Late 19th century French mantle clock with conforming Tazzas, rectangular flat-topped case in white flecked rouge marble with incised panels, seated on a stepped plinth with an ogee moulding, eight-day countwheel striking movement striking the hours and half-hours on a bell, 4-1/2� two-piece enamel dial with Roman numerals, minute markers and steel Fleur di Lis hands, visible Brocot deadbeat escapement with jewelled cornelian pallets, within a cast brass bezel with a flat bevelled glass and egg and dart slip. With pendulum. Case H35 W26 D16 Tazzas H26 Dia18
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Parisian mantle clock in a Belgium slate case depicting a seated scholar in contemplation, break front case on a deep moulded plinth with inlaid panels of variegated marble, eight-day twin train countwheel striking movement striking the hours and half hours on a bell, with a white enamel dial, Roman numerals and minute markers, steel moon hands within a cast brass bezel with a flat bevelled glass. With pendulum Dimensions: Height: 48cm Length/Width: 35cm Depth/Diameter: 17cm
Walnut longcase clock in a 20th century replica William & Mary (17th cent) style case, with a flat top, shallow cornice and plain frieze, square hood door with attached barley twist columns and concave moulding beneath, trunk with a full-length door veneered in bookmatched figured walnut with cross banding and D moulding to the edge, with a glazed circular lenticle on a conforming short plinth with applied skirting, Birdcage movement with a 11� square brass dial with matching steel hands, cast spandrels and silvered chapter ring with short Roman numerals, five minute Arabic's and minute track, dial centre finely engraved in typical Bristol style with a broad semi-circular date aperture and silvered date disc behind, chapter ring inscribed �George Smith, Beaminster�, dial pinned directly to a 30-hour chain driven (rope converted) countwheel movement striking the hours on a cast bell. With cylindrical pendulum and weight.George Smith is recorded as working in Beaminster (Dorset) c1760-98.Buried 31st December 1798. Documented as a maker of many 8-day and 30- hour clocks with brass and painted dials.Dimensions: Height: 198cm Length/Width: 34cm Depth/Diameter: 21cm
Mid-18th century 30-hour oak longcase clock by Jeremiah Henderson of Scarborough, with a flat-topped pediment, dentil cornice and blind fret frieze, square hood door with pillars attached, trunk with a long wavy topped door and crossbanding on a rectangular plinth with applied skirting, 10� square brass dial with a matted centre and silvered chapter ring, Roman numerals with half hour lozenges and inner quarter-hour track, calendar aperture with silvered date ring behind, pierced steel hand and cherub face spandrels, dial pinned directly to a countwheel chain driven (rope converted) striking movement, striking the hours on a cast bell. With weight and pendulum.Jeremiah Henderson b1718 was the son of Robert Henderson b1678 the first recorded clockmaker working in Scarborough, Jeremiah worked with and succeeded his father c 1750.Dimensions: Height: 205cm Length/Width: 45cm Depth/Diameter: 23cm
18th century c1760 oak cased George III longcase clock by William Eastwood of Burnley, with a stepped caddy top on a projecting cornice and blind frieze, square glazed door flanked by two turned pillars with gesso capitals, trunk with conforming recessed pillars and a full length wavy topped door, on a square plinth with a raised panel and shaped skirting, 12� square brass dial, 11� chapter ring with Roman numerals and five-minute Arabic�s, �C� scroll and castle gateway pattern spandrels and original steel hands, engraved dial centre with the Latin motto �Memento Mori� (a reminder of the inevitability of death) and the initials �JD�, with a semi-circular date aperture and engraved date ring behind, conforming �penny-moon� with lunar date aperture, dial pinned directly to a rope driven 30-hour countwheel striking movement, striking the hours on a cast bell, with pendulum and weight. The movement backplate is engraved with the name of the maker of the clock and dated 1762, a rare and unusual feature seldom found on longcase clocks. William Eastwood is recorded as working in Burnley (Lancs) c.1750-c.1795Dimensions: Height: 220cm Length/Width: 50cm Depth/Diameter: 25cm
Fine 19th century Scottish eight-day �Drum head� longcase clock with rack striking and a recoil anchor escapement striking the hours on a bell, circular 13� silvered dial engraved with narrow Roman numerals and minute track, steel moon hands with subsidiary seconds and date dials, cast brass bezel with a flat glass, dial inscribed � Alex Philip, Edinburgh� dial pinned directly to the four-pillar weight driven movement, with a figured mahogany veneered case, circular hood supported on the upper waisted part of the trunk with reeded quarter columns and turned capitals, with a three-quarter length door and rectangular panel beneath , plinth with bracket feet and conforming square panel, with notes regarding previous owners provenance attached to the inside of the case. Pendulum with brass bob & wooden rod, weights and spoke pulleys. Alexander Philip, Leith Walk, Edinburgh 1817-19, at 32 Greenside Street until after 1833; and 60b Princess Street in 1856. Dimensions: Height: 204cm Length/Width: 46cm Depth/Diameter: 22cm
19th century c 1860-70 Scottish mahogany longcase clock in a typical west coast designed case with a full-length hood and carved pediment, rectangular hood door beneath a narrow frieze, trunk with shallow canted corners, bow fronted door with conforming cushion mouldings above and beneath, on a short plinth with shaped skirting, painted break arch dial, broad Roman numerals, minute track and matching stamped brass hands, painted spandrels representing the union of the crowns, Scotland, England, Wales and Ireland, �Burns & Mews� depicted in the arch of the dial, with subsidiary seconds and date dials, dial inscribed �Cameron & Son, Kilmarnock�, dial pinned directly to an eight-day rack striking movement with a recoil anchor escapement, striking the hours on a cast bell. With weights and pendulum.John Cameron is recorded as working at Barrhead, Renfrewshire 1836-9, at Kilmarnock Ayrshire by 1840. Became J Cameron & Son at 11-13 King Street about 1855. Dimensions: Height: 230cm Length/Width: 49cm Depth/Diameter: 24cm
Thirty-hour oak cased longcase clock by William Bancroft of Scarborough circa 1830, with a swan�s neck pediment, brass patera and three brass spire and ball finials, stepped break arch hood door flanked by plain pillars with brass capitals, trunk with a full length door and curved arch top, on a plain square plinth with bracket feet, painted break arch dial with roman numerals and quarter hour Arabic�s, date recorder (anti clockwise) and matching brass hands, arch painted with a rural scene depicting a ruined tower and cottage with depictions of flowers to the spandrels, dial pinned directly to a chain driven countwheel striking movement, striking the hours on a bell. With weight and pendulum. The Bancroft family were prodigious Scarborough clockmakers during the 18th and 19th century, William Bancroft is recorded as working in Newborough Street from 1820 onwards. Dimensions: Height: 223cm Length/Width: 48cm Depth/Diameter: 24cm
Mahogany longcase clock with a swan�s neck pediment, brass patera and central brass finial, stepped break arch hood door flanked by reeded pillars with Corinthian capitals, trunk with a three-quarter length door and concave top, on a broad square plinth with applied shaped skirting, painted break arch dial inscribed �J Watson Kirkbymoorside�, semi-circular date aperture and subsidiary seconds dial, upright Arabic numerals and quarter hour minutes with minute track and matching steel hands, arch painted with a depiction of flowers and conforming spandrels, dial pinned via a steel false plate to an eight-day rack striking movement, striking the hours on a bell. With weights, pendulum and key.Dimensions: Height: 290cm Length/Width: 45cm Depth/Diameter: 24cm
Mahogany longcase clock, dial inscribed �Paul Lacey, Bristol�, with a swan�s neck pediment, gesso patera and central brass ball and spire finial, with silk backed open fretwork, break arch hood door and reeded pillars attached, trunk with conforming full length broken arch door and reeded quarter pillars, rectangular plinth with applied moulding and brickwork corners raised on ogee feet, break arch brass dial with matted centre, date aperture, subsidiary seconds and strike silent dials, silvered chapter ring with Roman numerals, five minute Arabic�s and half hour markers, minute track and steel serpentine hands, dial pinned directly to an eight-day rack striking five pillar movement, striking the hours on a bell. With weights, pendulum and key.Dimensions: Height: 230cm Length/Width: 230cm Depth/Diameter: 25cm
Victorian mahogany cylinder roll top secretaire desk, raised document compartments enclosed by three sliding glazed doors, the roll top revealing sliding sloped writing surface with hinged lid, pigeon and letter holes, the twin pedestals fitted with three drawers, plinth baseDimensions: Height: 158cm Length/Width: 142cm Depth/Diameter: 82cm
Chatsworth House - 19th century Victorian stained pine chest of drawers from Chatsworth House servant's quarters, moulded rectangular top over two short and three long drawers, plinth base. Provenance: Previously lot 1065 from the "Chatsworth: The Attic Sale" Sotheby's, 5th October 2010, London.Dimensions: Height: 104cm Length/Width: 103cm Depth/Diameter: 44cm
Pferdeskulptur nach Pierre-Jules Mène (1810 -1879), Regulle, Pferdegruppe 'Umarmung', auf Plinthe schwach signiert, braun patiniert, auf schwarzem Granitsockel, berieben, ca. 35x52x22 cmHorse sculpture after Pierre-Jules Mène (1810 -1879), Regulle, horse group 'Embrace', faintly signed on the plinth, brown patina, on a black granite base, rubbed, approx. 35x52x22 cm
Konvolut Weißporzellanfiguren, Rosenthal, 20. .Jh., Kernstück: Kaiser Friedrich der Große zu Pferde, Kunstabt. Selb, Modellnr. 1529, Ausf. 1934/35, auf der Plinthe sign. (Louis) Tuaillon (1862-1919) , H. 32 cm, Pferdeohr min. best., dazu: 3 Figuren bestehend aus 2 friederizianischen Gardisten u. Friedrich des Großen, Entw. Gustav Oppel, je am Sockel monogrammiert, 1930er Jahre, Stab Friedrichs best., H. ca. 17 cmCollection of white porcelain figures, Rosenthal, 20th century, centerpiece: Emperor Frederick the Great on horseback, Selb art department, model no. 1529, molding 1934/35, signed on the plinth (Louis) Tuaillon (1862- 1919), H. 32 cm, horse's ear slightly damaged,with 3 figures: 2 Frederickian guardsmen and Frederick the Great, designed Gustav Oppel, each monogrammed on the base, 1930s, Frederick's stick dam ., H. approx. 17 cm
BREKER, ARNO (1900-1991), "Fortuna", Bronze, schwarz patiniert, vollplastische Figur eines weiblichen Aktes mit ausgebreiteten Armen und zum Himmel geneigten Kopf, ihren linken Fuß auf einen Baumstumpf hinter sich stellend, an der Landschaftsplinthe im Guss signiert 'Arno Breker' und Gießerstempel 'HSD' (oder 'HDS') in Ligatur, auf schwarzem Marmorsockel montiert, H: Figur ca. 27 cm, gesamt ca. 31 cm. Leichte Altersspuren.| BREKER, ARNO (1900-1991), "Fortuna", bronce, black patina, three-dimensional figure of a female nude with outstretched arms and head tilted to the sky, placing her left foot on a tree stump behind her, signed in the cast on the landscape plinth and foundry mark 'HSD' (or 'HDS') in ligature, mounted on a black marble base, h: Figure approx. 27 cm, total approx. 31 cm. Slight signs of age.
KPM BERLIN Vase mit Weichmalerei, 20. Jh. Vorder- und Rückseite mit üppiger, polychromer Rosenbukettmalerei, Balusterkorpus über Rundfuß und oktagonaler Plinthe, 3-tlg verschraubt, florale Vergoldung an Schaft und Sockel, Zeptermarke und rote Reichsapfelmarke, Rundfuß am oberen Ende restauriert, Malerei und Vergoldung partiell berieben, H 41, 5 cm.| KPM BERLIN vase, 20th century, front and back with lavish, polychrome rose bouquet painting, baluster body over round foot and octagonal plinth, 3-part screwed, floral gilding on shaft and base, scepter mark and red imperial orb mark, round foot restored at the upper end, painting and gilding partially rubbed, H 41, 5 cm.
NYMPHENBURG Figur einer "Jachenauerin", 20. Jh. Nach einem Entwurf von Resl Schröder-Lechner, Figur in traditionell oberbayrischer Tracht auf flacher Plinthe, polychrom staffiert, ein Handtuch in den Händen haltend, am Sockel und bodenseitig mit gepresstem Rautenschild, grüner Firmenstempel, H 19, 5 cm. Schöner Erhalt mit leichten Lagerspuren.| NYMPHENBURG female figure "Woman of Jachenau", 20th century, According to a design by Resl Schröder-Lechner, figure in traditional Upper Bavarian costume on a flat plinth, polychrome decorated, holding a towel in his hands, on the base and on the bottom with pressed diamond shield, green company stamp, H 19.5 cm. Nice condition with slight signs of storage.
Modell eines Nasmyth-Dampfhammers Zwei S-förmige gußeiserne Träger auf beiden Seiten mit mittig angebrachtem und geteiltem Hammerwerk, mahagonibeplankter Zylinder mit Messingbändern, Ø 5,5 cm, Ventilsteuerung mit Handhebel, auf Holzsockel, Gesamthöhe 48 cm. Start Price: EUR 280 Nasmyth's Steam Hammer Model Two S-shaped cast-iron mounts at either side, with centrally-attached and sectioned works, brass-bound mahogany-lagged 2 ¼-inch cylinder, lever-operated valve control, on wood plinth, overall ht. 18 ½ in. Start Price: EUR 280
Fahrschulmodell "Höhm EH 52-61" und 4 Demonstrationsmodelle, um 1960 1) Demonstrationsmodell mit Handkurbelantrieb, Kühlermaske Opel Kapitän, vollständig nachgebildete elektrische Anlage, teilweise aufgeschnittene technische Teile. Teils rostig, Holzsockel beschädigt, müßte restauriert werden, Länge 108 cm. - Ein tolles Ausstellungsstück! - Und: 2) Lehrmodell "Scheinwerfer", Verkehrs Verlag Remagen (VVR), Maße 62 x 42 cm; 2 Anhängermodelle, VVR, zur Demonstration von Auflaufbremsen; Höhm-Schnittmodell eines Viertaktmotors, mit Handkurbelantrieb. Start Price: EUR 280 "Höhm EH 52-61" Driving School Model and Four Demonstration Modells, c. 1960 1) Demonstration model, Opel Kapitän radiator grill, with working engine, lights and steering mechanism, crank-drive, partly rusty, wood plinth damaged, in need of restoration, lg. 42 ½ in. - A fascinating exhibition piece and collector’s item! - And: 2) Demonstration model front light, Verkehrs Verlag Remagen (VVR), 25 x 16 ½ in.; 2 trailer models, VVR, to demonstrate overrun brakes; Höhm four-stroke engine cutaway model, with crank-drive. Start Price: EUR 280
Modell einer Vierzylinder-Verbunddampfmaschine für die Textilindustrie Maßstabsgetreues Präzisionsmodell, jeweils 2 Hoch- und Niederdruckzylinder, Ø 4,1 und 5,2 cm, Schiebersteuerung mit Stangen und Exzenterringen, 2 Wasserpumpen, große Transmissionrolle, Ø 24,4 cm, schwerer Sockel mit simulierten Fliesen, Gesamtmaße 121 x 62 cm. Start Price: EUR 2400 Model Twin Tandem Compound Steam Mill Engine Demonstration scale model of a double expansion four-cylinder engine, cylinder Ø 1 3/5 and 2 in., excentric rod and rocking lever-operated valve gear, 2 water pumps, center-mounted 9 3/5-inch flywheel, on heavy plinth with simulated tiles, overall 47 ½ x 24 ½ in. Start Price: EUR 2400
Balancier-Dampfmaschine, um 1980 England; gußeiserne Mittelsäule, obenliegender Laufbalken, Exzenter mit Stange zur Schiebersteuerung, mahagonibeplankter Zylinder, Ø 4,5 cm, über Zahnrad angetriebener Watt-Typ-Geschwindigkeitsregler, Schwungrad mit Speichen Ø 23 cm, Riemenscheibe, hergestellt aus poliertem Stahl, Gußeisen und Messing. Auf Holzsockel, Gesamtmaße 46 x 29 x 36 cm. Getestet mit Druckluft, funktioniert. Start Price: EUR 750 Watch and Listen on:Youtube.com/AuctionTeamBrekerModel Walking Beam Steam Engine, c. 1980 England, polished steel, cast-iron and brass construction, with a cast single center pillar supporting an overhead walking beam, eccentric rod slide valve control, mahogany-planked single cylinder, Ø 1 ¾ in., gear-driven Watt-type governor, spoked 9-inch flywheel, belt-pulley, on wood plinth, overall 18 ¼ x 11 2/5 x 14 1/5 in., tested with pressure air, working. Start Price: EUR 750 Watch and Listen on:Youtube.com/AuctionTeamBreker
ALAN LYDIAT DURST ARA (BRITISH 1883-1970) HORSE HEAD ON PLINTH Marble, signed, dated (1932), 28 x 18 x 9cm (11 x 7 x 3.5") The Hampshire born artist was educated at Marlborough College and also in Switzerland. He is a distinguished British artist, wood carver and sculptor. Initially pursuing further education in stained glass, Durst swiftly learnt that he was mesmerised by cathedral statues and architecture, and hence the fine craft of sculpting. He was a curator of the George Frederic Watts Museum in Compton, and went on to teach wood carving at the Royal College of Art. Notable exhibitions include the Leicester Galleries, London and the Royal Academy. Three of his works are now held in the permanent collection of the Tate Gallery, London. Condition Report:Available upon request
DAN BODELSON (AMERICAN b. 1949) TWO HOUNDS Bronze on marble plinth, signed, 26cm (10.25") (height including plinth) Condition Report:On inspection the bronze has a nice brown patina and apart from one lead on one of the hounds which has come loose at one end but intact, the bronze is in good condition.
PHYLLIS MARY BONE RSA (SCOTTISH 1896-1972) GOAT; WILD BOAR Wood carving, signed (Wild Boar dated (19)36), 31.5cm (12.5"), 27cm (10.75") (respectively, including plinth) Condition Report:On inspection and apart from obvious layers of dust, both wood carvings are intact and in good condition.
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173487 item(s)/page