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A 2nd half of the 20th Century Walnut Cased Timepiece, the overhanging cornice surmounted by a cast cushion top with carry handle, to an overhanging cornice and plain body with plinth base, raised on claw and ball feet, to a brass and silvered dial with Roman and Arabic chapter ring and blued steel hands, to a French circular brass movement with platform escapement, height 6 ¼”
A mid-20th Century Lacquered Brass Timepiece, LeCoultre “Atmos”, 139827, the five glass lacquered brass case with canted corners, on a rectangular plinth, with pinned lift-off cover, to a visible movement with signed circular white dial, with Arabic quarters and further dagger markers and hands, height 9 ¼”
A late 20th Century lacquered Brass Timepiece, Jaeger LeCoultre “Atmos VIII”, 316156, the lacquered brass five glass case with canted corners, raised on a plinth base with sprung front panel, to an exposed movement and square chapter ring with gilt Arabic quarters and dagger markers and hands, together with its original literature of issue, height 9 ¼”
A 2nd half of the 20th Century Lacquered Brass Timepiece, Jaeger LeCoultre “Atmos”, 290198, the lacquered brass five glass case raised on a plinth base, to an exposed movement with circular white painted chapter ring set with gilt Arabic quarters and further dagger markers and hands, height 9 ¼”
A late 19th Century Walnut cased Floorstanding Regulator, Lenzkirch 325863, the overhanging cornice surmounted by an architectural pediment with three ring turned finials, to an arched and glazed single door, with further glazed side panels on a plinth base set with a drawer and raised on compressed bun feet, to a 9” two-part Roman enamel dial with blued steel moon hands and sweep centre seconds, to a single weight-driven movement and pendulum with wooden stem and brass faced bob, height 77 ½”
A mid-19th Century Rosewood Cased Mantel Clock, the waisted and shaped case with serpentined pediment surmounted by a square section plinth with rosette and fruiting finial with applied carved foliate detail, to a plinth base, and raised on reeded compressed bun feet, to a case brass bezel with convex glass enclosing a silvered 8” engraved Roman dial with outside minute track and signed John Todd – Glasgow, with blued steel spade hands, to a twin fusee movement with shouldered plates united by knopped pillars with anchor escapement and strike (lacking bell), (some repair and alteration), height 19 ½”
A mid-19th Century Ebonised and Brass Inlaid French Mantel Clock, the plinth-shaped case with canted corners and moulded base, decorated throughout with lacquered brass detail, and further coloured insets, to a cast and beaded bezel with bevelled glass enclosing a 3 ¾” Roman enamel dial, with cobalt blue numerals and outside minute track, signed Potonie – Paris, with pierced and blued steel hands, to a circular brass movement with anchor escapement and silk suspension strike on a bell
A late 19th Century Mahogany cased 8-day Timekeepers Clock, the plinth shaped case with single moulded glazed door, to a 9 ½” painted Roman dial, signed “The Gledhill – Brook Time Recorders, Huddersfield, Halifax, London, Birmingham”, with blued steel spade hands, to a single chain fuse movement with anchor escapement, height 28”
A late 19th Century French Lacquered Brass four glass Mantel Clock, the plinth-shaped case with overhanging cornice, moulded and stepped base set with four bevelled glass panels, enclosing a foliate cast bezel, enclosing a 3 ¾” Roman chapter ring with outside minute track and further floral and foliate centre, with blued steel moon hands, to a circular brass movement with back mounted counted wheel and anchor escapement, strike on a bell, height 14”
An early 20th Century patinated Spelter mounted Green Onyx Clock Garniture, the plinth-shaped case surmounted by a maiden in diaphanous dress holding a flower, with side and mounts and raised on scrolling figural feet, to gilt bezel with bevelled glass enclosing a 3 ¾” Arabic enamel dial, with floral and foliate swag detail and signed Furber & Son – Cheltenham, with pierced and engraved gilt hands, to a circular brass movement with anchor escapement and strike on a coiled gong, and flanked by a matching pair of side pieces, height 24” (3)
An early 20th Century Mahogany and Boxwood line inlaid Mantel Clock, the waisted and lobed case on a stepped plinth base and raised on lacquered brass bun feet, to a cast brass bezel with convex glass enclosing a 4 ½” Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement, with anchor escapement and strike on a coiled gong, height 12 ¾”
A 1st half of the 20th Century Mahogany and Boxwood line inlaid Mantel Timepiece, the lancet-shaped case flanked by lion mask and ring handles on a stepped plinth with lacquered brass splayed bracket feet, and further inlaid foliate and rosette detail within a brass bezel with convex glass, enclosing a 3 ¼” Roman enamel dial with outside minute track and pierced and engraved brass hands to a circular brass movement with replacement lever platform escapement, height 9”
A late 19th Century Walnut and Ebonised Mantel Clock, the drum case on scrolling supports to a stepped plinth base, to a cast and beaded bezel with bevelled glass enclosing a 4 ¼” Roman enamel dial with outside minute track and blued steel spade hands, to a circular brass movement with anchor escapement and strike on a bell, height 9 ½”
An early 20th Century Mahogany Cased Mantel Clock, the plinth-shaped case with serpentined pediment over brass fish scale sound frets, to a plinth base and raised on ball feet, to a brass bezel with bevelled glass enclosing a 4 ¼” silvered Roman dial with outside minute track signed “Racine – Dublin”, to an associated circular brass movement stamped “R & C”, with anchor escapement and strike on a coiled gong, height 11 ¼”
A late 19th Century Oak cased Mantel Clock, the drum shaped case on scrolling supports to a plinth base, with brass bezel and bevelled glass enclosing a 4 ¾” Roman enamel dial (hairlines), with blued steel moon hands, to a circular brass movement with anchor escapement, back mounted count wheel and strike on a bell, height 9 ½”
An early 20th Century Open Boxwood Line Inlaid Mantel Clock, the shaped case with barber’s pole inlaid and further strung detail on a plinth base, and raised on ball feet, to a beaded brass bezel with bevelled glass enclosing a 3 ½” Arabic chapter ring with outside minute track and gilt centre, with blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a blued steel coiled gong, height 10 ¾”
An early 20th Century Stained Walnut Triple Barrel Mantel Clock, Winterhalder & Hofmeier, the arched case with reeded and canted corners on a plinth base, to a 6” silvered Roman dial with outside minute track (lacking bezel) with chime/silent lever at 9, and blued steel pierced hands, to a rectangular brass movement with anchor escapement and strike on five blued steel and coiled gongs, height 12 ½”
An early 20th Century Oak Cased Triple Barrel Mantel Clock, Gustav Becker, and retailed by Barron Clark & Co – Peterborough, the arched case with overhanging pediment over freestanding barley twist columns, on a plinth base and raised on compressed bun feet, to a 5” arched brass dial with subsidiaries for regulation and chime/silent, over a Roman chapter ring and blued steel fleur-de-lys hands, to a signed brass movement with anchor escapement and strike on five straight rods, height 11 ¼”
An early 20th Century German Walnut Mantel Clock, HAC, the plinth-shaped case with fish scale pediment surmounted by a freestanding urn over further ¾ finials, to a plain trunk and raised on a spreading moulded base on compressed bun feet, a spun brass bezel with double glass enclosing a 4” Roman enamel chapter ring with outside minute track, to a signed movement with anchor escapement and strike on a blued steel coiled gong and bearing paper trade labels and No 3080, height 17 ½”
A mid-20th Century Mahogany Cased Mantel Clock, the drum-shaped case on scrolling supports with plinth base and bracket feet, to a spun brass bezel with convex glass enclosing a 5 ¼” silvered Arabic dial with outside minute track and black painted hands, to a triple spring driven movement, with platform escapement and strike on four rods, height 8 ¼”
A late 19th Century Black Slate Mantel Clock, the architectural case with Palladian pediment and four free-standing columns, to a plinth base with cast and beaded brass bezel with bevelled glass enclosing a 3 ½” Roman enamel chapter ring (hairlines), to a gilt centre and blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a coiled gong, height 11”
A late 19th Century Black Slate Mantel Clock, the architectural case with shaped and broken pediment, with four freestanding columns to a plinth base, and cast brass bezel with bevelled glass enclosing a two-part Arabic enamel dial, with outside minute track, gilt highlighted centre with blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a coiled gong, height 12”
A mid-20th Century Oak Cased Triple Barrel Mantel Clock, the arched and waisted case with a plinth base, to a spun brass bezel with convex glass, enclosing a 5 ½” silvered Roman dial with outside minute track and black painted hands, to a triple spring-driven movement with anchor escapement and strike on five rods, height 8 ¾”
A late 19th Century Black and Rouge Marble Mounted Mantel Clock, the plinth-shaped case with inset detail and further engraved and gilt highlighted floral detail, to a beaded bezel with bevelled glass enclosing a 5” black chapter ring, with applied gilt Roman numerals to a sunk centre with visible Brocot escapement and gilt hands, to a circular brass movement with anchor escapement, strike on a bell, height 12 ½”
A late 19th Century Black Slate and Variegated Marble Mounted Timepiece Garniture, the plinth-shaped case with arched pediment to a beaded bezel and Arabic enamel dial signed “Oscar Doutrelon de Try, Aux Nille Pendulee, Lille”, and with black painted fleur-de-lys hands, to a circular brass movement with anchor escapement; together with a matching pair of urn-shaped side pieces (3)
An Oak and Mahogany 30 Hour Long Case Clock, signed John Thomas – Crewkerne, the associated case with overhanging cornice and applied swan neck pediment with three ring turned finials over freestanding columns, to a moulded throat and long trunk door, raised on a plinth base, to a 10 ¾” square brass dial, with silvered Roman and Arabic chapter ring with outside minute and inside quarters track with fleur-de-lys type half-hour markers, and matted centre with date aperture at 6, and demi-lune nameplate applied at 12, with black painted pierced hands to a 30 hour movement with corner pillar supports, with anchor escapement and strike on a bell ( associated), height 78”
A mid-19th Century Mahogany Cased 8 Day Long Case Clock, ? – Bristol, the case with arched hood and shaped pediment with urn-shaped finials over freestanding barley twist columns, to a moulded throat and short trunk door flanked by further barley twist columns, and panelled section, on a plinth base with bracket feet, to a 13” arched dial decorated with a lake scene over ruinous churches enclosing a Roman chapter ring with outside minute track, subsidiary seconds and date sector with pierced and stamped brass hands, to a plain false plate and movement with plates united by four knopped pillars and with anchor escapement, strike on a bell, height 91”
A mid-19th Century Oak, Mahogany and Rosewood Marquetry Inlaid 8 Day Long Case Clock, unsigned, the hood with swan neck pediment and further equestrian inlaid detail with further floral, foliate and bird inlay over half bobbin turned columns, to a moulded throat and short and shaped trunk door with further replicated inlaid detail, and also flanked by half turned columns on a panelled plinth base with canted corners, to a 14” third period arched and painted dial depicting children gathering water to the arch with cottage and ruined ecclesiastical corners, enclosing a Roman chapter ring with outside minute track with subsidiary seconds and date sector, and fitted with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 90”
An early 19th Century Scottish Mahogany and Boxwood Line Inlaid 8 Day Long Case Clock, David Duff – Kinross, the arched hood with circular brass bezel to a moulded throat and reed quarter columns flanking a long arched trunk door, to a panelled plinth base, and raised on bracket feet, to a signed 13” Roman dial with Arabic quarters and subsidiaries for seconds and date with black painted spade hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement, strike on a bell (associated), height 79 ½”
An early 19th Century Oak Cased 8 Day Long Case Clock, W Bearn – Wellingborough, the arched cased with swan-neck pediment and later applied caryatid mount with further spread eagle and globe finials over freestanding columns, to a moulded throat and shaped long trunk door and reduced plinth and bracket base, to a 12” arched 2nd period painted dial, painted to the arch with a female figure denoting Prosperity, within gilt floral highlights and further painted rose spandrels enclosing a Roman chapter ring with Arabic quarters and star hour markers with minute track enclosing subsidiary seconds and date sector, with pierced and stamped brass hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement, strike on a bell, height 79”
A mid-19th Century Mahogany Crossbanded and Oak 8 Day Long Case Clock, Thos Hall ? of ?, the arched hood with swan neck pediment over fluted freestanding columns, to a moulded throat and shaped trunk door flanked by canted corners to a plinth base on bracket feet, the 13” third period painted dial decorated to the arch with a young woman gathering grain, over gilt highlighted floral spandrels enclosing a Roman chapter ring with outside minute track and with subsidiaries for seconds and date, and with pierced and stamped brass hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 85”
A 19th Century Oak Cased 30 Hour Long Case Clock, R V French of Maidstone, the case with overhanging cornice and plain frieze to a gilt capped ¾ columns and moulded throat to a long trunk door and plinth base, to an 11” third period painted square dial, with gilt highlighted floral spandrels enclosing a Roman chapter ring with outside minute track and with subsidiaries for seconds and date with black painted hands, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 73 ½”
A mid-20th Century Stained Oak Triple Weight Long Case Clock, the stepped pediment to a glaze and panelled door with plinth base on bracket feet, to an 11” silvered Arabic dial with outside minute track and black painted hands, to a triple weight-driven movement with anchor escapement, strike on eight rods, height 79”
A late 19th Century tall Bookcase Cabinet, with swan neck pediment moulded with foliage and rosettes over moulded dentil cornice, and two arched panelled doors enclosing fitted adjustable shelving, the lower section with two frieze drawers over two panelled doors enclosing cupboard on a plinth base, 36” wide, 103” high
A 19th Century Oak and Mahogany full height Corner Cupboard, the cornice inlaid with Sheraton style panels over an astragal glazed door, with plush-lined interior and glass shelving, and central drawer below flanked by dummy drawers, the lower section with a panelled door enclosing cupboard with fitted shelving on a plinth base, 29” wide, 86” high
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173444 item(s)/page