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Lot 541
FRENCH BRONZE FIGURE OF A CLASSICAL MAIDEN LATE 19TH CENTURY possibly after Albert Ernest Carrier-Belleuse (French 1824 - 1887), dark brown patina, the draped figure standing on a knoll of flowers and bullrushes pouring water from an urn, on a circular grey marble plinth base; unsignedDimensions:67cm high, 22cm diameter
Lot 478
PAIR OF CONTINENTAL CARVED OAK AND STAINED-GLASS BOOKCASE CABINETS 19TH CENTURY in the 17th century style, the upper cabinets with projecting cornices above arched moulded doors with leaded stained-glass panels; on lower cabinets with frieze drawers above carved and fielded panel doors, finishing on plinth bases, with chip-carving, carved figures and masks with brass ring handlesDimensions:90cm wide, 221cm high, 53cm deep
Lot 395
VICTORIAN PITCH PINE WARDROBE, ATTRIBUTED TO HOWARD & SONS LATE 19TH CENTURY the crenelated cornice with urn finials to the corners, above a pair of raised panel door all outlined with faux bamboo moulding, on a plinth base; the interior with hanging space, sliding trays and two deep drawersDimensions:151cm wide, 225cm high, 63cm deep
Lot 358
MINTON PINK GROUND VASE AND COVER CIRCA 1850-60 with pierced twin handles, the domed cover with a leaf finial, the body painted with classical maidens with a swans, within a border of ribbands and cornucopia; the reverse with a portrait roundel flanked by winged putti and floral garlands; the neck painted en grisaille, on a round socle foot and square plinth base; ermine mark and incised numeral 469Dimensions:43cm high
Lot 367
Y FOUR VARIOUS TUNBRIDGE WARE TABLE CABINETS 19TH CENTURY comprising a rosewood example, the top with a view of Muckross Abbey, the two front doors with flowers, opening to four graduated drawers containing dominoes and draught pieces, on a plinth base with four bun feet, 17cm high, 20.3cm wide, 16cm deep; two cabinets, one rosewood and one birds eye maple, each with mixed floral sprays, opening to three graduated drawers with bands of decoration, the rosewood example with bun feet, the rosewood example 16cm wide, 14.5cm high, 14cm deep, the birds eye maple example 16.5cm wide, 13.5cm high, 12.8cm deep; and a rosewood example, the bevelled top with a stylised foliate motif within barber's pole banding and two stylised borders, the hinged front panel labelled 'Hurstwood Cottage' within barber's pole banding and a stylised border, opening to four graduated drawers, three inlaid with a geometric panel, 17cm wide, 14.5cm high, 12.4cm deepDimensions:largest 21cm wideNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 27
SCOTTISH CARVED OAK LONGCASE CLOCK, BY ANDREW BAIRD, KILBRYDE 19TH CENTURY the swan neck pediment centred by a carved winged hourglass, above an arched brass dial with a Roman numeral chapter with date aperture and subsidiary seconds dial, the arch boss signed by the maker, the trunk with an arched door carved with a figure of an archer, on a plinth base on bracket feet, the surface carved throughout with foliate scrolls, palmettes and stylised plant motifs, the eight-day twin chain movement striking a bellDimensions:232cm high, 52cm wide
Lot 224
BLUE JOHN COLUMN 19TH CENTURY modelled as a Doric column on a square plinth, the mounts carved in white marble and black slate, together with BLUE JOHN OBELISK, of tapering square form with fills and lossesDimensions:column 8cm wide, 31cm highProvenance:Provenance: Paxton House, Berwickshire, thence by family descent to the current vendor
Lot 579
Y NAPOLEON III EBONISED AND PREMIÈRE PARTIE BOULLE MARQUETRY CREDENZA MID 19TH CENTURY the shaped demi-lune top with a pierced brass gallery above a central recessed panel door decorated in the manner of Berain, flanked by glazed quarter-round doors enclosing shelves with mirror backs, flanked and divided by gilt bronze terms, on a shaped plinth baseDimensions:111 cm wide, 102cm high, 41cm deepProvenance:Provenance: Private Scottish Collection, Morayshire
Lot 258
Y WILLIAM IV ROSEWOOD, BRASS, AND PORCELAIN MOUNTED MARBLE TOPPED CREDENZA EARLY 19TH CENTURY the superstructure with a pierced brass gallery and bead moulding above a central mirror plate flanked by shelved compartments, flanked and divided by gilt metal columns and trellis supports; on a breakfront base with a white marble top over three frieze drawers with Sèvres style porcelain mounts, over mirrored doors enclosing shelves, all flanked and divided by spiral turned columns, on a bead moulded plinth baseDimensions:186cm wide, 166cm high, 45cm deepNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 440
An early 20th century Continental silver model of St. George slaying the dragon on a pierced and jewelled quatrelobed plinth base, import mark London 1927 by A.P.M, weight 629g, height 17.6cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 63
Cricket: A hallmarked silver trophy, 'The Brylcreem Cricket Cup', inscribed on the base 'awarded to Derek Shackleton, Hampshire, for his bowling performances throughout the 1958 season', the twin handled urn and lid By Garrard and Company, London, 1958, weight 10oz, height 23.5cm, on a turned ebony plinth, with photograph showing Derek and the other winners and a portrait photograph (3)
Lot 5
Egyptian ceramic seated lion, retaining some of the original painting. With a sticker from Mathias Komor affixed along the underside of the lion. Komor was one of the first New York art and antiquity dealers to handle ancient and primitive art. The sticker reads "Mathias Komor Works of Art New York" and is numbered 0713. With a small wooden plinth.Lion; height: 1 1/2 in x width: 2 3/4 in x depth: 1 in. Base; height: 1 in x width: 3 1/4 in x depth: 1 1/2 in.Condition: Some of the original painting is still visible, particularly the red along the mane of the lion. There is a large loss along the front of the lion; the front paws are missing. There is an additional loss along the back of the lion. There are a few minute chips along the edge of the base of the lion. Light wear to the wooden base. Minor loss to the sticker affixed underneath the lion.
Lot 217
BOUKE DE VRIES (DUTCH, B. 1960)Dutch delft bust with biscuit porcelain pug dog headmounted on an ebonised plinth under a glass dome17.5cm highARRProvenanceThe Estate of the Late Meredith Etherington-Smith (1946-2020);Please see the Bellmans website article for further informationFootnoteBourke de Vries is a Dutch ceramic conservator and artist, who studied at West Dean College after an initial career in the fashion industry. He is now highly successful and represented by Adrian Sassoon in the UK and internationally.
Lot 161
A WELSH GEORGE III OAK THIRTY HOUR LONGCASE CLOCKP. LLOYD, LAWHADEN, SECOND HALF OF THE 18th CENTURYThe posted countwheel bell striking two-handed movement with anchor escapement regulated by seconds pendulum, the 11 inch square brass dial with calendar aperture to the Prince-of-Wales feather decorated matted centre within applied Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, with scroll pierced steel hands and female mask and scroll cast spandrels to angles, in a case with generous architectural cornice incorporating swollen frieze over hinged glazed dial aperture applied with slender three-quarter columns to front angles, the sides with conforming quarter columns set against bargeboards at the rear, the trunk with cavetto throat moulding over tall ogee-arch topped caddy moulded door centred with a parquetry star, on plinth base with stepped-ogee top mouldings and shallow moulded skirt.230cm (90.5ins) high, 52cm (20.5ins) wide, 30.5cm (12ins) deep. A P. Lloyd is recorded in Loomes, Brian Clockmakers and Clockmakers of the World as working in Llanhaden, Pembrokeshire in 1806.Condition Report: Pendulum and weight is presentCondition Report Disclaimer
Lot 232
A FRENCH PATINATED METAL FIGURE MOUNTED GILT AND ONYX MANTEL CLOCK GARNITUREUNSIGNED, CIRCA 1900The eight-day countwheel bell striking movement with anchor escapement regulated by disc bob pendulum incorporating Brocot type regulation to suspension, the backplate stamped with serial number 8117 to centre left over 9 10 to lower margin, the circular cream enamel Arabic numeral dial centred with an applied gilt grotesque chimera within vertically aligned numerals to chapter ring, with blued steel hands set within egg-and-dart moulded surround behind hinged bevel-glazed cast gilt brass bezel, the pedestal-form case with surmount cast as a winged female Putti holding a flaming torch seated on a stool, over break-arch cornice and leafy-spray decorated bowed fluted section beneath the dial flanked by seated putti to front angles, the sides decorated with raised vertical batons, on stepped cavetto mounded onyx plinth base incorporating central bowed section to front over foliate cast gilt paw feet with pendant apron between; the candelabra each with surmount cast as a kneeling putto supporting a ewer on their back over stepped base incorporating gilt Vitruvian scroll frieze, cavetto moulded onyx skirt and gilt paw feet, (3).The clock 51cm (20ins) high, 28cm (11ins) wide, 18cm (7ins) deep; the candlesticks 40cm (15.75ins) high, 14cm (5.5ins) wide.Condition Report: Movement is in original but dirty/neglected condition, however it does run and strike hence a gentle clean and service is probably all that is required if intending to put the clock into daily service. The dial has a some very slight ear around the winding holes and the chimera cast centre is loose otherwise appears to be in fine original condition. The surmount to the case has at some point become detached at the junction of the feet of the stool and the platform onto which it rests; it has subsequently glued back into position. The case otherwise is in good original condition with overall age-related mellowing and light wear to the original finishes. Other than a few very small edge bruises the onyx appears free from visible damage/faults.The candelabra appear free form damage or repairs with faults limited to minor edge chipping to the onyx.Clock has pendulum but no winding key. Condition Report Disclaimer
Lot 88
A GILT GESSO AND WHITE MARBLE CONSOLE TABLE IN LOUIS XVI STYLE 19TH CENTURY94cm high,154.5cm wide, 47.5cm deepProvenance: Purchased in these rooms Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe marble with marks and some stains, the usual chips and knocks and the edges and extremities The giltwood surface with some distressing, discolouration, some splits and cracks, openings to the joints, the gilt surface appears to have been refreshed overall, some of the unevenness perhaps to simulate age to the surfaceThe rails are certainly old and 19th century and catalogued This has a flat plinth to the centre of the stretchers, something probably was designed to sit here - this element has never been present whilst at Dreweatts Overall solid and stablePlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 87
A FRENCH SEVRES STYLE PORCELAIN INSET ORMOLU MANTEL CLOCKBARRARD AND VIGNON, PARIS, CIRCA 1880The circular two train eight-day bell striking movement with anchor escapement for regulation by a disc bob pendulum incorporating Brocot type regulation to suspension, the backplate stamped BARRARD & VIGNON, F'T D'HORLOGERIE, RUE COMMINES 7 and numbered 3680 to upper left and with JAPY FRERES & C., G'D MED D'HONN roundel over further number 6 9 to centre, the circular porcelain dial with nesting bird polychrome painted centre within gilt bordered blue ground Roman numeral cartouche chapter ring, the blued steel spade hands set within bead cast bezel, the case cast with twin handled urn surmount incorporating foliate bub finial and floral trail painted porcelain collar to waist, tied ribbon crest issuing husk swags draped around the dial flanked by generous outswept side scrolls capped with lion's mask handles, the centre inset with a panel painted with a courting couple within blue border and leaf-cast surround, the breakfronted D-ended base inset with a landscape painted panel and with foliate apron mount to centre flanked by further floral trail decorated panels beneath fluted mouldings to sides, on leaf cast disc feet; with a pair of ormolu mounted onyx urn side pieces, late 19th century, each with foliate bud finial over flared collar and ovoid body applied with gilt Satyr mask handles, on fluted cavetto base applied to a circular plinth with rosette decorated panels and leaf cast feet, (3).The clock 40.5cm (16ins) high, 34cm (13ins) wide, 14cm (5.5ins) deep; the side pieces 32cm (12.5ins) high, 13cm (5ins) wide. Provenance:The Rowse Collection.
Lot 82
A WALNUT AND FEATHER BANDED DRESSING MIRROR IN GEORGE II STYLEEARLY 20TH CENTURYwith rectangular bevelled plate supported by moulded square tapering columns, the base with three shaped drawers on moulded plinth and bracket feet72cm high, 48cm wide, 25.5cm deepProvenance:Probably supplied by Oliver Messel
Lot 83
A GEORGE II WALNUT CHEST OF DRAWERSCIRCA 1740With herringbone crossbanding, with two short and three graduated long drawers on plinth base, with scrolled bracket feet99.5cm high, 102cm wide, 51cm deepProvenance:Formerly the Messel family collection at Nymans Removed to The Boudoir at Holmstead Manor in 1947 after the disastrous fire and thence by descent to Oliver Messel Supplied by Oliver Messel to Frederick and Phyllis Watkins for Flaxley AbbeyCondition Report: Overall scratches, knocks and abrasions consistent with age and use.There are losses, observations and restorations including: the veneers darker to the top; the chest has, at some stage, been cut in half with visible horizontal lines to the sides; there is evidence of worm; some restoration including the use of filler, some fillets of wood inserted, patching, later sections of veneer, later non-matching escutcheons and handles; the top is bowed in an upward direction to the front; vertical backboards with aged tape; the drawers have oak sides and bases and pine backs; some movement to the drawer fronts so that they do not sit quite flush.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 92
A WALNUT EIGHT-DAY LONGCASE CLOCK WITH AN ELEVEN-INCH DIALTHE DIAL INSCRIBED FOR RICHARD FENNELL, KENSINGTON, LATE 17th CENTURY AND LATERThe four finned pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, now fitted with an 11 inch square brass dial with subsidiary seconds dial and ringed winding holes and calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with Fleur-de-lys half markers, Arabic five minutes beyond the outer minute track and engraved Ric. Fennel, Kensington to lower margin, with scroll pierced steel hands and Indian mask and scroll cast spandrels to angles, in a walnut veneered case with ogee cornice and foliate fretwork frieze above hinged front with glazed dial aperture flanked by three-quarter columns with brass caps and bases, the sides with rectangular windows and conforming quarter columns set against bargeboards at the rear, the trunk with convex throat moulding over 42 inch rectangular door faced with book-matched veneers and centred with a brass lenticle within half-round crossgrain edge mouldings and line inlaid surround, the sides veneered with twin line-bordered panels within crossbanded surrounds, on conforming panel-veneered plinth base with ogee top mouldings and bun feet.203.5cm (80ins) high, 49.5cm (19.5ins) wide, 27.5cm (10.75ins) deep.Condition Report: The case marks, knocks, scratches, abrasions consistent with age and useSplits and cracks, chips and lossesThe lower portion of the case appears to have been 'cut down' and shortened, it is out of proportion with the hoodMovement and case not guaranteed to be original togetherThere is a pendulum, and two metal cased weights available with the lot, the movement is untested, Dreweatts recommends that it receives professional attention from a clock restorer before use to give it a good clean and set up as required - we make no guarantees or comments as to whether it is working or give any comments as to longevity or accuracy.Placement of one hinge has been altered in position and has signs of filler in this placeLenticule glass intact Please see additional images for visual reference to conditionCondition Report Disclaimer
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172950 item(s)/page