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Click here to subscribeA Victorian Walnut and ebonised Credenza applied throughout with gilt metal mounts, the central panelled door with a gilt metal mounted sevres panel, painted with a young man and woman in a forest glade, flanked on either side by bowed glazed cabinets enclosing fitted shelving, plinth base with compressed bun feet, 66” wide
A fine pair of Mid 19th Century Dieppe carved Ivory figures, depicting a gentleman carrying a walking cane, and lady carrying a purse and bonnet, each with a dove, carrying correspondence, (slight losses), and each on ebonised baluster plinth bases, height 8” (ILLUSTRATED INSIDE FRONT COVER)
VICTORIAN CARVED OAK EXTENDING DINING TABLE with numbered leaves in cabinet, the table having quadrant mould edge, foliate carved, mask and foliate frieze below, on lion mask and large bulbous acanthus carved supports, bun feet and castors, extending to 453 cm (4.53 metres) long, having centre support, the six leaves in cabinet with shaped sides and plinth base, 48 cm wide
An oak thirty-hour longcase clock John Walford, Banbury, early 19th century The countwheel bell-striking movement with 12 inch square white painted Arabic numeral dial with arched calendar aperture and signed J. Walford, Banbury to the floral spray painted centre, the angles with conforming decoration, the swan neck pedimented case with reeded hood pilasters above short rectangular trunk door flanked by reeded uprights, on plinth base with bracket feet, 206cm high. John George Walford is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Banbury 1814-53.
A mahogany eight-day longcase clock with rocking figure automaton Mid 19th century The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral dial with subsidiary seconds dial and bearing signature John Sinkinson, Doncaster to the convex centre, with gilt foliate painted spandrels to angles and scene with rocking horse and jockey to arch, the break-arch pedimented case with twist turned columns to hood above shaped-top short trunk door and conforming columns to trunk, on crossbanded plinth base with ogee bracket feet, dial refinished, 232cm high.
A rosewood crossbanded mahogany eight-day longcase clock with moonphase Moorhouse, Huddersfield, mid 19th century The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed MOORHOUSE HUDDERSFIELD to the centre within abbey and castle ruin painted spandrels to angles below rolling moonphase to arch, the swan neck pedimented case with twist turned pilasters to hood above shaped-top short trunk door flanked by canted angles, on line inlaid plinth base with cushion moulded skirt, 237cm high.
An oak eight-day longcase clock Part 18th century The 19th century four-pillar rack and bell striking movement now with a 12 inch square brass dial with subsidiary seconds dial, calendar aperture and ringed winding holes to centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, cruciform half hour markers and bearing signature Dan.l Robinson Northampton to lower edge, the angles with Indian mask and scroll cast spandrels, in a case with ogee moulded caddy above blind fret frieze and integral pilasters to hood and long break-arch door to trunk, on plinth base with moulded skirt, composite, 210cm high.
An unusual oak eight-day longcase timepiece Abraham Torn, Sheffield, mid 18th century The four-pillar movement with anchor escapement and 10.75 inch square single-sheet brass dial with subsidiary seconds dial and curved applied plate signed Abraham Torn, Sheffield to centre within a Roman numeral chapter ring with Arabic five minutes and plain spandrels to angles, the slender case with tall ogee caddy and integral pilasters to hood above long rectangular trunk door and plinth base with moulded skirt incorporating bracket feet, 220cm high.
An inlaid mahogany eight-day longcase clock William Lunan, Aberdeen, early 19th century The four-pillar rack and bell striking movement with 12 inch single-sheet silvered brass Roman numeral break-arch dial with subsidiary seconds dial, calendar aperture and signed W'm Lunan, Aberdeen to the centre, the spandrels engraved with the initials W.J. C.G. beneath strike/silent dial and foliate scroll engraved decoration to arch, the swan neck pedimented case with reeded Corinthian pilasters to hood above conch shell centred break-arch long door flanked by quarter columns to trunk, on line bordered plinth base with bracket feet, 217cm high. The initials within the spandrels suggest that this clock was presented as a marriage gift.
An oak thirty-hour longcase clock John Chance, Chepstow, circa 1790 The countwheel bell-striking movement with 11 inch square single-sheet Roman numeral silvered brass dial with arched calendar aperture and signed Jno. Chance Chepstow within the Old Father Time, peacock and foliate scroll engraved centre, the chapter ring with Arabic five minutes within scroll engraved decoration to spandrels, the case with swan neck pediment and blind fret infill above integral pilasters to hood, the trunk with long rectangular door, on plain plinth base, 204cm high. John Chance is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Chepstow 1760-91.
An oak thirty-hour longcase clock William Barnard, Newark, mid 18th century The countwheel bell-striking movement with 11 inch square brass dial signed W. Barnard, Newark within a rectangular cartouche to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers, the angles with applied foliate cast spandrels, the case with cavetto cornice above integral pilasters to hood, break-arch long trunk door and a reduced plinth with double skirt, 189cm high. William Barnard is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Newark 1707-84.
A mahogany crossbanded oak eight-day longcase clock with penny moon 18th century and later The 19th century four-pillar rack and bell striking movement with 12 inch square brass dial with arched calendar aperture, ringed winding holes and penny moon, with age of the moon aperture to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes, fleur de lys half hour markers and signed Woolley, Codnor to lower edge, the angles with winged cherub's head and foliate cast spandrels, in a case with swan neck pediment above turned pilasters to hood and shaped-top crossbanded short rectangular trunk door, on tall plinth base with double skirt, composite, 216cm high.
An inlaid mahogany eight-day longcase clock Late 18th century and later The four-pillar triple train rack and bell striking movement with incomplete quarter chiming work, now with a 12 inch brass break-arch dial with subsidiary seconds dial and shaped silvered plaque bearing signature Tho: Gardner, London to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and bird and urn cast spandrel applied angles, the arch with silvered boss engraved with a sunburst and inscribed TEMPUS FUGIT between dolphin cast mounts, in a pagoda pedimented case with line inlaid pilasters to hood above conch shell centred break-arch trunk door and conforming panel fronted plinth base with reduced ogee bracket feet, composite, movement altered and incomplete, 225cm high.
An oak and mahogany eight-day longcase clock Kerr & Co, Swansea The four-pillar rack and bell striking movement with 12.5 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed Kerr & Co, Swansea to the convex centre, with cottage painted spandrels to angles and scene of young girl with a lamb to arch, the swan neck pedimented case with baluster turned pilasters to hood above short trunk door flanked by canted angles, on crossbanded plinth base, 203cm high.
A mahogany eight-day longcase clock with moonphase Jn.o Hughes, Carnarvon, early 19th century The four-pillar rack and bell striking movement with 13.5 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to the castle landscape painted centre, the chapter ring signed Jn.o Hughes Carnarvon to lower edge within cottage painted spandrels to angles and with rolling moonphase to arch, the swan neck pedimented case with double baluster turned and carved pilasters to hood above short crossbanded rectangular trunk door flanked by conforming pilasters, on raised panel fronted plinth base with ogee bracket feet, 231cm high. John Hughes is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Carnarvon 1844-63.
An oak thirty-hour longcase clock John Pearce, Stratford, early 19th century The four-pillar outside countwheel bell-striking movement with 11 inch square white painted Roman numeral dial with calendar aperture and signed Jn. Pearce Stratford to the bird and flower painted centre within floral spray decorated spandrels, now in an earlier case with moulded cornice above turned pilasters to hood, crossbanded shaped-top trunk door and plinth base with moulded skirt, 203cm high.
A mahogany and oak eight-day longcase clock Haseldin, Shales Moor, Sheffield, early 19th century The four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and signed Haseldin Shales Moor Sheffield to centre, with floral painted spandrels and scene of resting fisherman to arch, the swan neck pedimented case with turned hood pilasters above short trunk door flanked by lobed pilasters, on crossbanded plinth base, 214cm high.
A mahogany crossbanded oak thirty-hour longcase clock Unsigned, early 19th century The countwheel bell-striking movement with 12 inch white painted Roman numeral break-arch dial with arched calendar to centre and polychrome foliate painted spandrels, the arch decorated with a hunting scene, the swan neck pedimented case with reeded pilasters to hood above short trunk door and conforming plinth base, 219cm high
A French gilt metal mounted green shell portico mantel clock Hatton, Paris, mid 19th century The eight-day outside countwheel bell-striking movement signed Hatton, Paris to backplate, with white enamel Roman numeral dial beneath scroll sided shaped-top crest above four gilt metal capped Corinthian columns and inverted breakfronted plinth base with foliate engraved and pierced mounts to front, 29cm high.
A French lacquered brass alarm carriage clock with push button repeat Unsigned, late 19th century The eight-day gong-striking movement with platform lever escapement and white circular Arabic numeral dial above a subsidiary alarm setting dial within a gilt mask to front, the case with hinged carrying handle above moulded cornice and canted angles applied with slender double baluster turned uprights, on shaped plinth base with bun feet.
A German oak cased quarter chiming bracket clock Junghans, early 20th century The two-train movement chiming the quarters on four gongs and striking the hour on a further gong, the brass full-arch dial with matted centre within an applied silvered Arabic numeral chapter ring beneath regulation and chime/silent dials to arch within a foliate scroll etched gilt ground, the case with moulded caddy top above pilaster applied canted angles and moulded plinth base with pad feet, 44.5cm high.
A Victorian burr walnut stationery-writing box, by Haughton and Gunn, the top with a recessed handle above a fall front enclosing a leatherette writing surface, red leather letter box, pigeonholes marked Letters Answered, Letters Unanswered, Bills Paid and Bills Unpaid, an inkwell and stamp and match holders, the lock stamped Batson's Patent, on a plinth base, 37cm high, 29cm deep, 41cm wide
A Swiss Black Forest carved eagle, late 19th century, in the manner of Alfred Stahli of Brienz, Switzerland, standing on a stylised rocky base with a canted plinth, inscribed to underside CEH & Wg in blue This eagle is similar to eagles exhibited by Stahli at the Philadelphia Great Exhibition of 1876. Provenance: Charles Ethelbert Hillman (d. 1939) who was mayor of Tunbridge Wells in 1938-39. Every Summer he and his family holidayed in Switzerland and brought back various Black Forest carvings as souvenirs.
A Victorian gilt brass mounted walnut and marquetry display cabinet, circa 1860, with matched veneers and inlaid with shaded and engraved leafy scrollwork and florets within tulipwood banded and strung borders, the silk lined interior with shelves enclosed by a door with re-entrant angles and flanked by freestanding pillars inlaid with flutes, gilt brass classical mounts throughout, on a plinth, 114cm high, 108cm wide, 41cm deep
Heal & Son - a Victorian mahogany chest of drawers, late 19th century, with rounded angles, the ovolo moulded top with shallow three-quarter gallery above two pairs of short drawers and three long drawers with turned handles, on a moulded plinth, 91cm high, 113cm wide, one drawer stamped 'Heal & Son, London' Provenance: Previously Norwood Park, Nottinghamshire
A mahogany secretaire bookcase, mid 19th century, the moulded cornice above two glazed doors flanked by turned columns, the lower section with cushion moulded drawer, the hinged front opening to small drawers and pigeon holes, above two doors opening to two sliding trays, on a plinth base, 193cm high, 113cm wide, 54cm deep
A Victorian walnut and marquetry side cabinet, the associated mirror back with three arches and a leaf and scroll carved floral crest, the shaped base with a white marble top above four doors flanked by turned and carved pilasters and inset with arched mirror panels, on a plinth base, 201cm high, 151cm wide
Henry Harper, London, a George III mahogany chiming longcase clock, the pagoda hood with later applied sunburst motif and brass stop-fluted pillars, the trunk with breakarch door and raised on a panelled plinth with stepped base, the 12 inch dial with chime silent disc to the arch (later lettering and hand) 2 position tune selection lever to the right side, gilt mask spandrels, repaired hands, with 3 train 8 day bell striking movement, 235cm high
A William IV mahogany secretaire bookcase, the upper section with arched cornice above a pair of glazed doors enclosing adjustable shelves flanked with spreading split columns, the lower section with moulded rectangular top above a fitted secretaire drawer and a pair of panelled cupboard doors enclosing further adjustable shelves flanked with spreading split columns, standing on a plinth base, 90cm wide, 40cm deep, 218cm high
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