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Lot 483

An inlaid mahogany musical bracket clock by Knight & Gibbins of London, late 20th century, with J0210 eight day Kieninger three train 11 jewel movement with outside platform escapement, Westminster, Whittington and St. Michael chimes striking the hour, half hour and quarters on eight gongs, with strike-silent, no. 2200337137, signed white enamel dial with Roman numerals, in caddy top mahogany case with gilt brass acorn finial, quarter veneered and cross banded front door, on ogee and plinth base with brass plate feet, 14in. (35.5cm.) high., *Condition:Very good overall. Winds and runs. Strikes correctly. Case and dial in very good condition.

Lot 487

A good 19th century French ormolu, porcelain and white marble drum clock, the white 5in. dial with black Roman numerals, fronting an eight day twin train movement, no. 22339, striking the hours/half hours on a bell, in a fluted drum case with foliate and floral swagged plinth with central Sevres style plaque with floral bouquet, the moulded serpentine white marble base with gadrooned toupie feet, 11 1/8in. (28.25cm.) high, on a serpentine giltwood and red velvet stand and later ebonised base with glass dome., *Condition:In fine, restored condition. Winds and runs, strikes correctly. Dial excellent. A few tiny nicks to lower edge of marble. Small patch of verdigris tarnish to centre bottom of back panel on clock. A few rubs to edges of giltwood stand. Velvet faded and has some wear. With later key.

Lot 490

A good early 19th century Scottish inlaid mahogany eight day longcase clock by William Keith of Inverness, the eight day bell strike movement with four turned pillars, the painted arched dial with Roman chapter ring and Arabic numerals to the outer minute track cardinals, signed in an an oval to the arch with foliate, gilt and black bordered cartouche and conforming spandrels, subsidiary seconds dial at 12 and date dial at 6, the case with swan neck top with marquetry rosettes and brass ball finials, the arch centred by three feathers, raised on strung reeded and turned columns, the trunk with lancet arched and thistle marquetry inlaid door, flanked by barber's pole strung pilasters, the flame mahogany base with three feather marquetry and boxwood & ebony strung border, on plinth base, 88in. (224cm.) high.

Lot 492

A 19th century bronzed spelter and marble clock garniture, French, titled 'La Confidence' after A. J. Scotte, depicting Diana and Cupid, in mid-brown and red-brown patination, the balloon cased clock with Arabic white enamel dial, eight day movement with outside countwheel striking the hours and half hours on a bell, signed Japy Freres, no. 69528, on a tan and white marble plinth with gilt metal wreath mount and gilt foliate toupie feet, 15¼in. (38.75cm.) high; with two matching twin handled covered urns. (3), *Condition:A few small chips to lower back edge of marble. Movement winds and runs, strikes correctly. Minor wear to spelter finish on raised areas. Dial VG. One pin missing from left hand edge of wreath mount.

Lot 145

[§] RICHARD LOUIS GARBE (1876-1957) AN ELEGY bronze, dark-brown patina, marked to base RICHARD GARBE 1906, on a grey-green marble plinth Overall 66.5cm high; bronze 58.5cm high Provenance: With The Fine Art Society, London Literature: Bowman, Robert, 'Sir Alfred Gilbert & The New Sculpture: British Sculpture 1850-1930', The Fine Arts Society, London, p. 31 Note: A prolific sculptor of the late nineteenth and early twentieth century, Richard Garbe initially learned his craft under the apprenticeship of his father, a carver of luxury ivory and tortoiseshell goods. Garbe's emotive and often dramatic compositions take inspiration from the New Sculpture movement which aimed to convey a renewed sense of dynamism and physical realism, somewhat removed from the more stylised representations of neo-classical sculpture. Recognised for his versatility in working with ivory, bronze, clay and plaster, Garbe gained much praise for his work and was elected into the Royal Academy in 1929 after several nominations from contemporaries such as Frampton, Thornycroft and John Goscombe.

Lot 381

TALWIN MORRIS (1865-1911) GLASGOW STYLE ART NOUVEAU BOOKCASE CIRCA 1900 the moulded top above three open shelves with four embossed copper panels depicting stylised plant forms, the whole raised on a plinth 45.5cm wide, 73.5cm high, 15.5cm deep

Lot 396

DEMÉTRE H. CHIPARUS (1886-1947) 'LITTLE CLOWN' GILT BRONZE AND IVORY FIGURE, CIRCA 1920 raised on a tapered onyx plinth, signed in the bronze H. CHIPARUS, and with foundry mark ETLING - PARIS 23cm high Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

Lot 450

ENGLISH SCHOOL ART DECO PATINATED SPELTER TABLE LAMP, CIRCA 1925 cast as a girl, holding aloft a frosted glass shade and raised on a geometric marble and onyx plinth 46cm high

Lot 470

BETTY JOEL (1894-1985) FOR TOKEN FURNITURE ANDOMAN PADOUK WOOD WARDROBE, DATED 1926 with cedar wood lining, the single panelled door and panelled sides enclosing an interior with hanging space and shoe rack, the whole raised on a plinth, bears hand-written and printed maker's label TOKEN HANDMADE FURNITURE/ REGD. TRADE MARK/ BETTY JOEL/ J.W. BALDWIN/ W. SCOTT/ 1926 76cm wide, 189.5cm high, 57.5cm deep Provenance: Purchased directly from Betty Joel in 1926 By family descent Note: The original receipt for this piece, dated October 14th 1926, states that 10% was added to the price for making up the pieces in 'Andoman Padouk'. Betty Joel set up her furniture making business in 1918 with her husband David Joel and initially has their workshops in factory at Hayling Island where these pieces would have been made. The firm rented a showroom at 177 Sloane Street in London. Such was the popularity of Joel’s designs that by 1929 the factory moved to bigger premises at Portsmouth. Many of England’s social and corporate elite commissioned her to design interiors and furniture for their homes and offices.

Lot 474

BETTY JOEL (1894-1985) FOR TOKEN FURNITURE ANDOMAN PADOUK WOOD CHEST OF DRAWERS, CIRCA 1926 the top with inset glass preserve above two short over three graduated drawers raised on a plinth 88cm wide, 94cm high, 48cm deep Provenance: Purchased directly from Betty Joel in 1926 By family descent Note: The original receipt for this piece, dated October 14th 1926, states that 10% was added to the price for making up the pieces in 'Andoman Padouk'. Betty Joel set up her furniture making business in 1918 with her husband David Joel and initially has their workshops in factory at Hayling Island where these pieces would have been made. The firm rented a showroom at 177 Sloane Street in London. Such was the popularity of Joel’s designs that by 1929 the factory moved to bigger premises at Portsmouth. Many of England’s social and corporate elite commissioned her to design interiors and furniture for their homes and offices.

Lot 491

[§] EMIL FILLA (1882-1953) CUBIST PORTRAIT, DATED 1913 bronze, cast in high relief, dark brown patina, raised on a Perspex plinth base, signed E. FILLA 1913/ G 1'E 2/ 34cm high overall, bronze 31cm high

Lot 77

ALPHONSE LEGROS (1847-1911) TORSO patinated plaster, raised on a painted plinth base, signed A. LEGROS 53.5cm high overall

Lot 91

SIR ALFRED GILBERT (1854-1934) 'VICTORY' silvered bronze, raised above an onyx sphere spacer on patinated bronze plinth base 18cm high Provenance: The Fine Art Society, London Literature: Dorment, Richard 'Alfred Gilbert: Sculptor and Goldsmith', Royal Academy of Arts, London, 1986, p.129 Note: After joining the Royal Academy in 1873 and studying at the École des Beaux-Arts in Paris, Alfred Gilbert went on to become one of the most influential sculptors of his generation and a leading figure in the New English Sculpture movement. 'Victory' was cast in 1887 and her dramatic pose, carefully balancing above an orb, encapsulates the New Sculpture preference to convey narrative through dynamic compositions. Whilst originally produced to surmount the orb held by the monarch in his 'Jubilee Memorial to Queen Victoria' at Winchester (1887), many reductions of this figure were subsequently made and Gilbert presented them to many of his friends, including John Singer Sargent and Seymour Lucas. Once described as "the Benvenuto Cellini of this age" by President of the Royal Academy Frederic, Lord Leighton, Gilbert's continual acclaim is a testament to his virtuoso skill as a bronze founder and goldsmith.

Lot 98

GEORGE JAMES FRAMPTON (1860-1928) PAIR OF PATINATED LEAD MAQUETTES design maquettes for the finials on the parapet of Queen Mary's Doll House, in classical dress with turned treen urns, on painted wood plinth bases (2) 26cm and 25.5cm high Literature and Exhibited: Adrian J. Tilbrook & Fischer Fine Art Limited, Truth, Beauty and Design: Victorian, Edwardian and Later Decorative Art, An Exhibition at Fischer Fine Art Limited, 15 May-27 June 1986 (London). Christies, London 'Decorative Arts for 1880 to the Present Day', 13th July 1988, Lot 352 Note: These maquettes were designed as finials for the parapet of Queen Mary's Dolls House, designed by Edwin Lutyens (1869-1944) in the early 1920s and currently housed in the Royal Collection at Windsor Castle.

Lot 108

A Victorian walnut chiffonier with a mirrored back, above marble top pedestals and mirrored base doors on a plinth

Lot 15

A sectional bookcase with three leaded glass doors on a plinth

Lot 57

A mahogany side cabinet with a rectangular top above a pair of cupboard doors on a plinth base

Lot 65

A Victorian rosewood side cabinet with a variegated top above two drawers and two cupboards on a plinth base

Lot 4425

A unique collection of autographs and artwork by celebrities and notable figures including pop stars, artists, sports personalities, actors, authors, comedians, designers. The collection was put together by the late Karen Gammon and began life as her contribution to a Millennium Art Exhibition designed to raise money for a number of different charities (nominated by the celebrities). Karen sent a button to each celebrity and asked them to design a piece of art around it. Many of the designs are appropriate for the figure in question and represent the very thing they are famous for. The collection includes: J. K. Rowling (who has sketched three silhouettes flying around her button on broomsticks, one clearly being Harry Potter wearing a scarf); Mary Fedden RA (who has sketched a cat holding her button in a flower); Sir Paul McCartney (who has produced a humorous cartoon with the button as a nose); Dame Elizabeth Blackadder RA (who has used her buttons in a vibrant watercolour drawing of a lizard); Sir Stirling Moss (who has turned his button into a steering wheel); Grayson Perry RA (who has turned his buttons into figures being hanged); Mary Quant (who has incorporated her button into a sketch of a dress); Antony Gormley RA (who has drawn a tiny figure holding up his button); Lord Lichfield (self-portrait taking a photograph with the button as his camera); Nick Park (who has drawn a cartoon of Gromit with the button as his nose); Ronnie Barker (who has used his padlock button in a gag about his wife's handbag); Anthony Green RA (who has incorporated his button into a self-portrait); Phil Collins (who has turned his button into a drum kit); Sir Nicholas Serota (who has depicted his button on a Tate Modern plinth); Dick Francis (who has drawn a horse & jockey jumping over his button); Sir David Jason (who has doodled a wall with 'Del Boy woz 'ere'). The collection, which has been framed, comes with separate paperwork and consent forms relating to the acquisition of the autographs (often signed again), and even press/publicity photographs (many of which are again signed), together with numerous copies of a book that was produced to illustrate and explain the collection, 'Celebrity Button Art - An A to Z of Celebrity Mini Masterpieces', 2010 (with foreword by Bonnie Tyler). In her introduction, Karen states, 'Why art around a button you may ask? I needed a common starting point yet something that would inspire the creation of a mini masterpiece without directing or inhibiting the artist too much. I needed something that was seemingly insignificant by itself but would become an integral part of an imaginative spark of inspiration.' The collection is arranged alphabetically in 41 frames, each frame housing six cards bearing autograph/button, each card measuring 10.5cm by 7cm (the entire frame measuring 41cm by 31cm); the paperwork/consent forms are housed in six box files; the Celebrity Button Art books/catalogues are housed in three card boxesOther artwork/autographs include: Joss Ackland; Jenny Agutter; Peter Amory; Lord Archer; Colin Baker; Jeff Banks; Linda Barker; Sue Barker; Roy Barraclough; Keith Barron; Michael Barrymore; Dame Shirley Bassey; Marquess of Bath; Jeremy Beadle; David Begbie; Sir Tim Berners-Lee; Stephen Beveridge; Maeve Binchy; Roger Black; Honor Blackman; Raymond Blanc; Brenda Blethyn; Patti Boulaye; Peter Bowles; Norman Bowman; Michael Brandon; Sir Richard Branson; Richard Briers; Fern Britton; Pierce Brosnan; Amanda Burton; Jeb Bush; Darcey Bussell; Max Bygraves; Simon Callow; Dame Barbara Cartland; Emma Chambers; Linford Christie; Petula Clark; Granville 'Danny' Clark; Sacha Baron Cohen; Graham Cole; Jackie Collins; Joan Collins; Sir Henry Cooper; Jonathan Cope; David Copperfield; Sir Patrick Cormack; John Craven; Michael Crawford; Bernard Cribbins; Wendy Dagworthy; Jim Dale; Paul Daniels; Alan Davies; Graham Davis; Steve Davis; Dame Judi Dench; Charlie Dimmock; Anita Dobson; Ken Dodd; Deborah Drew; Noel Edmonds; David Essex; Trevor Eve; Mohamed Al Fayed; Sarah (Ferguson), Duchess of York; Anna Ford; Frederick Forsyth; Edward Fox; Paul Franks; Chris Ferdiani; Ben Freeman; Dawn French; Ant Fry; Stephen Fry; Lesley Garrett; William Gaunt; Uri Geller; Susan Georeg; John Glenn; Hannah Gordon; David Gower; Robson Green; Bob Grose; Lloyd Grossman; Gareth Hale; Christine Hamilton; Neil Hamilton; Susan Hampshire; Nick Hancock; John Hannah; Ainsley Harriott; Tony Hart; Nigel Havers; Sir Nigel Hawthorne; Sir Jack Hayward; Tim Healy; David Hedison; Lenny Henry; Jack Higgins; Harry Hill; Katy Hill; Ian Hislop; Peter Howson; Roy Hudd; Patrick Hughes; Gareth Hunt; Konnie Huq; John Inman; Glenda Jackson; Sir Derek Jacobi; Sue Johnston; Lesley Joseph; Handy Andy Kane; Sam Kane; Kevin Keegan; Penelope Keith; Matthew Kelly; Ian Kelsey; Felicity Kendal; Alex Kingston; Michael Kitchen; Jack Klugman; Nick Knowles; Twiggy Lawson; John Le Carre; Jay Leno; Gary Lineker; Desmond Llewelyn;Laurence Llewelyn Bowen; Andrew Logan; Joanna Lumley; Cherie Lunghi; Linda Lusardi; Simon MacCorkindale; Aggie Mackenzie; Mary Elizaebth Mastrantonio; Ally McCoist; Martine McCutcheon; Debbie McGee, Ewan McGregor; Anne McKevitt; Ian McShane; George Melly; Alessandro Mendini; Sarah Miles; Stuart Miles; Albert II, Sovereign Prince of Monaco; Sir Patrick Moore; Desmond Morris; Dame Peggy Mount; Bill Mundy; Nina Nannar; Paul Nicholas; Bill Nighy; John Noakes; Graham Norton; Daniel O'Donnell; Paul O'Grady; Jamie Oliver; Tamzin Outhwaite; Nick Owen; Norman Pace; Jane Packer; Cesar Pelli; Marti Pellow; Gervase Phinn; Jonathan Pryce; Suzi Quatro; Gary Rhodes; Anneka Rice; Sir Cliff Richard; Fay Ripley; William Roache; Anne Robinson; Tamara Rojo; Michel Roux; Phillip Schofield; Jenny Seagrove; Martin Shaw; Tessa Shaw; Jeremy Sheffield; Frank Skinner; Carol Smilie; Nicholas Smith; Jeremy Spake; Tommy Steele; Clive Swift; Chris Tarrant; Gwen Taylor; Simon Thomas; Emma Thompson; Linda Thorson; Alan Titchmarsh; Oliver Tobias; Richard Todd; Philip Treacy; Bonnie Tyler; Rory Underwood; Phil Vickery; Carol Vorderman; Rick Wakeman; Karen Walker; Tommy Walsh; Julie Walters; Zoe Wanamaker; John Wardley; Paul Warriner; Pete Waterman; Ruby Wax; Denise Welch; Anthony Whishaw RA; Richard Whiteley; Quentin Wilson; Gary WIlmot; Sir Norman Wisdom; Sir Terry Wogan; Victoria Wood; Kim Woodburn; Michael York; Susannah York; Paul Zenon; Patti Boulaye; Emma Chambers; Jackie Collins; Steve Davies; Trevor Eve; John Glenn; Paul Merton; Hilary Neiland; Dame Diana Rigg

Lot 1191

An George VI style silver mounted perpetual desk calendar, on plinth base, the silver hallmarked Mappin & Webb, London, 1983 (1)  CONDITION:marks good 

Lot 1281

A George V stained beech silver mounted novelty smoker's companion, the lift top section opening to reveal sloping compartment, the main body chased with mullioned windows above archway opening, the back with two smaller archways, all above slide drawer with bone handle on plinth base, the silver top section engraved "Ye Newarke", the silver hallmarked, J Batson & Son, London, 1912

Lot 2040A

A Derby porcelain tripod inkwell, circa 1805, the squat ogee campana body painted with a view of a church on riverbank, supported on three gilt mer-putti playing horns, on a triangular plinth and shell feet, 13cm high

Lot 2083

A French porcelain mantle clock garniture, with a French movement and two twin handled vases and covers standing on square plinth bases, brightly painted with roses in gilt leaf cartouches, floral swags with puce coloured bows, blue and gilt borders and handles and gilt stars, the clock case has gilt rams head handles attached, the face is painted with the same floral swags and the inscription ‘The Sheffield Goldsmiths & Co  11 Fargate' (Sheffield) probably being the retailer, circa 1910 , with a blue Sevres style interlaced LLs mark, clock 29cm high,  20cm by 12cm wide, vases 22cm high including covers, 16cm wide  including handles (3)Condition: vases: very minor wear to gilding, otherwise good, no damage or restoration.  Covers: one finial re-attached, no other damage or restoration.  Clock case, very minor wear to gilding, otherwise good.,no damage or restoration.  Clock: not checked, no key

Lot 2105

A Charles Vyse Punch and Judy pottery group, with a street musician playing pipes and a drum with his dog, standing before a traditional puppet theatre, with Punch and Judy and baby sitting on the ledge, signed Charles Vyse 1929 Chelsea, bolted to an wooden plinth, circa 1929, signed and dated, 31.5cm high, 15cm wideCondition: chip to from left side of green coat.  Small chip to top front rim of drum. One green bobble missing from dogs collar. faint hairline to base

Lot 2119

Doris Lindner for Royal Worcester, ‘Circus Horses’ featuring three rearing circus horses on a porcelain plinth, the horses are dressed with red saddles and reigns,  number 3179, circa 1938,   first registered in 1928, mark in puce Circus Horses modelled by Doris Lindner, 28cm high,  24cm by 14cmCondition: right facing horse: ears and coronet restored. Centre horse: right front legs restored.  No other damage

Lot 2204

A Japanese bronze study of a Samurai warrior, Meiji period, 1868-1912, modelled wearing a pattern robe and kabuto, in fighting stance holding a spear and samurai swords, signed, height 26cm, mounted on a raised wooden plinth (s.d)

Lot 2209

After H. Moreau, The Lute Player, bronze, mounted on a green veined marble plinth, height 72cm

Lot 2217

After Pierre Jules Mene, an Arab stallion and mare, bronze, bears signature, oval plinth, height 40cm, width 50cm 

Lot 2227A

A 19th Century bronze twin handled comport, of Renaissance Revival design, the bed with an Arcadian shepherd on a rocky outcrop, signed A.Richard, square plinth with grotesque lion mask feet, diameter 31cm

Lot 2228

A French Art Nouveau gilt bronze figure of a classically draped maiden, circa 1905, indistinctly signed, mounted on a wooden plinth, height of bronze 23cm

Lot 2228A

After P. Clodion, an Art Nouveau bronze figure of a classically draped maiden with a bunch of grapes, signed, all-over rich brown patina, mounted on a yellow marble plinth, height of bronze 55cm

Lot 2231

John Huggins F.R.B.S. (British, 1938), The Imperial Group Computer Trophy, 1979, bronze, No.100/150, signed, height excluding plinth 11cm, with the accompanying framed presentation certificate (2)Note: Artist Resale Rights apply

Lot 2278

A 19th Century Blue John urn section, unassociated circular finial, circular socle, Ashford marble plinth, full height 18cm

Lot 2295

Bronzed bearded elder on a heavy plinth. H50cm approx

Lot 2297A

A late 19th century Willcox and Gibbs of New York of unusual curved form sewing machine, on a wooden plinth base, 32cm wide.

Lot 3004

A 19th Century brass skeleton bracket clock, silvered dial with Roman numerals, single fusee movement striking on a bell, white veined marble plinth, under a glass dome (s.d), full height including dome 46cm

Lot 35

A George III yellow gold mourning ring, oval glazed head to a panel of ivory painted in monochrome with an urn and plinth, the band black enamelled with raised gold lettering to exterior JAMES SHERWIN, OB JAN 16, 1777, AE 64Condition Report: Overall good, some wear fading to painting, small minor loss to black enamelAge related wear, enamel loss, not hallmarked probably a minimum of 14ct gold, size P, no modification or repair CONDITION:The setting featuring an urn is approx 13mm x 11mm in size. There is some age related wear scratches and marks to the gold setting surround and minor scratches to the rock crystal. Enamel is featured all around  the band, and the enamel is slightly damaged in areas, because the enamel runs all the way round the band  it cannot be re sized

Lot 118

A mid 19th century inkwell and pen stand fashioned as a shell on the back of a fish, on a plinth, decorated with flower cartouches, on a mottled blue ground, 3 1/4"h, 4 1/4"w

Lot 126

A late Victorian silver plated lamp with a Corinthian capital, a reeded column, on a plinth with wreaths and a stepped base, 21" h, excluding fittings

Lot 140

An early Victorian mother of pearl inlaid rosewood, double sided book stand with an H shaped spindle divider, on a plinth with chamfered sides and button feet, 5 3/4"h, 16 1/4"w, 12"d

Lot 67

A late Victorian walnut and floral marquetry pier cabinet with gilt coloured metal mounts, with a glazed panelled door, enclosing three faded red fabric lined shelves, on a shaped plinth and castors 42 1/2"h x 31"w x 12"d

Lot 68

An early 20th century Sheraton revival painted, satinwood pedestal decorated with flowers, ribbons, bows, cherubs and urns, an inlaid banded top over a square column and moulded plinth, 36 1/2"h, 14 1/2" sq

Lot 97

A Napoleon III ebonized and boulle cabinet by Hyppolite Edmee Pretot with gilt metal and ormolu mounts, a black marble top, over a leaf frieze, a pair of boulle panelled doors enclosing a height adjustable shelf, flanked by male terms and fish heads, above boulle panels, on a shaped bracket plinth with mask ornament, stamped Pretot, 37" h, 43 1/4"w, 15" d

Lot 283

A reproduction mahogany bookcase, outswept cornice above a pair of glazed doors enclosing three shelves, the protruding base with a pair of cupboard doors, plinth base, 189cm high

Lot 1379

Royal Worcester limited edition 153/500 equestrian figure 'Prince's Grace and Foal' with plinth and certificate, H21cm

Lot 301

A LARGE CAPO DI MONTE LIMITED EDITION FIGURE OF MICHELANGELO CARVING A FIGURE OUT OF MARBLE, on wooden plinth coming with certificate etc, H 51 cm inc plinthCondition Report:No obvious damage or restoration.

Lot 303

A 19TH CENTURY GILT METAL CONTINENTAL MANTEL CLOCK UNDER A GLASS DOME, with figurative surmount, H 32 cm (excluding plinth)

Lot 335

A MODERN BRONZE FIGURE OF A LADY ON PLINTH

Lot 336

A CAST BRASS LOCOMOTIVE NAMEPLATE TYPE FOX SIMILAR TO THAT USED ON THE LNER HUNT CLASS LOCOMOTIVES MOUNTED ON A WOODEN PLINTH

Lot 389

A 20TH CENTURY BRONZE SCULPTURE OF A BULL, raised on a marble plinth, signed Milo and having circular foundry stamp, overall H 21 cm

Lot 281

Michael Sutty (contemporary) Marlene Dietrich, a large bronze bust after the German-American actress (1901-d1992) with a textured finish and rouged lips, signed and dedicated verso ‘For Peter, Michael Sutty’, on a stepped polished black slate trapezoid base with a further separate heavy trapezoid plinth, sold together with original plaster mould and original invoice, 69cm high (including base)

Lot 285

A 19 th century terracotta group in the form of two embracing putto on a stepped oval plinth base with beaded border, signed verso, 39cm high, 39cm wide

Lot 333

A early 19 th century country oak chest of three long and two short drawers, the chamfered sides enclosing stained handles on a bracket plinth base with cut panelled sides, 102cm high, 95cm wide, 39cm deep.

Lot 177

A 19thC cast metal urn, with compressed lid, floral knob, entwined handles and inverted base on marble plinth, 32cm H.

Lot 34

A George V silver trophy, Grantham & District Agricultural Association, presented by Major Bouch M.F.H 1922 to Mr Matthew Hubbard of Eaton. Presented for best Shire mare or filly. On inverted stem and circular foot with angular handles, Birmingham 1921, 12cm H, 6½oz, on ebonised plinth.

Lot 430

A 20thC Classic Figure sculpture, by A Santine, rearing horse, on plinth, resin, 32cm H.

Lot 365

A 1936 Doris Lindner ceramic figure entitled 'Hog Hunting' with mounted hunstman in pith helmet trying to spear a wild boar, model number 3164, height 7cm, presented on original baize-lined black lacquer plinth. CONDITION REPORT There are no obvious signs of significant damage or repair. There is no certificate.

Lot 366

A 1936 Doris Lindner for Royal Worcester ceramic figure of a polo player featuring a mounted figure in yellow jersey about to strike the ball, model number 3163, height approx 16.5cm and presented on original black lacquer baize-lined plinth. CONDITION REPORT There are no obvious signs of significant damage or repair. There is no certificate.

Lot 449

A scratch-built model of the 17th century barque 'Royal Prince', on a stained wooden plinth, length 47cm.

Lot 450

A scratch-built model of the 17th century, 'Great Harry' or 'Henry Grace a Dieu', a ship of King Henry's naval fleet, on stained wooden plinth, length 42cm.

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