazed door with re-entrant upper angles, enclosing glass shelves, each stamped: 'BARNSLEY', 51cm wide x 24cm deep x 76cm high, (20in wide x 9in deep x 29 1/2in high) (2)Footnotes:ProvenanceThe offered pair of hanging display cabinets were bought 'ready made' from the Edward Barnsley workshop by the parents of the current owner and vendor.Unfortunately no specific commission details relating to the present cabinets appear among the records at the Edward Barnsley Workshop.However it is almost certainly the case that they were made, following a 1967 Barnsley design, for the purpose of workshop stock, possibly alongside other identical or comparable examples of this type.The Barnsley design for the current lot, which is dated 1967, is illustrated in the exhibition catalogue, Edward Barnsley, Sixty Years of Furniture Design and Cabinet Making, printed: 1982, fig. 73, p. 55. The original pair of rosewood and sycamore inlaid display cabinets of this particular model were specially made by the Barnsley workshop for a Mrs E. Hibberd.The plinth to the interior of these cabinets was requested by Mrs Hibberd so that any objects to be displayed inside them would be visible above the door frame. The Japanese silk used for the back and plinth of the interior had been sourced in London by Edward Barnsley following Mrs Hibberd's requirement of a soft lining. It is interesting to note that another two pairs of this exact design, which were made from Cuban mahogany, were produced at the same time. And it is documented that one of these pairs was purchased by a Mrs Bennett.We are extremely grateful to the Edward Barnsley Educational Trust for their assistance with the cataloguing of this lot.This lot is subject to the following lot symbols: TP YTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
An early Victorian mahogany secretaire chest1840-1855, the top drawer with a hinged front enclosing four mahogany-lined slides, above four long graduated and mahogany-lined drawers, on a plinth base and squat bun feet, 121cm wide x 52cm deep x 121cm high, (47 1/2in wide x 20in deep x 47 1/2in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early 20th century French brass four glass clockthe plain rectangular case with moulded cornice above a narrow vertical reeded decorative border, on moulded foot plinth foot, the 3.5' Arabic dial set within a foliate bezel with pierced hands, the recessed centre with visible Brocot type escapement, the brass twin train movement striking on a gong, with mock mercury pendulum, 29cm high For further information on this lot please visit Bonhams.com
A George III and later gilt and black japanned longcase clockthe dial signed Thomas Utting, Yarmouththe rectangular arched hood with caddy top and onion spire finials above a pair of plain columns, the trunk with moulded door on panelled plinth base, the door and lower panel with flowering tree, figural and pavilion landscape landscape decoration, the whole with floral scroll decoration, the brass dial with applied dolphin and floral urn spandrels, the 11' silvered Roman chapter ring with outer Arabic five minute track, the matted centre with matching silvered Arabic subsidiary seconds below XII, the arch with Strike/Silent subsidiary, the brass twin train movement with anchor escapement striking on a bell, with pendulum, winder and a pair of lead weights, 245.5cm high overallThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A pair of late 19th/early 20th century French gilt bronze mounted rouge marble pedestal garniture urnsthe squat shouldered bulbous pedestal bodies with twin putto head handles, the swept socles with laurel wreath mounts, on shallow square plinth bases, 25cm high overall (2)For further information on this lot please visit Bonhams.com
A pair of late 19th century Meissen porcelain figures of a young boy and his female companion with their dogsafter the 18th century originals, originally sculpted circa 1776 by Michel Victor Acier (German, 1736-1799)both in elaborate polychrome enamelled costume with dipped laced decorations, the boy seated on a tasselled stool, his dog jumping at the upright barrel of his gun, the seated girl wearing an elaborate feather hat, her dog on her lap observing its reflection in an upheld mirror, both raised on gilt and pink enamelled circular plinth bases, both with underglaze blue crossed sword marks, and with impressed and red painted numbers, 62 and 10, 15cm high approximately (2)For further information on this lot please visit Bonhams.com
A late 19th century French patinated bronze figure of a Classical maidenin the manner of Jean Jacques (called James) Pradier (French, 1790-1852)the figure clad in classical drapery and headdress, leaning against an ivy entwined rustic wall, on bow-fronted moulded base, and corresponding black marble shallow plinth, 47.5cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 19th century French patinated bronze and marble figural mantel, the figure after Jean-Jacques, called James, Pradier (Swiss, 1790-1852)the movement stamped Richond F. A. Paristhe rectangular black and variegated marble case surmounted by a figure of Terpsichore holding her lyre & plectrum before a wellhead signed J PRADIER, on naturalistic base, the 3.5' enamel dial with Roman numerals, on plinth base, the brass twin train movement with outside countwheel striking on a bell, with pendulum, 52.5cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A pair of 19th century French gilt bronze and white marble cassolettesin the Louis XVI stylethe ovoid bodies with domed covers with fruiting knopped finials reversing to fluted cylindrical candle nozzles, the swept tripod supports with scrolling horned Bacchus mask terminals, united by floral garlands and milled central collars on cloven hoof feet, raised on stepped circular plinth bases with beaded borders and toupie feet, 27cm high overall (2)For further information on this lot please visit Bonhams.com
A good early 19th Century mahogany longcase clock with deadbeat escapementthe dial signed Ellicott & Taylor, Royal Exchange, the movement supplied by Thwaites, numbered 3598. the arched hood surmounted by a concave moulded plinth supporting a brass ball finial over fish-scale side frets, stop fluted canted front angles and a circular glazed aperture above quadrant frets, the long door with intricately moulded edge flanked by matching canted stop-fluted angles, on a base with applied shaped moulded panel and double stepped plinth, the 12' repainted convex circular Roman and Arabic dial with matching gilt serpentine hands, with strike/not strike lever at XII, the movement with shouldered plates united by five knopped pillars, stamped on the frontplate THWAITES 3598 and repeat numbered along the top edge of the plate, with deadbeat escapement to a pendulum terminating in a heavy lenticular bob, with rack strike on the shallow bell (the bell inscribed in ink for the one-time owner or repairer 'J. Pritchard, Southgate, 8 July 1840.') together with the pendulum, two lead weights, two crank keys, a hood key and trunk key, 216cm highFootnotes:Thwaites records suggest that movement number 3598 was sold by them in 1805. See Rose, E.D. (1978) English Dial Clocks. Suffolk: Antique Collectors' Club, Appendix III.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A George III mahogany longcase clockthe dial signed William Gaite, Shepton Malletthe hood with swept top with trellis pierced sound grill above a moulded arched cornice and pair of brass mounted reeded columns, the trunk with moulded arched door flanked by corresponding reeded quarter columns, the moulded panel plinth base on bracket feet with shaped apron, the 11.5' arched brass dial with Roman chapter ring with outer Arabic five minute track with scrolling vase spandrels, the matted centre with silvered subsidiary Arabic seconds below twelve and engraved arched silvered signature enclosing date aperture, the arch with 'Tempus Fugit' engraved silvered circular boss within scrolling dolphin spandrels, the brass twin train movement with anchor escapement striking on a bell, together with a pendulum, winder, case key and a pair of brass cased weights, 227cm high approximately This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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